http://if.com.au/ Inside Film - Australia en-us http://blogs.law.harvard.edu/tech/rss info@if.com.au (The Editor) http://if.com.au/2013/06/19/article/The-Rocket-Wins-Again/XYHETUVDRU.html http://if.com.au/2013/06/19/article/The-Rocket-Wins-Again/XYHETUVDRU.html Inside Film Correspondent <p> The Rocket has wowed its hometown crowd, taking out the Audience Award at the 2013 Sydney Film Festival. This follows the film’s big wins at both the TriBeca and Berlin Film Festivals earlier this year where it also won an Audience Award, as well as other major prizes. “After the successes at Berlin and TriBeca, it’s a great feeling for the film to be embraced by our home town. We make films for an audience, and seeing the Sydney audience so moved and excited by The Rocket as it screened at the State Theatre will live forever in my memory,” said writer/director Kim Mordaunt. Kim and producer Sylvia Wilczynski were joined at the Sydney Film Festival by several of the cast who travelled from Laos and Thailand to be at the Festival, as well as a large number of the Australian crew. At the recent Tribeca Film Festival in New York, The Rocket took out the Audience Award, the Best Actor Award for its young lead actor, 10-year-old Sitthiphon Disamoe and the the Best Narrative Feature Award, which was presented to the filmmakers by the festival’s co-found Robert de Niro. The Rocket will be released in cinemas around the US and Canada later this year. At this year’s Berlin Film Festival the film won the Crystal Bear for Best Feature (Generation Kplus program), Best First Feature (across all sections of the Festival) and the Amnesty International Film Prize, also judged from all sections of the Festival. Filmed on location in Laos and Thailand, The Rocket was written and directed by Kim Mordaunt and produced by Sylvia Wilczynski. Sitthiphon Disamoe stars as Ahlo – a boy who enters a traditional rocket festival competition to help save his poverty-stricken family who have been uprooted for the construction of a dam. Curious Distribution will release the film nationally on August 29.</p> Wed, 19 Jun 2013 14:09:15 +1000 http://if.com.au/2013/06/19/article/Tango-Underpants-Commences-Principal-Photography/MKKFVJVKJD.html http://if.com.au/2013/06/19/article/Tango-Underpants-Commences-Principal-Photography/MKKFVJVKJD.html Inside Film Correspondent <p> Tango Underpants Pty Ltd began principal photography on its highly anticipated romantic comedy, Tango Underpants, in Argentina today. A playful and engrossing short film, Tango Underpants was written by John Collee (HAPPY FEET, MASTER AND COMMANDER) and stars Emma Booth (PARKER, CLUBLAND, Underbelly: Golden Mile.) It is being co-directed by Miranda Edmonds and Khrob Edmonds, and photographed by award-winning cinematographer Denson Baker ACS (ORANGES AND SUNSHINE, THE BLACK BALLOON.) Tango Underpants tells the story of Carolyn (Emma Booth) - a young Australian backpacker who, after a bad breakup and too long on the road, has completely lost her mojo. However, all of that changes when she reaches South America. Here she discovers, not only the wonders of the Tango dance and the people but also, the vital importance of the right underwear. According to Miranda, the Australian crew has been blown away by the professionalism and hospitality of the Argentine crew. “It was fabulous to land in Buenos Aires and be able to jump straight into location scouting, dance rehearsals, make-up tests and final costume fittings.” The younger of the two siblings, Khrob expressed his excitement about working with his sister. “Having been based in the States throughout pre-production, it’s great to finally be on the ground, to direct alongside Mandy again.” “The first day will be interesting; we are shooting on a country road with a busload of Spanish-speaking extras, a few chickens, and a token piglet,” said Khrob. “Luckily our leading lady is a true professional who is always up for a challenge. We are all looking forward to working with Emma.” Tango Underpants was made possible through ScreenWest’s 3-to-1 crowd funding initiative, which generated over 200 pledges ranging from $5 to $2,000.</p> Wed, 19 Jun 2013 13:04:14 +1000 http://if.com.au/2013/06/19/article/Margaret-Pomeranz-to-judge-My-Story-My-Content-Short-Film-Competition/CEVEFWGVCA.html http://if.com.au/2013/06/19/article/Margaret-Pomeranz-to-judge-My-Story-My-Content-Short-Film-Competition/CEVEFWGVCA.html Inside Film Correspondent <p> Margaret Pomeranz, co-host of ABC TV’s At the Moviesand celebrated film critic, is announced today as judge of the inaugural My Story My Contentshort film competition (Tertiary Category). The My Story My Contentshort film competition is an opportunity for Australian students at all levels to tell a unique story about themselves, their creativity, and why that is worth protecting, in a short film (no longer than sixty seconds). It is an initiative of the Intellectual Property Awareness Foundation (IPAF) and Australian Teachers of Media (ATOM). Designed to celebrate Australian screen creativity, the theme for the competition is ‘Why do I love movies?’ This line, or an adaptation of it, must appear as a spoken line, caption or in some other way within the film, which must be made specifically for this year’s competition. Films can be submitted – either by individual students, groups of students, or an entire class – in the three categories of Primary, Secondary & Tertiary (or equivalent). Prizes will be awarded to winners and runners-up in each category. First-place prizes include an iPad or choice of camera up to $1000 in value, $500 in cash and a Crumpler bag valued at $185. Additional prizes include DVD packs and hundreds of movie tickets. The winners will be announced at the 2013 IPAF ATOM Awards in Melbourne this October and November. IPAF’s Executive Director, Lori Flekser said: ‘IPAF is proud to collaborate with ATOM on the first My Story My Content short film competition and we hope it will grow into a significant competition for students at all levels who are interested in filmmaking and concerned about the impact that piracy has on their ability to have a viable career in the film or television industry.’ ‘We are thrilled that Margaret Pomeranz has agreed to judge the Tertiary category. What an accolade for any aspiring filmmaker to have their short film judged the winner by one of Australia’s most respected film critics.’ Entries must be uploaded through the online entry system atŒ<a href="http://mystorymycontent.com/%20entry-system/">http://mystorymycontent.com/%20entry-system/</a>Œby 5pm on Monday 19 August 2013.</p> Wed, 19 Jun 2013 12:43:10 +1000 http://if.com.au/2013/06/19/article/1-5-million-watch-Socceroos-qualify-for-Brazil-on-SBS/RIUUEXHVEV.html http://if.com.au/2013/06/19/article/1-5-million-watch-Socceroos-qualify-for-Brazil-on-SBS/RIUUEXHVEV.html Inside Film Correspondent <p> The Socceroos delivered SBS its highest rating program so far this year with more than 1.5 million Australians tuning in to see the Socceroos qualify for the 2014 FIFA World Cup with a 1-0 victory over Iraq last night. SBS recorded an average national audience of 1.5 million (1.1 million metro and 406,000 regional) for the Socceroos’ 2014 FIFA World Cup Asian Qualifier, with a metro free-to-air audience share of 25 per cent. This betters last week’s match between the Socceroos and Jordan which recorded an average national audience of 1 million (761,000 metro and 273,000 regional). The match was the fifth most watched program on free-to-air TV last night. It is also the highest rating Socceroos match on SBS since the network secured the rights for the 2014 FIFA World Cup Asian Qualifiersat the end of last year. Ken Shipp, SBS Head of Sport said: “The Socceroos qualifying for their third straight FIFA World Cup is a historic moment in Australian sport and I’m proud that all Australianswere able to witness it on SBS. These figures are proof that Australia has truly embracedfootball as a mainstream sport and I’m pleased that all fans will be able to watch theSocceroos at the 2014 FIFA World Cup on SBS.” SBS will broadcast the 2014 FIFA World Cup live andexclusive from Brazil from 13 June to 14 July 2014.Œ</p> Wed, 19 Jun 2013 11:28:08 +1000 http://if.com.au/2013/06/19/article/Blackmagic-Design-Releases-Support-for-Adobe-Creative-Cloud/HXNLQCZZTQ.html http://if.com.au/2013/06/19/article/Blackmagic-Design-Releases-Support-for-Adobe-Creative-Cloud/HXNLQCZZTQ.html Inside Film Correspondent <p> The Desktop Video 9.7.5 software update allows users to take advantage of many new features in the Adobe Creative Cloud desktop applications, such as powerful new editing timelines and shortcuts and audio mixing with Adobe Premiere Pro® CC and new creative and visual effects tools with Adobe After Effects® CC. Also included is support for Adobe Mercury Transmit that allows broadcast video monitoring to connect directly into the Adobe Mercury Playback engine which gives an incredible amount of real time effects with any video format or codec. This update means Blackmagic Design’s DeckLink, UltraStudio and Intensity range will work seamlessly with the new features in Adobe Creative Cloud applications for amazing new workflows in editing, compositing and visual effects. DeckLink, UltraStudio and Intensity include the world’s highest performance capture and playback cards for Mac, Windows and Linux. Including both PCIe and Thunderbolt based technology, these products come in both internal and external models and are used by professionals globally in every aspect of film and video production. Customers using Adobe After Affects CC will be able to work in the highest quality compressed and uncompressed video formats up to Ultra HD and 4K, for amazing compositing and graphics production workflows. When working with Ultra HD and 4K video formats, customers can choose between the rack mount UltraStudio 4K and the DeckLink 4K Extreme PCIe card. Both products have 6G-SDI and HDMI 4K video connections to capture and playback Ultra HD and 4K video formats as well as dual stream stereoscopic 3D. Blackmagic Design recently announced a new lower price for UltraStudio 4K to US$995. “It’s very exciting to see Blackmagic Design’s desktop video products working together with Adobe’s Creative Cloud software and the incredible creative possibilities this opens up with the new editing and effects features. Our customers will be able to work with the cutting edge tools in fantastic new workflows,” said Grant Petty, CEO, Blackmagic Design.</p> Wed, 19 Jun 2013 11:26:48 +1000 http://if.com.au/2013/06/19/article/Tony-Briggs-Awarded-the-2013-Bob-Maza-Fellowship/CVSSKVWDFD.html http://if.com.au/2013/06/19/article/Tony-Briggs-Awarded-the-2013-Bob-Maza-Fellowship/CVSSKVWDFD.html Inside Film Correspondent <p> Screen Australia today announced Tony Briggs as the 2013 Bob Maza Fellowship recipient at the agency's Jobs, Dollars, Hearts & Minds conference in Canberra. The $10,000 fellowship is awarded bi-annually and this year was open to furthering an established Indigenous actor or film practitioner's career opportunities and professional development internationally. Tony Briggs is an acclaimed writer and actor for theatre, film and television and an aspiring director of television drama and feature film. Erica Glynn, Head of Screen Australia's Indigenous Department, said, "In providing this fellowship opportunity, Screen Australia pays tribute to Bob Maza's passion and commitment to the film and entertainment industry. Tony is an incredibly talented and creative person who has already achieved so much in his career in film and television. We are proud to be able to offer him an opportunity to explore his directing talent internationally, where we know he will continue to achieve great things." On receiving the fellowship Tony Briggs said, "Receiving this fellowship is a personal thrill for me and a great honour. It's particularly poignant to me, because my first professional job was with Uncle Bob. He personally mentored me and was just such a great inspiration, so it's come full circle. I'm really proud to receive this award – it's one that honours the memory of a true gentleman and a person I've always looked up to." Tony Briggs's feature film The Sapphires, which he co-wrote for the screen with Keith Thompson, was adapted from Tony's award-winning theatre production and grossed over $14.4 million at the box office in Australia, making it the most successful Australian film of 2012. The film received a standing ovation at its world premiere at the 65th Cannes Film Festival and is currently in release in the US by the Weinstein Company having grossed over $2.2 million to date. The Sapphires won 11 AACTA Awards, including Best Adapted Screenplay, and Tony also received AWGIE Awards for the Most Outstanding Script of 2012 and Best Feature Film Adaptation. The Sapphires theatre production enjoyed triumphant sell-out seasons in Sydney and Melbourne, winning two Helpmann Awards for Best New Australian Work and Best Play in 2005. Tony is the co-originator and writer on the upcoming ABC Television drama series The Athletes from acclaimed director/producer Robert Connolly. He also has a comedy drama feature film project in development, The Grip, to be directed by David Field. As an actor Tony has appeared prolifically in film and television, his latest role being in ABC Television's upcoming drama The Broken Shore.</p> Wed, 19 Jun 2013 11:05:27 +1000 http://if.com.au/2013/06/19/article/First-Ever-Trop-Jr-Roughcut-Symposium-Announced/BDBOSHZWZQ.html http://if.com.au/2013/06/19/article/First-Ever-Trop-Jr-Roughcut-Symposium-Announced/BDBOSHZWZQ.html Inside Film Correspondent <p> Following in the footsteps of Tropfest's famous filmmaking symposium, Trop Jr Roughcut is a filmmaking forum for budding young talent to learn from the industry's best. Aimed at students aged 9 - 15, the day-long series of conversations will explore creativity and collaboration and give kids an enviable insight into the filmmaking industry thanks to talks from some young experts. The day will be made up of a series of sessions with each focusing on different aspects of filmmaking. Starting logically at Inspiration, the first sessions will be given by Matthew Chuang and Toby Morris, two full-time content creators for the film industry. They both entered filmmaking at a young age and aim to inspire others to follow a similar journey. Once the excitement of inspiration over, it's time to consider Filmmaking on a Budget, DIY Filmmaking, Tips & Tricks with Jason van Genderen. Recently taking out the Nokia Award at Sundance, London, Jason will demonstrate creative ways to make films without fancy equipment and share his top ten do's and don'ts for filming on a budget. Of course one way of getting around budget constraints is to focus on Animation, as Eddie White will explain in his session. His award-winning film The Cat Piano (narrated by Nick Cave) won awards at The Melbourne International Film Festival, Sydney Film Festival, Adelaide Film Festival and Australian Film Institute Awards as well as awards overseas. In this session he'll talk about becoming an animator, winning awards and how to get started with animation. Guy Gross, one of Australia's leading film and television composers and BAFTA-nominated composer of the score for Priscilla, Queen of the Desert will talk about that ever-important element of filmmaking, Music, and will discuss his career, his beginnings and how music can influence on-screen storytelling. Guy was also awarded ‘Best Music’ at Tropfest 1999 for his work on the film ‘Uno Amore’, which also took out First Prize at the Festival. Likely one of the more popular sessions, session five will be an Actors Panel with a selection of some of Australia's brightest names in acting, in a general Q&A format. Young actors will speak about how they started, how they collaborate together, highs and lows, dreams and aspirations. Trop Jr Roughcut is set to be an exciting day of information, education - and entertainment! - for Australia's next generation of creative minds. With all these sessions and more, it's set to be a great experience for anyone with a passion for making film. Trop Jr Roughcut is proudly supported by Major Partner, The Australian Children’s Television Foundation. The event also has the support of Lend Lease Theatre Darling Quarter as its venue partner. Dates and Venues SYDNEY 8 August, 2013 Lend Lease Theatre, Darling Quarter MELBOURNE 1 August, 2013 The Wheeler Centre, Melbourne</p> Wed, 19 Jun 2013 10:49:06 +1000 http://if.com.au/2013/06/19/article/New-Awards-Celebrate-Australian-Artists-in-Asia/VHPGQZNQPN.html http://if.com.au/2013/06/19/article/New-Awards-Celebrate-Australian-Artists-in-Asia/VHPGQZNQPN.html Inside Film Correspondent <p> Arts Minister Tony Burke today announced new awards to celebrate the important role Australian artists and arts organisations play in enhancing our relationship with Asian countries. The Australian Arts in Asia Awards open for applications today and will recognise, celebrate and promote the significant number of Australian artists engaging in Asia, contributing to stronger, deeper and broader cultural links with Asian nations. “The engagement in Asia isn’t simply an exposition of Australian creativity. The work of our artists is being affected by Asia just as artists who have moved here from parts of Asia are seeing their art affected by Australia,” Mr Burke said. “This artistic influence is now at the cutting edge of much of Australian creativity. “On my recent trip to China and India, I was impressed by the range of Australian artists and arts organisations working there in strong collaborative partnerships with Asian arts organisations. “The Sydney Symphony Orchestra for example, is working with China’s National Centre for the Performing Arts and the National Library of Australia with the National Library of China. “I was also impressed by the number of Australian film makers exploring new creative opportunities with their Indian and Chinese counterparts. “These are just some examples of the cultural links Australian artists are establishing in Asia, and they are the sorts of initiatives the Australian Arts in Asia Awards will recognise.” Australian artists, arts organisations and collecting institutions that have engaged in Asia between 1 July 2012 and 30 June 2013 are eligible to nominate themselves for the awards. The nominated project must have been performed, exhibited, toured, produced or developed in an Asian country or with an Asian partner during this time. Awards will be presented in 14 categories: partnerships, philanthropy, Indigenous, community engagement, innovation, individual artist, small to medium arts organisations, major arts organisations, visual art, literature, theatre, music, and digital and film. Winners of the awards will form a showcase, promoting the value of engaging with Asia and encouraging other Australian artists to engage in Asia. The Awards will help promote the Australian Government’s commitment in Creative Australia, the national cultural policy, to the increasing engagement of artists and arts organisations in cultural exchanges and to build collaborative partnerships with their international counterparts. Nominations open Monday 17 June 2013 and close at 5pm Sunday 30 June 2013. Award guidelines and nomination forms are available at <a href="http://www.arts.gov.au/asiaawards ">www.arts.gov.au/asiaawards</a></p> Wed, 19 Jun 2013 10:43:19 +1000 http://if.com.au/2013/06/19/article/The-60th-Sydney-Film-Festival-Closes-on-a-Record--Breaking-High/TVYOZTEAVM.html http://if.com.au/2013/06/19/article/The-60th-Sydney-Film-Festival-Closes-on-a-Record--Breaking-High/TVYOZTEAVM.html Inside Film Correspondent <p> The 60th Sydney Film Festival wrapped on Sunday 16 June 2013 with the Australian Premiere of the documentary Twenty Feet from Stardom, bringing to a close the most highly attended Sydney Film Festival to date. “Attendances at films and talks grew by 17% to 143,050,” said SFF CEO Leigh Small. “There was also a 22% increase in tickets issued leading to a 20% increase in revenue. Beyond the numbers, the favourable buzz all over the city was palpable – this is an event that Sydney continues to embrace anew each year.” “In this, my second year as Festival Director, it was both exciting and humbling to be part of a team that delivered to Sydney its 60th film festival,” said SFF Festival Director Nashen Moodley. “Seeing such growing popularity with audiences for the screenings, talks and other events makes all the hard work seem so worthwhile. The filmmakers who participated in the festival were delighted with the response of the audience, and it was great to see so many Australian and international filmmakers interacting and sharing ideas, approaches and inspiration.” This year, SFF announced a new partnership entitled Screen: Black with Screen Australia’s Indigenous Department, a team that has nurtured many of the projects and filmmakers that Sydney Film Festival has screened. This year’s program featured award-winning director Ivan Sen’s Opening Night film Mystery Road; Steven McGregor’s documentary Big Name No Blanket; emerging talent Dylan McDonald’s documentary, Buckskin – which was awarded the 2013 Foxtel Australian Documentary Prize – and Jon Bell’s short film The Chuck In. The Hon. George Souris, Minister for Tourism, Major Events, Hospitality and Racing and Minister for the Arts, said the 60th Sydney Film Festival has played a starring role in a spectacular month of special events. “Sydney Film Festival is part of what is fast becoming a globally recognised winter festival program that showcases Sydney’s creative expertise and capacity for staging major events.” “Congratulations to Nashen Moodley and the SFF team on preparing such a superb program, which included several World Premieres. It’s pleasing to see so many sold-out sessions, including the Opening Night screening of Mystery Road. If the lines outside the cinemas on George Street waiting to attend SFF films are any indication, the enthusiastic support of audiences demonstrates the importance of arts and culture to the community. The NSW Government recognises this through its support for the screen industry, as well as tourism and major events,” said Minister Souris. The Festival Hub at Lower Town Hall returned for a second successful year with attendances increasing by 16 per cent. Over ten days the Festival Hub attracted over 9,000 visitors for free filmmaker talks, screenings, live acts and mingling with other patrons at the Keystone Bar. A Hub highlight was awarding winning European artist and filmmaker Jeff Desom’s Rear Window Loop, stunning 20-minute panoramic three-channel video projection shown daily. Other memorable moments included steamy burlesque performances, outrageous home-grown stand-up comedy, and a dance-a-rama Freak Me Out disco spun by the genre’s programmer Richard Kuipers. All up there were a total of 278 sessions held across the 12 days of the Festival, including 192 films from 55 countries in 54 languages, 20 world premieres, 4 international premieres and 124 Australian premieres, 17 retrospective titles, 82 features, 51 documentaries and 30 short films. For the first time ever SFF screened films from Angola (Death Metal Angola, screening in the Sounds on Screen program), Bangladesh (Television), North Korea (Comrade Kim Goes Flying), Malawi (William andŒthe Windmill) and Saudi Arabia (Wadjda directed by Saudi Arabia’s first-ever female filmmaker). </p> <p> Over 150 Australian and International filmmakers attended SFF 2013. This prestigious list included guests from 19 countries who attended over 75 talks and Q&A sessions hosted by filmmakers, writers, actors and industry guests across six venues over 12 days. There were 15 free talks and more than 60 screenings with filmmaker introductions and post-film Q&As at this year’s festival, across all venues. “Sydney Film Festival is both an important cultural event for Sydney and the Australian film industry,” said Ruth Harley, Screen Australia’s Chief Executive. “The Festival is significant in the development of fostering the talents of new Australian filmmakers and showcasing the best new Australian films. It also provides an opportunity for audiences to interact with international filmmakers. It is wonderful to see the Sydney Film Festival continue to grow in popularity with audiences.” 2013 Foxtel Movies Audience Awards SFF is also proud to announce the 2013 Foxtel Movies Audience Awards today. The awards are SFF’s people’s choice awards, and the winners reflect the most popular feature-length films at the Festival. After each screening, audience members were invited to rate each film via our app- and SMS-based voting systems. The Audience Award for Best Narrative Feature is the award-winning Australian film The Rocket, directed by Australian director Kim Mordaunt (Bomb Harvest) and producer Sylvia Wilczynski. This heart-warming coming-of-age tale set entirely in Laos screened at the Tribeca Film Festival, where it won the Best Narrative Feature and Best Actor prizes; and was earlier awarded three prizes at the Berlinale, including the Crystal Bear. The Rocket opens nationally in cinemas on August 29, 2013. The Audience Award for Best Documentary is The Crossing, directed by Julian Harvey, which screened in the Foxtel Australian Documentary competition. The film follows two young Australians, Clark Carter and Chris Bray, as they attempt the difficult crossing of a remote island in the Arctic.</p> Wed, 19 Jun 2013 10:21:47 +1000 http://if.com.au/2013/06/19/article/Metro-Screen-Announces-The-Ten-Successful-Storyworld-Studio-Projects/UTODQDWTUV.html http://if.com.au/2013/06/19/article/Metro-Screen-Announces-The-Ten-Successful-Storyworld-Studio-Projects/UTODQDWTUV.html Inside Film Correspondent <p> The Metro Screen Storyworld Studio is an intensive Master Class/workshop for the development of rich, dramatic and sustainable storytelling in the interactive multiplatform world devised by Metro Screen and Storyworld maestro Mike Jones, winner of the UK ICTommorow Digital Innovation award for Film & TV last year. Metro Screen sought: Big thinking writers, filmmakers and storytellers who wanted to create epic worlds for their characters to come to life in, not bound to any one screen or platform to take part in this five week studio from 6 June 2013. The successful 2013 Storyworld Studio projects are:</p> <p> Sisters of Manus Dei by PJ Collins Nunsploitation, Crime Drama State of Mind by Philip Denson Psychological Fantasy Haverhill by Julia Gregg Psychological thriller/ Mystery Alice in Underland by Yvette Harvey Fantasy Fiction Charlie Booker by Philip Lange Historical Drama Madam Greensprite by Liz McCarthy Hard Science Fiction Conqueror by Glenys McLaughlin Science Fiction Broken Sky by Cam Smeal Speculative Fiction Operation Paperclip: The Medusa Files by Roy Weiland Action/Drama/Horror/Science fiction The World of Christopher Crabbe by Jackie Young Children’s Ebook & Game “The craft of immersive, engaging storytelling is a timeless skill. Mike Jones will take participants into an expanded and enriched ‘storyworld universe’ and ‘character interaction experience’ played out in the interactive multiplatform environment of the 21st Century" David Opitz, Metro Screen Projects and Productions Manager Storyworld Studio is proudly supported by Screen NSW.</p> Wed, 19 Jun 2013 09:44:02 +1000 http://if.com.au/2013/06/19/article/Timely-Boost-for-Games-Sector/VCQVZZMPRY.html http://if.com.au/2013/06/19/article/Timely-Boost-for-Games-Sector/VCQVZZMPRY.html Inside Film Correspondent <p> Tuesday 18 June 2013 Independent Australian game developers were provided with a timely $6 million fillip today as the sector recorded a decline in income and employment numbers. Over recent years international publishers have vacated Australia for territories offering greater incentives and lower business costs. As a result, today’s Australian Bureau of Statistics (ABS) survey shows employment levels falling from 1431 to 581 people. The challenge for the independent Australian game developer has been how to grow the business, retain intellectual property, keep a skilled workforce and raise the necessary finance. "Given that game development is the fastest growing sector of the worldwide audiovisual market from a consumer perspective, Australian developers should share in the $80 billion global market," Screen Australia's Chief Operating Officer Fiona Cameron said today. "Screen Australia's Game Enterprise program provides a diverse range of Australian companies with valuable funds to help develop original IP, employ more people, including promoting internships, and expand distribution and marketing opportunities," she said. The 10 successful Games Enterprise program recipient companies will receive the funding over a three-year period. They are (in alphabetical order): • Defiant Development (QLD) Morgan Jaffit, Dan Treble • ODD Games (SA) Ben Marsh, Terry O'Donoghue, David O'Donoghue • Soap Creative (NSW) Ashley Ringrose, Bradley Eldridge • Tantalus Media (VIC) Tom Crago • Tin Man Games (VIC) Ben Britten Smith, Neil Rennison • Torus Games (VIC) Bill McIntosh • Twiitch (VIC) Steven Spagnolo, Shane Stevens • Uppercut Games (NSW/ACT) Andrew James, Ryan Lancaster, Ed Orman • The Voxel Agents (VIC) Simon Joslin, Matthew Clark • Wicked Witch Software (VIC) Daniel Visser</p> <p> "The successful companies represent a diverse range of Australian game studios, from start up companies to larger developers. Funding will ensure an expansion in the workforce, allowing smaller developers to gain critical mass and larger developers to shift from a reliance on work for hire to developing original projects," Ms Cameron said.</p> <p> With the assistance of Games Enterprise funding, Brisbane-based games development studio Defiant Development will be able to consolidate its existing success in mobile games, while also staking a claim in new and developing markets.</p> Wed, 19 Jun 2013 09:41:15 +1000 http://if.com.au/2013/06/19/article/Two-Young-Australians-Sant--Abel-film-shortlisted-at-Cannes-Lions/BNRFPNFGRN.html http://if.com.au/2013/06/19/article/Two-Young-Australians-Sant--Abel-film-shortlisted-at-Cannes-Lions/BNRFPNFGRN.html Inside Film Correspondent <p> Two talented Australians, Tim Bathurst and Sophie Lovejoy, have been shortlisted in the Test Commercial category for the global Young Director Award as part of the most prestigious international creativity festival, Cannes Lions, for their film Personality. Cannes Lions, a festival that brings together the work of the global creative communications industries, has recognised the brilliant work of young director Tim Bathurst representing a start-up fashion brand Sant and Abel in a category that has in the past been dominated by global organisations. A testament to the high quality competition, the Test Commercial category for the global Young Director Award was won last year by GE Money. Nikon was awarded runner up and Sony PlayStation and Amnesty were notable mentions. Sophie Lovejoy, the director behind the sleepwear label and the film’s producer, said she was overwhelmed by the nomination, “Hundreds of applicants worldwide enter each category and a maximum of four campaigns are shortlisted. We’re ecstatic to be included in this echelon, particularly as Tim and I created the concept between us and funded the entire project ourselves.” Briefed by Lovejoy to capture the essence of the brands tag line ‘Sleep With Personality’, Bathurst cast 2012 Grand Prix ambassador and model Chelsea Scanlan alongside television presenter Dave Whitehill, to play a young couple in the grips of a summer romance. Bathurst who has a Bachelor’s Degree in Advertising from RMIT University and a Bachelor of Film & Television from VCA, Melbourne as well as most recently set up a production company in Los Angeles, shot Personality at Whale Beach, along the NSW coast, with limited resources and within a $10k budget. Driven by the need for quirky and original storytelling, Bathurst was as equally as overwhelmed by the nomination, “It’s quite a feat considering very few Australians even get shortlisted and the vast majority of the applicants from around the world come from huge production agencies with substantial funding, representing large global brands.” The Young Director Award winner in the Test Commercial category will be announced in Cannes, France this Thursday, June 20 2013.Œ</p> Wed, 19 Jun 2013 09:10:48 +1000 http://if.com.au/2013/06/19/article/Future-Reality-Now-Autodesk-Bronze-Channel-Partner/LQAPPGYBQM.html http://if.com.au/2013/06/19/article/Future-Reality-Now-Autodesk-Bronze-Channel-Partner/LQAPPGYBQM.html Inside Film Correspondent <p> Sydney – 17 June 2013 – Future Reality is now a Bronze Autodesk Channel Partner servicing media and entertainment customers in Australia. Under the agreement Future Reality will offer its clients a range of Autodesk’s leading desktop solutions including the popular Smoke for Mac professional editing and effects package. “We can now provide an efficient workflow for customers to integrate their nonlinear editing and effects systems with Autodesk products so they can create, edit and finish content quickly and easily,” said Managing Director David Edgar. “We will also provide training and support through our in-house training centre where teams can collaboratively learn the latest tools and techniques.” Autodesk’s ANZ Sales Manager Dean Nurscher believes Future Reality is well positioned in the broadcast market. “I am delighted to add Future Reality as our Channel partner as the company has a long track record for design, installation and support in Australia and New Zealand.” Future Reality has a long relationship with Autodesk and, in fact, introduced Discreet Flame to Australian customers in 1993 even before Flame was an Autodesk product. For more information visit <a href="http://www.future.com.au">www.future.com.au</a></p> Wed, 19 Jun 2013 09:04:59 +1000 http://if.com.au/2013/06/19/article/Chinas-BesTV-Picks-Up-Season-Two-of-the-WotWots/FJTONUUHTN.html http://if.com.au/2013/06/19/article/Chinas-BesTV-Picks-Up-Season-Two-of-the-WotWots/FJTONUUHTN.html Inside Film Correspondent <p> China’s IPTV service, BesTV today confirmed broadcast of season two of The WotWots. The platform which has more than 20 million subscribers premiered the internationally popular series from Pukeko Pictures in November 2011. “We are thrilled BesTV will rollout season two of The WotWots, based on the success of the first season and the brand’s popularity in the region. The response to DottyWot and SpottyWot in China has been very strong and will continue to be a key focus area for us across our marketing and licensing initiatives” said Andrew Smith, Chief Executive Officer, Pukeko Pictures. The WotWots is an enchanting pre-school series that follows the adventures of two adorable siblings from outer space, SpottyWot and DottyWot. This delightful pair of enquiring minds have come to Earth to explore and to marvel at the extraordinary diversity of life on the blue planet. The show celebrates this joy of discovery and demonstrates the positive values that are the building blocks of a true and enduring friendship. Season one sees SpottyWot and DottyWot come to explore planet earth in their steam-powered spaceship and arrive in the middle of a zoo. In season two, the alien siblings land on a farm and meet strange and friendly farm animals and also travel to the seashore. Encouraging the love of animals, the season celebrates the joy of discovery and the extraordinary diversity of life on the planet.Œ</p> Wed, 19 Jun 2013 09:02:14 +1000 http://if.com.au/2013/06/17/article/Melbourne-International-Film-Festival-Presents-the-Best-of-Cannes/QFTMQWGONQ.html http://if.com.au/2013/06/17/article/Melbourne-International-Film-Festival-Presents-the-Best-of-Cannes/QFTMQWGONQ.html Inside Film Correspondent <p> The 62nd Melbourne International Film Festival (MIFF) will once again deliver the best of the Cannes Film Festival to local audiences. MIFF patrons will be among the first in the world to see these films after many of them premiered on the French Riviera last month. Twenty-nine feature films and seven shorts from Cannes will be included in the MIFF program with highlights including Accelerator alumnus Anthony Chen’s Camera d’Or winner Ilo Ilo, the stirring tale of a Singaporean family who take in a Filipino woman as a live-in maid; Hirokazu Kore-eda’s Jury Prize winner Like Father Like Son, exploring themes of responsibility and what it means to be a father; and Jia Zhangke’s Best Screenplay winner A Touch of Sin, a confronting character-driven tale of modern China and the domestic conflict its newfound wealth has wrought. MIFF Artistic Director Michelle Carey said, “MIFF comes hot on the heels of Cannes every year, giving Melbourne a head start to see the most talked about films of 2013. This felt like one of the strongest Cannes in years and we’re excited to bring MIFF audiences some of the most debated and awarded films.” Also screened in Competition at Cannes was the absorbing new work from Mahamat-Saleh Haroun (Dry Season, MIFF 2007) Grigris, where an electrifying but struggling dancer from Chad gets drawn into a petrol smuggling racket; Iranian director Asghar Farhadi’s (A Separation, MIFF 2011) The Past, featuring Bérénice Bejo in her Cannes 2013 Best Actress winning performance as a wife on the brink of divorce. In addition, Benicio Del Toro and Mathieu Amalric star in Jimmy P., French auteur Arnaud Desplechin’s adaptation of Georges Devereux’s Reality and Dream, about an unconventional psychoanalyst and the broken veteran he hopes to heal. From the Cannes Film Festival’s Un Certain Regard section, MIFF will screen the moody feature debut from Flora Lau, Bends, featuring Hong Kong star Carina Lau and Chinese heartthrob Chen Kun; Hany Abu-Assad’s Special Jury Prize-winning account of the Israel–Palestine conflict, Omar; the latest work from Kurdish filmmaker Hiner Saleem, My Sweet Pepper Land; French auteur Clare Denis’ (35 Shots of Rum, MIFF 2008) Bastards, a gripping family drama about the aftermath of a wealthy patriarch’s suicide; and Winner of the Un Certain Regard Prize, The Missing Picture, where propaganda reels and hundreds of clay figures are cleverly combined in an autobiographical documentary about growing up under the Khmer Rouge. Also from Un Certain Regard, MIFF will screen Fruitvale Station, inspired by a senseless police shooting in Oakland in 2009, and awarded the Grand Jury Prize and Audience Award at Sundance; winner of the Un Certain Regard Directing Prize, Stranger by the Lake, Alain Guiraudie’s steamy thriller about a picturesque lakeside spot where gay men gather to seek companionship; Nothing Bad Can Happen, a harrowing tale of a vulnerable young Christian man, from young German filmmaker Katrin Gebbe; and from banned Iranian director Mohammad Rasoulof (Good Bye, MIFF 2011), Manuscripts Don’t Burn, a searing film about two low-level government enforcers tasked with preventing a controversial manuscript from being published. From Directors’ Fortnight at Cannes, MIFF will screen writer/director Serge Bozon’s (La France, MIFF 2008) Tip Top, a farcical riff on corruption, race and S&M starring Isabelle Huppert and Sandrine Kiberlain; Blue Ruin, a FIPRESCI Prize winner at Cannes about a vagrant who puts himself on a path of bloody revenge; Ugly, an action thriller set in Mumbai exploring a long-held grudge between a Bollywood wannabe and a ruthless chief of police; Ari Folman’s (Waltz With Bashir, MIFF 2008) The Congress, a combined live action and animated feature starring Robin Wright as Robin Wright; and The Selfish Giant, a reinvention of the eponymous Oscar Wilde fable from UK writer/director Clio Barnard. Also from Directors’ Fortnight, MIFF will screen The Dance of Reality, the return of the master of trippy psychedelia – Alejandro Jodorowsky – after a 23-year filmmaking hiatus; Ain’t Misbehavin’, an autobiographical portrait from award-winning filmmaker Marcel Ophüls; writer/director Sebastián Silva’s (Old Cats, MIFF 2011) Magic Magic, a claustrophobic tale of schizophrenia and sexuality starring Michael Cera and Juno Temple; and the debut from actor/director Thierry de Peretti, Les Apaches, about five teenagers on the island of Corsica who one night break into an unoccupied luxury villa. Other delights from Cannes that will be enjoyed by MIFF audiences are the restored and re-edited Weekend of a Champion, part informative racing documentary and part endearing odd-couple buddy movie featuring 1970s’ Formula One champion Jackie Stewart and Roman Polanski; and writer/director Amit Kumar’s kinetic, bracingly ambitious debut feature, Monsoon Shootout. From Cannes Critics’ Week, MIFF will screen BAFTA Award-winning filmmaker Paul Wright’s feature debut For Those in Peril, a portrait of a young man who survives a tragic boating accident and is ostracised by his Scottish fishing village; the closing night film of this year’s Cannes Critics’ Week, 3x3D, a triptych exploring the evolution of 3D cinema with contributions from Peter Greenaway, Jean-Luc Godard and Edgar Pêra; and from writer/director David Lowery, Ain’t Them Bodies Saints, starring Casey Affleck and Rooney Mara as an outlaw couple. Tickets for I’m So Excited! Gala Opening Night and passes are now on sale via miff.com.au</p> <p> The full MIFF program and guest line-up will be launched for media on 2 July.</p> <p> The Festival program will be online and Single Tickets go on sale at miff.com.au on 5 July.</p> <p> Melbourne International Film Festival runs 25 July – 11 August 2013. Œ</p> Mon, 17 Jun 2013 14:25:07 +1000 http://if.com.au/2013/06/17/article/Cause-FX-Kill-Spartacus/LXMSXFONVS.html http://if.com.au/2013/06/17/article/Cause-FX-Kill-Spartacus/LXMSXFONVS.html Inside Film Correspondent <p> Press Release</p> <p> Auckland based VFX house Cause+FX have killed Spartacus in the final episode of the Starz hit TV show, Spartacus: War of the Damned. The Cause+FX team, led by Paul Dickson and Greg Flannagan, struck the fatal blow, bringing together elements and compositing Spartacus’ final battle, as he is mortally wounded in a face-off with formidable Roman archenemy, Crassus. Dickson and Flannagan, who were both a part of the New Zealand VFX team that brought Spartacus to life in the first series, delivered the dramatic 161-shot hilltop sequence. Flannagan says it was a real privilege to contribute to such an ambitious and daring project. “Paul and I have been involved in the show since season one, episode one, four or five years in all, and we have both felt heavily invested in it. Cause+FX being trusted to deliver the ultimate sequence was huge.” “The production required 13,355 VFX shots over a span of 39 episodes, across four epic seasons. The Cause+FX team delivered over 1,000 shots for two of those seasons - Spartacus: Vengeance and Spartacus: War of the Damned. “ Executive Visual Effects Supervisor, Charlie McClellan, said that with ambitious story lines, thousands of VFX shots and daunting schedules, having people the producers could rely on was a must. “As a key vendor of Spartacus: War of the Damned, Cause+FX were entrusted with some of the most challenging and iconic shots the project had to offer.” “Their understanding of our VFX pipelines, attention to detail and creative flair became critical factors in completing one of the biggest VFX TV shows ever created, to a very high standard. Cause+FX delivered in spades.” Spartacus Visual Effects Art Director, Peter Baustaedter, said the Cause+FX team delivered stunning results. “CFX were motivated and quick on their feet, pro-active and artistically competent no matter what our production threw at them.“ “They took a no-surprises approach in resolving any issues that arose, and the jovial environment at the studio always made it easy to work with them, especially at crunch time.” Dickson said it was rewarding to have been involved in such a successful venture and a spectacular finale. “Spartacus has given us the opportunity to continue to demonstrate our creative capability and to show we can produce high quality results under pressure.” “We had an awesome time with this project doing what we love. We’re thrilled with the result.” Spartacus: War of the Damned aired in the US earlier this year, with the final episode ‘Victory’ watched by 2.7 million people in May in its Starz Network premier screening and opening weekend. Victory aired on Sky New Zealand’s The Box June 9. Œ</p> Mon, 17 Jun 2013 14:14:28 +1000 http://if.com.au/2013/06/17/article/Airbag-Productions-latest-signing-a-finalist-for-the-prestigious-YDA-at-Cannes/LGXUWATKMQ.html http://if.com.au/2013/06/17/article/Airbag-Productions-latest-signing-a-finalist-for-the-prestigious-YDA-at-Cannes/LGXUWATKMQ.html Inside Film Correspondent <p> Press Release</p> <p> Airbag Productions are thrilled to announce that exciting young director, Raphael Elisha, has joined their roster. They are equally thrilled that he is a finalist for the prestigious Cannes Young Director Award.