Email
 
 

QUICK LINKS:

IF Magazine
IF Awards
Production Book
IF FX Quarterly

 

HotWare
 

Want up to a year's free training for Autodesk's 3ds Max, Maya and others

For a limited time, Digistor is including Digital Tutors online training with every commercial 3ds Max or Maya purchased* giving you and your team access to the world's largest online CG training library for free. more...

 

Crossgrade to EDIUS 6 for $449 and experience real realtime editing

Grass Valley and Corsair Solutions are proud to announce that, as part of a special competitive upgrade promotion, users of Apple's Final Cut Pro, Adobe Premiere, and Avid's Media Composer can now upgrade to EDIUS 6 nonlinear editing software for just... more...

 

Sony's PMW-F3. The Scalable Super35mm Solution

The PMW-F3 Super35mm digital cinematography camera from Sony truly represents a breakthrough for independent producers, filmmakers and videographers looking for maximum value in these days of ever-tightening budgets. more...

Goodies!
 

CLOSED: 4-week "Step Into Acting" course at Sydney's ACTT

Thanks for entering the competition. It has now closed. more...

 

CLOSED: Shame in-season pass AND "mirror" poster

Thanks for entering our competition. It's now closed more...

 

Competition closed: The Art of The Adventures of Tintin book

Congrats to the winners more...

Your Vote

Should cross-platform services like YouTube and Bigpond have an obligation to local content?

Yes

No

|

 

Screen Aus reveals losses

[Fri 11/12/2009 12:52:37]

By Brendan Swift

Screen Australia has not recouped its initial investment in a single feature film, TV or documentary production over the past three years.

The data, released to the Senate this week, comes amid an ongoing industry debate about the role film plays within the competing interests of commerce, art and culture.

Two feature films have posted returns over the past three years from Screen Australia’s 32 investments.

Jane Campion’s Bright Star, which has performed well at the US box office and will be released in Australia later this month, has returned just over one-quarter of Screen Australia’s initial $4.45 million investment.

The film’s total budget was about £6.7 million ($A16.7 million).

Warwick Thornton’s indigenous love story Samson & Delilah has returned $116,374 of Screen Australia’s initial $1.37 million investment. The film’s total budget was about $1.6 million.

Samson & Delilah, which won the Caméra d'Or award at the Cannes Film Festival earlier this year, took more than $3.1 million at the local box office. It had also posted $209,000 in gross international sales by early November.

The Screen Australia data was released to the Senate this week in answer to a question on notice from Liberal Senator Simon Birmingham. The data shows Screen Australia's investment and recoupment for all titles delivered since February 2007.

Nine of Screen Australia’s 34 investments in TV productions returned money to the screen agency.

The most successful was Channel Nine’s crime drama Underbelly, which returned more than 44 per cent of Screen Australia’s initial $2.94 million investment.

Among the 99 documentaries funded, 19 returned money to Screen Australia.

[Fri 11/12/2009 12:52:37]

4,599

 

 

 

 


 

 

Advertise

Quick Links

About us

 

Subscribe

Visit Intermedia Sites

 

© IF (IF) | Contact Us | Privacy | Copyright