Purchase AJA Io XT for broadcast-quality capture, monitoring and output for Avid and receive free Eye Scream Factory presets to quickly add stunning effects to your productions. Pair Io XT with Avid, MacBook Pro and Thunderbolt storage for a no-compromise
more...
For a limited time, Digistor is including Digital Tutors online training with every commercial 3ds Max or Maya purchased* giving you and your team access to the world's largest online CG training library for free.
more...
Grass Valley and Corsair Solutions are proud to announce that, as part of a special competitive upgrade promotion, users of Apple's Final Cut Pro, Adobe Premiere, and Avid's Media Composer can now upgrade to EDIUS 6 nonlinear editing software for just...
more...
IF and the Sydney Film Festival are giving away a Flexi10 worth $137
more...
Your Vote
Do you agree that the producer offset should be raised from 20 to 40 per cent for television?
Yes
No
|
ARRI charts up good Long Weekend
[Wed 23/01/2008 02:52:53]
By Simon de Bruyn
Long Weekend, the first Australian feature to utilise the ARRIFLEX D-20, has wrapped its five week shoot in Victoria’s south east, with further pick ups planned for February.
The film, a remake of the 1978 Australian thriller of the same name, stars Jim Caveziel and Claudia Karvan in the lead roles. Jamie Blanks is directing, having just completed low budget thriller Storm Warning, which is due to local release later this year.
DOP Karl von Moeller told Inside Film two of the D-20s were used for the shoot, and went really well despite the challenges of filming in harsh weather.
'The camera is really robust and it’s engineered really well. We were filming on location, in harsh winds, 40 degree heat, rain, dust and sand, and the camera never faltered. They were very reliable and surprised me on a daily basis, just how remarkable the images looked,' he said.
Von Moeller most recently shot Storm Warning with Blanks, and before that was the Australian unit DOP for British heist film The Bank Job.