</p> <p> Elisha’s film ‘Truel’ was also one of the Fabulous Four films at this year’s Adfest.</p> <p> The move to Airbag and the YDA nomination cap off a great year for Elisha. His previous short ‘Catch Perfect’, which was part of the MIFF Accelerator program last year, screened this month at the St Kilda Film Festival.</p> <p> Elisha also recently co-directed a 13 part factual series named ‘Heart & Soul’. It premiered on the ABC last month.</p> <p> Airbag Productions EP says she is “Delighted to sign such an exciting young director who already shows enormous promise."</p> <p> “I’m so happy to be part of this unique and inspiring company”, says Elisha. “It’s a fantastic, collaborative and creative environment, and that’s something that is quite rare in my experience.”</p> <p> ‘Truel’ will have it’s Australian premier at MIFF next month and the YDA will be announced at Cannes this Thursday, 20th of June. You can see Raphael’s reel here: www.airbagproductions.com Œ</p> Mon, 17 Jun 2013 13:54:19 +1000 http://if.com.au/2013/06/17/article/Australians-in-Film-Honours-James-Mackay-with-its-Heath-Ledger-Scholorship/MXEKMKXMPQ.html http://if.com.au/2013/06/17/article/Australians-in-Film-Honours-James-Mackay-with-its-Heath-Ledger-Scholorship/MXEKMKXMPQ.html Inside Film Correspondent <p> Press Release</p> <p> Los Angeles, CA (June 12, 2013) - Australians in Film, a Los Angeles based non-profit organization that serves as the industry guild for Australian filmmakers and performers in the US, announced the 2013 winner of the Heath Ledger Scholarship Award, James Mackay, at their 5th annual fundraising dinner on June 12, 2013 in Los Angeles, CA. The scholarship—established in 2008 in memory of Australian actor Heath Ledger, who served as an ambassador for the organization—includes a return flight to Los Angeles on Virgin Australia, a 10-day California trip from Visit California, one year of acting classes at the Stella Adler Academy of Acting & Theatre, a VIP casting package, and $10,000 cash, affording talented young Aussies the opportunity to establish themselves in the heart of the entertainment industry, and reach an international audience. Kim Ledger, father of the late AiF ambassador, will assume the role of Patron in honor of his son, ensuring that the Heath Ledger Scholarship program continues to thrive, and that emerging Australian actors will always have a shot at the major international market. “Making a start in entertainment can be a tough and unforgiving business in any country,” said Ledger. “I hope continuing this award with its consequential connections, offers the final recipient a little extra support in their pathway to success." Chosen from a group of 15 finalists, Mackay is a graduate of the Western Australian Academy of Performing Arts in Perth, and a founding member of the Cry Havoc Theatre Company in Sydney. The 28-year old actor first gained notoriety for his role in the company’s contemporary adaptation of Julius Caesar, set in 1978 amid the chaos and tragedy of the Jonestown Massacre, and has since appeared in a number of film and television roles, including a role opposite Katie Holmes and Guy Pearce in the film Don’t Be Afraid of the Dark, as well as the upcoming feature Singularity, also starring Josh Hartnett. Previous recipients of the scholarship include Bella Heathcote (Dark Shadows), Ryan Corr, (Not Suitable for Children) Oliver Ackland (The Slap, Cloudstreet) and Anna McGahan (House Husbands). Benefactors to the program include the Ledger family, Michelle Williams, Naomi Watts, Nicole Kidman, Alex O’loughlin, Hugh Jackman, Deborra-Lee Furness, Phil Noyce and Baz Luhrmann. As in the past, the 2013 judging panel consisted of influential actors, casting agents and industry executives, including: Wes Bentley, Actor; Ann Fay, Casting Director; Gregor Jordan, Director (Ned Kelly); Leslee Feldman, Head of Casting at Dreamworks; Will Ward, Manager; Nikki Barrett, Casting Director; Kieran Darcy-Smith, Director (Wish You Were Here); and Steve Alexander, Talent Agent. Past judges have included actors Jude Law and Rachel Griffiths, directors Gregor Jordan and Catherine Hardwicke, and Warner Bros. President of Production, Greg Silverman. This year’s runner-ups are Will Howarth and Georgia Flood, who will also receive roundtrip airfare to LA, as well as a VIP casting package. Other finalists include Hannah Barlow, Elizabeth Blackmore, Laura Brent, David Coussins, Ashleigh Cummings, Geraldine Hakewill, Reef Ireland, Kate Jenkinson, Andrew Hazzard, Andrew Lees, Bob Morley, and Alex Williams. ABOUT AUSTRALIANS IN FILM</p> <p> Founded in May 2001, in celebration and support of Australian film and television artists and their work, the Los Angeles based non-profit organization holds regular screenings, seminars and labs, and currently has over 500 members. For further information please visit www.australiansinfilm.org. ABOUT VIRGIN AUSTRALIA</p> <p> Virgin Australia is proud to be the Presenting Partner and exclusive airline of Australians in Film. Flying non-stop between Los Angeles and Sydney, Brisbane and Melbourne, Virgin Australia offers 33 lie-flat beds in International Business, 40 all-leather International Premium Economy seats and 288 International Economy seats – the widest across the Pacific. Virgin Australia also offers attentive in-flight service, two in-flight boutique bars, gourmet meals, generous legroom, state-of-the-art in-flight entertainment, and unique mood lighting. Once you’ve landed Down Under, Virgin Australia can fly you to more than 50 destinations within Australia and New Zealand. For more information on Virgin Australia, please visit www.virginaustralia.com. ABOUT VISIT CALIFORNIA </p> <p> Visit California is a non-profit organization with a mission to develop and maintain marketing programs – in partnership with the state’s travel industry – that keep California top-of-mind as a premier travel destination. According to Visit California, travel and tourism expenditures total $106.4 billion annually in California, support jobs for 917,000 Californians and generate $6.6 billion in state and local tax revenues. According to preliminary overseas visitor arrival forecasts, 546,110 Australians visited California in 2012 and spent $959 million. For more information about Visit California go to www.visitcalifornia.com or www.visitcalifornia.com.au. Œ</p> Mon, 17 Jun 2013 10:02:19 +1000 http://if.com.au/2013/06/17/article/KOJO-Appoints-New-Content-Director/TMRBBXOTFT.html http://if.com.au/2013/06/17/article/KOJO-Appoints-New-Content-Director/TMRBBXOTFT.html Inside Film Correspondent <p> Press Release</p> <p> Home-grown talent Sam Wark has joined the roster of exclusive content directors at national integrated communications company KOJO. Raised in the cinematic region of the Barossa Valley, Sam brings his acute artistic eye to TVCs and branded content.</p> <p> With an agency creative background in both art direction and writing, Sam appreciates that the story idea is paramount, no matter what the product. KOJO Senior Producer Emily Green is delighted by the appointment, “Sam is an expert storyteller, with a keen eye for gorgeous pictures and great performance. He is a unique talent in regards to his pedigree, coming through the agency ranks topursue his passion for directing. He will be a real asset to our offering.”</p> <p> Sam has skills in both art direction and cinematography but his real passion lies in performance direction, “performances are the life of a story, if you take away the cameras and FX it is only the raw performance that still has the ability to move you. This is where I like to start. ”</p> <p> His career got off to a fine start when he graduated as top student of AWARD School in South Australia, followed by a decade as a creative in Melbourne, working on accounts including Mazda, Toyota, Western Star, Telstra, Hungry Jacks and Suzuki.</p> <p> It was early in 2008 that Sam chose to focus on directing, and while freelancing as a creative, he studied courses to hone his craft at AFTRS before joining a production company.</p> <p> Before long he wrote and directed his poignant short film, Punch Drunk, which moved audiences globally. His film picked up numerous awards and nominations, including Best Actor at the St Kilda Film Festival 2012, Best Film at Young at Heart Festival 2012, Best Film ITB Film Festival 2011.</p> <p> Sam is a considered filmmaker who is happiest when bringing stories to life in a way that is real with beauty. KOJO is looking forward to the fresh creativity Sam will bring to the team. Œ</p> Mon, 17 Jun 2013 09:53:01 +1000 http://if.com.au/2013/06/17/article/60th-Sydney-Film-Festival-Announces-Winners-of-the-2013-Festival-Awards/YKJVZISOGL.html http://if.com.au/2013/06/17/article/60th-Sydney-Film-Festival-Announces-Winners-of-the-2013-Festival-Awards/YKJVZISOGL.html Inside Film Correspondent <p> Press Release</p> <p> In addition to the 2013 SFF Official Competition winner revealed earlier today – Only God Forgives directed by Nicolas Winding Refn and starring Ryan Gosling, Kristin Scott Thomas and Vithaya Pansringarm – SFF tonight announced the winners of the 2013 Foxtel Australian Documentary Prize and the 2013 Dendy Awards for Australian Short Films. Included in the Dendy Awards are the Dendy Live Action Short Award, the Rouben Mamoulian Award and the Yoram Gross Animation Award. The Foxtel and Dendy awards were announced at SFF’s Closing Night ceremony at the State Theatre. The FOXTEL Australian Documentary Prize, now in its fifth year, awards a generous cash prize of $10,000. Out of a shortlist of 10 finalists, the prize was awarded to Buckskin, directed by Dylan McDonald. The film documents the work of Adelaide resident Jack Buckskin, who is on a mission to renew a once-extinct language and to inspire a new generation to connect with the land and culture of his ancestors. Buckskin is also part of SFF’s Screen: Black program of films from indigenous filmmakers, presented with the support of Screen Australia’s Indigenous Department. “The jury was unanimously impressed by McDonald’s beautiful and wholly engaging film that tells the inspiring story of Vincent ‘Jack’ Buckskin. This film exhibits a truly fine talent,” said the 2013 Foxtel Australian Documentary Prize jury. “Foxtel is very proud of our continued partnership with the Sydney Film Festival. This year’s 10 finalists in the 2013 Foxtel Australian Documentary Prize have shown a broad array of inspiring stories. We are so pleased to celebrate and showcase their talent,” said Mariska Deane, Head of Programming – Factual Channels for Foxtel Networks Australia. The Foxtel jury also gave a special mention to Miss Nikki and the Tiger Girls. Directed by Juliet Lamont, who won the Foxtel Prize in 2010 with The Snowman, the film is an innovative and beautifully crafted glimpse into the emerging careers of young female pop stars in Myanmar. The Jury also highly commended Big Name No Blanket. Steven McGregor’s finely constructed documentary honours the Warumpi Band, its legendary front man, the late George Rrurrambu, and his creative relationship with the inspired songwriter Neil Murray. The Foxtel Australian Documentary Prize jury for 2013 comprised multiple award-winning director and producer Ned Lander; the Australian documentary filmmaker Sascha Ettinger Epstein; and Mariska Dean, Head of Programming – Factual Channels for Foxtel Networks Australia. Sydney Film Festival’s Australian short-film awards were first presented in 1970, and the festival has been showcasing the best local short-film productions in competition ever since. These celebrated awards have launched and aided the careers of many Australian filmmakers. The Dendy Live Action Short Award, sponsored by Dendy Cinemas since 1989, provides a $5000 cash prize to the best Australian live-action short film. Winners are Academy Award®-eligible. “The high standard of the Dendy Award finalist continues to impress each year. Quality short films are a brilliant launching pad into the broader film industry and this year’s filmmakers are no exception,” said Nick Hayes, Head of Theatrical Operations at Dendy ICON. The 2013 winner of the Dendy Award for Best Live Action Short is Perception, directed by Miranda Nation and produced by Lyn Norfor. The film is the story of the death of Crystal – a mother, daughter, lover, stripper and survivor – who grasps at life and finally faces herself, without deception. “The Dendy Live Action Short Award goes to a powerful film that is so assured on every level, from its editing and cinematography, to its knockout central performance that was brave and bold, yet nuanced and so real. The jury really looks forward to this director’s future work – she’s someone to watch,” said the 2013 Dendy Awards judges. The 2013 Dendy Awards were judged by Jason Ryle, Executive Director at the imagineNATIVE Film + Media Arts; Sylvia Wilczynski, producer of the SFF 2013 Official Competition film The Rocket; and Mirrah Foulkes, Australian actress, filmmaker and winner of the SFF 2012 Rouben Mamoulian Award. The jury also acknowledged two standout performances in the Dendy live-action finalists: Maia Thomas, the lead in Perception, whose performance they described as “excellent”; and Ed Oxenbold of All God’s Creatures for “a tender and honest performance by a young actor with beautiful comic timing and a wisdom beyond his years.” The Rouben Mamoulian Award, also sponsored by Dendy Cinemas, and named after the Hollywood director who first presented the award in 1974, provides a $5000 cash prize to the best director in the Dendy Awards competition. The 2013 winner of the Rouben Mamoulian Award is David Lyons, director of Record. “The Rouben Mamoulian Award goes to the director of an impeccably constructed film, with an assured directorial vision. Incredible performances have been drawn from the cast to tell a deeply touching story about love and memory. Every member of the jury cried watching this film!” The Yoram Gross Animation Award, sponsored by Yoram and Sandra Gross, provides a $4,000 cash prize for the Best Australian Animated Short film. Winners are Academy Award-eligible. The 2013 winner is Butterflies, directed by Isabel Peppard, produced by Warwick Burton. “This intriguing film transported us to a strange yet familiar world, with terrific characters and an original and accomplished animation style. It is atmospheric, and at times very unsettling, but ultimately moving and inspiring,” said 2013 Dendy Awards judges. The winners of the 2013 Foxtel Movie Channels Audience Awards will be announced Wednesday 19 June. Sydney Film Festival celebrates its 60th anniversary this 5-16 June bringing a packed program of screenings and special events to even more venues across Sydney. For tickets and full up-to-date program information please visit www.sff.org.au. Œ</p> Mon, 17 Jun 2013 09:48:58 +1000 http://if.com.au/2013/06/17/article/Bank-of-Sydney-to-Partner-with-the-Lebanese-Film-Festival-2013/DFLHFAXIGW.html http://if.com.au/2013/06/17/article/Bank-of-Sydney-to-Partner-with-the-Lebanese-Film-Festival-2013/DFLHFAXIGW.html Inside Film Correspondent <p> Press Release</p> <p> SYDNEY, 17 June 2013 -.The Lebanese Film Festival (LFF) Association is proud to announce the Bank of Sydney as the official naming rights sponsor for 2013.</p> <p> Now in its second edition, the Bank of Sydney - Lebanese Film Festival is the world’s largest festival of Lebanese film. With branches in Sydney, Melbourne and Adelaide, the Bank of Sydney is known for its community engagement and is committed to supporting initiatives that celebrate diversity.</p> <p> Bank of Sydney Chief Executive Officer, Julie Elliott says, “Bank of Sydney is proud to present to the Multicultural Australian society an additional opportunity to link the diverse ethnic communities together through arts and movies, contributing to strengthening the cultural, social and artistic exchange between them.”</p> <p> Ms Elliott stressed, “Bank of Sydney is keen to supporting such initiatives which deepen the understanding of different backgrounds and cultures, leading to the harmony and the development of communities in Australia.”</p> <p> Lebanese Film Festival Director, Mr Camille Lattoufsays “It brings us great pleasure to be working with the Bank of Sydney again and I thank them for their ongoing support of grass roots cultural event across Sydneyand giving the LFF Association a chance to enhance the face of multicultural Australia”</p> <p> Set to take place in late August this year, the Bank of Sydney Lebanese Film Festival is expected to run over a duration of three weeks. 50 film submissions were received for 2013 with film types varying from features, shorts, documentaries and animations.</p> <p> The festival film line up will be announced at the end of June. For more information on the Bank of Sydney LebaneseFilm Festival go to: <a href="http://www.lebanesefilmfestival.com.au-END-For">www.lebanesefilmfestival.com.au</a></p> Mon, 17 Jun 2013 09:24:53 +1000 http://if.com.au/2013/06/14/article/Direct-from-Cairo---Yousry-Nasrallah-heads-forum-about-Arab-men-in-film/CWJABUDBDD.html http://if.com.au/2013/06/14/article/Direct-from-Cairo---Yousry-Nasrallah-heads-forum-about-Arab-men-in-film/CWJABUDBDD.html Inside Film Correspondent <p> Press Release from CardinalSpin</p> <p> The Arab Film Festival Australia is pleased to announce that Director of opening night film AFTER THE BATTLE, Yousry Nasrallah, will be flying in from Cairo to present the Australian Premiere of his film at Riverside Theatres, Parramatta on 27 June. The festival opening night will feature the Australian premiere of the Egyptian film, AFTER THE BATTLE by renowned director, Yousry Nasrallah. This exploration of the aftermath of the Battle of the Camels in 2011 in which the Egyptian government carried out attacks on protesters reacting to the announcement that Mubarak would not be leaving Egypt. The film follows the storylines of three characters in different class situations, and Nasrallah’s work often deals with leftism, fundamentalism and ex-patriation. This film explores some controversial and dark ideas within its stunning, poetic style.</p> <p> Born 1952 in Cairo, Yousry Nasrallah studied economics and political science, before working as a journalist in Lebanon. In 1999 his film El Madina was awarded the Special Jury Prize in Locarno Film Festival. In 2004, his film The Gate of Sun (Bab El Chams), taken from Elias Khoury's novel, was selected for Cannes. In 2012 After the Battle was also selected for the Cannes Film Festival. Yousry Nasrallah will also participate in a forum about Arab Men in film and how they are represented on our screens, joined by panel members Dr Ghassan Hage (Future Generation Professor of Anthropology and Social Theory, School of Social and Political Sciences, University of Melbourne) and Mehal Krayem (Writer, Researcher and PhD Candidate at University of Technology, Sydney). The forum will be chaired by Dr Paula Abood Festival Committee Member and Community Cultural Development Worker and take place at Riverside Theatres, Parramatta at 2pm on Sunday, 30 June. ‘Like in every culture, masculinity is affected by many variables such as class, education, sexual orientation, urban/rural divides, etcˆ So it is more correct to speak of masculinities in the plural. Whether there is something ‘Arab’ that they all share, what this Arab-ness is, and whether it is captured on film are perhaps unanswerable questions. But unanswerable questions often tell us more about ourselves than answerable ones’, says Dr Ghassan Hage, Future Generation Professor of Anthropology and Social Theory, School of Social and Political Sciences. “While we are witnessing a move to include Arab men on Australian screens, overwhelmingly these portrayals are limiting how we understand and engage with the complexity of Arab masculinity.” says Mehal Krayem (Writer, Researcher and PhD Candidate at University of Technology, Sydney). Festival Co-director Mouna Zaylah agrees that gender politics are a driving force in Arab cinema. “The cultural landscape in the Arab world is changing for societies and also for individuals – Arab women are standing up and being heard while the Arab man is questioning everything he ever believed,” she says. The free forum will address this topic with special guests on 30 June at Riverside Theatres, Parramatta. The Arab Film Festival Australia will launch at the Riverside Theatres, Parramatta, before touring to Melbourne and Canberra. Yousry Nasrallah will be available for interviews via phone and in person in Sydney.</p> <p> Œ</p> <p> Œ</p> Fri, 14 Jun 2013 15:49:02 +1000 http://if.com.au/2013/06/14/article/Gearhouse-Broadcast-Designs-Manufactures-and-delivers-4-new-HD-OB-supertrucks/RGYKTHRCXE.html http://if.com.au/2013/06/14/article/Gearhouse-Broadcast-Designs-Manufactures-and-delivers-4-new-HD-OB-supertrucks/RGYKTHRCXE.html Inside Film Correspondent <p> Press ReleaseŒ</p> <p> As part of its ongoing commitment to the Australian market Gearhouse Broadcast has commissioned four new state of the art 30-camera HD OB supertrucks, two of which are delivered and in operation. The trucks, named HD5, HD6, HD7 and HD8 represent a multi-million dollar investment by the company which has taken the market lead in the provision of high quality outside broadcast services. Gearhouse Australia Sales and Marketing Director Manny Papas says the new trucks are very much in keeping with Gearhouse’s global philosophy adding, “Gearhouse Broadcast’s owner John Newton recently relocated to Australia and his edict has always been quality and presentation are paramount. Anyone who sees these trucks will also see that edict has been followed to the letter.” Four new trucks is a big investment by any company’s standards in today’s challenging marketplace but Gearhouse has experienced significant year on year growth which according to Papas was the driving force behind their commissioning. He added, “HD5 and HD6 have just been finished and gone immediately into service. This demonstrates the demand in the market for this level of OB supertruck. HD7 and HD8 are both scheduled to be finished by the end of this year and there are already several large events planned for them to cover.” Not only do the trucks meet the market demand and add significant capacity to Gearhouse’s ever-growing fleet, but they have been designed specifically with Australian broadcasting requirements and workflows in mind. The trucks also set the standard for efficient layouts providing a larger production space and more processing power than any other single truck in the market, with one of the new supertrucks now capable of doing the work that would previously have taken two standard OB trucks. Aimed predominantly but not exclusively at live sport, Gearhouse recently saw four of its trucks including HD5 and HD6 used simultaneously over a weekend at events that included AFL games, horse racing and V8 Supercars. The trucks have also been used on live reality shows such as Celebrity Splash. Each of the new supertrucks had its chassis built by the world-renowned coachbuilders A. Smith of Great Bentley in the UK, a process taking six months per chassis before it is shipped for integration in Australia. The trucks also feature the latest in lighting, expanding sides, physical auto levelling and 90KW of water-cooled air conditioning as standard. As the person responsible for translating the requirements of Gearhouse Australia’s internal team and those of its clients into the trucks’ design Head of Engineering Stephen Edwards believes it is Gearhouse’s comprehensive planning and fastidious attention to detail that makes the new supertrucks a cut above any others. Edwards added, “My team work alongside our Chief Design Consultant John Fisher, a veteran of OB truck design with over 21 to his name to date. With John’s expertise and knowledge as the driving force behind the design we are able to oversee and turn concepts into reality in every area of the truck in order that they become truly incredible production environments.” Gearhouse’s new HD supertrucks have a number of technology centrepieces. Using their considerable purchasing power the company has managed to create one of the most powerful replay environments ever built into an OB vehicle. Based around the NVISION NV8576 hybrid main vision router that embeds and de-embeds internally, has a MADI I/O and an enormous amount of processing and cross conversion power, the true hybrid router offers extensive functionality to a high number of operators. In keeping with their best of breed approach the trucks are particularly well equipped and finished to the highest levels. Standalone areas include an audio mixing and control room, replay area, production gallery, CCU and vision control and engineering space providing Gearhouse’s clients with everything they need from signal acquisition to finished programme transmission. Some of the supertrucks’ main product highlights include the fact that they are all wired for 24 CCU and 6 POV cameras and seven 8-channel EVS XT3s, they all feature an 80 input, 36 output Sony MVS7400 mixer, have four VTRs, five replay transition devices, a 64 fader MC56 Lawo audio desk and Riedel Artist 192-port talkback system. Manny Papas concluded, “The fact that Gearhouse has a major SI business building trucks and installations for clients all over the world is a huge bonus for our clients in Australia as all of these supertrucks are designed, built and integrated in-house by Gearhouse engineers. Nothing is outsourced which means the trucks are incredibly cost efficient. These cost efficiencies are then passed onto our customers.” Gearhouse Broadcast Australia’s new HD5 and HD6 trucks are fully operational and working now at major OB events across Australia. For more information on the trucks and the services they provide contact Manny Papas on 0459 102 828 or at mpapas@gearhousebroadcast.com.au Gearhouse Broadcast Australia will be demonstrating their range of services on stand J49 at SMPTE 2013 from 23-26 July at the Darling Harbour Exhibition Centre. Œ</p> Fri, 14 Jun 2013 12:27:52 +1000 http://if.com.au/2013/06/14/article/Ai-Media-Wins-NSW-Dept-of-Education--Communities-Captioning-Tender/PKHFUXGEPJ.html http://if.com.au/2013/06/14/article/Ai-Media-Wins-NSW-Dept-of-Education--Communities-Captioning-Tender/PKHFUXGEPJ.html Inside Film Correspondent <p> Education technology and disability services innovator Ai-Media will deliver its groundbreaking “Ai-Live” online classroom captioning service into NSW schools after winning a competitive tender to work with the NSW Department of Education and Communities (DEC) to support students with disabilities. Ai-Media has been appointed to deliver the NSW Government’s “Real Time Classroom Captioning Development Project” in two stages: the first covering schools in metropolitian Sydney, the second covering schools in regional and remote areas of NSW.</p> <p> Ai-Media’s Chief Executive Officer, Tony Abrahams, said: “Since its launch in 2010, Ai-Live has proven to be a powerful learning tool in schools and tertiary education, and facilitated inclusion in workplaces and at conferences. This project is a testament to the NSW DEC’s commitment to trialing new technology solutions that promise to improve educational outcomes in schools. We are delighted to work with the department to deliver better outcomes for NSW school students with Ai-Live.”</p> <p> The NSW DEC’s Executive Director, Learning & Engagement, Brian Smyth King commented: “The NSW Department of Education and Communites has initiated a number of exciting projects under the More Support for Students with Disabilities National Partnership. We look forward to providing increased opportunity for quality support for students with disability using real time captioning and transcription in selected NSW schools.”</p> <p> Ai-Live provides captions and transcripts of classroom lessons. The teacher’s spoken words are sent via a microphone to a trained “re-speaker” who uses software which converts the speech into text. The text is sent back to laptop or tablet screens in the originating classroom allowing students to read what the teacher says within 7 seconds. In 2012, Ai-Live added improved on-screen graphics; Web Content Accessibility Guideline-compliant features designed for people with disability; text that is optimised for colour blindness; and new displays optimised for iPads and other tablets.</p> <p> This is the second State education department tender win for Ai-Media. Last December, the Victorian Department for Education and Early Childhood Development chose Ai-Live for its More Support for Students with Disabilities National Partnership. Under the leadership of the Victorian Deaf Education Institute (VDEI) the Ai-Live service is providing real time captioning to students in schools across Victoria.</p> Fri, 14 Jun 2013 12:11:39 +1000 http://if.com.au/2013/06/14/article/NUGEN-Audio-Signs-Distribution-Deal-with-Australias-Amber-Technology/LPNFDOKABA.html http://if.com.au/2013/06/14/article/NUGEN-Audio-Signs-Distribution-Deal-with-Australias-Amber-Technology/LPNFDOKABA.html Inside Film Correspondent <p> NUGEN Audio, creator of intuitive tools for audio professionals, has struck a deal with Australian distributor Amber Technology to sell and support NUGEN products in Australia and New Zealand. NUGEN Audio's loudness metering and correction solutions will expand Amber Technology's existing portfolio of audio-processing tools for broadcast, music, and post-production applications.</p> <p> "We already provide loudness metering and correction solutions for critical real-time environments such as live broadcast and transmission, but some of our key customers have been asking for additional tools that can operate efficiently in file-based and non-real-time workflows, and also allow them to automate certain processes," said Julius Chan, Amber Technology's specialist sales engineer for audio products in the broadcast and professional segment. "NUGEN is right on the bleeding edge in terms of loudness metering, correction, and true peak limiting tools and offers great value for the money. They came highly recommended by our customers."</p> <p> Amber Technology represents several other major broadcast and professional audio brands in an expansive portfolio, including Avid®, Blue® Microphones, DPA Microphones, EVS, Radial Engineering®, Snell, Solid State Logic, and TC Electronic®. After talking to many of its customers, Amber Technology chose NUGEN Audio's software-based loudness metering products for their ability to accommodate file-based workflows in post and ingest, cope with a vast array of plug-in formats for nearly any video/audio workstation, and natively support AAX for Avid Pro Tools® clients. Other key requirements were batch processing of archives and a faster-than-real-time, automated workflow.</p> <p> NUGEN Audio's VisLM-H visual loudness monitoring tool, coupled with the ISL intersample true-peak limiter, will be especially valuable for Amber Technology's customers. The combination will give Australian broadcasters confidence that they are compliant with OP-59, the country's rules for measuring loudness in soundtracks for television broadcasting. In addition, LM-Correct offers no-hassle analysis and correction for solo editors in either a software or stand-alone version, while the Loudness Management Batch tool allows broadcasters to handle a wide variety of audio and video files with batch processing.</p> <p> "Amber Technology is one of the largest and most respected distributors in the region," said Jon Schorah, creative director of NUGEN Audio. "This partnership will make available NUGEN Audio products that the region's broadcasters have been asking for, helping them to comply easily with new loudness regulations."</p> <p> Amber Technology will be demoing NUGEN Audio solutions at the SMPTE 2013 Technical Conference and Exhibition in Sydney, July 23-26 in Hall 4, Stand G11.</p> <p> More information about NUGEN Audio products is available at <a href="http://www.nugenaudio.com">www.nugenaudio.com</a>.</p> <p> About NUGEN Audio NUGEN Audio creates innovative, intuitive professional audio tools for high-end music producers, post-production engineers, and broadcasters. Reflecting the real-world production experience of the design team, the company's products make it easier to deliver better quality, save time, and reduce costs. NUGEN Audio's tools for audio analysis, loudness metering, mixing/mastering, and tracking are used by the world's top names in broadcast, music, and audio production. For more information, visit www.nugenaudio.com. All trademarks mentioned herein are acknowledged as property of their respective owners. Œ</p> Fri, 14 Jun 2013 11:08:33 +1000 http://if.com.au/2013/06/14/article/Juliet-Lamont-Receives-David-and-Joan-Williams-Documentary-Fellowship/ABKUKNKSMB.html http://if.com.au/2013/06/14/article/Juliet-Lamont-Receives-David-and-Joan-Williams-Documentary-Fellowship/ABKUKNKSMB.html Inside Film Correspondent <p> Last night, filmmaker Juliet Lamont was awarded the prestigious David and Joan Williams Documentary Fellowship at a film industry reception, held during the Sydney Film Festival.</p> <p> The Fellowship which is administered under the auspices of AIDC, is awarded annually and intended to reward creative ambition, intellectual rigour and innovation in documentary cinema.</p> <p> Bob Connolly, co producer and director of the hit Mrs Carey’s Concert, announces Juliet Lamont as the 2013 recipient of the David and Joan Williams Documentary Fellowship at a reception held during the Sydney Film Festival. Announcing the Fellowship, Chair of the selection committee Bob Connolly said "The Williams Fellowship is all about encouraging documentary as an art form, and that's why we're so pleased to see it going this year to such an outstandingly talented filmmaker. Juliet stands on the threshold of what promises to be a glittering career, with two films accepted in competition at IDFA already under her belt. A thoroughly worthy recipient, and our thanks yet again to Kim Williams for making all this possible." The selection of the Fellowship is decided on the basis of past work and future ambitions, it is selected by a small industry panel and is the most substantial annual Fellowship available in Australia for documentary practitioners. The Fellowship will provide Juliet with $25,000 with which to explore, expand and challenge her filmmaking practice and raise the bar of excellence in Australian documentary. Œ</p> Fri, 14 Jun 2013 10:51:57 +1000 http://if.com.au/2013/06/14/article/Screen-Australia-announces-support-for-shorts-through-Short-Film-Completion-Fund/TNAUAYVSKN.html http://if.com.au/2013/06/14/article/Screen-Australia-announces-support-for-shorts-through-Short-Film-Completion-Fund/TNAUAYVSKN.html Inside Film Correspondent <p> Press Release from Screen Australia</p> <p> Screen Australia today announced almost $60,000 in support for two short films through its Short Film Completion Fund. The films are in various stages of post-production and this funding will ensure these projects are completed to a high standard and enable the filmmakers to realise the best versions of their visions.</p> <p> Writer Michelle Law and director Corrie Chen will complete their comedy Bloomers, which takes the viewer into the world of a pubescent girl fast tracking her way into womanhood using somewhat unconventional methods. Bloomers is being produced by Jiao Chen.</p> <p> Writer and director Lynne Vincent McCarthy will complete her thriller Test Drive, a gripping tale about a woman trapped in the back seat of her own car, captive to two volatile brothers whose relationship is set to explode. Test Drive is being produced by Samantha Jennings and Angus Stevens.</p> <p> Films supported through the Short Film Completion Fund include Yardbird (w: Julius Avery, d: Michael Spiccia, p: Jessica Mitchell), selected for Cannes 2012 and the winner of the Sydney Film Festival’s Dendy Award, and Spine (w/d: Sophie Miller, p: Sheila Jayadev), winner of Best Short Film at the 2012 Melbourne International Film Festival.</p> <p> Screen Australia’s Head of Development Martha Coleman said, “This second round of Shorts Completion for 2013 has unearthed two distinctive shorts that take us on an emotional journey and help progress the skills and open opportunities for their filmmaker creators. Both shorts are destined for the festival circuit and it’s our pleasure to help them get there.”</p> <p> BLOOMERS Producer Jiao Chen Writer Michelle Law Director Corrie Chen</p> <p> TEST DRIVE Producers Samantha Jennings, Angus Stevens Writer/Director Lynne Vincent McCarthy Œ</p> Fri, 14 Jun 2013 09:53:13 +1000 http://if.com.au/2013/06/14/article/Jon-Donnison-to-commence-as-the-BBCs-new-Australian-correspondent/YCIJSMEBNZ.html http://if.com.au/2013/06/14/article/Jon-Donnison-to-commence-as-the-BBCs-new-Australian-correspondent/YCIJSMEBNZ.html Inside Film Correspondent <p> BBC News has appointed Jon Donnison as the new Australia correspondent, commencing early August 2013. Jon has been the BBC’s Gaza and West Bank correspondent for the past three years.</p> <p> Based in Sydney, Jon will report on the latest political, cultural and business news from Australia for international news channel BBC World News and BBC.com, as well as covering stories for the BBC’s news services within the UK.</p> <p> Jon has spent 15 years working in broadcast journalism and this year was awarded the Silver Sony Award for Radio Journalist of the Year for his coverage of Gaza in 2012. Judges commented that Jon’s reports were ‘vivid and dramatic and often delivered when he was in grave danger but were always measured and beautifully crafted’.</p> <p> Prior to his work in the Middle East, Jon was based in Washington, covering events across the US in a busy period during President Obama’s first year in office. He has also reported from Libya, Israel, Morocco, Egypt, Syria, Lebanon, Jordan, France, Germany, Spain and Poland.</p> <p> From 2002 – 2007 Jon worked in London as a producer and programme editor for BBC radio, and before this presented a daily world affairs programme World Watch for Radio New Zealand, based in Wellington.</p> <p> Jon graduated in politics and French from Edinburgh University and completed his post-graduate studies in journalism at the University of Lancashire. He is fluent in French and passionate about cycling, both of which proved helpful when he reported on the 2002 Tour De France by cycling the entire 3200km route - the first journalist to do so.</p> <p> Richard Porter, Controller of English, BBC Global News said “Jon Donnison is a very experienced, award-winning journalist who has spent the last three and a half years immersing himself in the story of Gaza and the West Bank. In what is an important election year for Australia, I know he’ll bring the same enthusiasm and dedication to delivering the country’s big stories to BBC audiences around the world.”</p> <p> Jon comments, "Sydney is certainly going to be a change of scene from Gaza, although they do have the beach and the ocean in common. The patch is a little bit bigger mind you. The whole of Gaza would fit inside Australia around 21000 times! I'm really looking forward to the new challenge and the sheer variety of stories in Australia - from the elections to The Ashes to the environment to the economy."</p> <p> Follow Jon on Twitter: @JonDonnison Jon will be replacing Nick Bryant, who is departing Australia to take up a new BBC posting in New York.</p> Fri, 14 Jun 2013 09:45:56 +1000 http://if.com.au/2013/06/14/article/Five-short-films-greenlit-through-Springboard/PKIIWUGTOV.html http://if.com.au/2013/06/14/article/Five-short-films-greenlit-through-Springboard/PKIIWUGTOV.html Inside Film Correspondent <p> Screen Australia today announced $750,000 in support for the production of five short films through its Springboard Program, now in its fourth year. The recently-completed Springboard workshops provided a unique development experience over several months, enabling the five participating teams to develop a short film script that speaks to the sensibilities of their proposed feature film and becomes a strategic tool in its financing. For the first time, this year Screen Australia decided that all participants would be given the opportunity to make their short film, with production funding of $150,000 each. All teams will also receive ongoing support to develop their feature film scripts.</p> <p> The five selected projects are: Bluey (supporting the feature Obelia) Writer/Director Darlene Johnson, Producer Heather Oxenham</p> <p> The Apartment (supporting the feature Dealer) Writers/Directors Sam McKeith and Tom McKeith, Producer Robert Coe</p> <p> Dario (supporting the feature Starfish) Writer/Director Hannah Moon, Writer Stephen Sholl, Writer/Producer Robin Geradts-Gill</p> <p> Skin (supporting the feature Red Earth) Writer/Director Liselle Mei, Producers Trish Lake and Dan Lake</p> <p> Martha the Monster (supporting the feature Pest Control) Writer/Director Christopher Weekes, Producers Michael Pontin and Jamie Hilton</p> <p> Screen Australia’s Head of Development Martha Coleman said, “This year we were struck even more than usual by the strength and diversity of the participants’ projects. The growth in storytelling skills of each team during the Springboard workshops was notable and, considering the short film scripts the filmmakers developed, and the feature films they intend to make, it would have done the industry a disservice to not fund any one of these shorts.” Two shorts created through Springboard in 2012, The Last Time I Saw Richard (writer/director Nicholas Verso, producer John Malloy) and Perception (writer/director Miranda Nation, producer Lyn Norfor) will screen at the Sydney Film Festival Dendy Awards on Saturday 15 June. These Final Hours, the feature film for Springboard 2011 participants Zak Hilditch and Liz Kearney, for which the short film Transmission was created, is in the final stages of post production.</p> Fri, 14 Jun 2013 09:38:26 +1000 http://if.com.au/2013/06/14/article/Naomi-Watts-to-light-up-screens-across-Australia-from-October-10/ESFXMDWAAA.html http://if.com.au/2013/06/14/article/Naomi-Watts-to-light-up-screens-across-Australia-from-October-10/ESFXMDWAAA.html Inside Film Correspondent <p> Local audiences will finally have the chance to see Australian actress Naomi Watts in an unforgettable performance as Princess Diana, when Becker Film Group releases the highly anticipated film, DIANA in wide release right across the country on October 10. DIANA is masterfully directed by Oliver Hirschbiegel (Academy Award® nominated for Downfall). Naveen Andrews, best known for his roles in The English Patient and the hit television show, Lost, co-stars as Dr. Hasnat Kahn. Brits Douglas Hodge, Geraldine James, Charles Edwards and Juliet Stevenson round out the supporting cast. From Becker Film Group. Celebrated and adored by millions, she was the Queen of people's hearts, yet the bittersweet story of the last man to truly capture hers has never been told. Princess Diana (double Academy Award® nominee Naomi Watts), at one time the most famous woman in the world, inspired a nation with her generosity, compassion and kindness - and in her final years she would meet the man, Dr. Hasnat Kahn (Naveen Andrews), who in turn inspired her. "Most Australians remember exactly where they were the day Princess Diana died, such was the affect she had on people and why she was the People's Princess,” said Elle Becker, Sales & Acquisitions Manager of Becker Film Group. “She was an extraordinary woman, who had a profound effect on many Australians including myself – so the opportunity to work on such a compelling story is a very personal journey." The astonishing performance by Australian actress, Naomi Watts isn’t the only reason why local audiences are expected to strongly embrace DIANA. Princess Diana’s visits to Australia were enormously popular events in the nation’s history and her fondness for Australia and support of its charities is well documented and celebrated. In fact, some of those wonderful, iconic moments of her Australian tours are even featured in DIANA. The filmmakers have assembled an outstandingly talented and creative team to produce an insightful and compassionate study of Diana’s later years. Headed by Rainer Klaussman S.C.S, (Downfall, The Experiment), the director's long-time collaborator and cinematographer, the team includes: production designer Kave Quinn (Trainspotting), costume designer Julian Day (Rush), hair and make-up designer Noriko Watanabe (Unknown, Memoirs of a Geisha), editor Hans Funck (Downfall) and the Academy Award® winning composer Rachel Portman (Emma, Chocolat). DIANA will be distributed in Australia and New Zealand by Becker Film Group, who have recently distributed A Place For Me, The Words, Santa’s Apprentice, Last Dance and Female Agents, as well as the Academy Award® nominated films, Last Station and Margin Call. The “first look” HD teaser trailer of DIANA can now be viewed and shared at: <a href="http://www.youtube.com/watch?v=Hf4fBMiAofc">http://www.youtube.com/watch?v=Hf4fBMiAofc</a> An assortment of high res images is available to download at the following link: http://beckerfilmgroup.com/downloads/Diana/stills/ Œ DIANA In cinemas October 10 <a href="http://beckerfilmgroup.com/2012/#/diana">http://beckerfilmgroup.com/2012/#/diana</a> Œ</p> Fri, 14 Jun 2013 09:21:45 +1000 http://if.com.au/2013/06/14/article/The-WotWots-Furthers-Licensing-Reach-with-Global-Pursuit-Co--Ltd--Deal/ALNKDNVJLO.html http://if.com.au/2013/06/14/article/The-WotWots-Furthers-Licensing-Reach-with-Global-Pursuit-Co--Ltd--Deal/ALNKDNVJLO.html Inside Film Correspondent <p> Building upon its broadcast success in Southeast Asia, The WotWots announces it will soon expand its presence in the region via a licensing deal with Global Pursuit Co., Ltd.</p> <p> Global Pursuit Co., Ltd. will represent the popular preschool brand from Pukeko Pictures in Hong Kong, India, Indonesia, Macau, Malaysia, Philippines, Singapore, South Korea, Taiwan and Thailand across merchandising, publishing and digital gaming rights. The deal was brokered by AG Properties (AGP) the intellectual property and outbound licensing division of American Greetings Corporation (NYSE: AM).</p> <p> “We are thrilled to be extending our licensing reach into these new markets , said Andrew Smith, Chief Executive Officer, Pukeko Pictures. “The universal themes and timeless tales of The WotWots ensure the international appeal and longevity of the brand and we are looking forward to making SpottyWot and DottyWot accessible to preschoolers through merchandising, publishing and digital content in these new regions.”</p> <p> “The WotWots’ brand promotes and celebrates the positive values of diversity and enduring friendship and has been embraced by consumers worldwide,” said Cynthia Money, President, Global Pursuit. “We are thrilled to extend consumers’ enjoyment of The WotWots by bringing in the best licensees and retail partners in the region and delivering quality goods.”</p> <p> The WotWots is an enchanting preschool series that follows the adventures of two adorable siblings from outer space, SpottyWot and DottyWot. This delightful pair of inquiring minds have come to Earth to explore and to marvel at the extraordinary diversity of life on the blue planet. The show celebrates this joy of discovery and demonstrates the positive values that are the building blocks of a true and enduring friendship.</p> <p> Season one sees SpottyWot and DottyWot come to explore planet earth in their steam-powered spaceship and arrive in the middle of a zoo. In season two, the alien siblings land on a farm and meet strange and friendly farm animals and also travel to the seashore. Encouraging the love of animals, the season celebrates the joy of discovery and the extraordinary diversity of life on the planet.</p> <p> About The WotWots The WotWots is broadcast in over 90 territories. AG Properties represents the brand for worldwide licensing and merchandising rights to the popular preschool property.</p> Fri, 14 Jun 2013 09:16:45 +1000 http://if.com.au/2013/06/13/article/Delve-into-deep-space-this-September-with-Hidden-Universe-3D-at-IMAX/MYSYTTQYHC.html http://if.com.au/2013/06/13/article/Delve-into-deep-space-this-September-with-Hidden-Universe-3D-at-IMAX/MYSYTTQYHC.html Inside Film Correspondent <p> This September, IMAX Darling Harbour and IMAX Melbourne Museum will take audiences on a breathtaking tour of deep space with the release of the new documentary HIDDEN UNIVERSE 3D, narrated by Golden Globe winning British actress Miranda Richardson and from Australian filmmakers December Media. Bringing the Universe to life on the giant IMAX screen with unprecedented clarity, the film incorporates mesmerising real images captured by the world’s most powerful telescopes including the Very Large Telescope (VLT), the ALMA and the Hubble Space Telescope. Audiences will explore the earliest galaxies and travel the terrain of Mars; peer deep inside vivid clouds of nebula to see previously unseen forms such as pulsars and gas jet streams; glimpse new stars being born in the Carina Nebula; and witness high-definition images of distant celestial structures including stunning new images of the sun. “Hidden Universe offers new images of deep space phenomena from the world’s most powerful telescopes,” said producer Stephen Amezdroz. “This new technology allows scientists to peer back even further into space, revealing secrets that until recently were completely hidden.” In an age where space tourism has become reality,ŒHidden UniverseŒ3D offers an inspiring story of human endeavor and provides new insight into how the Universe was formed from a prime IMAX seat with a magnificent point of view. Hidden UniverseŒ3D is a December Cinema Productions film produced in association with Film Victoria, Swinburne University of Technology and the European Space Observatory. Executive produced by Emmy®-award-winning producer Tony Wright, produced by Stephen Amezdroz and written and directed by Russell Scott. Produced in association with MacGillivray Freeman Films. Hidden UniverseŒ3D will be releasing at IMAX Darling Harbour on 5th September and IMAX Melbourne Museum on 12th September 2013. IMAX Darling Harbour – 31 Wheat Rd, Darling Harbour – www.imax.com.au IMAX Melbourne Museum – Rathdowne St, Carlton – www.imaxmelbourne.com.au ENDS For further information contact: IMAX Darling Harbour – Lisa Barnes: 0417 366 081 or Lisa@Kabukupr.com.au IMAX Melbourne Museum – Rachel Misitano: 0403 600 736 or rmisitano@museum.vic.gov.au Œ</p> Thu, 13 Jun 2013 15:57:41 +1000 http://if.com.au/2013/06/13/article/NIKKOR-Lenses-production-reaches-80-Million/UGKTHROPHU.html http://if.com.au/2013/06/13/article/NIKKOR-Lenses-production-reaches-80-Million/UGKTHROPHU.html Inside Film Correspondent <p> Nikon Australia is pleased to announce that total production of NIKKOR lenses for Nikon interchangeable lens cameras reached eighty million in mid-June 2013. In 1959, Nikon (then Nippon Kogaku K.K.) released the Nikon F as well as its first NIKKOR lens for Nikon SLR cameras, the NIKKOR-S Auto 5cm f/2. The NIKKOR tradition has continued over the many years since that first lens was released. Nikon also continues to expand its lineup of interchangeable lenses for Nikon 1 cameras, the first of which was released in October 2011, bringing total lens production to eighty million this month. The 80th Anniversary of the NIKKOR Brand This year, the NIKKOR brand celebrates its 80th anniversary. Nikon's lineup of lenses for cameras with interchangable lenses currently consists of more than 80 types of lenses, including fisheye lenses, ultra wide-angle to super-telephoto lenses, zoom lenses, Micro lenses, and PC-E lenses for SLR cameras, as well as 1 NIKKOR lenses for advanced cameras with interchangeable lenses. Nikon will continue to develop and release high-quality products that appeal to users the world over. An intriguing insight into how Nikon makes its lenses and a celebration of the NIKKOR brand can be seen in <a href="http://www.youtube.com/watch?v=dPjWfP08B88&list=UUfncyc99K3jQP0a-2fFzjQw&index=1 " target="_blank">this video</a>, produced specially for the 80th Anniversary. High-resolution images of all Nikon products can beŒ <a href="http://press.mynikonlife.com.au" target="_blank">downloaded</a>. Œ</p> Thu, 13 Jun 2013 14:21:40 +1000 http://if.com.au/2013/06/13/article/NewTek-Unveils-Next-Generation-TriCaster-40/DKJDDBSHGJ.html http://if.com.au/2013/06/13/article/NewTek-Unveils-Next-Generation-TriCaster-40/DKJDDBSHGJ.html Inside Film Correspondent <p> NewTekTM today announced the next-generation of its entry-level TriCaster 40, a complete HD multi-camera video production studio that enables anyone to create professional streaming television on a small budget. Version 2 of TriCaster 40 gives students, schools, corporate video departments, small organizations and communities, video bloggers, and independent producers unprecedented access to the same production capabilities used by major networks – including customizable animated transitions, network-style titles and graphics, improved file interoperability and much more. “At NewTek, we are constantly striving to help people with ideas use video in new ways, so that they can tell stories and make a big impact when sharing them with the world,” said Dr. Andrew Cross, Chief Technology Officer at NewTek. “Our next-generation TriCaster 40 gives the most budget-conscious storytellers a whole new class of professional tools, which if purchased individually, would each cost far more than the TriCaster 40 itself. This means that financial limitations no longer hamper creative storytelling. Anyone can use TriCaster 40 to turn a live event into a video production that rivals the pristine look of a network broadcast.” TriCaster 40: What’s New</p> With a broad range of new production capabilities, TriCaster 40 now enables video producers to create stunning HD television-style video broadcasts. Users can look forward to: Creating more engaging content with network-style, highly designed visuals that deliver a polished, post-production look to live productions, in real time; Creating and customizing transitions and effects, using the now included Animation Store Creator to produce full color full motion overlays, audio for both directions and even warped video mapped against any 3D surface for the highest-impact presentations possible; Adding a dedicated title station with the included LiveText application for creating unique HD titles and graphics with hundreds of pre-loaded templates, displaying real-time data, and using vector-based drawing tools and extensive text options for designing custom graphics; Enhancing the viewing experience with new video formats, recording options and session resolutions to reach more viewers on the platforms they watch; Maximizing production efficiency and minimizing disruptions with new workflows for capturing to disk and exporting to external applications for the smoothest content creation; and, Improving visual quality and consistency, correcting for variances in the video signal on every input, and tightly calibrating white, black and color levels for every source to broadcast-acceptable standards with preview scopes. <p> Pricing and Availability Existing TriCaster 40 customers can purchase the TriCaster 40 version 2 software immediately for $995 US MSRP. From now until July 12, 2013, TriCaster 40 systems can be purchased for $4,995 US MSRP, with the option to upgrade to version 2 software for $995 US MSRP. Beginning July 12, all TriCaster 40 systems will include the version 2 software, at which time the new system price will increase to $5,995 US MSRP. An optional control surface for TriCaster 40 is available for $1,995 US MSRP. International pricing may vary. For more information, please visit www.newtek.com, or call NewTek Sales at 800-368-5441. International callers dial +1-210-370-8000. Go to <a href="http://www.newtek.com " target="_blank">www.newtek.com </a>for additional information.</p> Thu, 13 Jun 2013 12:11:17 +1000 http://if.com.au/2013/06/13/article/Sony-PMW-300/IJYSCHITXA.html http://if.com.au/2013/06/13/article/Sony-PMW-300/IJYSCHITXA.html Inside Film Correspondent <p> Sony introduces the PMW-300 semi-shoulder mount camcorder, bringing a new workhorse to broadcast, productions and corporate events. Sydney, Australia – June 12, 2013: Sony today announced the PMW-300 XDCAM camcorder, equipped with 1/2"-type Exmor™ Full-HD 3CMOS sensors capable of delivering incredible images even in low-light conditions. The PMW-300 is ideal for broadcast producers and corporate event camera operators who require a flexible semi-shoulder mounted camcorder that can easily be adapted to suit a wide range of production environments. An evolution of Sony’s industry leading PMW-EX3, the PMW-300 is able to record 50Mbps HD material in MPEG HD422, meeting broadcast standards around the world for HD broadcast acquisition. The high bit rate ensures excellent capture of fast moving objects, while its chroma subsampling is perfect for a wide range of video encoding areas such as VFX and green screen applications. The camcorder can also be upgraded in the future to support Sony’s revolutionary XAVC codec, extending the lifecycle of the product to ensure maximum return on investment*. The 1/2"-type Exmor™ Full-HD 3CMOS sensors offer high light sensitivity and low image noise. As a consequence, it delivers clear high-resolution images even when filming in low-light conditions. The camcorder also includes Sony’s advanced signal processing technology, which suppresses noise effectively and thus creates noticeably clearer images. “The PMW-300 incorporates all the market leading features from our XDCAM family in a semi-shoulder HD422 50Mbps camcorder,” said Anthony Kable, Senior Product Manager, Australia and New Zealand. “From working closely with our customers we know there is strong demand for a truly versatile semi-shoulder camcorder that has been designed to meet the needs of the broadcast, production and corporate event worlds.” The PMW-300 features the same EX-mount interchangeable lens system as the PMW-EX3, making it compatible with a wide range of 1/2 inch and 2/3 inch lenses. There are two types of lens packages planned to be available for the PMW-300. One is with a 14 times zoom lens (PMW-300K1), and the other is with a 16 times zoom lens (PMW-K2). Both lenses have a focus ring for quick switching between auto and manual focus, in addition to the dedicated zoom and iris rings. An HD-resolution 3.5-inch colour LCD viewfinder (960x540 pixels) enables precision focusing for HD filming, while the 8-pin remote control and multi-camera operation capability allows the PMW-300 to be used in 3D configurations and high-end camera systems. With HD-SD/SDI and HDMI outputs, the PMW-300 connects not only to broadcast infrastructures, but also to consumer devices equipped with HDMI inputs. Timecode and genlock interfaces enable use in multi-camera setups and 3D configurations. The 8-pin remote connector allows for remote adjustment from a remote control sold separately. Based on customer feedback the PMW-300 features an innovative semi-shoulder design that has a rotary hand grip, allowing comfortable recording over long periods of time. Its magnesium metal body ensures the camcorder is robust and like its predecessor, the PMW-EX3, can withstand even the harshest production environments. Like all of Sony’s solid-state XDCAM camcorders, the PMW-300 has the most flexible choice of recording media in the market, allowing customers to choose to record on Sony’s professional SxS memory card as well as other media such as SD, Memory Stick and XQD cards depending upon their budget and application. Sony today also confirmed that an optional wireless adapter currently in development will enhance proxy recording, wireless transfers, Wi-Fi viewing and metadata input. An ideal companion for the PMW-300 would be the new UWP series of wireless professional audio products. The PMW-300K1 with a 14 times zoom lens will be available from October 2013. The PMW-300K2 with a 16 times zoom lens release date is still to be confirmed. *XAVC support for HD will be available in 2014.</p> Thu, 13 Jun 2013 11:02:24 +1000 http://if.com.au/2013/06/13/article/Special-guest-appearance-at-Arab-Film-Festival/RTWUXUFIKA.html http://if.com.au/2013/06/13/article/Special-guest-appearance-at-Arab-Film-Festival/RTWUXUFIKA.html Inside Film Correspondent <p> The Arab Film Festival is overjoyed to announce that After the Battle director Yousry Nasrallah will join them on Opening Night.</p> <p> With two films selected for Cannes under his belt, Nasrallah is one of Egypt’s best-known directors. After the Battle takes a deeper look at the effects of the revolution on the people that live in Egypt, their environment and the struggle of the classes.</p> <p> "The film’s great merit is Nasrallah’s consummate story-telling, which allows non-Egyptian audiences an easy entry point," stated the <a href="http://www.hollywoodreporter.com/review/after-the-battle-cannes-review-325895" target="_blank">Hollywood Reporter.</a></p> <p> In 2004, Nasrallah’s film The Gate of Sun (Bab El Chams), based on the novel by Elias Khoury, was also presented in the Cannes Official Selection (out of competition) and screened at the Arab Film Festival Australia in 2005. Sunday arvo line-up The Repentant (Algeria) A nail-biting thriller directed by veteran filmmaker Merzak Allouache and set in Algeria’s ‘back decade’ of the late 1990s as a militant Jihadist comes down from the mountains to surrender his weapon in a government amnesty. But dark secrets from his past pursue him as he tries to begin a new life. A hit at Cannes in 2012, and winner of the Best Narrative Film award at the Doha Tribeca Film Festival, The Repentant examines the complex psychology of fundamentalism through a fantastic cast, dramatic storyline and stunning cinematography. Screening with Sanctity, a rare peek in to a Saudi women's world. Sanctity Areej, a pregnant, young Saudi widow, is willing to endure anything to protect her unborn child – she’ll even take in a drug dealer. This pioneering film, screened at the Berlin and Doha Tribeca Film Festivals, is a bold story about a woman defying social custom to establish a friendship with a man in a community that insists on gender segregation. Acclaimed Saudi filmmaker Ahd directs herself in the title role. She also stars in Wadjda, the first feature film shot entirely in Saudi Arabia, which recently screened at the 2013 Sydney Film Festival. Let's talk about Men! Arab Men on screen is the topic we will be discussing with a number of our guests on Sunday 30 June at 2pm. Gender politics are a driving force in Arab cinema. The cultural landscape in the Arab world is changing. The state is breaking down and the Arab man is fracturing as repressive systems and governance are challenged from within. Our speakers include: Yousry Nasrallah (director, After the Battle), Dr Ghassan Hage (Future Generation Professor of Anthropology and Social Theory, University of Melbourne), and Mehal Krayem (Writer and PhD Candidate, University of Techonology Sydney). Chaired by Dr Paula Abood. Œ</p> <p> Ticket Prices $30.00* Opening Night+Film+Sweets+Party $20.00* Full Price $15.00* Concession (excludes opening night) $80.00/$60.00* Marathon Package *Transaction fee applies.</p> <p> Check out the full programme of 11 films from 10 countries at theŒ<a href="http://arabfilmfestival.com.au/" target="_blank"> Arab Film Festival website,</a> where you can also buy tickets and get details of their tour to Canberra (4–7 July) and Melbourne (12–14 July).</p> Thu, 13 Jun 2013 10:29:04 +1000 http://if.com.au/2013/06/13/article/Cine-snaps-is-a-students-ticket-to-great-film/KSHKTHJOMF.html http://if.com.au/2013/06/13/article/Cine-snaps-is-a-students-ticket-to-great-film/KSHKTHJOMF.html Inside Film Correspondent <p> Press Release</p> <p> CinéfestOZ, the Western Australian film festival delivering extraordinary new Australian and French films over five days in August, will launch its Cine-Snaps program for South West schools on Thursday, 13 June. Cine-Snaps will showcase quality Australian and international films, filmmakers and artists to a younger audience, to enhance their appreciation and understanding of the film industry. Over 1000 primary and secondary students from Bunbury to Augusta will experience the Cine-Snaps Schools Program over the Festival week (21st-25th August 2013). CinéfestOZ Festival Manager Malinda Nixon says Cine-Snaps offers South West students extraordinary opportunities through a program of carefully selected film, visiting filmmakers, interactive film workshops and an exciting new short film competition for 13-18 year olds. “Cine-Snaps is an important feature of the CinéfestOZ film festival. It provides affordable access for students to attend screenings and talk to experts about working in the industry and the filmmaking process. The short film competition provides a platform for budding filmmakers to showcase their talents,” she said. Over twenty South West schools are expected to take part in Cine-Snaps, with CinéfestOZ choosing age-appropriate Australian films and providing (where applicable) study guides for in-class preparation. Rio Tinto has contributed in-kind and financial support to CinefestOZ since 2010, with a specific focus as CinéfestOZ Schools’ Partner since 2012, enabling rapid expansion and development of the Cine-Snaps Schools Program. “Cine-Snaps is a wonderful community initiative. It benefits hundreds of regional school children, with flow-on benefits to education professionals and young people in the wider South West region,” says Trisha Comerford, Manager, Rio Tinto Community Investment. ATCO Gas has been confirmed as a new Associate Partner of the Schools Program and will also be represented on the evening. CinéfestOZ officially launches Cine-Snaps Thursday, 13 June at a function for over 100 guests at Art Geo, Busselton. Guests will include the education sector, local government, associated businesses, the CinéfestOZ Board and volunteers. Expression of Interest Registration forms have been distributed to South West schools. Interested persons are invited to call Caroline on 0418 959 948 for further information. Œ</p> Thu, 13 Jun 2013 09:41:06 +1000 http://if.com.au/2013/06/13/article/Andrew-Z--Davis-Named-President-of-Production-for-Columbia-Pictures/BFEFUQKELB.html http://if.com.au/2013/06/13/article/Andrew-Z--Davis-Named-President-of-Production-for-Columbia-Pictures/BFEFUQKELB.html Inside Film Correspondent <p> Press Release</p> <p> A respected industry veteran, Davis, in his new role, will supervise all aspects of physical production including post production and visual effects for all Columbia Pictures films as well as live-action portions of films from Sony Pictures Animation. He will work closely with President of Worldwide Business Affairs and Operations Andrew Gumpert, President of Production Hannah Minghella and Sony Pictures Digital Productions President Bob Osher to manage physical production while supporting the creative needs of the studio. Davis will report to Belgrad. Columbia Pictures' physical production, post production, and visual effects executives will report to Davis. Davis takes over the role from Gary Martin, who is retiring after 51 years in the entertainment industry, 32 years at Columbia Pictures, and overseeing the production of more than 600 films. Commenting on the announcement, Belgrad said, "We are thrilled to welcome Andy to our Team. As both an executive and a producer, he has extraordinary skill and enormous experience and he brings with him a disciplined and cost conscious approach to production management. It won't be easy stepping into Gary Martin's shoes - Gary is a show business legend and his indelible mark will forever be a part of the company's legacy - but we are thrilled and fortunate that he worked with us to help select his successor who will continue the work of making our productions the best run in the business." Davis oversaw physical production at MGM from 2003 to 2005, then returned to producing motion pictures. He most recently executive produced In Time, starring Justin Timberlake and Amanda Seyfried, Your Highness, starring Danny McBride, James Franco and Natalie Portman, and Role Models, starring Seann William Scott and Paul Rudd. Davis was the producer on the blockbuster comedy Rush Hour 3 and executive producer of Rush Hour 2, both directed by Brett Ratner and starring Jackie Chan and Chris Tucker. Prior to that, he executive-produced Universal's Red Dragon, directed by Ratner and starring Anthony Hopkins, Edward Norton and Ralph Fiennes, and The Family Man, also directed by Ratner and starring Nicolas Cage and Téa Leoni; the critically acclaimed coming-of-age drama Love & Basketball, directed by Gina Prince-Bythewood, starring Omar Epps, Sanaa Lathan and Alfre Woodard; the mega hit Enemy of the State, starring Will Smith and Gene Hackman; and Love Affair, starring Warren Beatty and Annette Bening. Davis also produced the action film Volcano, starring Tommy Lee Jones and Anne Heche. His other producer credits include Lost Angels, Sid and Nancy, and Tapeheads. ABOUT SONY PICTURES Sony Pictures Entertainment (SPE) is a subsidiary of Sony Entertainment Inc., a subsidiary of Tokyo-based Sony Corporation. SPE's global operations encompass motion picture production, acquisition and distribution; television production, acquisition and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. For additional information, go tohttp://www.sonypictures.com<a href="http://www.sonypictures.com/">http://www.sonypictures.com/</a>. Œ</p> Thu, 13 Jun 2013 09:32:56 +1000 http://if.com.au/2013/06/13/article/Aussie-Webseries-Wins-Awards-At-Two-International-Festivals/NMMLMBXATB.html http://if.com.au/2013/06/13/article/Aussie-Webseries-Wins-Awards-At-Two-International-Festivals/NMMLMBXATB.html Inside Film Correspondent <p> Press Release</p> <p> Gossip and drama in Eastern Sydney is proving to whet appetites abroad.</p> <p> Cheese on Toast Productions is proud to announce SYD2030—a webseries that follows the lives of five Eastern Sydney law students as they try to balance sex, secrets and scandal with a heavy workload—has won awards at two acclaimed international festivals.</p> <p> The series won the awards for Best Ensemble Cast, Best Directing and Best Producing at LA Webfest, a festival that exclusively celebrates original online programming. SYD2030 has also won a Bronze Award for Excellence in Online Television at the US-based Telly Awards, overnight.</p> <p> The Telly Awards honour outstanding web commercials, video and films along with videos, film productions,programs and commercials aired on broadcast television. Winners represent the best work of the most respected advertising agencies, production companies, television stations, cable operators, and corporate video departments in the world.</p> <p> SYD2030’s Art Director, Annika Drew is thrilled by the wins and views them as a positive sign for all industry hopefuls. “We started Cheese on Toast Produc:ons as five fresh-faced uni graduates without any real budget to speak of. It just goes to show hard work and thinking outside the box can pay off. SYD2030 was created by so many amazing people, and we have met so many amazing people on the way, this is a win for us all!”</p> <p> Despite setbacks like filming in Sydney’s wettest summer in history, helicopter rescues, corrupted disks and broken equipment, SYD2030 is a great achievement for the team of under 24’s. Since the self-funded project’s release, SYD2030 has won numerous awards including Best International Webseries at the LA Film, TV and Webisode Festival. SYD2030 has also been nominated for awards by the International Academy of Web Television and the International Television Festival.</p> <p> SYD2030 was the first webseries to be distributed on ABC iview.</p> <p> Find out more about the festivals and SYD2030 at lawebfest.com, tellyawards.com and syd2030.com.au</p> Thu, 13 Jun 2013 09:09:21 +1000 http://if.com.au/2013/06/12/article/Waste-Not/HVFULSAJGV.html http://if.com.au/2013/06/12/article/Waste-Not/HVFULSAJGV.html Inside Film Correspondent <p> Total Environment Centre (TEC) is launching a new interactive educational resource built around its award winning documentary film Waste Not, thisŒFriday, June 14th at Sydney Girls High Marine and Green environment day.Œ“Sustainability is one of three cross-curricular priorities in the new Australian Curriculum forŒ2014,” said Ruth Hessey, the writer director of Waste Not. “Sydney Girls High has made a significant commitment to environment education in response to student concern and TEC is thrilled to be introducing the new website to this particular audience.”</p> <p> Key note speakers for Marine and Green will discuss climate change and sustainable living, with particular emphasis on recycling as it relates to marine conservation. They include Professor David Booth (UTS), Professor Iain Suthers (UNSW), and filmmaker Michelle Stone (Plastic Soup).ŒWaste Not was originally funded by City of Sydney and Councillor John Mant will attend to support the website launch, along with Ian Kiernan AO, Chairman of Clean Up Australia, Tim Silverwood from Take 3, and Jeff Angel from TEC. Bev the Bottle will appear with a bevy of teen green bottles in support of the Cash For Containers campaign.</p> <p> “Good, clear, interactive information about recycling is not just about environmental benefits,” said Mr Kiernan. “The economics are becoming urgent, as we see dwindling resources and the spread of plastic pollution.”ŒThe Waste Not website carries free learning activities for junior and senior high school students in 4 subjects - English, Science, Geography, Art. Designed by Monica Monin, the Waste NotŒwebsite was funded by the Pratt and Myer Foundations through Documentary Australia Foundation. </p> <p> “Recent research indicates that school age children may be losing track of the importance of recycling,” said Mr Angel. “The new website is a tribute to the waste heroes who keep our cities clean and productive.”´</p> <p> Waste Not has been translated into Chinese, Turkish and Spanish. It is distributed in theŒAustralAsia Pacific region by Ronin Films. It has screened at over 25 international film festival and has won several awards including Best Documentary Film at St Kilda Film Festival 2011, and Best Cinematography at WOW Film Festival 2012. It has been purchased by corporations such as the NAB, Fujitsu, and hundreds of universities, TAFEs, schools and local councils around Australia and overseas.</p> Wed, 12 Jun 2013 13:50:52 +1000 http://if.com.au/2013/06/12/article/Revelation-Perth-International-Film-Festival-Announces-2013-Program/RHTYTUMYZA.html http://if.com.au/2013/06/12/article/Revelation-Perth-International-Film-Festival-Announces-2013-Program/RHTYTUMYZA.html Inside Film Correspondent <p> Revelation Perth International Film Festival has announced its highly anticipated 2013 program, which promises to be its most exciting and audacious yet, showing daily from 4 to 14 July 2013 at Luna Palace Cinemas across Perth, Western Australia. The 16th annual Festival will also play host to award winning actress Alice Krige (Chariots Of Fire, Ghost Story, Star Trek: First Contact, The Sorcerer’s Apprentice) who will be visiting Perth to attend the Festival as a featured international guest. Krige, with Paul Schoolman, will be presenting their film Jail Caesar. A drama about the life of the Emperor, as told by prisoners from jails across the world. Revelation is Perth’s leading international film festival and Western Australia’s major annual screen culture event, which has firmly established itself as Australia’s filmmakers’ festival. It is dedicated to presenting independent cinema from around the globe in a context that explores film’s great traditions, its contemporary movements and its future directions. Curated once again by Jack Sargeant, the Revelation Perth International Film Festival program sees a wide selection of films drawn from across the world. Boasting Revelation's commitment to signature works, independent cinema, genre film, world cinema, and unique breathtaking movies, this year is no exception with a program drawn from Australia, Iceland, Israel, France, South Korea, Britain and all points in between. Featuring award winning movies, world, international and local premieres, new Australian works, live performances and an installation, Revelation is a celebration of the strength of all aspects of film culture. Expanding across the city and wider community, Revelation plays a central role not just in the Perth calendar but also nationally and internationally. Featuring dedicated programs from the Iranian Film Festival, Revel8 and ScreenWest, once again Revelation will entertain and inspire audiences, while RevCon will feature some of the festival's many guests exploring key aspects of the industry at dedicated panels and workshops. Meanwhile RevCon Academic sees scholars - both those from academic institutions and independent researchers - delivering papers and exploring cinema and visual culture, in the second instalment of this critical platform that remains utterly unique to any Australian film festival. Finally, for those who want to unwind and relax before and after screenings, Revelation will be using RevHub at the Dome. Jack Sargeant: "The more Revelation grows and expands, the more it can engage in sharing multiple visions of cinema. With a hub at the Luna and using venues in Northbridge and Fremantle, there exists a unique opportunity for audiences to be able to see movies far more easily. With a growing number of truly beautiful - for want of a better term - 'art house films' that are designed to be seen on the big screen rather than television, it offers people the chance to view movies as they should be seen: at the cinema. This year there are some truly spectacular movies that should all look radiant at the cinema. Simultaneously, our commitment to the cutting edge is manifest throughout the program, as well as our love for a good children's movie, inspirational works, challenging movies, and movies that perhaps just make you want to dance. The panels and talks and academic components are just icing on the cake. Look, I can only say this once, but Revelation is unique in Australia, and people should come along and participate." "One of the things that struck us about the 2013 film selection was the sophistication of all the works from shorts to features and everything in between" says festival founder and Chairman Richard Sowada. "There's a real sense of the global and in many cases almost symphonic. They're quite lovely and very surprising". Highlights of Revelation 2013 will also include industry guests and speakers, seminars and masterclasses; Goblin Play Suspiria - a live musical soundtrack performance accompanying a cinematic cult classic; Hunter – For The Record – a WA made feature documentary about Perth’s hip hop pioneer Robert Hunter; ScreenWest’s annual showcase of emerging WA filmmaking talent in Get Your Shorts On!; the Revel-8 super 8 short film festival; Western Australian Screen Awards nominees announcement; and the return of Revelation’s hugely popular Animation Showcase. Revelation is proudly supported by the Australian and West Australian governments through ScreenWest, Eventscorp and Screen Australia. The complete program is now online and tickets are on sale now from the Revelation website at <a href="http://www.revelationfilmfest.org/">www.revelationfilmfest.org</a></p> Wed, 12 Jun 2013 11:43:35 +1000 http://if.com.au/2013/06/12/article/Screen-Australia-invests-1-4-million-in-seven-Signature-Documentary-projects/FYAFJJXJTD.html http://if.com.au/2013/06/12/article/Screen-Australia-invests-1-4-million-in-seven-Signature-Documentary-projects/FYAFJJXJTD.html Inside Film Correspondent <p> Friday 7 June 2013 Screen Australia today announced over $1.4 million investment in seven documentary projects through the Signature Documentary Program, generating almost $3.5 million in production. Documentary projects approved include The Frackman, directed by Richard Todd and written by John Collee and Sarah Rossetti, which follows the adventures of an anti-coal seam gas campaigner and his filmmaker friend. The film is produced by Trish Lake, Simon Nasht and Richard Todd. Producer/Director Tom Zubrycki’s new documentary Back to Ground Zero has also been supported. It is a story about a Sudanese refugee living in Sydney who returns home to build a school in his village, which has been devastated by 29 years of civil war, and a group of Australian friends who help him in his quest. Produced by Pat Fiske and directed by Amin Palangi, Love Marriage in Kabul follows the extraordinary quest of an Afghan-Australian woman, as she negotiates and challenges old traditions to make a love marriage happen in Kabul. The film is co-produced by Sanaz Fatouhi and Amin Palangi. Filmed over eight years, Ordinary Wonderlands is the stranger-than-fiction story of the world’s first real-life superheroes, from writer/director Penny Vozniak and producer Karina Astrup. From co-producer, writer and director Jeff Daniels and executive producer Jeni McMahon, Mother with a Gun follows the matriarch of a bloody terrorist organisation who chooses to hang up her gun and walk away. Speaking at the Think Big Documentary Masterclass at the Sydney Film Festival today, Screen Australia’s Documentary Manager Liz Stevens said, “These filmmakers have devoted a lot of time and creative energy to their projects before applying for funding and their stories are well developed and as strong as the characters they reveal. Screen Australia is pleased to be able to offer support through the prestigious Signature Documentary Program, which for the first time includes two web-based projects.” Kim Jong-Il Interactive Cinema Experience (KJILCE) is an interactive journey through the world of North Korean cinema, which enables users to share and learn about the film methodology of Kim Jong–Il and make their own films. The project is produced by Dan Fill and Frank Verheggen and written by Anna Broinowski. Transmedia producers of the award winning online documentary project Big stories, Small Towns, Anna Grieve and Martin Potter, will once again work with filmmakers and communities to produce inspiring local stories that are central to their lives and relevant to the world in Big Stories, Small Towns: Asia Pacific. Martin Potter is the creative director and Nick Crowther is the online producer of the project. The Signature Documentary Program provides production funding for projects that are bold in form and content. The stories can be local or international but they must have an Australian team with a strong vision and the potential for national and international acclaim. This program is unique in that it doesn’t require marketplace attachment. Projects can be produced for the big screen or as i-docs, interactive web experiences or multi-platform transmedia experiences. They might use innovative storytelling methods like augmented reality, geolocation, mobile apps and collaboration. For more information visit: <a href="http://www.youmailme.com.au/t/y-l-trkritd-spludjth-y/">www.screenaustralia.com.au/funding/documentary/Signature_Doc.aspx</a> SIGNATURE DOCUMENTARY PROGRAM BACK TO GROUND ZERO 90 mins JOTZ Productions Producer/Director Tom Zubrycki Synopsis A story about a Sudanese refugee living in Sydney who returns home to build a school in his village, which has been devastated by 29 years of civil war. A group of Australian friends resolve to assist him in this quest. THE FRACKMAN 90 mins Freshwater Productions Pty Ltd Producers Trish Lake, Simon Nasht, Richard Todd Writers John Collee, Sarah Rossetti Director Richard Todd Sales Cargo Entertainment Distributor Hopscotch Digital Marketing GetUp! Synopsis The adventures of anti-coal seam gas campaigner The Frackman and his filmmaker mate. LOVE MARRIAGE IN KABUL 85 mins Bower Bird Films Pty Ltd Producer Pat Fiske Co-producers Sanaz Fatouhi, Amin Palangi Director Amin Palangi Synopsis Love Marriage in Kabul follows the extraordinary quest of an Afghan-Australian woman, Mahboba Rawi, as she passionately negotiates and challenges old traditions to make a love marriage happen in Kabul. MOTHER WITH A GUN 75 mins Rebel Films Pty Ltd Executive Producer Jeni McMahon Co-producer/Writer/Director Jeff Daniels Sales The Film Sales Company Synopsis The matriarch of a bloody terrorist organisation chooses to hang up her gun and walk away. ORDINARY WONDERLANDS 85 mins House of Gary Pty Ltd Producer Karina Astrup Writer/Director Penny Vozniak Synopsis Filmed over eight years, Ordinary Wonderlands is the stranger-than-fiction story of the world’s first real-life superheroes. SIGNATURE DOCUMENTARY PROGRAM: INTERACTIVE BIG STORIES, SMALL TOWNS: ASIA PACIFIC Big Stories Co Transmedia Producer Anna Grieve, Martin Potter Online Producer Nick Crowther Creative Director Martin Potter Synopsis Big Stories, Small Towns: Asia Pacific is a multi-platform documentary project working with filmmakers and communities across the region to produce inspiring local stories that are central to their lives and relevant to the world. KIM JONG-IL INTERACTIVE CINEMA EXPERIENCE (KJILCE) Chocolate Liberation Front Producers Dan Fill, Frank Verheggen Writer Anna Broinowski Synopsis An interactive journey through the world of North Korean cinema, enabling users to share and learn about the film methodology of Kim Jong–Il and make their own films. <a href="http://www.youmailme.com.au/t/y-l-trkritd-spludjth-j/">Download as PDF.</a> <a href="http://www.youmailme.com.au/t/y-l-trkritd-spludjth-t/">View all Screen Australia media releases.</a> Media enquiries Teri Calder T: 02 8113 5833; M: 0408 440 995 teri.calder@screenaustralia.gov.au</p> Wed, 12 Jun 2013 11:35:16 +1000 http://if.com.au/2013/06/12/article/Blackmagic-Design-Announces-New-Low-Price-for-UltraStudio-4K/JODTGSXVIE.html http://if.com.au/2013/06/12/article/Blackmagic-Design-Announces-New-Low-Price-for-UltraStudio-4K/JODTGSXVIE.html Inside Film Correspondent <p> UltraStudio 4K is the world’s most advanced Thunderbolt capture and playback solution that features 6G-SDI and HDMI 4K video connections so it can work in Ultra HD and 4K video formats. UltraStudio 4K is a compact and attractive single rack unit design with a wide range of rear connectors for almost any type of video and audio connection available. The front panel is a machined aluminum design that features an integrated color LCD as well as fast to use video and audio input buttons. UltraStudio 4K is attractive so it’s perfect for desktop as well as rack mount use. UltraStudio 4K can take advantage of long Thunderbolt cables that can be up to 30 meters away from the host computer. Thunderbolt technology enables UltraStudio 4K to offer high enough speed for true Ultra HD and 4K capture and playback which is 4 times the resolution of regular HD 1080 video. The product includes 6G-SDI, HDMI 4K and analog component/s-video/composite, as well as balanced analog and AES/EBU digital audio capture and playback. UltraStudio 4K is also perfect for 3D workflow as it features both interleaved/side by side and dual stream capture and playback. Interleaved 3D allows the left and right eye to be interleaved as fields into a single video connection and file, so customers can edit using current editing software. UltraStudio 4K includes the latest advanced video technologies available. UltraStudio 4K features dual link 6G-SDI so it can capture and playback Ultra HD and 4K video as well as use the dual links for advanced 4:4:4 as well as dual stream stereoscopic 3D where 3D capture and playback is done via two independent channels. With SDI, HDMI and analog video capture and playback, combined with balanced analog and AES/EBU digital audio, UltraStudio 4K lets customers connect to all decks, cameras and monitors! UltraStudio 4K instantly switches between SD, HD, 2K, Ultra HD and 4K, so is the ideal solution for all post production and broadcast users when working on design, editing, paint, color correction and effects tasks. “We designed the UltraStudio 4K to be a modern Thunderbolt video capture and playback solution that included the most advanced 6G-SDI and Ultra HD video technology, while combining an extremely attractive rack mount design with every type of video and audio connection available,” said Grant Petty, CEO, Blackmagic Design! “Now, with this new affordable price, UltraStudio 4K is now available to smaller studios on the tightest budgets. With UltraStudio 4K, customers get the most feature rich and attractively designed solution for their editing, broadcast design and color correction work without any limitations!” UltraStudio 4K Key Features</p> Dual Link 6G-SDI (6 Gb/s SDI) connections, for SD, HD up to 1080p60, 2K, Ultra HD and 4K. HDMI in and out, supports SD and HD formats up to 1080p60, frame packing 3D, Ultra HD and 4K. Component SD/HD analog in and out. 2 channel balanced analog audio in and out. Additional RCA HiFi audio in. 2 channel AES/EBU unbalanced audio in and out. Timecode in and out on XLR connectors Genlock/tri-sync input. Sony™ compatible RS-422 deck control. Supports uncompressed 8/10 bit and compressed video capture and playback. Capture/playback of side by side, line by line, top and bottom and frame packing 3D via HDMI. Includes hardware up down and cross conversion on playback. Includes hardware SD and HD keying. Compatible with Mac OS X and Windows computers with Thunderbolt™. Supports Avid Media Composer™, Final Cut Pro X™ , Adobe Premiere™ Pro, AutoDesk Smoke™, Adobe Photoshop™, Adobe After Effects™, DaVinci Resolve 9 and more. Wed, 12 Jun 2013 11:10:34 +1000 http://if.com.au/2013/06/12/article/New-Direction-for-WA-Screen-Academy/YYQDHQUEFA.html http://if.com.au/2013/06/12/article/New-Direction-for-WA-Screen-Academy/YYQDHQUEFA.html Inside Film Correspondent <p> 28th May 2013 New Direction for WA Screen Academy WA Screen Academy takes exciting new direction under new director Franco Di Chiera. Since taking over as the new director of The WA Screen Academy, Franco Di Chiera hasn’t taken long to make his presence felt. An independent filmmaker from Melbourne, as well as previously holding senior positions at SBS, Screen West and Film Australia, Mr Di Chiera has brought with him a wealth of fresh ideas which he hopes will lift the Screen Academy to even greater heights. His first major change was the implementation of a feedback-based learning approach to increase the ‘employability’ of students graduating the academy. This process mimics the industry and teaches students how to analyse and filter feedback, both positive and negative, and integrate it into strategies for improving their creative work, from development to post-production, including scripting and editing. The second notable difference has been the introduction of Toolbox – Secrets of Filmmaking, a program that gives students an inside look at production and preparing them for professional life. Toolbox offers students contact with industry professionals who come to share their tips and secrets. Designed to compliment intensive hands-on practical experience, the sessions have become formidable learning adjunct to the students’ usual studies. Relationship building has also been on the top of Mr Di Chiera’s agenda with The West Australia Academy of Performing Arts (WAAPA) being at the top of the list. This relationship has meant that the WA Screen Academy has access to WAAPA’s third year acting students whose skills can make the difference between a successful and not-so-successful student film. When asked about this relationship, Mr Di Chiera had this to say. “I’m keen to build on the past achievements of students and forge greater collaborations with WAAPA, looking to maximise training opportunities, strengthening craft and employability.” And the relationship works both ways. This unique screen collaboration has kick-started the career of many young actors, including recent Die Hard star Jai Courtney, and Alex Williams who played Julian Assange in the Australian film Underground. The WA Screen Academy is one of the leading film and television training institutions in Australia, with students winning at major industry awards such as the Australian Teachers of Media Awards. They’ve also conquered local and international festivals from opening and closing the 2013 Uni Shorts Student Film Festival to winning a major award at the Art of Brooklyn Film Festival. A special selection of Screen Academy films will also feature at this year’s Revelation Perth International Film Festival. And with Franco Di Chiera at the helm, this success is sure to continue. Œ</p> Wed, 12 Jun 2013 11:04:29 +1000 http://if.com.au/2013/06/12/article/Brisbane-takes-lead-role-in-Asia-Pacific-Screen-Awards/EURLEXFNHU.html http://if.com.au/2013/06/12/article/Brisbane-takes-lead-role-in-Asia-Pacific-Screen-Awards/EURLEXFNHU.html Inside Film Correspondent <p> Brisbane Lord Mayor Graham Quirk today announced Brisbane City Council would fund the Asia Pacific Screen Awards in the 2013/14 budget as part of the push to strengthen Brisbane’s position in the Asia Pacific market. Cr Quirk said Brisbane would become the new home for the event, allocating $1.75M to manage the awards, established in 2007, as well as the academy, established in 2008. Economic development agency Brisbane Marketing will manage this year’s awards. “The Asia Pacific Screen Awards, or APSAs as they are known, is the highest film accolade in the world’s fastest-growing film region – 70 countries and home to 4.5 billion people,” Cr Quirk said. “Over half of the world’s film and multi-media production derives from this burgeoning region. “Our decision to manage these prestigious awards and secure its international secretariat and academy is about positioning Brisbane for business opportunities while continuing to foster cultural relationships with our regional neighbours. “It is also about reading the economic signs: Asia Pacific is the economic powerhouse of the world and it is important for our future that we claim our slice of the pie. “Hosting APSA strengthens Brisbane’s proposition as the new world city, not just of Australia, but of the Asia Pacific. “APSA complements the Asia Pacific Cities Summit, the Australian Performing Arts Market and the Asia Pacific Triennial.” Cr Quirk said the council had made a three year commitment to funding APSA with $1.75M allocated in the first year, including a target for industry sponsorship of $250,000 increasing to $750,000 by year three. Brisbane Marketing CEO John Aitken said Brisbane’s commitment to APSA showed the city was a serious player in the Asia Pacific region economically and culturally. “It is an incredible honour and responsibility and an enormously powerful opportunity,” Mr Aitken said. “APSA will provide Brisbane with an entrée into some of our key source markets: China, India, Korea and the Middle East through the industry’s high-profile individuals. “APSA will introduce us to the Jack Thompsons, Jane Campions and Bruce Beresfords of Asia Pacific societies: powerful people with powerful contacts and influence.” The Asia Pacific Screen Academy brings together 600 of the region’s most respected names in film as an influential alumni of filmmakers. APSA Academy president, actor Jack Thompson AM, said film enabled people to connect with the issues that influenced the world socially, economically and culturally. “It’s important we learn from one another and there is no more eloquent medium than film,” Dr Thompson said. “I congratulate Lord Mayor Quirk and his councillors on their decision to support APSA.” Queensland Ballet Artistic Director and author of the book and Bruce Beresford film Mao’s Last Dancer Li Cunxin welcomed the news as a boon for the local arts community and Brisbane’s reputation as a cultural beacon. “APSA has made a profound impression in a relatively short space of time,” Mr Cunxin said. “It not only promotes films from the region to global audiences, it promotes the values of cultural diversity and expression. “From a purely business point of view, we need to understand our neighbouring cultures, their beliefs, traditions and customs if we are to have meaningful, productive and friendly relationships. Film not only opens doors it opens minds.” Some 300 films will be considered for nomination in nine categories including Best Feature Film. For further information contact: APSA highlights reel: <a href="http://www.asiapacificscreenacademy.com/videos/2012-apsa-highlight-reel/">http://www.asiapacificscreenacademy.com/videos/2012-apsa-highlight-reel/</a> Œ</p> Wed, 12 Jun 2013 09:19:23 +1000 http://if.com.au/2013/06/12/article/The-Monkeys-launch-Stay-Living/FFGUJJSTVQ.html http://if.com.au/2013/06/12/article/The-Monkeys-launch-Stay-Living/FFGUJJSTVQ.html Inside Film Correspondent <p> SYDNEY, 11th June 2013 Boost Mobile is shaking up the prepaid category with ‘Stay Living’, a campaign designed to tap into Gen Y’s desire for freedom and their fear of becoming zombies who are suffocated by stifling rules and regulations – like being locked into confusing mobile phone contracts. Created by The Monkeys, ‘Stay Living’ is a highly targeted campaign designed to drive uptake of Boost Mobile’s $40 UNLTD prepaid plans. The campaign follows a group of friends who ‘Stay Living’ through a zombie apocalypse, fighting off the zombies they don’t want to become and staying connected via their Boost Mobile phones. “Boost is a brand that ultimately believes in freedom and non-conformity,’ says Micah Walker, Executive Creative Director at The Monkeys. “And with this campaign, we really wanted to engage the audience with a series of offers that played to that belief, and did so in an unexpected way.” “This idea of ‘Stay Living’ is obviously a point of view on the world, but rather than hold a mirror up to reflect reality we wanted to wrap it all up in a story that was entertaining and unconventional. Standing against a world of zombies just made sense,” says Walker. The ‘Stay Living’ campaign extends from TV, online films and point-of-sale to social media promotions, DM and sampling, and centres around three short films shot in Sydney and directed by The Glue Society’s Matt Devine through Revolver, one of the region’s top production companies. As part of a targeted blogger outreach strategy, the films feature three popular bloggers including Kimmi Smiles, a zombie-loving 21 year-old who has almost 168,000 subscribers to her YouTube channel, and Louna Maroun, a vlogger with more than 50,000 followers. The campaign has also been integrated with a solid PR strategy to further bring it to life. Led by Magnum PR, several targeted tactics will be implemented from teasers to news generation polls. Boost Mobile CEO Paul O’Neile says: “At Boost Mobile, we believe your mobile phone contract shouldn’t burden your life or make you feel trapped. Our ‘Stay Living’ campaign represents young Boost Mobile customers as the champions of the living, and represents the battle between living a fulfilling, free and exciting life and being a slave to conformity and phone contracts.” Watch Boost Mobile’s short films here: ‘Stay Living’ intro <a href="http://SYDNEY, 11th June 2013 Boost Mobile is shaking up the prepaid category with ‘Stay Living’, a campaign designed to tap into Gen Y’s desire for freedom and their fear of becoming zombies who are suffocated by stifling rules and regulations – like being locked into confusing mobile phone contracts. Created by The Monkeys, ‘Stay Living’ is a highly targeted campaign designed to drive uptake of Boost Mobile’s $40 UNLTD prepaid plans. The campaign follows a group of friends who ‘Stay Living’ through a zombie apocalypse, fighting off the zombies they don’t want to become and staying connected via their Boost Mobile phones. ​Boost is a brand that ultimately believes in freedom and non-conformity,’ says Micah Walker, Executive Creative Director at The Monkeys. ​And with this campaign, we really wanted to engage the audience with a series of offers that played to that belief, and did so in an unexpected way.” ​This idea of ‘Stay Living’ is obviously a point of view on the world, but rather than hold a mirror up to reflect reality we wanted to wrap it all up in a story that was entertaining and unconventional. Standing against a world of zombies just made sense,” says Walker. The ‘Stay Living’ campaign extends from TV, online films and point-of-sale to social media promotions, DM and sampling, and centres around three short films shot in Sydney and directed by The Glue Society’s Matt Devine through Revolver, one of the region’s top production companies. As part of a targeted blogger outreach strategy, the films feature three popular bloggers including Kimmi Smiles, a zombie-loving 21 year-old who has almost 168,000 subscribers to her YouTube channel, and Louna Maroun, a vlogger with more than 50,000 followers. The campaign has also been integrated with a solid PR strategy to further bring it to life. Led by Magnum PR, several targeted tactics will be implemented from teasers to news generation polls. Boost Mobile CEO Paul O’Neile says: ​At Boost Mobile, we believe your mobile phone contract shouldn’t burden your life or make you feel trapped. Our ‘Stay Living’ campaign represents young Boost Mobile customers as the champions of the living, and represents the battle between living a fulfilling, free and exciting life and being a slave to conformity and phone contracts.” Watch Boost Mobile’s short films here: ‘Stay Living’ intro http://www.youtube.com/watch?v=VYqhDDw74W8 ‘Saff and Jen’ http://www.youtube.com/watch?v=rkHDmKl020U (continues...) ‘Ben’ http://www.youtube.com/watch?v=hvCAE5HfoAQ ‘Mary’ http://www.youtube.com/watch?v=M1Y4YOLI4_s ">http://www.youtube.com/watch?v=VYqhDDw74W8</a></p> <p> ‘Saff and Jen’ </p> <p> <a href="http://SYDNEY, 11th June 2013 Boost Mobile is shaking up the prepaid category with ‘Stay Living’, a campaign designed to tap into Gen Y’s desire for freedom and their fear of becoming zombies who are suffocated by stifling rules and regulations – like being locked into confusing mobile phone contracts. Created by The Monkeys, ‘Stay Living’ is a highly targeted campaign designed to drive uptake of Boost Mobile’s $40 UNLTD prepaid plans. The campaign follows a group of friends who ‘Stay Living’ through a zombie apocalypse, fighting off the zombies they don’t want to become and staying connected via their Boost Mobile phones. ​Boost is a brand that ultimately believes in freedom and non-conformity,’ says Micah Walker, Executive Creative Director at The Monkeys. ​And with this campaign, we really wanted to engage the audience with a series of offers that played to that belief, and did so in an unexpected way.” ​This idea of ‘Stay Living’ is obviously a point of view on the world, but rather than hold a mirror up to reflect reality we wanted to wrap it all up in a story that was entertaining and unconventional. Standing against a world of zombies just made sense,” says Walker. The ‘Stay Living’ campaign extends from TV, online films and point-of-sale to social media promotions, DM and sampling, and centres around three short films shot in Sydney and directed by The Glue Society’s Matt Devine through Revolver, one of the region’s top production companies. As part of a targeted blogger outreach strategy, the films feature three popular bloggers including Kimmi Smiles, a zombie-loving 21 year-old who has almost 168,000 subscribers to her YouTube channel, and Louna Maroun, a vlogger with more than 50,000 followers. The campaign has also been integrated with a solid PR strategy to further bring it to life. Led by Magnum PR, several targeted tactics will be implemented from teasers to news generation polls. Boost Mobile CEO Paul O’Neile says: ​At Boost Mobile, we believe your mobile phone contract shouldn’t burden your life or make you feel trapped. Our ‘Stay Living’ campaign represents young Boost Mobile customers as the champions of the living, and represents the battle between living a fulfilling, free and exciting life and being a slave to conformity and phone contracts.” Watch Boost Mobile’s short films here: ‘Stay Living’ intro http://www.youtube.com/watch?v=VYqhDDw74W8 ‘Saff and Jen’ http://www.youtube.com/watch?v=rkHDmKl020U (continues...) ‘Ben’ http://www.youtube.com/watch?v=hvCAE5HfoAQ ‘Mary’ http://www.youtube.com/watch?v=M1Y4YOLI4_s ">http://www.youtube.com/watch?v=rkHDmKl020U</a> (continues...) ‘Ben’ <a href="http://www.youtube.com/watch?v=hvCAE5HfoAQ">http://www.youtube.com/watch?v=hvCAE5HfoAQ</a> ‘Mary’ <a href="http://www.youtube.com/watch?v=M1Y4YOLI4_s">http://www.youtube.com/watch?v=M1Y4YOLI4_s</a> Œ</p> Wed, 12 Jun 2013 09:09:10 +1000 http://if.com.au/2013/06/06/article/Jain-Moralee-Joins-Underbelly-Arts-as-Executive-Director/HWLTLOAGWJ.html http://if.com.au/2013/06/06/article/Jain-Moralee-Joins-Underbelly-Arts-as-Executive-Director/HWLTLOAGWJ.html Inside Film Correspondent <p> PRESS RELEASE: Former General Manager and Festival Director of Queer Screen Jain Moralee joins Underbelly Arts as Executive Director, ahead of the upcoming Underbelly Arts Lab and Festival on Cockatoo Island in July and August this year. “As a long time admirer of the role that Underbelly Arts has played in the Sydney cultural landscape, I am thrilled to be joining the team as Executive Director. Together with Artistic Director Eliza Sarlos, I look forward to continuing the amazing work Clare Holland undertook in steering Underbelly Arts into its bold and bright future.” The appointment follows previous Executive Director Clare Holland’s move to FBi Radio to become the station’s Managing Director. Clare started with Underbelly Arts as a volunteer and an artist in 2008 and became Executive Director in 2010, working tirelessly to guide Underbelly Arts’ growth and development over the last three years. Stuart Buchanan, Chair of Underbelly Arts, says: "We're delighted to welcome Jain on board - both her experience and her vision will be a huge asset to Underbelly Arts at this exciting time in our history. With two months to go until the Arts Lab and Festival on Cockatoo Island, we're sure she's going to hit the ground running and help us to deliver our best season yet." The Underbelly Arts Lab and Festival team is growing quickly ahead of this year’s event, welcoming Festival Manager Michelle O’Brien (Sydney Festival, Vancouver’s New Forms Festival, Edinburgh International Festival), Marketing Coordinator Angela Bennetts (Even Books, Alternative Media Group, National Young Writers’ Festival) and Program Manager Kate Britton (Kaldor Public Art Projects, COFA, DAS Platforms) to the fold. Underbelly Arts will launch its full program in mid June 2013. The Underbelly Arts Lab will take place on Cockatoo Island from 24-31 July with the two-day ticketed Underbelly Arts Festival showcasing its magic on Saturday 3 & Sunday 4 August. ABOUT JAIN MORALEE Jain Moralee has an extensive and diverse range of experience in the Australian screen industry. Educated in South Australia, Jain relocated to Sydney in 2005 to work for the Australian Film Commission (Screen Australia) in Marketing, predominately managing international travel grants for filmmakers. In 2009 she joined community arts organisation Queer Screen, where she was responsible for introducing a small commissioning and finishing grants round, giving Queer identified screen practitioners opportunities to get new work on screen, and more recently she undertook the Festival Director role, producing the Mardi Gras Film Festival and an annual calendar of events. Jain is also a freelance producer, with a long list of short, documentary and commercial credits and is currently in development with a documentary about Sydney’s Force Majeure. ABOUT UNDERBELLY ARTS Underbelly Arts started in 2007 as a response to the number of amazing artists working out of bedrooms and warehouses. As a kind of social experiment, it sought to bring all those artists under the one roof and expose them to one another, and to new audiences. Its flagship event, the Underbelly Arts Lab and Festival, consists of a residency period (The Lab) where work is developed and audiences are given a unique chance to watch art unfold, culminating in The Festival to show off and celebrate what has been created. Since 2007, the Underbelly Arts Lab and Festival has taken over Carriageworks, created an arts precinct along Chippendale’s Kensington Street, and inhabited Cockatoo Island. Underbelly Arts works in non-traditional or reimagined spaces to see how artists and audiences respond to these environments. This year marks Underbelly Arts fifth Lab and Festival and its second on Cockatoo Island. http://underbellyarts.com.au/ Œ</p> Thu, 06 Jun 2013 14:17:47 +1000 http://if.com.au/2013/06/06/article/Bananas-in-Pyjamas-Safe-on-ABC-TV/YMZNIMONML.html http://if.com.au/2013/06/06/article/Bananas-in-Pyjamas-Safe-on-ABC-TV/YMZNIMONML.html Inside Film Correspondent <p> Press Release</p> <p> ABC TV confirms that it will continue to broadcast Bananas in Pyjamas, one of the globe’s most popular and iconic children’s programs.</p> <p> The latest series has 156 new episodes, with the current block of episodes premiering in May this year. In order to make the most of our significant investment in the hugely popular program, we will continue airing these episodes to a new generation of Australian pre-schoolers, as has been our standard practice in children’s television for more than two decades.</p> <p> Another series of Bananas in Pyjamas will go through the usual commissioning process to determine future production of the program. This process does not relate to current Government funding.</p> <p> In 2012 ABC4Kids was the highest ranking children’s television service for pre-schoolers aged 0 – 4 and we acknowledge the invaluable contribution Bananas in Pyjamas has made to that success. Œ</p> Thu, 06 Jun 2013 14:04:57 +1000 http://if.com.au/2013/06/06/article/Australia-Israeli-Cultural-Exchange-presents-the-2013-Israeli-Film-Festival/RFIYOLPMKU.html http://if.com.au/2013/06/06/article/Australia-Israeli-Cultural-Exchange-presents-the-2013-Israeli-Film-Festival/RFIYOLPMKU.html Inside Film Correspondent <p> Press Release</p> <p> SYDNEY • 13 – 27 Aug • Palace Verona MELBOURNE •14 Aug– 27 Aug • Palace Cinema Como, Kino Cinemas, Palace Brighton Bay CANBERRA• 15 – 21 Aug • Palace Electric BRISBANE • 20 Aug– 25 Aug • Palace Centro ADELAIDE • 15– 20 Aug • Palace Nova Eastend Cinemas PERTH • 21 Aug– 28 Aug • Cinema Paradiso BYRON BAY• 23 Aug– 25 Aug• Palace Byron Bay TICKETS ON SALE 18 July in cinemas and online: www.palacecinemas.com.au www.lunapalace.com.au Social and political commentaries; tales of love, loss and redemption; stories of history, friendship and unlikely alliances: 2013 sees the AICE Israeli Film Festival celebrating its first decade in Australia with one of its strongest programs yet. From Oscar-nominated documentaries to award-winning features, from challenging dramas to crowd-pleasing comedies, the AICE Israeli Film Festival presents the best of Israeli film to Australian audiences. And, with the inclusion of a third venue in Melbourne and the addition of Canberra and Byron Bay, it is the only Australia-wide showcase for Israeli film. The films screening at the AICE Israeli Film Festival explore the myriad of stories emerging from one of the most diverse and multi-racial countries in the world. Many are shaped by politics; many are personal but overwhelmingly they celebrate the stories of people’s lives. Festival co-curator Keith Lawrence said, “The festival continues to highlight not only the breadth and strength of the Israeli film industry, but also presents the broad spectrum of Israeli society and everyday issues. A common thread in many of the films this year is that of the concerns of young adults – social, sexual and political – whether Jewish, Christian or Muslim.” Highlights of this year’s festival include opening night film, The Ballad of The Weeping Spring (dir. Beni Torati), described as an Israeli ‘Magnificent Seven’ and featuring spellbinding music from the region; Zaytoun (dir. Eran Riklis), a touching drama about a friendship between a Palestinian orphan and a captured Israeli fighter pilot starring Stephen Dorff, and Six Acts (dir. Johnathan Gurfinkel), an edgy and perceptive portrait of an Israeli teen girl recently described as “one of the best films in the 2013 Tribeca Film Festival”. Stand out documentaries include the critically lauded, award-winning The Gatekeepers (dir. Dror Moreh), (nominated for Best Documentary at the 2013 Academy Awards, and winner of Best Documentary LA Film Critics, and Cinema for Peace Award in Berlin) featuring interviews with all surviving former heads of Shin Bet, the Israeli internal security agency whose activities and membership are normally closely held state secrets; Israel: A Home Movie (dir. Eliav Lilti), which weaves together stunning home movie footage from the early years of Israel up until the late 70s offering a critical look at the history of the Jewish state; and Good Garbage (dir. Ada Ushpiz, Shosh Shlam), which documents the lives of the 200 Palestinian families in the Palestinian village of Yatta who eke out a living from the garbage dump in the Hebron Hills which serves local Israeli settlements. The AICE Israeli Film Festival program will be announced on July 18. Œ</p> Thu, 06 Jun 2013 13:55:52 +1000 http://if.com.au/2013/06/06/article/Venice-Film-Festival-Selector-in-Sydney/WOTLHIFFFS.html http://if.com.au/2013/06/06/article/Venice-Film-Festival-Selector-in-Sydney/WOTLHIFFFS.html Inside Film Correspondent <p> Press Release</p> <p> Paolo Bertolin, selector for the prestigious Venice International Film Festival, will be in Sydney in June to view new Australian films for preselection, as well as to be a member of the Official Competition Jury at the Sydney Film Festival. The Venice Film Festival (28 August – 7 September) will celebrate its 70th edition in 2013. It comprises: • an Official Competition of 20 feature films • an Out of Competition section for 12 features • Orizzonti, a competitive section for 20 feature films from newer filmmakers and short films of up to 20 minutes duration. All films presented at the festival will be world premieres. Additionally, debut feature films will be eligible for the Luigi De Laurentiis Award, which has a US$100,000 prize, split between the director and the producer. Australian films shown at the festival in 2012 included the feature film Bait 3D in Out of Competition, and the short films Marla and I'm the One in Orizzonti. In 2011 feature film Hail screened in Orizzonti, as did short film Crossbow. For the second year, the Venice Film Market will take place during the festival, as a place for producers, buyers and sellers to do business. The festival's regulations are available at: http://www.labiennale.org/en/cinema/regulations/ Filmmakers with an eligible feature film or short they would like Paolo to see should contact Dale Fairbairn at Screen Australia via email dale.fairbairn@screenaustralia.gov.au or phone 02 8113 5980, toll free 1800 213 099. Submission deadline to Screen Australia is Thursday 6 June. Œ</p> Thu, 06 Jun 2013 11:58:25 +1000 http://if.com.au/2013/06/06/article/AWG-calls-for-Respect-for-Writers-and-New-Australian-Work/TBFSTJWNZW.html http://if.com.au/2013/06/06/article/AWG-calls-for-Respect-for-Writers-and-New-Australian-Work/TBFSTJWNZW.html Inside Film Correspondent <p> <img alt="" height="67" src="/image/awg.gif" width="221" /></p> <p> The AWG responds to recent discussion in the media about the sidelining of Australian stories on stage</p> <p> The Guild wants to unite our members of stage and screen together with their industry colleagues in support of quality new Australian plays, the craft of playwriting, the importance of plays as an integral part of Australian literary culture, and the positive respectful collaboration that requires. We will be jointly convening a forum for discussion for those committed to that outcome – companies, directors, writers and other industry stakeholders.</p> <p> There iexists a huge community of people striving for more new, high quality Australian stories on our stages, and it will be constructive dialogue and collaboration which will see us achieve that.</p> <p> Read the AWG's full response by <a href="http://newmatilda.com/2013/06/03/local-plays-local-stages" target="_blank">Jacqueline Elaine published in New Matilda</a>. Œ</p> Thu, 06 Jun 2013 10:15:09 +1000 http://if.com.au/2013/06/06/article/St-Kilda-Film-Festival-2013-Award-Winners-Announced/RDVXYIAUIH.html http://if.com.au/2013/06/06/article/St-Kilda-Film-Festival-2013-Award-Winners-Announced/RDVXYIAUIH.html Inside Film Correspondent <p> Press Release</p> <p> Joey was announced as the winner of the Best Short Film at the 2013 St Kilda Film Festival (SKFF) Closing Night Awards, presented by City of Port Phillip and held at the St Kilda Town Hall on Saturday 1st June.</p> <p> Taking out the title ahead of ninety-nine exceptional short films and filmmakers, the talented team behind Joey, Director John Evagora and Producer Polly Staniford, went home with the award and a $10,000 cash prize, presented by City of Port Phillip Mayor Cr Amanda Stevens.</p> <p> John Evagora was also awarded Best Director for the film and the post-production team; Pablo Labanino and Daniel Agdag won Best Editing for their work. Melbourne actor Steve Mouzakis, who starred as Joey, added to the film’s growing list of awards by securing Best Actor for his role. Commendation in the Best Short Film category also went to Director Jessica Redenbach and Producer Cecilia Ritchie for the film, Tender.</p> <p> The 2013 St Kilda Film Festival marked 30 years as Australia’s premiere short film festival with an impressive 10-day program at The Palais and Astor Theatres, showcasing Australia’s Top 100 short films, SoundKILDA, films from SXSW and special retrospective screenings – One Step Ahead, Old Gold St Kilda and Easy Come, Easy Go.</p> <p> The prized Craft and Visual Effects Awards went to Director Christopher Frey for Explosions, a compelling and visually stunning short film screened at the Festival’s Opening Night to roaring reviews.</p> <p> The full list of 2013 winners who took home their share of $40,000 in cash and in-kind prizes includes:</p> <p> Best Short Film Winner: Joey – Dir. John Evagora / Prod. Polly Staniford Commendation: Tender – Dir. Jessica Redenbach / Prod. Cecilia Ritchie</p> <p> Craft Award Explosions – Dir. Christopher Frey / Prod. Christopher Frey</p> <p> Best Director Winner: Joey – Dir. John Evagora Commendation: Arc – Dir. Max Doyle</p> <p> Best Achievement in Cinematography Yardbird – Adam Arkapaw</p> <p> Best Achievement in Screenplay The Road Home – Denie Pentecost</p> <p> Best Achievement in Indigenous Filmmaking She. Say – Dir. Leah Purcell / Prod. Bain Stewart and David Jowsey</p> <p> Best Documentary Tidiest Town 2002 – Dir. Anne-Maree Shelton / Prod. Anne-Maree Shelton</p> <p> Best Animation Sleight of Hand – Dir. Michael Cusack / Prod. Richard Chataway</p> <p> Best Comedy Gus – Dir. Andrew Martin / Prod. Andrew Martin</p> <p> Best Achievement in Editing Joey – Pablo Labanino and Daniel Agdag</p> <p> Best Achievement in Sound – Post Production Men of the Earth – Andrew Kavanagh</p> <p> Best Actor Steve Mouzakis – Joey</p> <p> Best Achievement Visual Effects Explosions – Christopher Frey</p> <p> Best Achievement in Production Design The Hoarders – Jessica Meyer</p> <p> Best Original Score Yardbird – Elliott Wheeler</p> <p> Audience Award Dave’s Dead – Dir. Alethea Jones / Prod. Julian Costanzo and Luke Ryan</p> <p> SBS2 TV AwardŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒ Thin Air – Dir. Natalie Nalesnyik / Prod. Dan Gregg</p> <p> Under the Radar – Best Youth Short FilmŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒ Resistance – Dir. Blake Borsch / Prod. Blake Borsch</p> <p> This year’s Festival screened a calibre of Australian films reflective of 30 years at the top. We look forward to another successful year in 2014 and the Regional Tour, set to kick-off shortly,’ said the Festival’s Director, Paul Harris.</p> <p> To continue the celebrations, the Festival will embark on its annual regional tour from June 14 – July 13, 2013 to deliver the best short films to screens in Mildura, Charlton, Queenscliff, Nhill, Camperdown, Cohuna, Eaglehawk, Mirboo North and Mallacoota.</p> <p> For full film listings, ticketing, tour dates and venue details please visit <a href="http://www.stkildafilmfestival.com">www.stkildafilmfestival.com</a></p> Thu, 06 Jun 2013 09:45:16 +1000 http://if.com.au/2013/06/06/article/The-60th-Sydney-Film-Festival-5-16-June-is-here/MBWLWIXJBE.html http://if.com.au/2013/06/06/article/The-60th-Sydney-Film-Festival-5-16-June-is-here/MBWLWIXJBE.html Inside Film Correspondent <p style="text-align: center;"> <img alt="" height="127" src="/image/sydney film logo(1).jpg" width="180" /></p> <p> From 5-16 June 2013, the 60th Sydney Film Festival will roll out the red carpet and present 192 titles from 55 countries.</p> <p> “Excitement is mounting here now that everything is in place for the 60th edition of our festival,” said SFF Festival Director Nashen Moodley, who is in his second year as director.</p> <p> “We have 192 films from 55 countries in 12 days for people to choose from, accompanied and introduced by 180 international and Australian filmmakers. With increased screenings at the State Theatre and Event Cinemas, plus the new program at the beautiful Hayden Orpheum Picture Palace in Cremorne, we’ve created more opportunities for more people to see more films than ever before. The quality of this year’s program is already being confirmed by critics and audiences alike, so people can choose with confidence from a list of films that are sure to delight every taste and preference.” Sydney Film Festival launches today with the World Premiere Opening Night film Mystery Road at the State Theatre. Actors Aaron Pedersen, Hugo Weaving, Tricia Whitton and other cast members will attend as well as director Ivan Sen and producer David Jowsey. Minister for Tourism, Major Events and the Arts, George Souris, said, "The NSW Government is a proud supporter of the Sydney Film Festival as one of the State's major cultural events. NSW film talent is also being represented at the Festival with the world premiere of Mystery Road on the opening night. Both are demonstrating the strength of the State’s screen sector and our creative industries." Other guests during the Festival include Toni Collette, who will introduce the Australian Premiere of the comical coming-of-age film The Way, Way Back on Thursday 6 June at 9:30pm at the State Theatre (red-carpet arrivals from 9pm). Acclaimed South Korean Director Park Chan-wook (Joint Security Area, Thirst, the Vengeance trilogy) and Australian actress Mia Wasikowska (Alice in Wonderland, The Kids Are All Right, Jane Eyre) will grace the red carpet for the Australian Premiere of the thriller Stoker on Friday 7 June at 8:30pm at the State Theatre (red carpet arrivals from 8pm). Hugo Weaving is the Jury President for the 2013 Official Competition. One of Australia’s most acclaimed and respected actors, Weaving’s credits range from international blockbusters Cloud Atlas, The Hobbit, The Matrix and The Lord of the Rings trilogies to award-winning Australian films such as Oranges and Sunshine. He has appeared on stage in over 20 productions for the Sydney Theatre Company including Les Liaisons Dangereuses, Hedda Gabler and Uncle Vanya. Weaving received the Australian Film Institute's Best Actor award for his performance in the low-budget Proof (1991) and also for Little Fish (2005). In 1998, he received the Best Actor award from the Montreal Film Festival for his performance in The Interview. Films in this year’s SFF Official Competition are: The Act of Killing (Denmark, Norway, UK), Borgman (Netherlands), The Broken Circle Breakdown (Belgium, Netherlands), Child’s Pose (Romania), For Those in Peril (UK), Grigris (France), Monsoon Shootout (India, UK), Oh Boy (Germany), Only God Forgives (France, Denmark), The Rocket (Australia), Stories We Tell (Canada) and Wadjda (Saudia Arabia, Germany). Sydney Film Festival is proud to announce a new partnership with Screen Australia’s Indigenous Department, a team that has nurtured many of the projects and filmmakers that the festival has screened, including Ivan Sen’s shorts Wind (1999) and Dust (2000) and his Cannes-selected feature Toomelah (2011); Warwick Thornton’s Green Bush (2005); and Rachel Perkins’ films from her debut Radiance in 1998 to her feature film Mabo (2012). SFF screens in six venues across the city: the State Theatre, Event Cinemas George Street, Dendy Opera Quays, the new screening location at the Hayden Orpheum Picture Palace Cremorne and the Art Gallery of NSW. The Apple Store Sydney hosts a selection of free public talks; Grasshopper continues as the official festival lounge, open late for drinks and dinner; and SFFTV@Martin Place returns with a free giant outdoor screen showing a selection of SFF highlights plus fascinating shorts from the Film Australia collection at the National Film and Sound Archive. Sydney Film Festival celebrates its 60th anniversary this 5-16 June bringing a packed program of screenings and special events to even more venues across Sydney. For tickets and full up-to-date program information please visit www.sff.org.au.</p> Thu, 06 Jun 2013 09:40:30 +1000 http://if.com.au/2013/06/03/article/SBS-secures-exclusive-Australian-TV-rights-to-Tropfest/RKMBCGAMIW.html http://if.com.au/2013/06/03/article/SBS-secures-exclusive-Australian-TV-rights-to-Tropfest/RKMBCGAMIW.html Inside Film Correspondent <p> SBS today announced it has secured the exclusive Australian television rights to Tropfest in a five year deal.</p> <p> After successfully broadcasting the event on SBS ONE in February 2013, Tropfest will be shown live on SBS 2 every year commencing with the next live event on 8 December 2013. SBS Managing Director Michael Ebeid: “Tropfest is an iconic Australian cultural event which each year showcases the hugely rich and diverse talents of our local film and production sector.</p> <p> It will now have a great home on our new SBS 2 which is delivering on our Charter to be a broadcaster for all Australians by broadening and deepening our reach with younger audiences.”</p> <p> Tony Iffland said: “Both SBS 2 and Tropfest aim to push boundaries and surprise audiences, and share a passion for what’s now, what’s next andwhat’s different. We’re delighted to bring Tropfest free-to-air for all Australians for the next five years.”</p> <p> Tropfest Founder and Director, John Polson said: “This is a big year of change for Tropfest. We’re embracing international growth at an exponential rate and it’s very rewarding to see this growth being reflected at home in Australia also. In my wildest dreams I couldn’t have imagined a more perfect broadcast partner for Tropfest Australia than SBS 2. With the network’s commitment and passion for our event, we can continue to lead the way in quality short content both in Australia and around the world. We’re ecstatic that SBS 2 shares Tropfest’s vision to provide local and international filmmakers with theundisputed largest, most exciting audience in the world to tell their stories.”</p> <p> Michael Laverty, Tropfest Managing Director said: “This partnership with SBS 2 offers our filmmakers the opportunity to share their stories with a larger audience than ever before. The SBS 2 audience is a Tropfest audience; diverse, savvy, and culturally aware. It’s a natural fit for us and we’re really excited about what’s to come.”</p> <p> SBS 2 will show 13 weeks of Tropfest content in prime time in the lead up to the live event in Australia including the best of previous AustralianTropfest films and films from other Tropfest events around the world including the US, Arabia, New Zealand and South East Asia. SBS 2 will provide presenters at the event and show exclusive footage of the red carpet and behind the scenes.</p> <p> SBS will also use its online channels to create a multi-platform experience for viewers. Established in Sydney over 21 years ago, Tropfest has become the world’s largest short film festival. In Australia – and increasingly overseas - Tropfest is recognised for its enormous contribution to the development of the film industry by providing unique platforms for emerging and established filmmakers.</p> <p> Judges in the past have included a who’s who of theinternational film community including Nicole Kidman, Cate Blanchett, Toni Collette, Russell Crowe, Geoffrey Rush, Keanu Reeves, Sam Worthington, Elijah Wood, Tobey Maguire, Rebel Wilson, Ewan McGregor and many more.</p> <p> The next live event will be later this year on 8 December 2013. The move of dates and venue – from The Domain to Centennial Park – reflects the increase in interest and live audiences that are being attracted to the event. Along with the long-term SBS partnership it signifies a substantial step in the long term development of the event.</p> <p> Follow the conversation on Twitter @SBS2/ #SBS2/ @Tropfest/ #Tropfest</p> Mon, 03 Jun 2013 09:18:55 +1000 http://if.com.au/2013/06/03/article/Sun-Sand-and-Serenity-on-Reef-Doctors/PJPKMCOLPA.html http://if.com.au/2013/06/03/article/Sun-Sand-and-Serenity-on-Reef-Doctors/PJPKMCOLPA.html Inside Film Correspondent <p> Press Release</p> <p> The advantage of working on Reef Doctors is getting to be in the sun, sand and serenity of Australian tropical paradises like the Gold Coast, Port Douglas and the Great Barrier Reef. So what's the catch? Sand, sun and serenity aren't always all they're cracked up to be. Reef Doctors is produced by Jonathan M. Shiff and co-produced by Lisa McCune, who also stars in the drama series. The show is about the remote Hope Island Clinic on the Great Barrier Reef, run by Sam Stewart (McCune), an accomplished doctor who along with her team looks after the residents of all the neighboring islands, as well as the holidaymakers and thrill seekers who visit the area. The show will premiere on Australia’s TEN Network in June 2013 and has been shooting on KODAK Film since the beginning. Œ</p> Mon, 03 Jun 2013 08:58:17 +1000 http://if.com.au/2013/05/30/article/Cutting-Edge-Hosts-Gatsby-Advanced-Screening/BLDCIAKXUI.html http://if.com.au/2013/05/30/article/Cutting-Edge-Hosts-Gatsby-Advanced-Screening/BLDCIAKXUI.html Inside Film Correspondent <p> Press Release:</p> <p> To celebrate their involvement in The Great Gatsby, on Tuesday night Cutting Edge held an exclusive advance screening at the Entertainment Quarter, Sydney. Around 200 of the film and advertising industry’s leading lights were in attendance, and the general consensus was that Baz had once again delivered something special.</p> <p> Andrew Knox, Cutting Edge General Manager Sydney, said that Cutting Edge was honoured to have been a part of the Gatsby project. “This film is a visual masterpiece and we love everything about it ­ Baz, his team and Simon Duggan are true geniuses ­ so we wanted to share that feeling with as many people as wecould,” he said. Drinks after the event continued late into the night. Œ</p> <p> More pics here: <a href="http://www.cuttingedge.com.au/big­turnout­for­gatsby­advance­screening/">http://www.cuttingedge.com.au/big­turnout­for­gatsby­advance­screening/</a></p> Thu, 30 May 2013 14:47:19 +1000 http://if.com.au/2013/05/30/article/Michael-Shanks-presents-Towards-the-Sun-at-the-St-Kilda-Film-Festival/SEAAAYQUJD.html http://if.com.au/2013/05/30/article/Michael-Shanks-presents-Towards-the-Sun-at-the-St-Kilda-Film-Festival/SEAAAYQUJD.html Inside Film Correspondent <p> Press Release</p> <p> 22-year-old musician and filmmaker Michael Shanks is honoured to be invited back to the annual St Kilda Film Festival SoundKilda Competition, which is to be held at The Astor Theatre this coming Thursday.</p> <p> Last year, Shanks successfully took on Gotye’s smash hit music video, Somebody That I Used To Know, winning Best Independent Music Video and Best Overall Music Video; sharing the top prize with established filmmaker David Michôd, for his Children Collide clip, Loveless. Shanks’ clip, titled On The Borderline for his band Roadgeek, has since had over 288 thousand views on YouTube, as well as being ranked #13 on ABC’s ‘rage’ top Fifty music videos of 2012.</p> <p> Shanks is overwhelmed to be selected once again this year amongst nineteen other finalists that include clips from established artists such as Missy Higgins, Gotye, Bob Dylan, and The Presets just to name a few. Œ</p> <p> Following tradition from last year, Shanks’ latest video clip, Towards the Sun, was not only self-produced in its entirety, but Shanks also wrote and recorded the song – performing all the instruments and vocals.The music video ‘Towards the Sun’ chronicles a violent uprising of domesticated cats (with digitally replaced human eyes) murdering their homo sapien masters.The clip relies heavily on seamless visual effects - something Shanks tackles entirely himself. “The music and the video were made in my sardine tin bedroom. The project helped justify my utter lack of a social life”.</p> <p> It’s another massive step in the right direction for the unsigned artist who has already had online success, managing a YouTube Channel called Timtimfed which has over 53 thousand subscribers and is approaching 10 million views. Just like his music videos - everything on Shanks’ YouTube channel is entirely self-produced. “I guess the idea is to make a music video stupid enough that it tricks the viewer into listening to the song.” He jests, “And it’s that sort of shameless, shallow gimmick that has given me so much street cred.”Shanks is currently working full-time as a director for LateNite Films - a collective of exciting young filmmakers wanting to create new and exciting Australian content.</p> Thu, 30 May 2013 12:15:32 +1000 http://if.com.au/2013/05/30/article/A-Cautionary-Tail/VSVSZYTPGJ.html http://if.com.au/2013/05/30/article/A-Cautionary-Tail/VSVSZYTPGJ.html Inside Film Correspondent <p> The ABC Commercial title, A CAUTIONARY TAIL (1 x 14’ HD), has been chosen to screen in the official selection of the 67th Edinburgh International Film Festival, next month. The program will screen as part of ‘Shorts For the Family’, scheduled on the Closing Day of the festival, Sunday 30 June.</p> <p> The unique children’s animation has also been chosen as one of the ten short film finalists for the 2013 Sydney International Film Festival (5 – 16 June) Dendy Awards, and will screen in the Palm Springs International ShortFest (18 – 24 June) and the St Kilda Film Festival (23 May - 1 June).</p> <p> A CAUTIONARY TAIL is a magical story about a girl born with a tail that expresses her emotions. As a child, her parents celebrate their daughter's uniqueness and her tail inspires magical make-believe adventures with her friends. As she grows up, however, the young woman faces pressure to fit in, and must choose between conformity and self-expression.</p> <p> A CAUTIONARY TAIL stars an acclaimed line-up of Australian actors – Oscar winner Cate Blanchett, David Wenham and Barry Otto – and uses a striking collage of 3D animated characters and exquisite hand-made miniature sets to tell the story.</p> <p> A CAUTIONARY TAIL is produced by Pauline Piper of Rawr Media, directed by Simon Rippingale, written by Erica Harrison, and executive producers are Will Alexander and Renata Cooper. ABC Commercial holds worldwide distribution rights to the program.</p> Thu, 30 May 2013 11:56:01 +1000 http://if.com.au/2013/05/30/article/Revelation-Film-Festival-Launch/ZJVFYULJZT.html http://if.com.au/2013/05/30/article/Revelation-Film-Festival-Launch/ZJVFYULJZT.html Inside Film Correspondent <p> The full program will be announced at the Luna Cinema in Leederville on Saturday, 8 June 2012 with the screening of the inspiring feature film, The Deep. When: Saturday, 8 June 2013 Where: Luna Palace Cinemas Leederville Time: 9:30am RSVP: For your chance to win a double pass, email rsvp@screenwest.wa.gov.au by Thursday, 30 May 2013. Please include your ‘SURNAME - Rev program launch' in the email subject heading. The 16th Revelation Perth International Film Festival program features a strong collection of documentaries, feature and shot films with a record number of Australian and world premieres. Screening at the program launch is Baltasar Kormákur's The Deep, the official submission of Iceland to the Best Foreign Language Film for the 85th Academy Awards. The Deep has won accolades for its stunning cinematography, cast, score, costume design, editing, make up, set design, score, sound, visual effects and direction. This year's festival will include three live soundtrack performances, an extraordinary art exhibition and diverse subject matters ranging from environmentalism to Hollywood icons. The official program will be announced on Saturday, 8 June 2013. For further details and updates on Revelation, visit the<a href="http://www.revelationfilmfest.org" target="_blank"> official website </a> The Perth Revelation International Film Festival is proudly supported by ScreenWest and Lotterywest.</p> Thu, 30 May 2013 11:30:31 +1000 http://if.com.au/2013/05/30/article/The-Incredibly-Short-Film-Festival-makes-its-debut-at-Vivid-Sydney/FPQZERZVKO.html http://if.com.au/2013/05/30/article/The-Incredibly-Short-Film-Festival-makes-its-debut-at-Vivid-Sydney/FPQZERZVKO.html Inside Film Correspondent <p> This Friday, 31st of May, Sixty40 is launching its latest project at Vivid Sydney – Festival of Light, Music & Ideas as the start of a whirlwind tour incorporating a Kings Cross installation and featuring at PauseFest in Croatia.</p> <p> Borne of the desire to create a public event to bring fun and colour into the Kings Cross area at night, <a href="http://www.incrediblyshortfilmfestival.com/" target="_blank">The Incredibly Short Film Festival</a> is precisely that - a carefully curated cinematic experience the viewer can consume in the time it takes to walk past.</p> <p> The initial intent of the co-creators, Sixty40’s creative director Mark Simpson and The World Bar’s Steven Ward, was to lighten people’s moods at night in a counter attack to negative media coverage and community perceptions.</p> <p> Simpson said their long-standing love of GIFs and loops was finally put to good use and the end product of 30 minutes of edited loops has been crafted using various sources.</p> <p> “The collection has been carefully selected from the internet and some big names like Cyriak and David O'Reilly gave their support for the event,” he said.</p> <p> “Other artists working in loops and animated GIFs have also allowed us to screen their work. Alongside that, we’ve also accepted submissions from artists and studios in every continent around the world.”</p> <p> “Curatorially speaking, the ISFF is about forming narrative and thematic links between the separate films, so that as a group they take the viewer on a journey. We go through internet memes, to using pop culture as a source, glitch art, moving photography, animation and more - there’s even a whole LOL cat section.”</p> <p> During Vivid Sydney, a linear edit of the curated films will be screened at the Museum of Contemporary Art’s Level 6 The Forum on May 31 at a sold-out event.</p> <p> A super group of high profile electronica musicians will be improvising live to the films - a modern nod to the days when silent film theatre orchestra pits were filled with live accompaniment. The artists will be using newly released <a href="https://www.ableton.com/en/push/" target="_blank">Ableton “Push” devices</a> to enable the live collaboration – a unique performance with musicians from Seekae, Van She, Gloves and drummer Joel Farland.</p> <p> Secondly, from May 31 to June 2, multiple projections will screen simultaneously around Kings Cross in a joyous and mischievous celebration of the area and a winter-warming beacon to nighttime visitors and locals alike.</p> <p> Lastly, from July 19-22, as part of PauseFest the ISFF will be projected onto the ancient buildings of Rijeka, Croatia.</p> <p> The Incredibly Short Film Festival is possibly the first micro curation of its kind – it is certainly tailor built for our audiovisual byte age. The ISFF carries a canny and entirely accurate tagline: “No need to wait for a movie to finish, it’s already playing again.”</p> Thu, 30 May 2013 11:05:32 +1000 http://if.com.au/2013/05/30/article/REZ-sets-crowdfunding-record-on-Seed--Spark/VJAURXFGJU.html http://if.com.au/2013/05/30/article/REZ-sets-crowdfunding-record-on-Seed--Spark/VJAURXFGJU.html Inside Film Correspondent <p> Press Release:</p> <p> Production Of NYC Film School Alum That Will Shine Spotlight On The Life in Native American Reservation To Honor Late College Friend Was Funded Within 72 Hours Brooklyn, NY – Special Boy Films Ltd today announced that its short film project Rez has set a record for being the fastest growing campaign on Seed & Spark, the world’s first crowd-funding and digital distribution platform made just for independent film platform. The production of Rez was crowd-funded within just 72 hours on Seed & Spark thanks to the overflowing support from the Native and independent film community. The film project also received a Spike Lee grant and a nod of approval from the famous filmmaker on social media. Featuring a talented Native American cast, Rez tells the story about Daniel Nightbird, an Ojibwe teen living on the Leech Lake reservation. Daniel is taking care of his young sister alone and, down to his last dollar, is suddenly evicted. The eviction sets in motion a desperate search for a safe place on the Rez, which is harder to come by than even he imagined. “There is no question that the presence of Native American stories has been largely missing from American film narratives. Rez seeks to change that, by showing the humanity in us all,” said Dominique DeLeon, the director and writer of Rez, and NYU film school alum. Dominique DeLeon was inspired to write the film after the untimely death of his college roommate at Harvard University, Duane Meat. Over the years, DeLeon has never forgotten his promise to his friend -- to bring light to beauty and hardships of life on the Rez. It was this promise that prompted DeLeon to live on Leech Lake reservation for a summer, where he put together the moving story that would come to be Rez. The film illustrates the plight of the 7th generation, the group of young men and women who have come of age in the time of the 7th fire (present day). In the original prophecy, the task of the 7th generation is difficult: they are given the calling of returning to their people the spiritual ways that have been lost and righting the balance in the world, largely without the help of the older generation. Though a story that originates in native culture, it has wider implications, as in the film, the main character is left to rediscover the nature of the circle, and in doing so find a way to trust and develop his innermost judgment on it's own. Rez will begin its summer tour in July 2013 and bring the film to the people who have overwhelmingly supported the project and made it an overnight success. Received with record-breaking support, though Rez reached its initial funding goal in a record 72 hours, additional funding is being sought in order to add additional screenings to meet with audience demand. For more information and support, visit http://www.seedandspark.com/studio/rez and https://www.facebook.com/ontherez Œ</p> Thu, 30 May 2013 10:50:01 +1000 http://if.com.au/2013/05/30/article/DAMsmart-off-and-racing-with-Thoroughbred-Racing-Productions/ZKBHSMCNOB.html http://if.com.au/2013/05/30/article/DAMsmart-off-and-racing-with-Thoroughbred-Racing-Productions/ZKBHSMCNOB.html Inside Film Correspondent <p> DAMsmart, Australia’s leading specialist audiovisual digitisation, management and access solution provider has recently completed the commissioning of Thoroughbred Racing Production’s (TRP) first Media Asset Management system.</p> Œ TRP provides exclusive production services to the Victorian Racing Industry, producing broadcasts for more than 525 thoroughbred race meetings across Victoria. The broadcasts are provided to ThoroughVision, Free-To-Air and other subscription channels in both Australia and overseas, to on-course patrons and importantly, the Stipendiary Stewards who mange the integrity of racing. Œ TRP produces thousands of hours of content each year and manages an extensive back catalogue of racing vision for ThoroughVision. In 2012, the organisation identified a need to evolve and grow its digital content storage and access infrastructure to deliver greater productivity and provide a greater level of security for its collection. Charles Cole, TRP’s Technical & Engineering Manager, said, “An integral part of producing race coverage is the management and maintenance of an archive to catalogue captured video. We identified a need for a system to facilitate multiple functions including replaying races for the industry stakeholders, use by Stewards in inquiries, indexing archived content and the preservation of Australian racing history.” Œ TRP went to market in late 2012 with a competitive tender seeking a solution for the storage and management of its digital video collection, which resulted in the appointment of DAMsmart as the preferred solution partner. DAMsmart proposed a comprehensive digital video archive management solution using CatDV Enterprise Media Asset Management software, from UK based company Squarebox, for collection access and control. The MAM application was integrated with Storage DNA Evolution LTO/LTFS archiving software, configured with an LTO5 library for storage of the high-resolution files. Œ Charles Cole commented, “We considered a range of options, including the cloud, and for us the DAMsmart solution made sense. CatDV suited the organisation perfectly. It is an enterprise-level application without the complexities of other applications that are focused on servicing large-scale broadcast environments. CatDV allows us to link our complex and extensive racing metadata with individual races enabling robust search functions. It is intuitive and customisable which was an important consideration as we have a range of system users, all with very different requirements. The web client enables remote access for both the Stewards for race assessment and the OB vans for offsite content management tasks. Œ The LTO/LTFS technology gives a stable, economical and secure storage platform that we can scale. The DNA Evolution software takes full advantage of LTFS enabling tape performance that is comparable to disk. Importantly, Storage DNA is based on open standards, which gives us confidence the collection will be accessible well into the future.” Œ Prior to commissioning the system, DAMsmart worked closely with all stakeholders in the organisation to identify user profiles and collate an accurate description of their needs. After commissioning, DAMsmart has continued to work with TRP to refine system workflows and tailor functions as users become more familiar with the system and its capabilities. DAMsmart, working with the Australian distributors of CatDV and Storage DNA, Blonde Robot, has provided training for the system, and provides ongoing support for the various stakeholders in the organisation. Œ Joe Kelly, General Manager at DAMsmart, said, “This was a really exciting project for DAMsmart as we are focused on making content accessible for today, and tomorrow. As the leading Australian provider of AV digitisation services, we know that digitising content is only part of the job. Managing digital media, either as a result of digitisation of legacy archives or born-digital content, is key to maximising the value of the asset. We have been working closely with our partners Storage DNA and CatDV to configure systems to suit a broad range of applications that are both economical and practical. Œ The solution we have provided for the TRP will enable them to get the most of the content they hold, and promote greater efficiencies and control for the access and management of the collection” Œ Now that the MAM system is commissioned, DAMsmart has commenced work with TRP to digitise its existing legacy videotape collection. Œ Œ For further information please contact: Adam Hodgkinson DAMsmart | Business Manager 02 9907 1896 <a href="http://www.damsmart.com.au/"> </a> Œ Thu, 30 May 2013 10:40:23 +1000 http://if.com.au/2013/05/30/article/UPDATE-Think-Big-at-the-Sydney-Film-Festival---documentary-masterclass-update/JKNXOSOECJ.html http://if.com.au/2013/05/30/article/UPDATE-Think-Big-at-the-Sydney-Film-Festival---documentary-masterclass-update/JKNXOSOECJ.html Inside Film Correspondent <p> Wednesday 29 May 2013 Screen Australia, in partnership with the Sydney Film Festival, recently announced two masterclasses with acclaimed international documentary filmmakers. We are sorry to announce the removal of Masterclass #2 Think Big – Telling Family Secrets on 14 June 2013 from this year's Sydney Film Festival due to Sarah Polley regretfully no longer being able to attend. Tickets are, however, still available for Masterclass #1 Think Big – Independent Collaboration. Sarah Polley says, "I am so deeply sorry to not be in Sydney to present my film. I was so honoured to be chosen to be part of this festival. For unforseen family reasons I am not able to travel for any length of time at the moment. Again I am so very sorry that I won't be able to participate in this amazing festival." Masterclass #1 Think Big – Independent Collaboration This masterclass, moderated by journalist Sandy George, is designed for documentary filmmakers and industry professionals who are interested in improving their understanding of the art and craft of documentary storytelling. We bring together the work of three seriously talented documentary makers to explore all aspects of their most recently applauded work and investigate the importance of having a highly functional and collaborative relationship between director and producer. Joshua Oppenheimer is the director of The Act of Killing, a film that has stunned audiences across the world since its release last year. Oppenheimer explores politically induced insanity through documenting the mass killings in Indonesia, following the CIA-funded military overthrow of the Indonesian government in 1965. Oppenheimer uses re-creations to capture the reality of torturer and victim with devastating results. Director Andreas Dalsgaard explores the notion of the mega-city in his film The Human Scale. By 2050, 80 per cent of people will live in cities. Dalsgaard shines a light on the work of Gehl Architects and a company that argues the need for sharing and community to combat shortage of resources and the threat of ecological disaster. Signe Byrge Sørensen is the producer of The Act of Killing and The Human Scale along with many other internationally acclaimed productions. The prolific Dane has made documentaries throughout the world under her production company Final Cut for Real. DETAILS Friday 7 June 2013 9.45am arrival for 10am start 10am–1pm Masterclass followed by refreshments Sydney Film Festival Hub at Lower Town Hall 483 George Street (enter on Druitt Street) Cost: $20 Buy tickets for Masterclass #1 Note that The Act of Killing and The Human Scale will be screened at the Sydney Film Festival. Please click on the film names to buy tickets for these screenings. Œ</p> Thu, 30 May 2013 10:04:08 +1000 http://if.com.au/2013/05/30/article/Short-films-expose-issues-in-Australian-communities/MCVZLFVYCZ.html http://if.com.au/2013/05/30/article/Short-films-expose-issues-in-Australian-communities/MCVZLFVYCZ.html Inside Film Correspondent <p> Press Release</p> <p> Aurora Short Film Festival, 9 June 2013 Wednesday, 29 May, 2013: This year Aurora, Australia’s leading not-for-profit STV community channel, is lifting the lid on contentious community issues by unveiling a diverse range of personal and inspiring stories with their annual short film festival. The top films selected for the ‘Best Community Organisation’ category come from five Australian charities with each story highlighting a growing concern from their corner of the community. The Regional Youth Support Services (RYSS) entered a documentary ‘2261 Youth in Violence’ which discusses young people involved in serious violence in the NSW Central Coast – Killarney Vale, Berkley Vale and Tumbi Umbi. The children and young teens in the real-life film speak about the issues caused as a result of violence as well as the huge impact social media has made on violence rates in the 2261 postcode. Team Leader for RYSS Jamie McKenzie commented: “Our film ‘2261 Youth in Violence’ was originally produced to bring light to this evident problem in our area and we are very proud of the work that the young people put in to make this documentary. We couldn’t be more humbled to be included in this year’s Aurora Short Film Festival as a finalist.” The WWF-Australia finalist entry ‘Sending the Gungu Home’ sheds light on the need to protect and save sea turtles in the Great Barrier Reef. In 2012, 1,800 green turtles washed up on the beach in suffering from starvation or sickness. Another finalist is ‘Jonathan’s Story’ from Big Brothers Big Sisters of Australia. The film shows what one person can achieve by reaching out to help an at risk child from a single-parent family, giving a taste of what young Jonathan experienced when he had someone offer him his friendship and guidance by becoming his ‘big brother’. The CEO of Big Brothers Big Sisters of Australia, Sherilyn Hanson, said: “Being shortlisted in the Aurora Short Film Festival is fantastic. It helps us showcase not only the impact of a long term positive role model on a young person’s life, but also the benefits that result for the mentor and for the community.” Other finalists in this category include ‘Aspect Schools’ from Autism Spectrum Australia about what the school offers for people with Autism, along with ‘The Forced Error’ from the National Aboriginal Sporting Chance Academy (NASCA) which highlights the effects of peer pressure amongst youth. CEO of Aurora Phyllisse Stanton said the films in this year’s Community Organisation category are real eye openers into the experiences of our country’s communities. “Aurora represents all aspects of community and helps give a voice to everyone, large or small, and that’s what these short films stand for,” she said. “From troubled youth in the Central Coast to saving turtles in the Great Barrier Reef, it’s so important that these heart-felt and diverse stories are heard.” This year the Aurora Short Film Festival is taking place as an on-air screening with the winners of each category being announced and aired during the broadcast on the 9th of June at 8pm. Public are welcome to vote on the films, voting polls open until 31st May. All finalist films can be viewed and voted for online here: http://www.aurora.tv/asff/vote/ Prizes for each category is $1000 cash. The film which receives the Critic’s Choice award will win $2000. All finalist films will be broadcast in the subsequent weeks following the festival with a ‘Best of the Rest’ program. A selection of entrants that did not make it into the finals will also feature. These screenings will take place on Sunday 16th, Sunday 23rd and Sunday 30th of June at 8pm. Œ</p> Thu, 30 May 2013 09:57:38 +1000 http://if.com.au/2013/05/30/article/Women-Cinematographers-Group-invites-membership/MYXSMNFXLO.html http://if.com.au/2013/05/30/article/Women-Cinematographers-Group-invites-membership/MYXSMNFXLO.html Inside Film Correspondent <p> Press Release</p> <p> All women cinematographers and assistants, including student cinematographers, are invited to apply to join the facebook information exchange group “ACS – The Ladies Lounge”: www.facebook.com/groups/357831320932344/. Publicising this invitation was one of the decisions of the May 24th meeting of cinematographers attending the Australian Cinematographers Society (ACS) Women’s Advisory Committee held in Canberra on May 26 at the National Film & Sound Archive as part of the ACS National Awards weekend. The meeting applauded the increasing participation of women in the Society’s activities and discussed the importance of increasing women’s awareness of opportunities for mentorship and skills training. Sue Greenshields of Lemac noted that relatively few women take advantage of Lemac’s open invitation to test out equipment. She reiterated the hope, likewise mentioned at the last WAC meeting by Ali Peck of Red Apple, that more women would join their male colleagues in dropping in to equipment hire facilities in order to gain confidence in using a wide range of new cameras. It was also noted that some younger women cinematographers are not aware that membership in the Australian Cinematographers Society (http://www.cinematographer.org.au/) is open to them. This includes students, assistants and the small but growing number of documentary makers who are shooting their own films to a very high standard. The ACS provides a forum for cinematographers working in every genre to further develop their skills through mutual co-operation and holds events and workshops for members. The ACS – The Ladies Lounge facebook page is likewise open to women cinematographers at all levels as a place for exchange of information and job opportunities – as well as a virtual G & T every so often. Invitations to attend the annual Women’s Advisory Committee meetings are issued to all who are admitted to the page. Œ</p> Thu, 30 May 2013 09:48:00 +1000 http://if.com.au/2013/05/30/article/Wednesday-Night-Fever-cast-set-for-late-night-comedy-antics/TSTPIAEURT.html http://if.com.au/2013/05/30/article/Wednesday-Night-Fever-cast-set-for-late-night-comedy-antics/TSTPIAEURT.html Inside Film Correspondent <p> Press Release</p> <p> Premieres Wednesday July 3 at 9:30pm on ABC1 ABC TV today announced that Wednesday Night Fever - its new, late night, weekly comedy series from the makers of controversial hit At Home with Julia - will premiere on Wednesday, July 3 at 9:30pm on ABC1. Hosted by rising comedian and first-time frontman Sammy J, and featuring tasteful metal outfit Boner Contention as house band, Wednesday Night Fever’s ensemble cast includes some of Australia’s best comic performers and impersonators including: Amanda Bishop (At Home with Julia); Paul McCarthy (Comedy Inc. – The Late Shift, At Home with Julia); Genevieve Morris (Comedy Inc. – The Late Shift); Dave Eastgate (A Moody Christmas, Elegant Gentleman’s Guide to Knife Fighting); Heath Franklin (‘Chopper’ of The Ronnie Johns Half Hour); Melbourne Comedy Festival sensation Anne Edmonds; music theatre star Lisa Adam and Robin Goldsworthy (At Home with Julia, Paper Giants). Airing over seven weeks, the 30 minute weekly program will feature an array of topical impersonations, satirical characters, musical comedy and special guests - all in front of a live studio audience. Jennifer Collins, ABC TV’s Head of Entertainment, said “It’s a stellar cast with the smart and witty Sammy J at the helm. The series will be a playground for these great comedic talents. We’re thrilled to have satirical sketch comedy in prime time, delivering a unique take on the latest news from around the world and here at home.” Creator/Producer Rick Kalowski said, “I’m relieved to finally have a host and cast after it fell apart with Rolf Harris and The Comanchero bikie gang”. Wednesday Night Fever is a Quail Television and ABC TV co-production for ABC1. Quail Television Executive Producers are Rick Kalowski and Greg Quail. ABC Executive Producer is Sophia Zachariou. Œ</p> Thu, 30 May 2013 09:40:53 +1000 http://if.com.au/2013/05/30/article/Sydney-Film-Festival-5-16-June-2013-announces-memorial-lecture-speakers/LKLRONPYIA.html http://if.com.au/2013/05/30/article/Sydney-Film-Festival-5-16-June-2013-announces-memorial-lecture-speakers/LKLRONPYIA.html Inside Film Correspondent <p> Press Release</p> <p> Œ</p> <p> The 2013 Ian McPherson Memorial Lecture will take place at 11am on Public Holiday Monday 10 June at Event Cinemas George Street (EV3). Sydney Film Festival is proud to announce the 2013 Ian McPherson Memorial Lecture will feature Australian actor Jack Thompson in discussion with ABC TV host David Stratton on movies and moviemaking. The Ian McPherson Memorial Lecture is a free public event presented every year, commemorating the contribution of the man who helped establish Sydney Film Festival in 1954 and who served on the Festival Board until 1977. One of the major figures of Australian cinema, Jack Thompson is best known as a lead actor in several acclaimed Australian and American films, including such classics as Wake in Fright (1971, screened in a restored version at SFF 2009); Sunday Too Far Away (Opening Night of SFF 1975); The Chant of Jimmie Blacksmith (1978); The Man from Snowy River (1982); and Breaker Morant (1980), which won him an Australian Film Institute award for Best Actor in a leading role, and the award for Best Supporting Actor at the Cannes film festival. Spanning an acting career of over 40 years, Thompson’s other notable feature films include: The Sum of Us (SFF 1994), Mao’s Last Dancer (2009) and Baz Luhrmann’s Australia (2008). He also appears in Luhrmann’s latest film The Great Gatsby (2013) and SFF’s 2013 Opening Night film Mystery Road. Appointed a Member of the Order of Australia in 1986 for accomplishments in the film industry, Thompson was also awarded the Raymond Longford Award for outstanding contribution to Australian Cinema in 1994, the Film Critics Circle of Australia Awards 2005 Special Achievement Award, and the Inside Film Awards Living Legend IF Award. “The Sydney Film Festival was a part of my youth. It was largely through the festival that I became aware of a world of cinema. Cinema has become my life's work. I am delighted to be David Stratton's guest at this year's Ian McPherson Memorial Lecture to commemorate and celebrate the establishment of the Sydney Film Festival,” said Mr Thompson. “We are absolutely delighted to feature Jack Thompson at the Ian McPherson Memorial Lecture this year. This great Australian actor has delivered a range of exceptional performances in seminal Australian films. We are especially pleased that he returns to the Opening Night slot this year with Mystery Road, after opening the festival with Sunday Too Far Away in 1975. His conversation with the inimitable David Stratton is sure to be both enlightening and entertaining,” said SFF Festival Director Nashen Moodley. David Stratton is a former director of Sydney Film Festival and is currently film critic for The Australian and host of ABC TV’s At the Movies. A recipient of the Australian Film Institute’s Raymond Longford Award, David has also served as a former President of the International Critics Jury for the Cannes and Venice Film Festivals, authored three books and lectures in Film History at the University of Sydney. Stratton and co-host Margaret Pomeranz recently celebrated 25 years of their onscreen partnership on Australian TV. Sydney Film Festival celebrates its 60th anniversary this 5-16 June bringing a packed program of screenings and special events to even more venues across Sydney. For tickets and full up-to-date program information please visit www.sff.org.au. Œ</p> Thu, 30 May 2013 09:31:27 +1000 http://if.com.au/2013/05/30/article/Keshet-International-and-Northern-Pictures-to-Launch-Keshet-Australia/HNKADHDSSN.html http://if.com.au/2013/05/30/article/Keshet-International-and-Northern-Pictures-to-Launch-Keshet-Australia/HNKADHDSSN.html Inside Film Correspondent <p> Press Release Northern Pictures David Haslingden and Keshet International's Managing Director Alon Shtruzman to Oversee Keshet's Catalogue through New Keshet Australia Banner Sydney, Australia May 28, 2013 -- Today Keshet International (KI), the global distribution and production arm of Keshet Media Group, and Australia's Northern Pictures signed a joint venture to bring Keshet’s significant slate of scripted and unscripted formats to Australian and New Zealand television screens. The announcement was made today by Northern Pictures owner David Haslingden and Keshet International's MD Alon Shtruzman, who brokered the deal. Under the agreement, Keshet Australia will be jointly owned by RACAT and Keshet International. Northern Pictures will have the rights to over 50 Keshet International properties, to be produced in the territory under the Keshet Australia banner. Mr Haslingden, who recently purchased Northern Pictures, NHNZ and Singapore based Beach House Pictures, sees this deal as a key next step for Northern Pictures which is experiencing significant growth into new genres. "I've worked with Alon and a number of other Keshet executives and Keshet alumni for many years and I've witnessed first-hand their powerful and addictive combination of creativity, and business acumen. Keshet’s growth over the last 5 years has been unrivaled and we are confident Keshet Australia will replicate that success here,” he said. “Keshet is one of the best in the game of scripted and unscripted television, and Northern Pictures has a strong reputation in Australia with deep industry contacts, plus a New Zealand link through sister company NHNZ – it’s an ideal match.” Mr. Shtruzman believes many of the Keshet shows and formats can be as successful in Australia and New Zealand as they have been in the US, the UK, and the numerous other markets around the world where Keshet formats have found significant audiences. “We are extremely excited to bring KI's slate to Australia and New Zealand, and I can't think of a better partner than David for this venture. This year many of Keshet's shows will be produced across numerous countries and continents,” Shtruzman said. “Given the strength of the Australian broadcasting industry and the strongly emerging cable channel universe we believe Australia can quickly become one of our most important markets." Northern Pictures managing director Sue Clothier describes the Keshet JV as a remarkable opportunity for her team to work with one of the most successful format and original content producers in the world. “It’s a real coup to be given the chance to introduce Keshet’s original and inspirational content to Australia and New Zealand screens,” said Clothier. Keshet International (KI) is Keshet Media Group's global distribution and production arm. Headed by Managing Director Alon Shtruzman, it includes Keshet's local production outposts (Keshet UK, Keshet Australia, with more to be announced soon) as well as its global distribution arm. KI's catalogue consists of over 60 tried and tested properties that appeal to audiences worldwide, spanning all genres. Highlights include hit drama Prisoners of War, the original Israeli version of prime time Emmy® winner Homeland; docu-reality format Dear Neighbors, Help our Daughter Find Love; talent show Master Class; cross platform format - 50 Things You Have to Know; reality dating format Girlfri3nds; game show The Vault and 'buddy comedy’ Traffic Light, winner of the International Emmy® Award. Northern Pictures is a TV production company that delivers large-scale factual television to the Australian and international market. Based in Australia, Northern Pictures has a global outlook and is committed to innovative ideas and high quality production. Northern Pictures is part of the RACAT group of companies, along with NHNZ and Beach House Pictures. The Group produces over 200 hours of programming from production bases in New Zealand, Australia and Singapore. Œ</p> Thu, 30 May 2013 09:25:55 +1000 http://if.com.au/2013/05/30/article/Heart-of-Gold-International-Film-Festival-Presents-Films-to-Lift-You-Up-in-2013/SYIRTIFKCY.html http://if.com.au/2013/05/30/article/Heart-of-Gold-International-Film-Festival-Presents-Films-to-Lift-You-Up-in-2013/SYIRTIFKCY.html Inside Film Correspondent <p> Press Release</p> <p> Festival highlights </p> One of Australia’s favourite funny men, Akmal Saleh shows his serious side in a film about the inspiring results of people power during the revolution of the Egyptian people. This amazing 70-minute documentary, Pharaoh Vs the Egyptians, will be screened as the feature film on Saturday afternoon, July 13. Akmal will present the film and will stay for a Q&A with the audience. <p> Œ</p> Heart of Gold is keen to get young people involved in cinema. A new category introduced to the festival this year is the Youth Film Award. The HOG team have invited young local film buffs to apply for a place on the jury to judge the best film aimed at young people. <p> Œ</p> Unique, inspiring and thought provoking films to be screened at the festival include: Curfew by Shawn Christensen is the 2013 Academy Award winner for Best Short Film – Live Action. Julian by Matthew Moore is a home grown Australian success story exploring the infamous world of a “dobber”. It won the Crystal Bear for Best Short Film, Generation K, and at the prestigious Berlin Film Festival. A fascinating film based on a true story is Walking the Dogs, with Emma Thompson as the Queen. Night Shift is an extraordinary and moving New Zealand film, which has screened at Cannes, Sundance and New York film festival. <p> Œ</p> This year festival organisers are utilising a great new festival tool used by the world's top festivals including Sundance. Festival Genius provides a sophisticated online schedule with facilities for the audience to rate films, write reviews, set their own calendar, link to ticket purchase and incredibly, have access to the FG App on their phones to do all these functions. <p style="margin-left: 40px"> Œ</p> To celebrate Heart of Gold’s triumphant return to Gympie this year, the closing night’s session will be the best of the best of Heart of Gold - a selection of the most popular and outstanding films in the festival’s six years. Be sure to come to see your old favourites. <p style="margin-left: 40px"> Œ</p> One of Queensland’s top 50 coffee lounges, Emilia’s Deli in Mary St, Gympie (as rated by The Sunday Mail), will stay open outside normal hours during the festival as a special treat for film-makers and festival goers. <p style="margin-left: 40px"> Feature film shows comedian’s serious side</p> <p style="margin-left: 40px"> EXCITEMENT is starting to build about this year’s Heart of Gold International Film Festival and all involved are working hard to bring the best uplifting, funny and inspiring films from all around the world to audiences in Gympie.</p> <p style="margin-left: 40px"> There are many exciting developments happening behind the scenes and with just over six weeks to go until opening night, Heart of Gold is pleased to announce an exciting feature addition to the program, Pharaoh Vs the Egyptians, by Australian comedian, Akmal Saleh. Œ</p> <p style="margin-left: 40px"> Nearly every Aussie would recognise Akmal and his zany sense of humour. He’s appeared many times at the Melbourne Comedy Festival Gala, the Great Debate, Thank God You’re Here, The Footy Show, Rove, you name it, if the aim is to make people laugh, Akmal is a favourite. Being Egyptian-born and Australian-raised has given Akmal an incredible ability to deal with hot topics in a non-offensive way. He doesn’t shy away from religion, terrorism and hysterical looks at modern day life in Australia. But a more serious side is shown in this documentary about his homeland and the uprising of the Egyptian people from an average Egyptian’s perspective. Œ</p> <p style="margin-left: 40px"> The result is a heart-warming, and sometimes gut-wrenching, 70-minute documentary film selected to be screened as the Heart of Gold International Film Festival’s feature film. This film is a testament to the strength, determination and resilience of the human spirit and the strength of community. Œ</p> <p style="margin-left: 40px"> World-class films on the program </p> <p style="margin-left: 40px"> Pharaoh Vs the Egyptians is one of many wonderful films chosen for this year’s festival. The winner of this year’s Academy Award for Best Short Film – Live Action has also been secured for the program. Curfew is a 19-minute masterpiece about a man, who at the lowest point of his life, gets a call from his estranged sister asking him to look after his precocious nine-year-old niece for a few hours. Œ</p> <p style="margin-left: 40px"> Another exceptional film to be screened at the festival is Julian, a home grown film by writer/director Matthew Moore, and winner of the Crystal Bear at Berlin. Set in a Year 4 classroom in 1981, Julian explores a day in the life of a 9 year old boy. Julian's need to speak his truth and his strong urge to do what he thinks is right begins to unravel his world. Throughout the day Julian is forced to deal with a bully, an impatient teacher turning a blind eye and a principal with a secret. As Julian faces these challenges we begin to see the qualities that will inform the man he is to become. There are lots of surprising discoveries for the audience in this film. Œ</p> <p style="margin-left: 40px"> A fascinating film to screen at Heart of Gold is based on a true story. Walking the Dogs sees Emma Thompson do a wonderful performance as the Queen. In 1982, unemployed father of four Michael Fagan climbed up the garden walls of Buckingham palace and broke into Queen Elizabeth's bedroom while her security officer was out walking the dogs. In this comedy drama based on the real life incident, we follow the Queen, her security officer and the intruder over the dramatic half hour which he spends in her bedroom. It’s a surprising and revealing encounter. Œ</p> <p style="margin-left: 40px"> New additions </p> <p style="margin-left: 40px"> Festival goers, first-timers and old-faithfuls alike, will be treated to a special session this year, called The Best of Heart of Gold, in which around 10 stand-out films from previous year's festivals will be screened. Œ</p> <p style="margin-left: 40px"> Heart of Gold is also keen to get young people engaged and enjoying cinema. Apart from having a number of family sessions suitable for the whole family, a new category has been included in the awards. A special addition is that a young local film buff will be chosen to sit on the jury to help choose the inaugural Youth Film Award. Œ</p> <p style="margin-left: 40px"> This year’s festival will be highly interactive for film buffs. Festival organisers are utilising a great new festival tool used by the world's top festivals including Sundance. Festival Genius provides a sophisticated online schedule with facilities for audience members to rate films, write reviews, set their own calendar, link to ticket purchase and incredibly, have access to the FG App to do all these functions on their smart phones.</p> <p style="margin-left: 40px"> As a special treat, one of Queensland’s top 50 coffee lounges, Emilia’s Deli in Mary St, Gympie (as rated by The Sunday Mail), will stay open outside normal hours during the festival for film-makers and festival goers. Œ</p> <p style="margin-left: 40px"> The Heart of Gold International Film Festival is held in Gympie, July 11-14. Check out the website www.heartofgold.com.au for more details or follow festival updates on Facebook.</p> <p style="margin-left: 40px"> QUOTES: </p> <p style="margin-left: 40px"> Artistic Director, Tahnee McGuire: Œ</p> <p style="margin-left: 40px"> “Heart of Gold is and always has been unashamedly an audience led festival. We have passionate local screener groups that watch all the films and we enjoy immensely their feedback and insight. With every film we program we are always thinking about what the audience will take away from it – whether it’s insight, lots of laughs or an emotional experience.” Œ</p> <p style="margin-left: 40px"> Artistic Director, Stephen Kanaris: Œ</p> <p style="margin-left: 40px"> “The festival this year has so many highlights it’s hard to pin-point them to be honest. We’ve really been amazed at the quality of films we’ve been able to source. We are lucky that many of the films include wonderful performances from seasoned actors such as Emma Thompson, Judi Dench, Lilly Tomlin and Martin Freeman (who is currently starring in the Hobbit). Of course there are also many other extraordinary performances from up and coming actors. We feel excited to bring these films to our loyal audiences.” Œ</p> Thu, 30 May 2013 09:08:53 +1000 http://if.com.au/2013/05/30/article/The-Sydney-Film-Festival-5-16-June-2013-adds-two-new-films-to-its-program/FCNNBVHRPF.html http://if.com.au/2013/05/30/article/The-Sydney-Film-Festival-5-16-June-2013-adds-two-new-films-to-its-program/FCNNBVHRPF.html Inside Film Correspondent <p> Press Release</p> <p> Sydney Film Festival announces two new films in the 2013 program, the Australian premiere of the feature film The Bling Ring, directed by Sofia Coppola; and the World Premiere of the Australian short film Aboriginal Heart, directed by Michelle Blanchard. The two films will screen together on Thursday 13 June at 9:15pm at Event Cinemas George Street, and again on Saturday 15 June at 8pm at Dendy Opera Quays. Straight from Cannes, SFF will screen the Australian premiere of The Bling Ring. Sofia Coppola (The Virgin Suicides, Lost in Translation) is renowned as a chronicler of the dark side of life among the privileged and famous. She follows up her Golden Lion-winning Somewhere with another atmospheric story of Hollywood alienation - this time with a criminal twist. The film is based on the true story (documented by Vanity Fair) of a gang of fame-obsessed juvenile thieves who tracked celebrity targets via social media and stole millions in luxury goods from their homes. Emma Watson (Harry Potter) leads a terrific ensemble; in a deliciously 'meta' casting coup, real-life 'Bling Ring' victim Paris Hilton cameos as herself. As ever, Coppola portrays her own milieu with cool detachment and transcendent beauty. Aboriginal Heart is set in remote NSW. A young city doctor gets bamboozled by the gentle cunning and stunning art of a group of local Aboriginal women. The cast features Adam Demos, Valerie Bugmy and Erica Dixon. Michelle Blanchard is an Indigenous filmmaker and currently Deputy Director of the Koori Centre at the University of Sydney. She is a descendant of the Nugi/Nunnuccal clans, North Stradbroke Island (Minjeeribah), Queensland. Sydney Film Festival celebrates its 60th anniversary this 5-16 June, bringing a packed program of screenings and special events to even more venues across Sydney. For tickets and full up-to-date program information please visit www.sff.org.au. ABOUT SYDNEY FILM FESTIVAL Sydney Film Festival screens feature films, documentaries, short films and animations across the city at the State Theatre, Event Cinemas George Street, Dendy Opera Quays, the Art Gallery of NSW and the Hayden Orpheum Picture Palace Cremorne. The Festival is a major event on the New South Wales cultural calendar and is one of the world’s longest-running film festivals. For more information visit www.sff.org.au Sydney Film Festival also presents 12 films that vie for the ‘Official Competition’; a highly respected international honour that awards a $60,000.00 cash prize based on the decision of a jury of international and Australian filmmakers and industry professionals. Previous Sydney Film Festival Official Competition winners include: Alps (2012); A Separation (2011) – which went on to win an Academy Award®; Heartbeats (2010); Bronson (2009); and Hunger (2008). The 60th Sydney Film Festival is supported by the NSW Government through Screen NSW, the Federal Government through Screen Australia, and the City of Sydney. The Festival’s Strategic partner is the NSW Government through Destination NSW. What: Sydney Film Festival When: 5-16 June, 2013 Tickets & Info: 1300 733 733 www.sff.org.au Œ</p> Thu, 30 May 2013 08:58:48 +1000 http://if.com.au/2013/05/27/article/Sharmill-Films-acquires-Un-Certain-Regard-Top-Prize-Winner-in-Cannes/ASCYHIWICF.html http://if.com.au/2013/05/27/article/Sharmill-Films-acquires-Un-Certain-Regard-Top-Prize-Winner-in-Cannes/ASCYHIWICF.html Inside Film Correspondent <p> Press Release:</p> <p> Sharmill Films is proud to announce The Missing Picture, winner of the prestigious Un Certain Regard top prize among its four acquisitions from the 2013 Cannes Film Festival. The acclaimed autobiographical documentary by French-Cambodian director Rithy Panh uses clay animated figures to tell Panh’s recollection of the tragic events which lead to the deaths of his family, with first person narration by the filmmaker. Geoff Andrew in Sight & Sound praised the film as being “moving and remarkably resonant.” Cannes Jury Prize winner Thomas Vinterberg presided over the announcement of the Un Certain Regard top prize, commenting: “One of the finest achievements in filmmaking is to create unforgettable moments – moments that stay with us – as a collective memory – as a collective mirror of our existence...This selection was political, highly original, sometimes disturbing, diverse and first of all, very often – unforgettable.” Vinterberg presented Rithy Panh with his prize, while Panh gave gratitude to the jury and all involved with the festival, as well as to cinemaphiles for supporting film. (The Hollywood Reporter) The sole female director with a film nominated for the Palme d’Or in Cannes this year, Valeria Bruni Tedeschi draws inspiration from Anton Chekhov’s “The Cherry Orchard” for her third and semi-autobiographical feature, A Castle in Italy. Bruni Tedeschi stars as Louise, an actress in her early forties who has retired from the screen, but when her aging mother (played by Marisa Borini, Valeria’s Bruni Tedeschi’s mother in real life) can no longer afford to keep their Piermonte estate, the family is faced with the end of an era and an uncertain future. Working with her frequent collaborators on the screenplay, Tedeschi’s writing and direction has been praised as “inspired” as she “holds all of the film’s myriad tangents in a delicate balance” (Variety). Also entered for the Un Certain Regard prize in Cannes was My Sweet Pepper Land by Hiner Saleem, one of the top filmmakers in Kurdish cinema, who successfully combines humour and hope for the future of his people in his new film set on the Iraqi/Turkish border. Featuring “a luminous performance” by Iranian actress Golshifteh Farahani (The Hollywood Reporter), My Sweet Pepper Land is a quirky ‘Wild West’ inspired drama in which war hero Baran (Korkmaz Arslan) finds himself at odds with his job as police chief in the capital city in peacetime. In Cannes Sharmill Films acquired another alternate content title, the new documentary Reaching for the Stars about the English/Irish pop phenomenon One Direction. Sharmill Films Director Natalie Miller AO said that it was “a very successful Cannes this year, not only for our company but we will have many good films to look forward to in the art house market.” Œ</p> Mon, 27 May 2013 16:34:33 +1000 http://if.com.au/2013/05/27/article/New-Wastelander-Panda-Episodes-to-launch-today/IVFYHHWAZA.html http://if.com.au/2013/05/27/article/New-Wastelander-Panda-Episodes-to-launch-today/IVFYHHWAZA.html Inside Film Correspondent <p> Press Release</p> <p> Adelaide’s Epic Films will release three new films in their Wastelander Panda series on May 27th, beginning with a launch screening at the Piccadilly Cinema, and followed by an online release for fans around the world.</p> <p> Wastelander Panda is a live-action post-apocalyptic tale about Arcayus, the Wasteland’s last remaining panda. Along with Rose, a human girl raised by his brother Isaac, he treks across a broken world ruled by anarchy, seeking revenge for Isaac’s death. In January 2012, Epic Films released a three-minute Prologue for the series, which was seen 100,000 times in 150 countries during its first three days online. Based on this accomplishment, as well as a successful $25,000 crowdfunding campaign, the South Australian Film Corporation and Carclew Youth arts came on board to fund three films and an interactive map-based website that allows the online audience to explore the world of the Wasteland.</p> <p> This made Wastelander Panda the first project to be funded by a government film body in Australia without having a traditional ‘market attachment,’ such as a distributor or broadcaster. The South Australian Film Corporation recognised the project’s potential to reach new audiences online, and funded the idea based on its proof of concept and audience through the Prologue and crowdfunding campaign. SAFC CEO Richard Harris noted, “Wastelander Panda offered the SAFC a great opportunity to try a new approach, and support a project that had its genesis online. We looked at both their entrepreneurial approach to financing and audience development, but also the strength of the project and the creative team, and overall it made a pretty compelling package to support at this development stage.”</p> <p> The back-to-back launch screenings of Wastelander Panda will be held at the Piccadilly Cinemas on Monday May 27th, at 6:30pm and 7:45pm. Writer/Director Victoria Cocks and all cast and crew will be in attendance. The episodes will then be launched as part of the new Wastelander Panda website at http://www.wastelanderpanda.com. Producer Kirsty Stark commented, “We’ve spent the last year growing our audience online, and are lucky to have supporters in over 150 countries. The Internet affords us an amazing opportunity for all of those fans around the world to see the episodes on the same day, and we’re really excited that they can be part of the launch, no matter where they are.”</p> <p> More information about the project and a link to the Wastelander Panda Prologue video can be found at http://www.wastelanderpanda.com, with press information and downloadable photographs available at http://www.wastelanderpanda.com/press. For videos of the new episodes or behind the scenes footage, please contact Producer Kirsty Stark. Œ</p> Mon, 27 May 2013 16:30:28 +1000 http://if.com.au/2013/05/27/article/Embarrassing-Bodies-Down-Under---Australian-Doctors-Announced/SQFHPTCYGD.html http://if.com.au/2013/05/27/article/Embarrassing-Bodies-Down-Under---Australian-Doctors-Announced/SQFHPTCYGD.html Inside Film Correspondent <p> Press Release: Monday, May 27 2013</p> <p> With the EMBARRASSING BODIES DOWN UNDER mobile clinic set to hit the road tomorrow, Foxtel has announced the three straight-talking, no nonsense Aussie doctors who will appear in the local incarnation of this hugely popular medical television series. Dr Ginni Mansberg, Dr Sam Hay and Dr Brad McKay will be joining the UK’s Dr Christian Jessen as resident doctors in this ground-breaking health and lifestyle format. Together, they will tackle obscure medical conditions of the Australian public in an attempt to destigmatise these sensitive issues while also spreading important health messages. A GP for 20 years, Dr Ginni Mansberg is a well known face on television with regular segments on Channel Seven’s Sunrise and The Morning Show. She writes for numerous magazines including Women’s Health and Practical Parenting, and is the author of three books. Dr Ginni currently practices in Sydney’s San Souci, where she has pursued a special interest in Women’s Health and Paediatrics. Dr Sam Hay has been working in general practice since 2004. He has also spent 10 years with the military as an Army doctor, deploying six times overseas, including Bougainville, the Solomon Islands and Afghanistan. Dr Sam is now part-owner of a new, collaborative General Practice that services patients in Sydney’s inner-west. Dr Sam has completed postgraduate training in Sports Medicine and Paediatrics, which help him to focus on managing the multitude of issues that affect young families. Dr Brad McKay is a passionate general practitioner in the Inner Suburbs of Melbourne. He was accepted into Medicine at Monash University when he was just 16 years old and was qualified as a doctor by the age of 21. Dr Brad lived and worked in Ireland as an Emergency Registrar, before returning to work in Australia with Aboriginal Communities on the Central Coast of New South Wales. He currently works out of a practice in Richmond and is interested in Men’s Health, Women’s Health, Mental Health and Sexual Health. Prior to Dr Christian’s arrival next month, these three highly experienced local doctors will be working out of the EMBARRASSING BODIES DOWN UNDER mobile clinic in the search for patients to appear in the series. The first stop is Parramatta, with the clinic located outside the Town Hall on Church Street, Parramatta. Potential patients can simply drop in for a consultation with one of the doctors. Alternatively, they can head to the website for more details: www.lifestyle.com.au/embarrassingbodies. EMBARRASSING BODIES DOWN UNDER is being produced by Shine Australia exclusively for Foxtel’s LifeStyle YOU channel. The series will go to air later this year. About Foxtel Foxtel is one of Australia’s most progressive and dynamic media companies, directly employing around 2,500 people, and delivering a diverse subscription television service to both regional and metropolitan areas over cable, satellite and broadband distribution. We offer a better entertainment experience every day to each one of our 2.3 million subscribing homes through delivery of exclusive and inspiring programming across all genres, the world’s most popular channel brands, and investment in high quality local content. As constant champions of innovation we have brought customers the iQ personal digital recorder, Australia’s largest HD offering, Foxtel 3D, and the Foxtel Go App. Foxtel is owned by Telstra Corporation Limited ACN 051 775 556 (50%) and The News Corporation Ltd (50%). foxtel.com.au For more information: Brooke.cashell@foxtel.com.au +61 2 9813 7397 +61 (0) 422 729 721 Œ</p> Mon, 27 May 2013 16:26:54 +1000 http://if.com.au/2013/05/27/article/Videocraft-Builds-Full-Production-Facility-for-Hillsong-Church/KTBOZOVHZG.html http://if.com.au/2013/05/27/article/Videocraft-Builds-Full-Production-Facility-for-Hillsong-Church/KTBOZOVHZG.html Inside Film Correspondent <p> Press Release Sydney, 27 May 2013 – The title for one of the year’s more impressive studio builds currently belongs to Hillsong Church’s new state of the art full production facility in Alexandria, which Videocraft helped design and build. Hillsong TV Technical Manager Luke Irvine explained, “For years our Waterloo campus in Sydney has been growing and we've had a great need to expand our facilities to house the increasing numbers of people attending. As a church we have looked at many options to help relieve the pressure and time restraints that we faced with our current building in Waterloo. Before we embarked on this new project, we were running eight services on the weekend to try and accommodate everyone. Thus the decision was made to custom-build an additional venue so the campus could still grow and not be crippled by time and space.” The venue Hillsong chose was in the neighbouring suburb of Alexandria which was, before construction, an empty warehouse with shop fronts requiring a major construction effort to get it ready for use. Irvine continued, “The warehouse building was converted into a 950 seat auditorium so we knew we had to have a high quality production facility to cater for that many people. That’s why we turned to Videocraft to help us build it.” Hillsong and Videocraft have had a successful relationship with the church utilising many of the company’s rental services over the last few years. After a personal customer service call from Videocraft’s Shane Jones ignited the project, the church decided to put out an industry-wide RFQ which was particularly well responded to. Once the tenders had been submitted, due to the nature and importance of the project, Hillsong took a good deal of time to study each one with great care before deciding on Videocraft as their equipment partner and systems integrator. The RFQ, according to Irvine, had some very specific requirements that made it unique from a traditional broadcast facility, but with quality always the overarching feature that had to be factored in. In essence the system revolved around dual Ross Carbonite switchers chosen predominantly due to their flexibility, functionality and cost effectiveness. The Carbonite switchers particularly excel with their onboard format conversion capabilities, built-in high quality multi-viewer and integration with the Ross Dashboard, which also oversees control and diagnostics of all Ross components across the entire system. Irvine added, “In short our requirements were that the system must be HD, facilitate four cameras, three projection screens and multiple external rooms. The system also had to enable linking to and from all other campuses and keying of song words had to be achieved on five different feeds with different backgrounds and different overlays with ease of use for one volunteer operator. The system had to be cost effective but extremely reliable, easy for volunteers to use on a weekly basis and versatile enough to accommodate for future changes that will happen within the campus. Every source and destination needed to be easily monitored by the relevant volunteer operators and the system had to also be capable of a broadcast TV record for our television programme Hillsong Television – in other words yes, it was quite an extensive set of requirements.” Irvine said, “Videocraft worked closely with us to find really good solutions to achieve a great result. They where willing to look at all options to give us the best outcome and price. They also gave us pros and cons of equipment and allowed us to make changes as we went along to take advantage of cost savings and usability of the system. Videocraft also worked very hard to fully understand our requirements and workflow – this was key to the success of the system especially in tricky areas like the integration between the keyer cards and switcher. They also had a great attitude even through some of the really challenging construction problems of the building.” When complete Hillsong’s new production studio included two Ross Carbonite vision switchers, a Ross video router, Sony OLED and LCD monitoring, several TV One scan converters, BlackMagic design Teranex 2D converters and HyperDeck Studios, a GVG T2 Turbo server, Ross openGear and mini converters, Sony cameras, Canon lenses, Vinten and Miller tripods and fluid heads and live IP video links between campuses. There were also significant audio, comms, display, rigging and lighting components supplied by others that Videocraft worked with and integrated seamlessly. Irvine and the Hillsong team were particularly impressed with the quality level and attention to detail of Videocraft’s involvement. He commented, “The Videocraft team were extremely helpful and continually suggested ways of making the system better and more cost effective. They were always professional and impressively took total responsibility for the systems integration, equipment selection, system design and diagrams, installation and labeling all in-house. Videocraft's willingness to work with us, take our ideas and make them work was a major plus. Also the fact that they could work with very tight budgets and be totally honest about the real cost of things from the very beginning was excellent. Listening, thinking outside the box and working with tight budgets is classic Videocraft. To that end I must say a particular thank you to Andy Liell, Glenn Beaumont and the entire Videocraft team for their outstanding effort and commitment to this project.” When inspecting Hillsong’s new production facility it’s sometimes a little difficult to believe that only a few short months ago it was a deserted warehouse. Hillsong Project Manager Sebastian Heck said, “We have often had people from other part of the building install project come and admire the cabling work and the neatness of the racks in the Videocraft install. Many of our volunteers comment on the professional look and feel of the control room and how it looks like we are part of a TV broadcast station control room. The song words on screen setup is my personal favourite as it is so easy for the operator to control the five different feeds they need to without them really having to think much about it at all.” Picture credits: Hillsong Church’s new state of the art full production facility in Alexandria designed and built by Videocraft For more press information contact Salvatore Di Muccio at Well Above on +61 412 64 99 64 or at salvatore@wellabove.com Œ</p> Mon, 27 May 2013 12:16:22 +1000 http://if.com.au/2013/05/27/article/Magna-Systems-Demonstrate-File-Based-Workflows-and-Platform-Systems-Integration-/IMIQBLINFU.html http://if.com.au/2013/05/27/article/Magna-Systems-Demonstrate-File-Based-Workflows-and-Platform-Systems-Integration-/IMIQBLINFU.html Inside Film Correspondent <p> PressŒRelease Œ</p> <p> SINGAPORE, 27 May 2013 – This year’s Broadcast Asia sees Magna Systems and Engineering demonstrating its proven systems integration expertise across file-based broadcast workflows, multi-platform and OTT solutions on stand 5B2-02. Principals sharing Magna Systems and Engineering’s stand at Broadcast Asia include ChyronHego (broadcast graphics), Front Porch Digital (content storage management), iPV (asset and meta data management), Penta (HD monitors), Switch Media (multi-platform video specialists), Telestream (video transcoding), TVU Networks (mobile broadcasting backpacks) and XORMedia (storage and servers) - all of whom will be demonstrating their latest products and solutions for the Asia Pacific market. Magna Systems Director – Asia Pacific Operations Patrick So explained, “We live in interesting and challenging times in the broadcast industry and I'm pleased to say that Magna Systems and Engineering is busily embracing both across all of our Asia Pacific offices. Broadcast Asia is always an excellent event for Magna Systems as it’s a show where we are able to stand out from other systems integrators and demonstrate our proven track record and level of expertise to a wide range of customers from the Asia Pacific region. This year we will also be demonstrating our continued investment in personnel, training and the quality of our service and support. Magna is also constantly striving to stay ahead of the game in terms of technology and workflows – both of which will also be clearly evident on our stand. Finally Broadcast Asia is a great platform to show the added value in having an equipment partner and systems integration specialist like Magna Systems and Engineering to help you with all your broadcast and technical requirements rather than just trying to source the cheapest products irrespective of how well they suit a project’s needs. As Sir Henry Royce (one of the original creators of Rolls Royce cars) famously once said, "The quality remains long after the price is forgotten." Magna Systems will be exhibiting at Broadcast Asia 2013 at the Marina Bay Sands in Singapore from 18-21 June on stand 5B2-02. Œ</p> Mon, 27 May 2013 12:07:54 +1000 http://if.com.au/2013/05/27/article/Last-Week-for-Early-Birds-to-Save-on-Comedy-Workshop-with-Tim-Ferguson/RAOXSSBFZY.html http://if.com.au/2013/05/27/article/Last-Week-for-Early-Birds-to-Save-on-Comedy-Workshop-with-Tim-Ferguson/RAOXSSBFZY.html Inside Film Correspondent <p> One of Australia’s most successful comedians reveals the fundamentals of strong comedy writing in this 2-day workshop. Tim Ferguson (Doug Anthony All Stars, Funky Squad, Don’t Forget Your Toothbrush, Good News Week, The Glass House) offers simple, original and practical insights for screenwriters trying to expand into comedy writing for television and film. Tim will provide new approaches to working with metaphors, juxtapositions, reversals, story structures, knowledge differentials, pathos, subtext and the rhythms of comic dialogue. Learn how to construct a sitcom from the ground up, making choices in terms of theme, genre, style and tone. The course includes lectures, script analysis, workshopping and the viewing of excerpts from sitcoms and comedy films. It concludes with methods for formulating series bibles and pitching concepts to Australian and international film and television markets. Tim is a consultant in narrative comedy and script development for production companies and television networks in Australia and Britain. He lectures in narrative comedy and screenwriting at RMIT's School of Media & Communication in Melbourne. PLEASE NOTE: Numbers for the Workshop are strictly limited so enroll now to guarantee your place! When: 9:30am-4:30pm, Saturday 29th and 30th June (lunch included) Where: ScreenACT, 216 Northbourne Ave Braddon 2612 ACT Cost: Early Bird - $250 (SASI Members), $275 (non SASI Members); After 31st of May - $275 (SASI Members), $300 (non SASI Members) RSVP: Essential Œ</p> Mon, 27 May 2013 10:36:50 +1000 http://if.com.au/2013/05/27/article/Press-Release-Canadian-and-Australian-Independent-Producers-to-Forge-Closer-Ties/COLWZFQBIE.html http://if.com.au/2013/05/27/article/Press-Release-Canadian-and-Australian-Independent-Producers-to-Forge-Closer-Ties/COLWZFQBIE.html Inside Film Correspondent <p> Canadian and Australian Independent Producers to Forge Closer Ties</p> <p> CANNES, France, May 20, 2013—The Canadian Media Production Association (CMPA) and the Screen Producers Association of Australia (SPAA) have signed a Memorandum of Understanding (MOU). This MOU establishes a framework of cooperation and is intended to enhance co-production opportunities between Canadian and Australian independent screen-based producers.</p> <p> “Excellent content knows no borders, especially in the digital economy. It just has to resonate with consumers,” says Michael Hennessy, President and CEO, CMPA. “The co-production model is the path to supporting quality productions as the industry at large focuses on audiences around the globe.”</p> <p> Both Association Presidents complimented their respective governments for encouraging economic and cultural exchanges between Australia and Canada.</p> <p> “There is a natural linguistic, cultural, production and regulatory affinity between our two countries,” saysŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒ Matthew Deaner, Executive Director of SPAA. “Combine that with two strong story-telling traditions, and youŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒ have a winning formula for on-screen content that will engage internationally.”</p> <p> About the CMPA: The CMPA is a national non-profit organization that represents the interests of over 350 leading screen-based media companies engaged in the production and distribution of English-language television programs, feature films and digital media content in all regions of Canada.</p> <p> About SPAA: SPAA represents Australian independent screen content producers on allissues affecting the business and creative aspects of screen production.SPAA members include television, feature film, animation, documentary,television commercial and interactive media production companies as wellas services and facilities providers such as post‐production, finance, distribution and legal companies.</p> <p> For more information please contact: Anne Trueman, Director Communications & Media,E: anne.trueman@cmpa.ca T 800 656 7440 ext 327 Rachelle Gibson,Manager, Marketing & Communications, E: rachelle.gibson@spaa.org.au T: (02) 9360 8988</p> Mon, 27 May 2013 10:00:49 +1000 http://if.com.au/2013/05/27/article/Press-Release-Grand-Vitesse-Systems-Partners-with-the-San-Francisco-Opera-on-Exp/OTKOTYCOJD.html http://if.com.au/2013/05/27/article/Press-Release-Grand-Vitesse-Systems-Partners-with-the-San-Francisco-Opera-on-Exp/OTKOTYCOJD.html Inside Film Correspondent <p> Grande Vitesse Systems Partners with the San Francisco Opera on an Expandable Storage Solution</p> <p> May, 2013 – San Francisco, CA – Grande Vitesse Systems (GVS -www.gvsf.com), a leading developer and manufacturer of one of the most cost-effective, high-speed and secure storage solutions, has partnered with the San Francisco Opera (www.sfopera.com) to develop one of the most advanced file based video production environments in today’s marketplace, featuring the ability to record 16 concurrent HD 1080p recordings into one NOMADIC PB secure and redundant storage volume. With file based recording, multiple series of video and audio tracksŒare recorded in the same NOMADIC PB volume at the same time. Editors are able to access the NOMADIC PB media during both video and audio recordings and utilize the library of thousands of special effects while rendering is taking place or in progress to the NOMADIC PB. With file based video editor, users have complete control of the entire production at their fingertips, allowing SAN FRANCISCO OPERA to produce master pieces with minimum staffing. Being a non-profit organization with a limited budget, as well as having limited time and enormousŒamounts of media to produce, SAN FRANCISCO OPERA has chosen GVS NOMADIC PB because there are no duplicate clips, no file copying from media A to media B, it features the ability to deliver file based work flow, and all media, audio, video, special effects and render files are in one single searchable location.</p> <p> Video tape distribution to public TV stations for content created is simple. Utilizing the RS422 9-Pin controller interface to the Nomadic, users are able to create endless tape for distribution from the Nomadic PB volumes at the same time as tape content can simply be ingested into the Nomadic PB from any station via HD SDI interface machine. The NOMADIC PB Host independent feature supports anyŒnumber of files and video codecs from Avid to FCP and Primmer, with the ease of marking MetaData content during ingest, which simplifies the edit workflow in FCP. In addition to the GVS NOMADIC PB, this campaign was successful because of the staff and knowledgeable people that are able to take advantage of such an advanced workflow in day-to-day production. Doug Mitchell was the central brain behind this innovative workflow design. He had the vision and knowledge of the hardware, software and IT, as well as the video engineering background necessaryŒto select the tools that are required for such an advanced file based workflow so that they are maintained 24/7 without any downtime.</p> <p> The biggest challenge for GVS was to maintain the old 70TB storage and fibre switching, same rack space and power requirements, while the new NOMADIC PB, SWITCH and SHARED STORAGE were getting implemented. Working with the existing infrastructure, and without the need for an additional cooling system, the entire NOMADIC PB was running on a single power supply during this transition. This was one of the simplest transitions and implementations of NOMADIC PB in a client site. The major factors for this highly successful transition were not just hardware, but also the great staff at the SAN FRANCISCO OPERA. We extend an absolute ‘Well Done’ to the SAN FRANCISCO OPERA staff, and especially to Doug Mitchell, in working with all the production, and in such a short time window, to avoid any content loss or downtime during this huge transition. Œ</p> <p> To learn more about Grande Vitesse Systems’ digital video recording, playbackŒsystems and high-speed shared storage products, please go to <a href="http://www.gvsf.com">www.gvsf.com</a>. Grande Vitesse Systems (San Francisco, CA) designs, develops and manufactures robust video recording systems for aerospace, entertainment, biotechnology, communications, education, medical imaging, industrial and more. The company’s broad experience includes delivering hardware and software system packages that are cost-effective, and self-contained. For more information about their digital video recorders and media management products, please visit www.gvsf.com. Œ</p> Mon, 27 May 2013 09:51:39 +1000 http://if.com.au/2013/05/27/article/Press-Release-St-Kilda-Film-Festival-Kicked-Off-With-A-Twist/MVJZUKKDAK.html http://if.com.au/2013/05/27/article/Press-Release-St-Kilda-Film-Festival-Kicked-Off-With-A-Twist/MVJZUKKDAK.html Inside Film Correspondent <p> MEDIA RELEASE ST KILDA FILM FESTIVAL KICKED-OFF WITH A TWIST 24.05.13 – FOR IMMEDIATE RELEASE</p> <p> Guests celebrated the 30thanniversary of the St Kilda Film Festival (SKFF) in style last night at the Festival’s OpeningŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒŒ Night (May 23), taking place at the magnificent Palais Theatre.</p> <p> Over three thousand guests flocked to the launch, presented by the City of Port Phillip, to enjoy a special screening of the highlight films from the 2013 program. This year the SKFF program is more jam-packed than ever, featuring Australia’s Top 100 short films, SoundKILDA, as well as an international showcase presented by Texan festival South by Southwest, youth programs, filmmaker development series and industry networking events.</p> <p> Celebrity guests Kate Ceberano, Kerry Armstrong, Pia Miranda, Richard Davies, Gyton Grantley and Leah de Niese joined the Festival Director, Paul Harris, host, Tim Rogers, industry insiders and ground breaking film talent to catch a glimpse of the exceptional works on show at this year’s Festival including three world premieres; ‘Ruby’ produced and directed by Summer De Roche, ‘Scratch’ directed by Danielle Boesenberg and ‘Explosions’ produced and directed by Christopher Frey.</p> <p> Other highlights from the Opening Night program were: ‘Sad Dark Eyes’ produced and directed by Peter Lamb and Garry Wapshott ‘Death of a Bogan’ directed by Nick Matthews ‘Melbhattan’ produced and directed by Oslo Davis ‘Barbarion’ directed by Dave Budge ‘Hellion’ directed by Kat Candler ‘Julian’ directed by Matthew Moore</p> <p> ‘Julian’ proved to be a crowd favourite starring a young Ed Oxenbould as Julian, an inquisitive and upright student. Pushed to the limits by an impatient teacher and a principal with a secret, the film surprised the audience by revealing the man that Julian is set to become.</p> <p> The St Kilda Film Festival, produced and presented by the City of Port Phillip, launched last night and will run until Saturday 1 June 2013 at St Kilda’s Palais and Astor Theatres. For further information please visit <a href="http://www.stkildafilmfestival.com.au">www.stkildafilmfestival.com.au</a>.</p> <p> For all media enquires please contact Kelly Tanti or Kathryn McLean at AMPR on T: 03 9428 2299 or E: Kelly@ampr.com.au / Kathryn@ampr.com.au</p> Mon, 27 May 2013 09:45:18 +1000 http://if.com.au/2013/05/24/article/Avid-Appoints-New-Country-Manager/CSQXHSBKCM.html http://if.com.au/2013/05/24/article/Avid-Appoints-New-Country-Manager/CSQXHSBKCM.html Inside Film Correspondent <p> Press Release from Avid Avid has appointed Ren Middleton to the position of Country Sales Manager, Avid, Australia and New Zealand, effective immediately. Prior to joining Avid in 2008 as Enterprise Sales Manager, Middleton was Sales Manager with Techtel. His promotion expands on more than 25 years of broadcast and production industry experience and sees him take responsibility for overseeing the company’s media enterprise and professional video post production business, whilst continuing to drive integration and new business within the ANZ territory. Middleton will be based out of the new North Sydney premises in Miller Street, which also accommodates Avid professional services including Solutions Design and workflow specialists, as well as enterprise and channel sales along with customer support. “As the industry leader for more than 25 years, Avid continues to set the standard for non-linear-editing, media management, and collaboration in the audio, video, and broadcast markets,” says Middleton. “The market for digital content creation has matured dramatically and business models continue to change,” Middleton observes. “With an increasing demand for HD content, coupled with the introduction of file based workflows and challenges around multi-platform delivery – including web, mobile and IPTV – it is imperative that Avid offers a much wider suite of services to help solve our customers’ complex business requirements.” An extensive demonstration area is available for the benefit of both channel partners and customers alike, and includes fully functioning ISIS media storage engines and the ability to demonstrate the Avid end-to-end workflow including Interplay Sphere and Interplay Central – the latter either onsite or via remote access. “We will continue to direct sales through our valued resellers,” explains Middleton. “But by improving the calibre of our demonstration capabilities, we can create more effective, collaborative partnerships that will ultimately benefit our end users.” About Avid Avid creates the digital audio and video technology used to make the most listened to, most watched and most loved media in the world – from the most prestigious and award-winning feature films, music recordings, television shows, to live concert tours and news broadcasts. Some of Avid’s most influential and pioneering solutions include Media Composer®, Pro Tools®, Interplay®, ISIS®, VENUE, Sibelius®, and System 5. For more information about Avid solutions and services, visit www.avid.com, connect with Avid on Facebook, Twitter, YouTube, LinkedIn,Google+; or subscribe to Avid Blogs. Œ</p> Fri, 24 May 2013 15:39:58 +1000 http://if.com.au/2013/05/24/article/Shutterstock-Offers-Astounding-Underwater-Footage-from-Josh-Jensen/NFDLNIADNQ.html http://if.com.au/2013/05/24/article/Shutterstock-Offers-Astounding-Underwater-Footage-from-Josh-Jensen/NFDLNIADNQ.html Inside Film Correspondent <p> Press Release from Shutterstock</p> <p> Shutterstock, leading provider of high-quality, royalty-free digital footage, is now offering imagery from Australia-based cameraman Josh Jensen and his company Undersea Productions. Undersea Productions specializes in filming marine life and underwater habitats. “Our eyes are always looking for unusual behavior or interaction between species,” Jensen explains. “We spent three seasons in Tonga to swim with whales, for example.” His next trip, in August of 2013, will take him back for another eleven days of humpback interactions. Jensen is now training for the trip that will be 99% shot while freediving rather than his usual Scuba diving. Jensen’s passion and focus on marine biodiversity shows in over 11,000 pieces of footage available through Shutterstock. It’s the complexity and variety of life and habitats underwater that fascinate him. “I try to film as many different species and their interactions as I can,” he says. Shutterstock has over four-and-a-half hours of his humpback footage alone, available to download at http://shutr.bz/ZzXPzi “Shutterstock Footage brings creatives to new worlds,” says Scott Braut, Shutterstock’s VP of Content. “Through working closely with ocean habitats and seascapes, Josh Jensen has created clips of the highest quality.” Jensen’s shooting package is customized for his needs. In addition to a Panasonic HVX200, high definition DVCPRO-HD 1080p, Gates underwater housing and HD video monitor with Fathoms SWP44 optics, Jensen carries LED underwater lights and UR-PRO filters. “Scuba gear is the most common addition,” he adds. “Although re-breathers are very popular for extended bottom time with no bubbles.” For Jensen, good underwater footage relies a lot on good diving skills. “You need hundreds, if not thousands, of dives under your belt to get the best out of every shooting opportunity and survive to tell the tale,” he says. “Filming in the open ocean can be extremely challenging and potentially dangerous.” Jensen never goes it alone – good safety divers are also part of the package. With skills, knowledge, and support, Josh Jensen has been able to capture the character and characters in this underwater world with an uncanny intimacy. He’s shot footage of Pygmy seahorses looking around in Indonesia, Minke whales in Australia, and he even got up-close and personal with a whale shark in Ecuador. What enables him to do this? “Controlled, steady breathing is the most important thing,” he says. “Scuba gear is very noisy, and most animals, especially the big ones, are frightened off by the sound. Perfect buoyancy control allows me to hover motionless and helps the critters relax.” Jensen says his Tonga material is some of his favorite footage, and hopes that Shutterstock users will see what he saw. “I spent three or four hours with a group of three juvenile humpback whales not too long ago,” he says. “After enough time passed, a special bond formed where we each trusted that the other meant no harm and we could swim together calmly and enjoy the interaction. When humpbacks reach out that enormous pectoral fin and pass it 1cm in front of your lens it’s nice to know you can trust that its 2.5 tons will pass safely without contact. Being eye-to-eye with graceful animals the size of a school bus is a pretty memorable experience.” It’s a challenge in multi-tasking and quick thinking as well. Once he’s “made friends” with his subjects, it takes a steady camera to capture what they are willing to give. “I have to get close enough to show the amazing detail on most subjects, but not too close to invade their space,” he says. “To show them in the best way it takes a delicate balance of natural light (the blue water in the background) and the artificial lights (all the color in the foreground). This is important – and difficult.” About Shutterstock Shutterstock is a leading provider of high-quality, royalty-free digital footage to production, post-production, media, advertising and marketing agencies worldwide. With over one million files currently available, Shutterstock adds thousands of new licensable video clips to its collection each week. Headquartered in New York City, Shutterstock also owns Bigstock, a value-oriented stock agency that offers both credit and subscription purchase options. For more information please visit http://footage.shutterstock.com, and follow Shutterstock on Facebook and @ShutterstockVid on Twitter. Œ</p> Fri, 24 May 2013 14:34:52 +1000 http://if.com.au/2013/05/24/article/2013-Russian-Resurrection-Film-Festival/MVPDLZDEGB.html http://if.com.au/2013/05/24/article/2013-Russian-Resurrection-Film-Festival/MVPDLZDEGB.html Inside Film Correspondent <p> 2013 Russian Resurrection Film Festival Retrospective Films and Special Guest Valery Todorovsky</p> <p> Press Release from Tsuki</p> <p> It’s time to escape the winter chill and enjoy some warm, proud and passionate Russian cinematic hospitality! The biggest festival of Russian cinema outside of Russia today, the Russian Resurrection Film Festival will kick off on 3rd July in Melbourne, and then roll out to each capital city, showcasing the best of Russian culture in a variety of films ranging from comedies, dramas, thrillers, animations and much more. This year marks the celebration of the tenth annual Russian Resurrection Film Festival. The program includes an array of retrospective films and welcomes award winning director Valery Todorovsky. Valery Todorovsky is a world renowned producer and director who will be attending the Russian Resurrection Film Festival for the second time. Several of his films will be screened at the festival this year, each exploring different themes, ideas and perspectives and complimented with the exquisite cinematography that Todorovsky is renowned for.</p> <p> Under Moscow Nights (1994), inspired by the famous romantic story of murderous love, “Lady Macbeth of the Mtsensk District”, unfolds in the Perestroika period Moscow suburb. Katia types manuscripts for Irina, her husband's mother and a successful writer of romance novels. Strange and deadly things begin happening at the family summer house which calls the attention of a judge who is extremely familiar with Irina's writing. This award winning film shows how a wife finds her life transformed after a torrid affair in this story of murder.</p> <p> The Lover (2002) is a film, which explores the complexities of grief. It tells the heartbreaking story of two men’s love for the same woman. One of them is a University Professor, the other an ex-military man. A common tragedy unites these two completely different people. The film won the Russian Guild of Film Critics Award for Best Actor (Oleg Yankovsky), the Jury Prix for Best Script and Best Photography at the San Sebastian International Film Festival and screened at numerous festivals around the world including the 46th Regus London Film Festival and the Toronto International Film Festival.</p> <p> My Stepbrother Frankenstein (2004) tells the story of Yulik, a Moscow scientist who’s peaceful family life is shattered when he receives a letter from Pavel, an ex soldier claiming to be his illegitimate son. When Yulik and his family finally take Pavel into their lives, his presence begins to change them all dramatically; Pavel at times looks and acts like the “monster” of Mary Shelly’s Frankenstein and when his scientist father finally exiles his “creation” there are devastating consequences for them all. In this film Todorovsky aims to illustrate that confronting situations can happen to anyone, however the indifference can be broken. Love (1992) reveals a time in Russia heavily influenced by anti-Semitism and neo-Fascism. It follows the journey of two Moscow students as their lives change radically when one of them falls for a Jewish girl whose family is being persecuted by anonymous anti-Semites and is preparing to immigrate to Israel. The beautifully shot and fast-paced drama Vice (2007) takes a nod from Steven Soderbergh’s classic Traffic (2000), tracking the fall from grace of beautiful young things seduced by a world darker and craftier than they could ever imagine. Young ambitious Denis lives in Rostov-on-Don with his beautiful girlfriend Masha, enjoying small time fame and notoriety as a local DJ. Never satisfied, his yearning for the big time takes Denis into the underbelly of drugs and corruption, and soon his life is no longer his own.</p> <p> Hipsters (2008) is beautifully filmed, colourful musical that is sure to be a festival favourite. Soviet Russia in the 1950’s is the setting for a stunning musical from acclaimed director Valery Todorovsky. Mels (Anton Shagin) is a member of the Komsomol, the youth wing of the Communist Party. Polina is a Stilyagi or Hipster, a group of youths who stand out from the rest of their grey clothed comrades with their flashy colourful clothes and love of Jazz and American Culture. As Mels starts to hang out with the local Hipsters we are taken on a song and dance extravaganza that explores what people will do for love; the love of music, the love of freedom.</p> <p> Reflecting on Hipsters Todorovsky remarks, "Things considered normal in other countries need to be won here through struggle. There were times when walking around in coloured socks was a heroic deed. And this is not a problem of today, but an eternal problem."</p> <p> In addition to the renowned Opening Night Parties that you don’t want to end, Russian Folk Ensemble Nights in select cities are also planned for 2013, along with a cinema-distributor event and Q&A’s with visiting guests.</p> <p> FESTIVAL DETAILS Sydney Chauvel, Paddington & Event Cinemas, Burwood 24 July - 7 August Melbourne Palace Como 3 July - 14 July Brisbane Palace Centro 25 July - 4 August Canberra Palace Electric Cinema 16 July - 21 July Perth Byron Bay Cinema Paradiso</p> <p> 1- 11 August Palace Byron Bay 2 - 4 August Key Links Website: www.russianresurrection.com Facebook: <a href="https://www.facebook.com/pages/Russian-Resurrection-Film-Festival/127699903951629">https://www.facebook.com/pages/Russian-Resurrection-Film-Festival/127699903951629</a></p> Fri, 24 May 2013 14:14:39 +1000 http://if.com.au/2013/05/24/article/Cantina-Creative-Gives-Iron-Man-3-a-Hands-Up-with-MAXON-CINEMA-4D/BFZOIISXSW.html http://if.com.au/2013/05/24/article/Cantina-Creative-Gives-Iron-Man-3-a-Hands-Up-with-MAXON-CINEMA-4D/BFZOIISXSW.html Inside Film Correspondent <p> Press Release from MAXON</p> <p> MAXON, leading developer of professional 3D modeling, painting, animation and rendering solutions, today announced that Cantina Creative, the design and visual effects studio located in Culver City, Calif., relied on its popular CINEMA 4D software to generate more than one hundred 2D and 3D visual effects shots that appear throughout the blockbuster Disney/Marvel Studios superhero sequel, Iron Man 3.</p> <p> Iron Man 3 pits star Robert Downey Jr. (Tony Stark/Iron Man) the “ˆbrash-but-brilliant industrialist against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy's hands, he embarks on a harrowing quest to find those responsibleˆ” (source Marvel Studios). In its opening weekend on May 3, the film earned the second-best box-office opening weekend in the U.S. of all time behind The Avengers and continues to ‘wow’ audiences worldwide.</p> <p> The Cantina Creative VFX team members, including Cantina Co-founder and Creative Director Stephen Lawes; Co-founder and VFX Producer Sean Cushing; and Cantina VFX Supervisor Venti Hristova, worked directly with Marvel Studios’ Iron Man 3 Visual Effects Supervisor Chris Townsend and Visual Effects Producer Mark Soper. Cantina Creative was tasked with designing the elaborate 3D heads up displays (HUDs) – a virtual graphical interface that Iron Man sees from within the helmet environment of his armored suits that communicate essential data and statistics ranging from his physical condition to weapon and navigational diagnostics – with an emphasis on the new ultra high tech Mark 42 suit.</p> <p> Lawes explains that Cantina Creative designed HUD and interface graphics using CINEMA 4D for Iron Man 2 and for Marvel’s The Avengers. Due to major engineering advances in the Iron Man 3 suits, including the ability for Stark to access the suits via remote control coupled with delivering shots in 3D stereo, the VFX team needed to step-up the evolution of the HUD 3D graphics to augment Stark’s onscreen identity and action-packed performance.</p> <p> “Townsend provided creative input and suggested aiming the new HUD design towards a more 3D photo-real, holographic approach as opposed to the design language of the previous films – 2D graphic elements in 3D space. This new design direction emphasized the beauty of the volumetric lights projected into space using optical flares (a design motif drawn from the ‘External HUD’ hologram in the movie) and the textured reflections generated by the light interaction of the HUD widgets from the ambient environment. This took the graphics away from a purely text-functional level to a more organic holographic world,” Hristova says.</p> <p> To meet the sheer technical complexities and stereo workflow requirements in the film head-on, Cantina Creative developed an advanced stereo rig, similar to the one used in The Avengers, built in Adobe After Effects, and then exported into CINEMA 4D for animating 3D objects such as the suit, helicopters, and dimensional navigation graphics seen within the HUD.</p> <p> “Marvel provided us with VFX plates of Robert Downey Jr.’s performance as Iron Man in the suit,” Lawes adds. “His head movements were motion tracked to help define the motion and action beat needed in each sequence and then composited into all our graphics sequences so that we could mirror Downey’s moves as accurately as possible.</p> <p> “The beauty of using CINEMA 4D is that its built-in stereo capabilities let us work fully in three-dimensional space so that we always knew how far the HUD graphics needed to be from Stark’s head to successfully push the boundaries of his point-of-view (POV) beyond the helmet,” Lawes says. “We were able to import left and right eye cameras from After Effects into CINEMA 4D and create multilayered lighting and textural HUD effects that could be rendered out quickly in various passes. The software’s powerful Sketch and Toon non-photrealistic rendering tools also gave us creative latitude to do things like vary line weights in space to communicate more depth and dimensionality than in the previous Iron Man films.”</p> <p> For Hristova, one of the most significant creative challenges was the initial Mark 42 boot-up sequence. “Many of the elements, including a miniature version of the suit and the holographic helmet were generated and rendered from CINEMA 4D. These graphics had true 3D depth which heightened the stereo viewing experience as well as the interactive light qualities that are both photo-real and immersive.”</p> <p> Other artists and designers working with Cantina Creative on Iron Man 3 included Alan Torres, Leon Nowlin, Matt Eaton, Aaron Eaton, Lukas Weyandt, Jon Ficcadenti, Johnny Likens and Jayse Hansen.</p> <p> About MAXON Headquartered in Friedrichsdorf, Germany, MAXON Computer is a developer of professional 3D modeling, painting, animation and rendering solutions. Its award-winning CINEMA 4D and BodyPaint 3D software products have been used extensively to help create everything from stunning visual effects in top feature films, TV shows and commercials, cutting-edge game cinematics for AAA games, as well for medical illustration, architectural and industrial design applications. MAXON has offices in Germany, USA, United Kingdom, France, Japan and Singapore. MAXON products are available directly from the web site and its worldwide distribution channel. Specially priced learning editions of the company’s software solutions are also made available to educational institutions. For additional information on MAXON visit <a href="http://www.maxon.net">www.maxon.net</a>. Œ</p> Fri, 24 May 2013 11:56:53 +1000 http://if.com.au/2013/05/24/article/Sydney-Film-Festival-5-16-June-Announces-New-Film-BEHIND-THE-CANDELABRA/TVNETFCIKN.html http://if.com.au/2013/05/24/article/Sydney-Film-Festival-5-16-June-Announces-New-Film-BEHIND-THE-CANDELABRA/TVNETFCIKN.html Inside Film Correspondent <p> Press Release from Cardinal Spin</p> <p> Sydney Film Festival announces a new film in the 2013 program, Behind the Candelabra by Steven Soderbergh, to be screened on Tuesday 11 June at 9:45pm at Event Cinemas George Street (EV4) and Friday 14 June at 8:00pm Event Cinemas George Street (EV9). Direct from its premiere In Competition at Cannes, Sydney Film Festival brings you a special screening of one of the most talked-about films of the year: Behind the Candelabra. With the help of a high-powered cast, Hollywood maverick Steven Soderbergh brings a tempestuous chapter in the life of one of the 20th century’s most famous superstars to the screen. Virtuoso pianist and flamboyant star of stage and television, Liberace (Michael Douglas) embraced a lifestyle of excess. In 1977, young stranger Scott Thorson (Matt Damon) walked into his dressing room at the Las Vegas Hilton and, despite their differences in age and background, the two embarked on a secretive five-year love affair. Behind the Candelabra is a stylish and highly entertaining look at their relationship from its beginnings to their bitter and public breakup. The Guardian’s Peter Bradshaw calls the film “mesmeric, riskily incorrect, outrageously watchable and simply outrageous.” The phenomenal supporting cast includes Dan Ackroyd, Scott Bakula, Rob Lowe, Tom Papa, Paul Reiser and Debbie Reynolds. Sydney Film Festival celebrates its 60th anniversary this 5-16 June, bringing a packed program of screenings and special events to even more venues across Sydney. For tickets and full up-to-date program information please visit www.sff.org.au. ABOUT SYDNEY FILM FESTIVAL Sydney Film Festival screens feature films, documentaries, short films and animations across the city at the State Theatre, Event Cinemas George Street, Dendy Opera Quays, the Art Gallery of NSW and the Hayden Orpheum Picture Palace Cremorne. The Festival is a major event on the New South Wales cultural calendar and is one of the world’s longest-running film festivals. For more information visit www.sff.org.au Sydney Film Festival also presents 12 films that vie for the ‘Official Competition’; a highly respected international honour that awards a $60,000.00 cash prize based on the decision of a jury of international and Australian filmmakers and industry professionals. Previous Sydney Film Festival Official Competition winners include: Alps (2012); A Separation (2011) – which went on to win an Academy Award®; Heartbeats (2010); Bronson (2009); and Hunger (2008). The 60th Sydney Film Festival is supported by the NSW Government through Screen NSW, the Federal Government through Screen Australia, and the City of Sydney. The Festival’s Strategic partner is the NSW Government through Destination NSW. What: Sydney Film Festival When: 5-16 June, 2013 Tickets & Info: 1300 733 733 www.sff.org.au Œ</p> Fri, 24 May 2013 11:53:53 +1000 http://if.com.au/2013/05/24/article/MaterChef-2013-Family-Grows---Qantas-Nandos-and-Fonterra-Return-As-Principal-Par/WHQEBVOGFO.html http://if.com.au/2013/05/24/article/MaterChef-2013-Family-Grows---Qantas-Nandos-and-Fonterra-Return-As-Principal-Par/WHQEBVOGFO.html Inside Film Correspondent <p> MasterChef Australia will return to Network Ten in the coming weeks, backed by some of Australia’s highest profile companies, including returning principal partners Qantas, Nando’s Australia and Fonterra Australia.</p> <p> Network Ten today announced Qantas, Nando’s Australia and Fonterra Australia had joined previously announced principal partners Coles, Sunbeam Corporation and Fiat Chrysler. Network Ten’s Chief Sales Officer, Barry O’Brien, said: “We are very pleased that some of the highest profile brands in Australia have chosen to activate significant and extensive integration opportunities with the 2013 season of MasterChef Australia.</p> <p> “MasterChef Australia is a platform unlike any other, consistently delivering integrated, unique and tailored opportunities for our partners and sponsors.” Qantas Group Executive Brand, Marketing and Corporate Affairs, Olivia Wirth, said: “Qantas is pleased to partner with MasterChef Australia for the fourth year.</p> <p> MasterChef Australia has been a great platform for us to showcase our premium food and wine offering and our lounge and inflight experiences. We look forward to carrying the teams to new and exciting destinations across our domestic and international network again this year.”</p> <p> Nando’s Australia Marketing Manager, Nicole West, said: “Nando’s is delighted to be back on board with MasterChef Australia for a second year. MasterChef Australia’s dedication to quality and interesting food is a great fit for Nando’s as we pride ourselves on precisely the same values. We’re looking forward to replicating the outstanding results we achieved in 2012.”</p> <p> Fonterra Australia’s Brand Development Manager, Dean Crawford, said: “Perfect Italiano and Western Star are excited to be partners with MasterChef Australia again for a fifth season – two of Australia’s favourite food brands teaming up with the food show that’s inspired so many Australians to try cooking something new and different.”</p> <p> Riviana also joins the MasterChef Australia family as a major digital sponsor of the official website, masterchef.com.au. Riviana Marketing Manager, Georgina Vergunst, said: “Riviana and our Always Fresh brand is very excited to be associated with the 2013 series of MasterChef Australia as a major digital sponsor. “The MasterChef Australia digital platform provides us the perfect opportunity to reach consumers and food lovers who appreciate good quality and authentic product offerings.”</p> <p> Qantas, Nando’s Australia and Fonterra Australia have also committed to extending their partnerships to the MasterChef Australia website.</p> <p> masterchef.com.au is Network Ten’s most popular show website. Across the 2012 series, more than 26.4 million page views, 12.3 million video views and over 2.7 million unique browsers were recorded.</p> <p> MasterChef Australia is coming soon to Network Ten.</p> Fri, 24 May 2013 11:48:24 +1000 http://if.com.au/2013/05/24/article/2013-Queensland-Literary-Awards---Gadens-Feature-Film-Script-Award-deadline-exte/RVHZHLLVTH.html http://if.com.au/2013/05/24/article/2013-Queensland-Literary-Awards---Gadens-Feature-Film-Script-Award-deadline-exte/RVHZHLLVTH.html Inside Film Correspondent <p> Gadens Feature Film Script Qld Literary Awards -- OPEN TO ALL AUSTRALIAN Screenplays of an Australian Feature Film. This award is given to the author of a feature length film script (including feature length documentaries).</p> <p> Eligible scripts must have first entered production, with principal photography initiated, or have completed production, between 6 May 2012 and 24 May 2013. It is not necessary for the production to have been publicly screened in that time.</p> <p> Scripts submitted must be in English although the film script itself may also feature other languages for which simultaneous translations are provided. It is intended that the award will be given primarily on the assessment of the literary merit of the work and not necessarily on the merit of the resulting film. Scripts may be nominated by writers, agents, film distributors, or production companies.</p> <p> The 2013 Queensland Literary Awards is proud to include the Gadens Feature Film Script Award category in its suite of Awards. Nominations are invited for feature film scripts completed from 6 May 2012 to 24 May 2013. The winner will receive a $5000 prize. The deadline for nominations has been extended to Friday 7 June 2013. Information about the Awards can be found at <a href="http://www.queenslandliteraryawards.com/2013-qla-guidelines.html">http://www.queenslandliteraryawards.com/2013-qla-guidelines.html</a> Information about the nomination process can be found at <a href="http://www.queenslandliteraryawards.com/nomination-processfee.html">http://www.queenslandliteraryawards.com/nomination-processfee.html</a></p> <p> If you require any further information please ring Claire Booth on 0409597007. Œ</p> Fri, 24 May 2013 11:42:57 +1000 http://if.com.au/2013/05/24/article/Sydney-Film-Festival-Announces-Official-Competition-Jury-Members/ZGVQZLKCZT.html http://if.com.au/2013/05/24/article/Sydney-Film-Festival-Announces-Official-Competition-Jury-Members/ZGVQZLKCZT.html Inside Film Correspondent <p> Sydney Film Festival is proud to announce this year’s internationally acclaimed award-winning jury, featuring Jury President Hugo Weaving and international filmmakers Anand Gandhi (India) and Pia Marais (Sweden/South Africa), film critic and curator Paolo Bertolin (Italy) and Australian producer Kath Shelper. The internationally recognised SFF Official Competition, now in its sixth year, awards a $60,000 cash prize, Australia’s richest cash award for film, in recognition of the most courageous, audacious and cutting-edge film from the 12 selected. “In both content and form, these 12 films are daring and original, and exemplify the criteria for the Official Competition. We look forward to introducing these remarkable films to the Australian audience,” said Nashen Moodley, SFF Festival Director. The jury members for the SFF 2013 Official Competition: One of Australia’s most acclaimed and respected actors, Hugo Weaving’s many credits range from international blockbusters Cloud Atlas, The Hobbit, The Matrix and The Lord of the Rings trilogy to award-winning Australian films such as Oranges and Sunshine. He has appeared on stage in over 20 productions for the Sydney Theatre Company including Les Liaisons dangereuses, Hedda Gabler and Uncle Vanya. Weaving received the Australian Film Institute’s Best Actor award for his performance in Proof (1991) and also for Little Fish (2005). In 1998, he received the Best Actor award from the Montreal Film Festival for his performance in The Interview. Weaving will also feature in SFF’s Opening Night film, the Australian murder mystery Mystery Road. “Having keenly attended the SFF for many years, always with the eyes of a somewhat excited and hungry child, it will be a great pleasure and honour for me to take up the position of Jury President for the 2013 Official Competition and 60th birthday,” said Weaving. Anand Gandhi is a filmmaker, playwright and artist, deeply interested in philosophy, evolutionary psychology and magic. His work in theatre, television and short cinema has won him several prestigious awards in the past decade. Ship of Theseus, his first feature, screening at this year’s SFF, premiered at the Toronto International Film Festival, where it was touted “the hidden gem of the year”. The film has received accolades the world over. He is now engaged in producing cutting edge contemporary world cinema under his banner Recyclewala Films Private Limited. “Cinema nurses the ambition of science, philosophy and art combined – it takes a shot at meaning. I am so excited at the prospect of discoveries that lie ahead. I look forward, with deep curiosity, to experience the world that Nashen Moodley and his team have put together for all of us. It’s a great privilege to actively participate in this global cultural conversation,” said Gandhi. Award-winning South African and Swedish director Pia Marais studied film at the Deutsche Film-und Fernseh-Akademie (DFFB) in Berlin, where she is still based. Marais made her feature debut with Die Unerzogenen (The Unpolished), which was screened at many international film festivals (including SFF 2007) and won various prizes, including a Tiger Award in 2007 at the International Film Festival Rotterdam. Her second feature At Ellen’s Age was developed at the Résidence du Festival de Cannes and premiered in the International Competition at the Locarno Film Festival in 2010. Marais’ latest film Layla Fourie, a political thriller that looks at race relations after apartheid, which is screening at SFF this year, won a Jury Special Mention at the Berlinale. “It's always a treat to fully concentrate on the artistic and human issues that are present in the selection, whether it be by filmmakers whose work I am familiar with, or the work of a filmmaker I will have the pleasure to discover. It is such a luxurious way to think about cinema. I am very grateful and honoured to be part of jury of Sydney Film Festival 2013,” Marais said. Italian film critic Paolo Bertolin is a member of the selecting committee of the Venice Film Festival, with a special mandate for the pre-selection of films from Korea and Southeast Asia. He also works for other Italian festivals, including Udine Far East Film Festival, the Festival dei Popoli in Florence and the Korea Film Fest in Florence. In 2009, he curated the Filmmaker in Focus: Paolo Benvenuti program at the International Film Festival Rotterdam. He has published a wide range of articles in Italian newspapers and film magazines, such as Il Manifesto and Cineforum, mostly focusing on Asian cinema. “I am truly glad to be part of the Sydney Film Festival 2013 jury. I am excited about sharing views and opinions with fellow jury members, all united in the name of the love and passion for cinema. I look forward to the participation as a great chance to view more films, and especially those by the new generation of Australian filmmakers whose vibrant voices might echo well beyond Oz,” said Bertolin. Kath Shelper produced the award-winning Australian film Samson and Delilah, which was directed by Warwick Thornton. The film won the Camera d’Or (best first feature) at Cannes. Kath was the recipient of the 2005 Inside Film Award for Rising Talent, and her film Confessions of a Headhunter won the AFI Award for Best Short in 2000. Originally trained in public relations at Melbourne’s RMIT, Kath worked with friends on short films and did odd jobs with Circus Oz until scoring a producer attachment role on Lawrence Johnston’s documentary Eternity. Kath now works out of her own production company, Scarlett Pictures. “Sydney Film Festival is always a great time of year, as the weather turns cold in June and we enter dark rooms to be transported into other worlds. I can't wait to watch the great line-up of films that are in this year’s Competition,” said Shelper. Hugo Weaving is the sixth jury President of the Official Competition, following Australian filmmaker Rachel Ward (2012), Chinese filmmaker Chen Kaige (2011), Australian producer Jan Chapman (2010) and Australian filmmakers Rolf de Heer (2009) and Gillian Armstrong (2008). The previous Sydney Film Prize winners are Alps (Yorgos Lanthimos, 2012); A Separation (Asghar Farhadi, 2011), which went on to win the Academy Award® for Best Foreign Language Film; Heartbeats (Xavier Dolan, 2010); Bronson (Nicolas Winding Refn, 2009) and Hunger (Steve McQueen, 2008). Winners of the SFF Official Competition take home a $60,000 cash prize as well as international recognition. Each Jury Member for 2013 will receive an exquisite timepiece from our generous watch partner Philip Stein. SFF also presents a number of awards to recognise excellence in local filmmaking, including the and the Foxtel Australian Documentary Prize and the long-running Dendy Awards for Australian Short Films (which are Academy Award eligible).</p> Fri, 24 May 2013 11:40:11 +1000 http://if.com.au/2013/05/24/article/Screen-NSW-Screen-Aus-present-two-VIVID-IDEAS-events-about-Female-Storytellers/ZOUJQOJHCK.html http://if.com.au/2013/05/24/article/Screen-NSW-Screen-Aus-present-two-VIVID-IDEAS-events-about-Female-Storytellers/ZOUJQOJHCK.html Inside Film Correspondent <p> Œ</p> <p class="MsoNormal" style="margin-bottom:12.0pt"> Press release</p> <p class="MsoNormal" style="margin-bottom:12.0pt"> Screen NSW and Screen Australia have partnered VIVID IDEAS 2013 to present two un-missable events for screen industry professionals.</p> <p class="MsoNormal" style="margin-bottom:12.0pt"> On May 29 Vivid Ideas presents LET’S TALK ABOUT THE F WORD:Œ FEMALE STORYETLLERS.Œ A panel of international and Australian guests, including celebrated UK screenwriter, author and story consultant Helen Jacey, former 20th Century Fox executive Susan Cartsonis, the Managing Director of Hopscotch Films Troy Lum, Australian directors Cate Shortland and Daina Reid and leading Australian producer Jan Chapman will discuss this hot button issue.</p> <p class="MsoNormal" style="margin-bottom:12.0pt"> Women make up 50% of the population. The MPAA (Motion Picture Association of Australia) data revealed this year that 52% of the cinema audience is women, and yet, only 16% of Australian films are directed by women. In the USA, that number is even less at 9%.</p> <p class="MsoNormal" style="margin-bottom:12.0pt"> Facebook’s COO Sheryl Sandberg reckons women should stop holding themselves back and ‘lean in’; renowned Hollywood actress Geena Davis created her own research institute and movement to challenge underrepresentation of women in the media and entertainment; the international film festivals oscillate between ignoring female- directed films (Cannes 2012) to 50% of their program directed by women from females (Sundance 2013) Œ- and all the while, the female protagonist is perceived to be under threat from conservative financiers and executives alike.</p> <p> </p> <p class="MsoNormal" style="margin-bottom:12.0pt"> This half-day event will be held from 9am to 12 noon, 29 May at the Vivid Ideas Exchange, MCA Level 6, George St, The Rocks.Œ Beginning with a lively panel event and Q&A, moderated by Megan Simpson Huberman, Director of Development and Production - Screen NSW, the morning will also include networking opportunities. </p> <p> </p> <p class="MsoNormal"> On June 3, Vivid Ideas presents a half-day session on understanding YouTube. This session, a partnership with Screen NSW, YouTube and Screen Australia, is a high level seminar on what every professional content creator should understand about using YouTube effectively to distribute, earn revenue, and leverage audience.Œ The insider’s guide to everything you wanted to know about YouTube but were afraid to ask.</p> <p class="MsoNormal"> ŒPanelists include Kristen Bowen, Manager Content Relationships, at YouTube Entertainment who will discuss a series of case studies where screen content creators have successfully used YouTube, plus Steve Crombie, Nick Murray, Nash Edgerton, Van Vuuren brothers, Natalie Tran, Derek Muller, Marty and MOOG from Mighty Car Mods.</p> <p class="MsoNormal"> As YouTube prepares to launch new changes and make more professional tools available to all channel owners, Kristen Bowen, Manager Content Relationships, will provide an insider’s view of the YouTube ecosystem, potential for partnerships, revenue, copyright management, customisation, trends, aggregation channels, YouTube’s Creator Hub, Playbook and other tools.</p> <p class="MsoNormal"> Kristen Bowen leads the development of content strategy and partnerships for YouTube in Australia and New Zealand. She has been with YouTube since 2007 and was one of the early employees in the San Bruno, California headquarters office. For the past 2 years Kristen managed partnerships with the UK television broadcasters at Google UK.</p> <p class="MsoNormal" style="margin-bottom:12.0pt"> The YouTube VIVID IDEAS session will be from 9am to 1pm on June 3 at the Vivid Ideas Exchange, MCA Level 6, George St, The Rocks.</p> <p class="MsoNormal" style="margin-bottom:12.0pt"> Both events are FREE but seats are limited. To register send an email with the session title in the subject line to <a href="mailto:rsvp@screen.nsw.gov.au">rsvp@screen.nsw.gov.au</a></p> <p class="MsoNormal" style="margin-bottom:12.0pt"> ABOUT VIVID IDEAS: The jobs of the future will be built on imagination: over 150,000 people in NSW already work in the creative sector, and industries from design to technology and gaming are growing at a rapid rate. Sydney is the creative capital of Australia, and Vivid Ideas is our chance to celebrate local talent, expand markets for our work, and to connect with world-leaders. Vivid Ideas is about turning inspiration into action: learn how to build a career or a business in the creative industries, hear personal stories and advice from the best creatives in the world, and go behind the scenes to see how productions from games to TV to theatre come together. It’s your chance to network, develop your skills and explore creative and commercial opportunities for the year ahead. <a href="http://www.vividsydney.com/ideas/">http://www.vividsydney.com/ideas/</a></p> <p> </p> Fri, 24 May 2013 10:36:10 +1000 http://if.com.au/2013/05/22/article/Lawrie-Hitchens-Boosts-Business-Development/ITDSGHSPLA.html http://if.com.au/2013/05/22/article/Lawrie-Hitchens-Boosts-Business-Development/ITDSGHSPLA.html Inside Film Correspondent <p> Bringing with him over 40 years experience in the television, film and media industries, Lawrie Hitchens has taken on the contract role as business development manager for Magna Systems and Engineering in Australia. Previously with Fujifilm Australia Hitchens is perhaps best known for his success as their National Sales Manager, Optical Devices Broadcast and CCTV where he was responsible for major sales of Fujinon television and CCTV lenses throughout Australia and New Zealand. During his fifteen year tenure he established major accounts with some of the industries leading organisations including OSB Australia and New Zealand, Zero One Zero, TVN, Southern Cross TV, WIN TV, Prime TV, ABC TV, Seven Network, Network TEN, Parliament House, Sydney Opera House, South Australia Convention Centre, Brisbane Convention Centre and Etihad Stadium amongst many others. Magna Systems and Engineering Group Engineering Manager Barry Pegg said, “We are delighted to have Lawrie on board helping boost our business development in Australia. He has already hit the ground running and is putting his extensive contact network to good use. We already have several major projects to bid and tender for and more are to follow.” To contact Lawrie Hitchens at Magna Systems and Engineering in Australia call 02 9417 1111 or e-mail LHitchens@magnasys.tv For more press information contact Salvatore Di Muccio at Well Above on +61 412 64 99 64 or at salvatore@wellabove.com</p> Wed, 22 May 2013 16:05:28 +1000 http://if.com.au/2013/05/22/article/MAGNA-SYSTEMS-AND-ENGINEERING-SIGNS/YQYZQFUHAS.html http://if.com.au/2013/05/22/article/MAGNA-SYSTEMS-AND-ENGINEERING-SIGNS/YQYZQFUHAS.html Inside Film Correspondent <p> Magna Systems and Engineering has signed broadcast automation and digital signage innovator Tightrope Media Systems as a principal for distribution in Australia and New Zealand. Founded in 1997 Tightrope Media Systems provides station automation, video servers, internet VOD, live streaming and perhaps is most well known for its ZEPLAY multi-channel instant replay machine used extensively in stadiums, arenas and OB vehicles. Magna Systems and Engineering Group Engineering Manager Barry Pegg said, “ZEPLAY is ideal for live events as a single ZEPLAY unit can store up to 160 hours of HD footage (40 hours per channel), all enclosed in a 4RU, 21" deep chassis. This makes it perfect for flypacks and mobile production. ZEPLAY also provides macro programmable GPI inputs and outputs, so you can run tally and easily integrate with your existing production system. The ZEPLAY controller also features a t-bar that allows you to play a clip at +/-200% speed, and a jog/shuttle wheel with magnetic stops for a tactile control. ZEPLAY's unique software interface allows you to customise and save your layouts for a more optimised and efficient workflow. All in all it’s a very powerful and clever unit.” For more press information contact Salvatore Di Muccio at Well Above on +61 412 64 99 64 or at salvatore@wellabove.com</p> Wed, 22 May 2013 15:52:48 +1000 http://if.com.au/2013/05/22/article/Mark-Wareham-ACS-Upgrades-with-Fujinon-Cabrio-Lenses/OTAHYTPEGH.html http://if.com.au/2013/05/22/article/Mark-Wareham-ACS-Upgrades-with-Fujinon-Cabrio-Lenses/OTAHYTPEGH.html Inside Film Correspondent <p> As one of Australia’s best known cinematographers Mark Wareham ACS is dedicated to his craft and this dedication also means always buying the right cameras and lenses to get the job done. Recently Wareham upgraded his range of lenses to include two of the new critically acclaimed Cabrio lenses from Fujinon. Wareham explained, “I have been using Fujinon lenses for over twenty years in fact I used them on the very first series of Paradise Beach in 1993. I always felt that Fujinon lenses were pigeon holed and thought of only for certain types of shooting though. So when I first saw the new Fujinon Cabrio lenses it was like a revelation as I’d wanted a fast, high quality Fujinon lens for some time. As the digital revolution is almost complete with the increasing range of lightweight cameras available, I could see that these new Fujinon Cabrio lenses were perfect for almost every type of shoot so I immediately purchased a 19-90mm.” Wareham began using the new 19-90mm Cabrio lens with some success and then discovered that more lenses were being announced. He continued, “The 19-90mm Cabrio lens really was a revelation and worked so well on all the shoots we used it for. You can really see the vast and dramatic improvement in Fujinon lenses over the last few years. They also work well with proper motion picture cameras as opposed to lenses made for DSLRs which give you a totally different feel. I used the Cabrio on a Sony F5 and a Canon C300 “commando-style” cameras with excellent results and was very excited to hear that there was also an 85-300mm lens becoming available so I got a demo and placed an order.” Wareham was particularly impressed with the Cabrio lenses’ sharpness, light weight and flexibility. He added, “I now have the broad 19-300mm range, 2.9-4.0, with just two lightweight zoom lenses. They are an excellent compliment to my existing range of lenses and perfect for shooting docos, TVCs or high turnaround TV series – seriously I can see shows like Home and Away and 60 Minutes eventually changing to these types of lenses as the 19-90 is perfect for drama. I love the versatility they give me as I am not having to continually change lenses when using a handheld camera, Steadicam or crane. I’m also no longer weighed down by big, heavy lenses.” The Fujinon PL 19-90 Cabrio (ZK4.7x19) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The ZK4.7x19 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. With a 19-90mm focal range and weight of only 2.7kg including servo motors, this lens has the longest focal range available in a lightweight zoom. While the PL 85-300 is similar in size and weight as the PL 19-90, its longer focal length makes it ideal for shooting documentaries, nature and wildlife, and car commercials, among other demanding production scenarios. The PL 85-300 offers a focal length of 85-218mm at T2.9 and 300mm at T4.0, with 200-degree focus rotation. Mark Wareham ACS concluded, “Both Cabrio lenses are really high quality. This combined with their light weight and compact size means I can put both into a single case and be covered for most shots. I’m planning on using the lenses in an upcoming feature to shoot “in the street” scenes and the 85-300mm in particular for a multi-camera concert shoot. I initially believed these lenses to be perfect for documentary production that’s why I bought them but I now see them as great tools in drama and commercial applications. They open the way for all types of broadcast applications utilising the quality of the 35mm sensor.”</p> Wed, 22 May 2013 15:26:18 +1000 http://if.com.au/2013/05/22/article/Blonde-Robot-flies/DCTHQEANCP.html http://if.com.au/2013/05/22/article/Blonde-Robot-flies/DCTHQEANCP.html Inside Film Correspondent <p> BLONDE ROBOT SIGN DJI INNOVATIONS AND BRING PHANTOM QUAD-COPTER FOR GOPRO CAMERAS TO AUSTRALIA’S MAINSTREAM Amazing new quad-copter for GoPro and other lightweight cameras SYDNEY, 22 May 2013 – Blonde Robot today announced that it has signed DJI Innovations as its newest principal for distribution in Australia. DJI Innovations, particularly well known for manufacturing high performance, reliable, and easy-to-use small unmanned aerial systems for commercial and recreational use, took this year’s NAB Show by storm with its new Phantom quad-copter that featured heavily on the GoPro booth amongst many others. Blonde Robot director and co-founder Eamon Drew said, “DJI is founded and run by people with a passion for remote-controlled helicopters and experts in flight control technology. The new Phantom quad-copter is an amazing piece of kit that we are taking into the mainstream for everyone to use. Phantom has an external removable camera mount so you can mount light and handy cameras, like GoPro for example. Combine this with DJI’s advanced autopilot technology and optional upcoming unique gimbal stabilisation system and a GoPro on a Phantom can film and deliver images of comparable quality to those shot on manned helicopters.” The Phantom quad-copter makes the most of its compact and highly integrated design fitting easily into a standard backpack. Phantom also has an integrated flight dynamics system, the Naza-M + GPS multi-rotor autopilot system, which results in a craft that is easy to fly as a beginner and flexible enough to please expert pilots. In a first for such a portable unit it utilises GPS to enable the Phantom to land safely from the exact point it took off from. Eamon Drew added, “Another big plus for this amazing quad-copter in Australia is that Blonde Robot are committed to making the Phantom’s use here as easy as possible and for maintenance not to be a prohibitive factor so we are carrying a full range of spares. With its clever design it is not expensive to replace a rotor, motor, battery or case and the Phantom comes pre-configured with the majority of functions set up before delivery, so you can fly it within minutes of receiving it.” The Phantom quad-copter will be available for review on Blonde Robot’s stand at this year’s SMPTE exhibition at the Darling Harbour Conference and Exhibition Centre from 23-26 July. To book a demonstration please contact Blonde Robot on 03 9023 9777 or at sales@blonde-robot.com.au</p> Wed, 22 May 2013 15:09:00 +1000 http://if.com.au/2013/05/22/article/Eight-Days-a-Week-Productions-chooses-ARRI-Master-Macro/AOZAOWIZSA.html http://if.com.au/2013/05/22/article/Eight-Days-a-Week-Productions-chooses-ARRI-Master-Macro/AOZAOWIZSA.html Inside Film Correspondent <p> SYDNEY, 22 May 2013 – ARRI’s Master Macro 100 lens has progressed further on its journey as the macro lens of choice for many of Australia and New Zealand’s top DOPs and camera operators wanting the ultimate in image quality for table top cinematography, TVCs, product shots and close-up inserts on feature films. One of the companies to have purchased the Master Macro 100 lens of late is Eight Days a Week Productions run by owner operator Borće Damćevski who, in his role as a respected DOP, is particularly well known for his extensive work shooting a whole host of TVCs for high profile brands including L’Oreal and Nestle. Damćevski said, “I’ve been an ARRI Australia customer for many years and have had great success with their excellent team and never-failing ALEXA camera. A while ago I decided to purchase the Master Macro 100 to compliment my range of equipment and I simply haven’t looked back. In effect the Master Macro is two lenses in one for me as I use it as a normal 100mm lens and as a macro. Also the Master Macro 100 is very versatile as it can be used on a wide variety of film and digital cameras and thus it always helps me achieve beautiful images.” With a 1:1 magnification ratio, a maximum aperture of T2.0 and an optical design developed specifically for macro work, the Master Macro has been engineered to deliver sharp, contrasty images with vibrant colours for extreme close-ups of the highest visual quality. Damćevski who actually purchased the very first Master Macro lens in Australia also added, “I love using the Master Macro lens to shoot TVCs because it was specifically created for cine applications. It has a wide T-stop range (T2.0 (infinity)/T4.3 (close focus) to T32) and helps dramatically reduce flare giving brilliant, vibrant colours, low geometric distortion and minimised chromatic aberration. I also have a set of Master Primes which the Master Macro is super colour matched to – another big plus for this amazing lens.” ARRI Australia MD Stefan Sedlmeier said, “We are delighted with the success of the Master Macro lens. Eight Days a Week Productions are a great example of how this lens can be used to achieve the highest quality images. Our goal at ARRI Australia is to continue to service and support all of our customers in every way we can and this includes in-house lens testing at our Lane Cove HQ, something all of our Master Macro 100 customers have enjoyed.” For more information on Borće Damćevski and Eight Days a Week Productions contact Top Techs Management on +61 2 9958 1611. For more press information contact Salvatore Di Muccio on +61 412 64 99 64 or at salvatore@wellabove.comŒ</p> Wed, 22 May 2013 15:05:50 +1000 http://if.com.au/2013/05/22/article/Film-Buffs-Keen-to-unwrap-Nice-Package/BIUEZPFNQZ.html http://if.com.au/2013/05/22/article/Film-Buffs-Keen-to-unwrap-Nice-Package/BIUEZPFNQZ.html Inside Film Correspondent <p> Film buffs keen to unwrap Nice Package A professional thief, his gay best friend and a sexy hostage are at the centre of this new heist comedy written and directed by Dan Macarthur. Starring Tribe heartthrob Dwayne Cameron, funny man Leon Cain and stunning newcomer Isabella Tannock the film has already accumulated a strong international following during production. Director Dan Macarthur said the film is big on characters, quirky dialogue and cool music, with influences including Quentin Tarantino and the Cohen Brothers. “People are going to really enjoy our characters and there are so many classic lines in the film - I’m looking forward to hearing the audience’s favourite parts,” Dan said. Produced by 18 Degrees Entertainment, the film was shot across Brisbane and the Gold Coast, but already has thousands of fans in India, Brazil, the UK and the US. Producer Melanie Poole, who co-wrote the film with Dan said the film was shot on the Arri Alexa (used to shoot James Bond) and was set to be released internationally in late 2013. “The interest we have had in the film so far has been extraordinary – especially since we released our teaser trailer, ” Melanie said. “Our leading man Dwayne Cameron, who plays Frostie in the film, has already had multiple offers from impressed LA producers,” she said. Ms Poole said 18 Degrees Entertainment has “half a dozen” other projects on the slate and is planning to start shooting their next feature film later this year. “We really have put together a dream team of writers and crew and the success of Nice Package will mean we can now crank some of our other projects,” Melanie said. Dan Macarthur is already known for his work as Director of Photography on new Bollywood film Go Goa Gone, Cuba Gooding Jnr film Deception and Australian gangster film Blood Money. He has also worked with Russell Crowe filming a world tour and clips for Thirty Odd Foot of Grunts. Dan also recently won Gold at the Australian Cinematography Society Awards for Best Cinematography on a Feature Film, adding to several other gold awards for his work. To watch the trailer, view pics and updates about Nice Package go to www.nicepackagemove.com Media Contact: mel@18deg.com or +61 411 398 951 * A selection of high res production stills are available</p> Wed, 22 May 2013 12:47:01 +1000 http://if.com.au/2013/05/22/article/Panasonic-Australia-introduces-chip-DLP-projector/IOZFMSPNJU.html http://if.com.au/2013/05/22/article/Panasonic-Australia-introduces-chip-DLP-projector/IOZFMSPNJU.html Inside Film Correspondent <p> Panasonic Australia introduces industry’s brightestŒsingle chip DLP projector with Digital Link PT-DZ870 1-chip DLP projector boasts extraordinary brightness, low maintenance, and the Digital Link cable solution, all in a compact body</p> <p> Œ</p> <p> Sydney, 20 May 2013: Panasonic Australia is proud to announce the arrival of the PT-DZ870 Series - a new three-strong flagship range of up to 10,000 lumen[vii] 1-chip DLP projectors. The Series consists of the PT-DZ870 with WUXGA (1,920 x 1,200) resolution and 8,500 lumens of brightness, the PT-DW830 with WXGA (1,280 x 800) resolution and 8,500 lumens of brightness and the PT-DX100 with XGA (1,024 x 768) resolution and 10,000 lumens of brightness. Peter Huljich, Group Manager – Projector, Business Systems Group, Panasonic Australia, said: “We are establishing a new class of installation projectors with the PT-DZ870 Series. These projectors offer exceptional brightness in a 1-chip DLP, coupled with Digital Link connectivity. They are perfect for efficient and flexible installations in auditoriums and large meeting rooms, as well as digital signage applications.” Excellent image quality is assured with the high contrast ratio of 10,000:1, and Panasonic’s proprietary Dynamic RGB booster. The incorporation of the Digital Link long distance cable solution enables the expansion of applications to museums, control rooms, conference rooms and projection mapping. Key Features Outstanding image quality With the incorporation of the new 420W dual lamp and new lamp drive system, the PT-DZ870 Series is able to deliver a high brightness of 8,500 lumens in an incredibly compact body. The Panasonic proprietary Dynamic RGB booster, which has been enhanced, provides images with brilliant colour and brightness, optimising lamp intensity of individual red, green and blue colours according to each scene. Detail Clarity Processor 3 improves the clarity, detail and depth of images and the System Daylight View 2 function also helps maintain picture quality, even in a bright room. The Series is 3D-compatible and supports various 3D formats including frame packing, side by side, top and bottom, line by line and simultaneous. High reliability and easy maintenance The projector delivers continuous immersive image quality thanks to its shielded optical system which effectively blocks dust, and its new heat pipe system which enables an efficient cooling system. The PT-DZ870 Series is also designed with a dual lamp system that eliminates projection interruption due to a lamp failure. The Lamp Relay mode alternates operation of each lamp to enable 24/7 operation of the projector. Furthermore, its lamp replacement cycle has been improved compared to conventional Panasonic 1-chip DLP models, and is now up to 3,000 hours in normal mode and 4,000 hours in eco mode for reduced maintenance. ‘Digital Link’ for simplified AV infrastructure The PT-DZ870 Series offers more than just high picture quality, ease of maintenance, and system reliability. It is DIGITAL LINK compatible which guarantees users a simplified AV infrastructure with high definition video, audio, and control signals all carried over a single CAT5e or higher specification Ethernet cable for up to 100 metres.[viii] The PT-DZ870 projector can be paired with Panasonic's ET-YFB100 proprietary Digital Interface Box, or can be connected directly with other manufacturers’ HDBaseT™variants for direct connection to their switcher system without the need for an external receiver. The PT-DZ870 Series also ensures interoperability with major AV control manufacturers’ control protocols such as Crestron’s Digital Media 8G+, Extron’s XTP Systems, and AMX’s Enova DVX. The built-in Geometric Adjustment function expands creative projection possibilities by facilitating projection onto spherical, cylindrical and other specially shaped ‘screens’. Optional software, Geometry Manager Pro Version 1.1, is available for wider ranging adjustments and marking functions. Application flexibility is further enhanced through the lens being located in a centralised position in the projector chassis, by a wide range of movement in the motorised horizontal / vertical lens shift[ix] and through 360-degree installation capability. Additional features to enable greater installation flexibility include portrait mode compatibility allowing vertical rotation for upright images; and an abundance of connectivity options, including SDI[x], DVI-D, HDMI, and 3D timing signal in/out. PT-DZ870 PT-DW830 PT-DX100 Resolution WUXGA (1,920 x 1,200) WXGA (1,280 x 800) XGA (1,024 x 768) Brightness 8,500 lm 8,500 lm 10,000 lm Contrast Ratio 10,000:1 (Dynamic Iris: ON) Geometric Adjustment Yes No DIGITAL LINK Yes Yes Yes Availability June Pricing RRP $21,999 RRP $10,999 RRP $11,999 The PT-DZ870 Series will be available from authorised Panasonic Business Systems dealers. For more information on Panasonic Business Systems products visit www.panasonic.com.au or call 132 600.</p> Wed, 22 May 2013 11:08:15 +1000 http://if.com.au/2013/05/22/article/Panasonic-Australia-Introduces/LAZQZJEHRB.html http://if.com.au/2013/05/22/article/Panasonic-Australia-Introduces/LAZQZJEHRB.html Inside Film Correspondent <p> Panasonic Australia introduces world's smallest and lightest 12,000 lumen projectors</p> <p> Œ</p> <p> PT-DZ13K 3-chip DLP 12,000 lumen projectors ensure long-lasting high quality images, easy handling and reduced operating costs</p> <p> Œ</p> <p> Sydney, 20 May 2013: Panasonic Australia has announced the arrival of powerful 3-chip DLP projectors that are the world’s smallest and lightest in their class[i]. The new PT-DZ13K Series includes four models; the PT-DZ13K with 12,000 lumens and WUXGA resolution, the PT-DS12K with 12,000 lumens and SXGA+ resolution, the PT-DW11K with 11,000 lumens and WXGA resolution, and the PT-DZ10K with 10,600 lumens and WUXGA resolution to ensure superior picture quality. The PT-DZ13K and the PT-DS12K have the smallest body in their class[ii]. PT-DZ13K Series projectors are designed with many of the same sought after features found on the best-selling Panasonic large venue projector, the PT-DZ21K that made its debut at the London 2012 Olympic Games. With outstanding performance, proven for the largest of rental and staging applications, museum exhibitions, showrooms, digital signage applications and higher education, the series has advanced features, including Lens Memory and Geometric Adjustment, which seamlessly integrate the projector in every situation, from front and rear-projection to projection mapping.　 Peter Huljich, Group Manager – Projector, Business Systems Group, Panasonic Australia, said: “With the PT-DZ13K’s compact design and versatile features, Panasonic is setting another benchmark in the 3-Chip DLP category, providing leading technology in the Rental & Staging projector arena.” Key Features High brightness and excellent picture quality The PT-DZ13K Series is designed with the Panasonic proprietary dual lamp system and features new 380 Watt lamps,[iii] which help achieve the smallest body in its class range while maintaining a high brightness of 12,000 lumens[iv]. Excellent picture quality is delivered through the high contrast ratio of 10,000:1 and Detail Clarity Processor 3 which produces true-to-life images. Active 3D projection capability Active 3D projection capability[v] from a single projector is available through the combination of either 100/120/144 Hz drive and active shutter glasses, or an active filter and passive glasses. The projector is compatible with various types of 3D formats including frame packing, side by side, top and bottom, line by line and simultaneous. Continuous reliability and stability PT-DZ13K Series projectors are equipped with a dust-resistant cabinet and new reusable Eco Filter that simplifies maintenance and reduces costs for up to 12,000 hours. The Panasonic proprietary dual lamp system assures no interruption of operation should there be a sudden lamp failure. The Lamp Relay mode also guarantees continuous 24/7 operation, as the lamp alternates operation of each lamp. Moreover, operational noise of the projector is kept to a minimum thanks to an efficient cooling system. Easy handling and system integration flexibility The PT-DZ13K Series offers enhanced installation flexibility through a lens memory function that enables installers to pre-set settings such as zoom, focus and lens shift, making projection requirements more seamless. The built-in Geometric Adjustment function expands creative projection possibilities by facilitating projection onto spherical, cylindrical and other specially shaped ‘screens’. Optional software, Geometry Manager Pro Version 1.1, is available for wider ranging adjustments and marking functions. Application flexibility is further enhanced through the lens being located in a centralised position in the projector chassis, by a wide range of movement in the motorised horizontal / vertical lens shift[vi] and through 360-degree installation capability. The PT-DZ13K Series is portrait mode compatible, allowing installation in an upright position, with the addition of an optional lamp. PT-DZ13K PT-DS12K PT-DW11K PT-DZ10K Resolution WUXGA (1,920 x 1,200) SXGA+ (1,400 x 1,050) WXGA (1,366 x 768) WUXGA (1,920 x 1,200) Brightness 12,000lm 11,000lm 10,600lm Contrast Ratio 10,000:1 3D Yes No Geometric Adjustment Yes Yes No Yes Geometry Manager Pro (Optional) Yes Yes No No Availability June 2013 Pricing RRP $54,999 RRP $49,999 RRP $27,999 RRP $49,999 The PT-D13K Series will be available from authorised Panasonic Business Systems dealers. For more information on Panasonic Business Systems products visit www.panasonic.com.au or call 132 600.</p> Wed, 22 May 2013 11:00:16 +1000 http://if.com.au/2013/05/22/article/Bolem-Legal-Merges-with-Broadley-Rees-Hogan/PUNSSDOYTG.html http://if.com.au/2013/05/22/article/Bolem-Legal-Merges-with-Broadley-Rees-Hogan/PUNSSDOYTG.html Inside Film Correspondent <p> There are some important changes at Bolam Legal. Effective 1 May 2013, Peter Bolam merged his law practice with Broadley Rees Hogan, a Brisbane mid-tier commercial law firm, and he heads up their Media and Technology practice group. This marks a milestone in the development of Bolam Legal which was established in 2003 to do what no other law firm in Queensland was doing: providing specialist legal services to screen and technology professionals. Since then Bolam has become integrally involved with the media and technology sectors of Queensland where his firm has advised on a large proportion of the productions originating from the State. His practice has also expanded outside Queensland, in particular to Sydney where he also has a presence. To meet the growing needs of his clients Bolam has joined Broadley Rees Hogan to head its Media and Technology practice. He said: “My clients came to Bolam Legal for a law firm that understood their business and industry. With Broadley Rees Hogan they can now have that and a wide range of other specialist practice expertise. The priority given to personalised service by Broadley Rees Hogan is also a good fit with my clients.” Broadley Rees Hogan Managing Partner, Jon Broadley, said: “Media and Technology is a welcome addition to the service offering of this firm. We are committed to the continued development of our practice areas and also look forward to providing our range of commercial legal services to Peter’s clients.” In addition to Media and Technology, Broadley Rees Hogan’s practice areas include the areas of Corporate and Commercial, Property Services, Planning and Environment, Construction, Insurance, Commercial Litigation and Dispute Resolution, Estates and Estate Planning. The merger announcement and further details of Broadley Rees Hogan and its practice areas is available at http://brhlawyers.com.au/announcement/. Contact Peter Bolam on 07 3223 9139 with any questions about the new firm.</p> Wed, 22 May 2013 10:57:16 +1000 http://if.com.au/2013/05/22/article/Famous-Cinematographer-Don-Alpine-to-Introduce-his-films-at-Arc-Cinema/MXMJHSNXRR.html http://if.com.au/2013/05/22/article/Famous-Cinematographer-Don-Alpine-to-Introduce-his-films-at-Arc-Cinema/MXMJHSNXRR.html Inside Film Correspondent <p> SHINING LIGHT: SPECIAL CINEMATOGRAPHY EVENTS COMING TO ARC CINEMA. Don McAlpine, one of Australia's most celebrated cinematographers (see his remarkable CV below), is coming to Canberra. He will be a special guest at Shining Light, the 2013 Australian Cinematographers Society National Awards, and, over the weekend of 25-26 May, he will introduce two screenings of his films ( Predator and The Adventures of Barry McKenzie) at Arc cinema at the National Film and Sound Archive (Saturday 2pm and Sunday 2pm). In addition, there will be a free screening and discussion presented by the Australian Cinematographers Society: 12.45 pm, Sat 25 May, Arc Cinema Film Australia: 100 Years. If Australia was a person, the Film Australia Collection would be their one big photo album. It goes back to 1913, when it was a young country, full of hope and dreams, a social democracy in the making. There are images of the hard times; a reminder of the obstacles overcome and the lessons learned. Film Australia served as training ground for some of the biggest names in Australia’s film industry. People like Fred Schepisi, Phillip Noyce, Peter Weir, Ian Dunlop, Anthony Buckley, Jan Sharp, Gillian Armstrong, Tim Burstall as well as some of our greatest cinematographers such Dean Semler, Don McAlpine and John Leake, Join Ron Johanson, ACS President, Ted Rayment ACS Archivist and NFSA curator Meg Labrum as they discuss personal favourites from the NFSA's Film Australia Collection of over 150,000 still images and 5000 films that record 100 years of Australian life. Illustrated Lecture (55 mins) FREE All welcome Interviews can be arranged via David Hogan, National Film and Sound Archive, 02 6248 2002, david.hogan@nfsa.gov.au. CV of Don McAlpine ACS, ASC Before his film career, Don McAlpine was a physical education teacher in Parkes, NSW. He began using a 16mm Camera to film athletes preparing for the Melbourne Olympics. McAlpine's early career in Australia found him collaborating with other great Australian filmmakers from 1972 to 1981. In particular, Bruce Beresford. McAlpine filmed many of Beresford's early films including, The Adventures of Barry McKenzie, Barry McKenzie Holds His Own, Don's Party, The Getting of Wisdom, Money Movers, Breaker Morant and The Club. McAlpine also worked with another great Australian filmmaker, Gillian Armstrong, in My Brilliant Career. After three of McAlpine's films were released in New York, My Brilliant Career, Breaker Morant and The Getting of Wisdom, Director Paul Mazursky noticed McAlpine's work and offered him the chance to travel to Greece to work on the film Tempest. After a successful shoot, work in the United States began to find its way to McAlpine. McAlpine has filmed some of the most acclaimed films and was also nominated for an Academy Award for his visually stunning film Moulin Rouge. He is a member of both the Australian Cinematographers Society and the American Society of Cinematographers. The A.S.C. honored him with the 2009 International Achievement Award.[1] Filmography McAlpine's cinematography credits include: · Gentle Strangers (1972) · The Adventures of Barry McKenzie (1972) · Barry McKenzie Holds His Own (1974) · Surrender in Paradise (1976) · Don's Party (1976) · The Getting of Wisdom (1978) · Patrick (1978) · Money Movers (1978) · The Journalist (1979) · The Odd Angry Shot (1979) · My Brilliant Career (1979) · Breaker Morant (1980) · The Earthling (1980) · The Club (1980) · Puberty Blues (1981) · Tempest (1982) · Don't Cry It's Only Thunder (1982) · Blue Skies Again (1983) · Now and Forever (1983) · Harry & Son (1984) · Moscow on the Hudson (1984) · King David (1985) · My Man Adam (1985) · Down and Out in Beverly Hills (1986) · The Fringe Dwellers (1986) · Predator (1987) · Orphans (1987) · Moving (1988) · Moon Over Parador (1988) · See You in the Morning (1989) · Parenthood (1989) · Stanley & Iris (1990) · The Hard Way (1991) · Career Opportunities (1991) · Medicine Man (1992) · Patriot Games (1992) · The Man Without a Face (1993) · Mrs. Doubtfire (1993) · Clear and Present Danger (1994) · Nine Months (1995) · Romeo + Juliet (1996) · The Edge (1997) · Stepmom (1998) · Moulin Rouge! (2001) · The Time Machine (2002) · Anger Management (2003) · Peter Pan (2003) · The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005) · X-Men Origins: Wolverine (2009) · Ender's Game (2013) He was recently the subject of the documentary, Show Me the Magic. http://www.showmethemagic.com.au/ David Hogan Media Officer</p> Wed, 22 May 2013 10:49:34 +1000 http://if.com.au/2013/05/22/article/Documentaries-at-Sydney-Film-Festival/TUFTLHRKMM.html http://if.com.au/2013/05/22/article/Documentaries-at-Sydney-Film-Festival/TUFTLHRKMM.html Inside Film Correspondent <p> Documentaries at Sydney Film Festival Documentaries continue to rise in popularity at Sydney Film Festival in an ever-growing program. In 2013, you can enjoy 51 feature-length documentaries at SFF, on many subjects, at many venues, at all times of day. From the 10 finalists in the Foxtel Australian Documentary competition, to the 32 programmed in International Documentaries, two in the Official Competition and seven in the Sounds on Screen section, you will be spoilt for choice and torn between screenings. In so many cases, this will be your only chance to see many of these films in the cinema. Amongst the extraordinary diversity on offer are some major prizewinners, including Dragon Girls (pictured above) which won at Hot Docs, The Machine Which Makes Everything Disappear and A River Changes Course that won at Sundance and SXSW winner William and the Windmill. The Summit This dramatic and beautifully filmed documentary combines survivor interviews, re-enactments and actual footage to tell the tragic story of the day 11 mountain climbers died on the world's second-highest peak. William and the Windmill The inspiring and affectionate portrait of a young Malawian who met with sudden dizzying success after giving a TED talk about building a homemade windmill won a Grand Jury Award at Sundance. Win a Double Pass The Sydney Film Festival is offering our subscribers a chance to win a double pass to each of the following international documentaries: Blackfish 12:30pm / Sat 8 June / Event Cinemas, George St F*ck for Forest 2:15pm / Sat 8 June / Event Cinemas, George St The Spirit of '45 4:45pm / Monday 10 June / Hayden Orpheum Cremorne Which Way is the Front Line from Here? The Life and Time of Tim Hetherington 12:10pm / Saturday 15 June / Event Cinemas, George St Simply email competitions@sff.org.au and include AIDC Giveaway in the subject line. Winners will be notified by Monday 27 May.</p> Wed, 22 May 2013 10:45:57 +1000 http://if.com.au/2013/05/22/article/Globe-on-Screen-Returns-to-Australia-for-Winter-2013-with-a-Season-of-Triumphs/ILXOWDNCKH.html http://if.com.au/2013/05/22/article/Globe-on-Screen-Returns-to-Australia-for-Winter-2013-with-a-Season-of-Triumphs/ILXOWDNCKH.html Inside Film Correspondent <p> PRESS RELEASE GLOBE ON SCREEN ARTS ALLIANCE MEDIA FOR IMMEDIATE RELEASE GLOBE ON SCREEN RETURNS TO AUSTRALIA FOR WINTER 2013 WITH A SEASON OF TRIUMPHS, INCLUDING BOX OFFICE SENSATION TWELFTH NIGHT WITH STEPHEN FRY AND MARK RYLANCE ***Interview opportunities are available with key cast and creatives including executive producer Robert Marshall based in Perth *** please contact olivia@nixco.com.au AUSTRALIAN SCREENING DATES: * HENRY V: From 1 June * TWELFTH NIGHT: From 22/23 June * THE TAMING OF THE SHREW: From 20/21 July Australian audiences are in for a spectacular Shakespearean treat. Shakespeare's Globe Theatre, in partnership with Arts Alliance Media, bring three blockbusters from its award-winning 2012 theatre season to cinemas around Australia this winter. Following two hugely successful seasons in 2011 and 2012, this year's Globe on Screen features Henry V, The Taming of the Shrew and Olivier-nominated Twelfth Night - in cinemas from June 1. PLAYING AT: Cinema Paradiso - WA, Palace Kino - Victoria, Palace Cinema Como - Victoria, Palace Brighton Bay - Victoria, Palace Balwyn - Victoria, Palace Nova Eastend - SA, Palace Centro - Qld, Picture Show Man Cinema - NSW, Palace Chauvel - NSW, Palace Byron Bay - NSW, Manly Cinema, Sydney - NSW, Cinemax Cinema - NSW, Avoco Beach Picture Theatre - NSW and Palace Electric, Canberra - ACT Australian theatre lovers can soon share another season of triumphs from the world's most famous stage - as if they were there in person. All three performances, captured live in Hi-Definition and presented in their entirety in pristine digital cinema quality, with full 5.1 surround sound. Globe on Screen brings you the opportunity to see the Globe's sensational Twelfth Night - starring multiple Olivier and Tony Award winner Mark Rylance, and the incomparable Stephen Fry in what critics described as "sensational...pure comic delight". Directed by Tim Carroll, Twelfth Night was one of London theatre's biggest hits of summer 2012, completely selling out all of its performances at the Globe and creating queues around the block in the West End. Critics raved about Mark Rylance's "dazzling high definition performances" lifted the production "into the sublime". Stephen Fry's turn as Malvolio - his first return to the stage in 17 years - won him huge acclaim from critics and audiences and a WhatsOnStage Award for Best Supporting Actor, voted for by 60,000 members of the public. The all-star cast also includes the multi-talented Johnny Flynn, a successful singer-songwriter and a talented actor who was nominated for an Olivier Award for his performance in the smash hit Jerusalem, and Roger Lloyd Pack, who played Barty Crouch in the film Harry Potter and the Goblet of Fire. Twelfth Night is an all-male Globe 'Original Practices' production that aims to replicate as closely as possible the music, costumes, dance and scenery of Shakespeare's time. Henry V, Shakespeare's masterpiece on the turbulence of war and the arts of peace, is directed by the Globe's Artistic Director Dominic Dromgoole. A perennial favourite at the Globe, the play is a profound and compelling exploration of the meaning of leadership, morality and common humanity in the midst of war. The essential English battle-drama drenched in some of the most famous and rousing speeches in the language. Jamie Parker returns to the Globe after his star turn as Prince Hal in Henry IV Parts 1 & 2 (to be featured later this year) and so completes Henry's journey from youth to adulthood. The season concludes with The Taming of the Shrew. Shakespeare's notorious battle of the sexes gives us one of theatre's great screwball double-acts in the shape of Katherina and Petruchio - a couple hell-bent on mastering the other right up to the play's controversial conclusion. Director Toby Frow gives us "a riotous mixture of verbal dexterity and slapstick" in an exhilarating production that delighted Globe audiences. Katherina is played by the Olivier Award-winning Samantha Spiro. The Globe on Screen website, with cinema listings, trailer and links to book tickets, can be found at http://onscreen.shakespearesglobe.com/#/findvenue http://www.youtube.com/watch?v=PcMA1Z7Shxk HENRY V "Bold and enthralling" The Times TWELFTH NIGHT "Remarkable...superb" The Independent THE TAMING OF THE SHREW "A laugh out loud production" Time Out</p> Wed, 22 May 2013 10:35:14 +1000 http://if.com.au/2013/05/22/article/Red-Giant-Announces-Immediate-Availability-of-BulletProof-Free-Public-Beta/EXMKFQVKSZ.html http://if.com.au/2013/05/22/article/Red-Giant-Announces-Immediate-Availability-of-BulletProof-Free-Public-Beta/EXMKFQVKSZ.html Inside Film Correspondent <p> PRESS RELEASE FOR IMMEDIATE RELEASE Red Giant Announces Immediate Availability of BulletProof Free Public Beta. A Complete Media Prep and Delivery Application for Filmmakers; BulletProof Bridges the Gap Between the Camera and the Editor. Portland, OR (May 21, 2013) – Red Giant today announced that BulletProof is now available as a free public beta and can be downloaded by visiting www.redgiant.com. BulletProof is a complete media prep and delivery solution for footage that simplifies the tedious tasks facing filmmakers every day onset. Bridging the gap between camera and editor, BulletProof combines allbackup, organization, color and delivery tasks while handling footage frommultiple cameras and media cards. Whether shooting with a Canon DSLR, Nikon DSLR or GoPro sports cam, filmmakers, videographers and data wranglers can now quickly and easily transform their capture into edit-ready footage. During the public beta program, Red Giant will continue aggressive product development, adding features, new camera support and gathering customer feedback to further enhance the application. To demonstrate the impact of BulletProof on a film set, award-winning director, Seth Worley released his newest short film, Spy Vs. Guy, as well as a behind-the-scenes video that highlights the BulletProof workflow. Spy Vs. Guy and the making-of films can be seen here: http://www.redgiant.com/news/featured/films/. Philip Bloom, a world-renown director, DP and digital cinematographer, has been evaluating BulletProof as part of his workflow. "Post work is the biggest pain in my arse! I love to edit, it's creative, but the rest I despise - the ingest, transcoding, syncing, logging. Nothing out of my work I loathe the most," said Philip Bloom. " If an application came along that could lessen the pain, I would be a happy man. Guess what, it has! BulletProof could well be exactly what I needed. After some initial use, the time it can save me is becoming clear. It's also going to get better and better. In today's modern times, time is money. And while I may have run out of time, Bulletproof can stop me from running out of money!" "Since the release of the DSLR camera and the rise of file-based video capture, the need for a better media prep solution has become obvious - as our team has discovered from our own film projects. Tapping into what we've learned over the last decade of building tools for filmmakers, like Magic Bullet, we designed and built BulletProof, which we believe is the most affordable, complete solution that bridges the gap between the camera and the editor," said Andrew Little, president and co-founder of Red Giant. "And the feedback since the announcement is telling; the feature set is really resonating with filmmaker needs. Moving forward, we are collecting customer feedback and aggressively adding the features, camera support and workflow capabilities they're looking for to further enhance the product." The BulletProof Workflow The BulletProof workflow is presented in a series of five views, arranged in a left-to-right flow that mirrors what filmmakers do on set every day. - Import: Offloading clips from media cards and drives is quick and safe in Import. BulletProof doesn't alter data while copying and backing up, so the integrity of your footage is always maintained. - Organize: Set up shots before they reach the editing platform. In Organize, you can see thumbnails of the entire story, and check if the clips match the creative vision. Filmmakers organize their footage in a way that makes sense to them, using folders playlists, and metadata like keywords and star ratings. - Review: Review gives filmmakers the power to check quality and story. Examine and scrub individual clips, and set In/Out points and markers as you narrow down the shots. Review mode ensures footage from different cameras will ultimately match. Filmmakers can set up a rough cut and get a feel for the edit—before sending it to the editor. - Refine: Jumpstart the color grade with a first pass of color. Refine provides professional color tools like Colorista color wheels and LUTs that let you unify and fix colors on the spot to avoid reshoots later. All color and metadata are applied non-destructively, so original clips are always safe and untouched. - Export: The Export view is designed for fast delivery of masters, proxies and dailies, without the usual tedium of transcoding. Options like Burn In, Frame Rate and Resolution make it simple to export in a single time-saving pass. A list of camera and codec/format support for BulletProof v1.0 is available here www.redgiant.com. Additional camera support will be added as free updates for BulletProof customers, and will be announced as they are released. Pricing and Availability The final v1.0 of BulletProof will be available this summer and will be priced at $199.00 USD. BulletProof v1.0 will be available for Mac OS first. A Windows version is in development and will follow the Mac OS release. To download the free beta, or for more information on BulletProof please visit www.redgiant.com/bulletproof. The Red Pledge Red Pledge is Red Giant's commitment to customer happiness, with no purchasing hassles. Learn about the Red Pledge guarantee at www.redgiantsoftware.com/redpledge/. About Red Giant At Red Giant, we make tools, films, and training to enrich the community of filmmakers. Through making our own award-winning films, we create new tools to fill our needs. Then we make those tools available for everyone else. Red Giant develops tools that make the filmmaking process faster, more secure, more accurate and just more fun. We help filmmakers create the perfect look that matches their story. For more than 10 years, we have built software for motion design, photography, visual effects and color correction that is used for everything from major motion pictures to worldwide television programming to web production. To learn more, and to join the Red Giant community, please visit us at www.redgiant.com. You can also join us on Facebook (RedGiantSoftware), follow us on Twitter (@RedGiantNews), watch our films (www.redgiant.com/films) and get free content at Redgiantpeople.com.</p> Wed, 22 May 2013 10:26:29 +1000 http://if.com.au/2013/05/22/article/Save-Your-Legs---Coming-to-DVD-BLU-RAY-and-Digital-Download/ANCMTYWLKN.html http://if.com.au/2013/05/22/article/Save-Your-Legs---Coming-to-DVD-BLU-RAY-and-Digital-Download/ANCMTYWLKN.html Inside Film Correspondent <p> PRESS RELEASEŒ</p> <p> An inspirational adventure filled with comedy, cricket and camaraderie, SAVE YOUR LEGS! arrives to home entertainment formats, 17 July, 2013. SAVE YOUR LEGS! is an uplifting story from the heart of Australia to the soul of India, where a group of men take a shot at international sporting glory and find themselves facing the hardest challenge of them all – mateship. Edward (Teddy) Brown is obsessed with cricket. His whole life revolves around the game and his Abbotsford Anglers teammates. But now that they've hit their mid-thirties, his friends are starting to move on, trading in the team for their careers, wives, mortgages and kids. With one last, desperate attempt to keep his mates’ passion for the pitch alive, Teddy convinces his boss Sanjeet to let the Anglers represent Australia on a cricket tour of India. Once there, Teddy discovers that his dreams of winning an international cricket tour might be harder than he thinks, as his two best friends are more interested in sampling the local customs than they are with picking up a bat. Throw in a bit of local team tension, hallucinogenic smoothies, Delhi belly and a dry cleaning disaster, and Teddy’s grip on all he holds dear begins to fall apart. Soon his passion for the game threatens to cost him not only his teammates, but also a chance at the heart of Sanjeet's beautiful daughter, Anjali. Stephen Curry (THE CASTLE, THE CUP) heads up a stellar comedy cast for SAVE YOUR LEGS! including Brendan Cowell (NOISE, BENEATH HILL 60) Damon Gameau (BALIBO, UNDERBELLY), Darren Gilshenan (THE ELEGANT GENTLEMAN’S GUIDE TO KNIFE FIGHTING), David Lyons (E.R., SEA PATROL) and Bollywood beauty, Pallavi Sharda. Limited interview opportunities are available with Stephen Curry, Damon Gameau and Brendon Cowell. To register your interest – please contact Madman Publicity via reply. SAVE YOUR LEGS! DVDs and Blu-Rays are available for reviews or giveaways, along with a limited amount of Kookaburra Cricket Kits (valued at $490rrp). To make your request – please contact Madman Publicity via reply. SAVE YOUR LEGS! is available on DVD ($29.95srp), Blu-Ray ($34.95srp) and Digital Download 17 July, 2013. Œ</p> Wed, 22 May 2013 10:12:18 +1000 http://if.com.au/2013/05/17/article/ESSENCE-OF-TASMANIA-SHORT-FILM-COMPETITION/KZVBOQDDEW.html http://if.com.au/2013/05/17/article/ESSENCE-OF-TASMANIA-SHORT-FILM-COMPETITION/KZVBOQDDEW.html Inside Film Correspondent <p> Press Release from Tsuki</p> <p> Entries in the second „Essence of Tasmania‟ Short Film Competition run by BOFA (The Tasmanian Breath of Fresh Air Film Festival) and Tourism Tasmania, close at the end of May.</p> <p> Tourism Tasmania is contributing a prize pool of $20,000, with up to four winners receiving $5000 for their Essence of Tasmania short film.</p> <p> Film makers – professional and amateur – are invited to submit a film story of up to three minutes duration which interprets Tasmania in new and different ways.</p> <p> Filmmakers are encouraged to capture the essence of Tasmania in the form of a story rather than a travelogue of images, and entry is open worldwide. The winning films will be used to promote the state through Tourism Tasmania‟s social media and other promotions, and will be featured at BOFA 2013, to be held November 7 to 10 in Launceston.</p> <p> Entries close on May 31 with the short films assessed by a formal judging panel and winners notified by June 24. There will also be a People‟s Choice award this year, with the vote opening on the BOFA Facebook site from midnight Friday 21 June. The winners selected by the People's Choice and by the judges will be announced on July 15 2013.</p> <p> For information on how to enter visit http://bofa.com.au/2013/home/prizes-awards/. Details will be stipulated within the forms making up the formal online entry process. Film makers should enter the competition with output recorded in Full HD.</p> <p> In the first year of the competition, more than 20 short films were submitted. The winning entries from our 2012 Essence of Tasmania Short Film Competition can be found here <a href="http://campaigns.discovertasmania.com/national/bofa2012">http://campaigns.discovertasmania.com/national/bofa2012</a></p> Fri, 17 May 2013 13:59:03 +1000 http://if.com.au/2013/05/17/article/Short-courses-updates-at-AFTRS/JVURHYWGCY.html http://if.com.au/2013/05/17/article/Short-courses-updates-at-AFTRS/JVURHYWGCY.html Inside Film Correspondent <p> Press Release from AFTRS</p> <p> At any given time, the team on a television series need a broad range of skills and expertise to get the best onscreen, especially in the high pressure worlds of live and factual or reality TV. AFTRS Open has some great TV courses coming up that will give you various skills and the confidence to be a valuable production team member.</p> <p> In the Producing Live TV weekend intensive you will hear about all the elements of producing a live TV program. Field and Story Producing will develop the core skills to tell great stories in factual TV and TV Shooter Producer focuses on camera and audio skills for field producers. Two new courses we are excited about are Editing for Factual TV and Challenge Producing with Caroline Spencer, which will give you an understanding of what it takes to put together challenges both in studio and on location for Reality TV. Plus TV Director's Assistant - An Introduction will give you a good insight into how the control room of a multicam studio works.</p> <p> Also don't forget School Holidays courses for July are live and ready for bookings.</p> <p> Here's a small taste of the variety of courses we offer, to see all courses across the country visit the AFTRS OPEN website Stay connected with us on facebook and twitter</p> <p> TELEVISION Producing Live TV Working in live television is one of the most exciting areas of the media. Whether it's News and Current Affairs, Sport, daily "magazine", Special Events or "Shiny Floor" grand finals, you're working with a huge team of people who know that everything they do is going to be seen by millions of people, and that there is no "take two" (25 - 26 May).</p> <p> Inside Investigative Journalism If you are interested in the world of TV Investigative Journalism, don't miss this series of masterclasses with some of the most experienced TV Journalists and producers in Australia. Six Wednesday evenings (29 May - 3 June).</p> <p> Inside Investigative Journalism If you are interested in the world of TV Investigative Journalism, don't miss this series of masterclasses with some of the most experienced TV Journalists and producers in Australia. Six Wednesday evenings (29 May - 3 June).</p> <p> TV Field and Story Producing Field and Story Producing is a core skill for those working in Factual and Reality television. This course will upgrade your skills and help you to become a successful storyteller. Its focus is on the process of planning, shooting and post-producing engaging real stories for television (8 June - 11 July).</p> <p> TV Shooter Producer Workshop This course is designed for TV Producers, associate producers and researchers who have some production knowledge and experience but little or no camera expertise. It aims to familiarize course participants with the basic principles of recording quality picture and sound, with an emphasis on working in situations where they will have little control over the events they are filming (22 - 24 June).</p> <p> Production Management for TV (Factual) This ten evening course offers up-to-the-minute skills and insights for aspiring TV Production Managers and Production Co-Ordinators or even beginner PAs, Producers or APs looking to expand their knowledge. Leading industry professionals will share their experiences of the fundamental areas of TV in relation to reality, documentary, factual, studio shows, outside broadcast events and web content (10 July - 11 Sep).</p> <p> Challenge Producing A good Challenge Producer will have a high level of creativity PLUS excellent logistical skills. They will know how to stick to a budget, organise locations, have a good handle on all relevant WHS issues, and be able to pull together props, wardrobe, guests and experts at a moment's notice. Learn from experienced Executive Producer Caroline Spencer over two intensive and creative days ( (27 July and 3 Aug).</p> <p> CAMERA Advanced Lighting Designed for cinematographers wanting to expand their knowledge in lighting for film and TV Drama, this three day course with professional actors will involve lighting a set for various genres under the tuition of a professional Cinematographer (22 - 24 June).</p> <p> SCREEN BUSINESS & PRODUCING Client Management and the Successful Corporate video Looking for corporate clients to supplement your film and TV career? Working with corporate clients can be full of hurdles, but with the right information and strategy you can leverage these relationships into a steady stream of vital income for your production company (25 May).</p> <p> Introduction to Film & TV Co-production Want to learn how to put together a film or TV co-production? Golden Globe winner and Oscar nominated Producer Martin Brown (Romeo+Juliet, Moulin Rouge!) will guide you through the creative and administrative hurdles (and rewards) many filmmakers face when working with international partners (15 June).</p> <p> Low Budget Features: How, Why & What Not to Do! Tait Brady will lead you through the minefield of low budget production possibilities and pitfalls and give you insider tips and skills to make your low budget feature a success. Ideal for emerging feature film producers, writers, directors and line producers (29 - 30 June).</p> <p> ONLINE Screenwriting for Film: Online This very popular online course, gives you a 'toolbox' for creating an industry-standard feature film script (27 May - 7 Aug, 10 weeks).</p> <p> Alice Tynan's Film Club From the comfort of your keyboard, join award winning film critic Alice Tynan for an exciting and engaging weekly look at film history, aesthetics and criticism with a series of feature films to expand your cinematic horizons - all online! (20 June - 8 August).</p> <p> DOCUMENTARY Documentary Fundamentals Have an idea for a documentary but aren't sure where to start? This course with AFI nominated documentary Producer Dylan Blowen will teach you everything you need to know about documentaries and how to start moving your ideas into actual productions (11 - 12 May). Documentary: The Art of Interview Producer, Writer & Director Robin Hughes (Chequerboard, The Willesee Specials, Australian Biography) shares her four decades of experience to equip you with the skills necessary to develop powerful interviewing techniques (1 - 2 June).</p> <p> RADIO Radio Documentaries for Independent Producers This hugely popular two-day course with award winning radio documentary producer Colm Mcnaughtion will provide you with the resources, storytelling skills and contacts to create long form radio documentaries and sell them to broadcasters around the world (1 - 2 June).</p> <p> SOUND Introduction to Scoring and Composing for the Screen Over two weekends, you will have the opportunity to use your creative skills in AFTRS' state of the art facilities to compose a two minute piece of music and learn how to integrate it with a piece of film (3 -11 August). Introduction to Location Sound Recording This course, led by AFTRS Sound Lecturer Rod Pascoe, is designed for people who wish to learn the latest sound recording techniques used in capturing speech and sound effects using portable recording equipment (20 - 21 July). WRITING Explore Your Galaxy: Writing for Sc-Fi This intensive, hands on workshop will explore the art of creating film and television stories for one of the most popular film genres in the world: Science Fiction (18 - 19 May).</p> <p> Into The Box: Intro to Writing for Television This course will introduce emerging writers and potential script editors to the experience of working in the fast-paced and challenging environment of series television (1 - 2 June).</p> <p> EDITING & VFX Colour Grading with Da Vinci Resolve This 2-day lab-based course will explore the basics of colour correcting and grading using the industry standard DaVinci Resolve software. It is a hands-on workshop that encompasses both demonstrations and practical exercises in colour correcting and colour effects. We will be using the latest version of Da Vinci Resolve Lite (V9) for this course which is available as a free download (1 - 2 June).</p> <p> Editing in Factual TV The demand for good editors in the world of factual and reality television has risen dramatically in recent years, and the supply of quality editors never seems to meet demand. If you already have some technical editing skills but want to focus on the craft of editing, and how to separate yourself out from the pack, this course is for you (15,22,23 June).</p> <p> Avid Media Composer 110: Video Effects This two-day course is the second half of the Avid Media Composer accreditation program, and provides a solid foundation in Media Composer audio and video effects. (15,16 June)</p> <p> DIRECTING Four Day Music Video Workshop Get a head start on your music video career with this hands-on course. You'll cover who's making videos (and why), what makes the Australian scene unique, how to pitch your idea, planning, budgeting (big and shoestring) and crewing (21 - 24 May). Audition Process for Directors 25 year veteran Director Ian Watson (Wildside, Farscape, Dance Academy, Underbelly, Love My Way) will lead this course aimed at emerging Directors that want to be sure they are getting the most from their own audition process (13-14 July). Intro to Directing TVC's This two-day course will give aspiring TVC directors inside knowledge of the Industry and a good understanding of the skills required to have a career as a TVC Director (27 - 28 July). WINTER SCHOOL Winter School: Introduction to TV and Radio Presenting This course combines our regular "Introduction to TV presenting" and "Announcing and Presenting" courses plus a day of our "Voice Over" course into one intensive week (24 - 28 June).</p> <p> Winter School: Short Film Screenwriting Students will learn from working Industry professionals and plenty of inspiring guest speakers to take their stories from initial idea through treatment and draft stage, to a finished, polished script ready to be pitched on the final day (1 - 5 July).</p> <p> Winter School: Filmmaking In this five day filmmaking intensive you will get busy in AFTRS state-of-the-art studio taking a winning script from 'Winter School: Short Film Screenwriting' from script to screen. Experienced industry filmmakers will guide you with lectures and fast paced practical exercises to conquer the major areas of Directing, Cinematography, and Post Production (8 -12 July).</p> <p> Winter School: Introduction to Radio In this five-day intensive you'll learn essential Radio skills from experienced radio industry professionals and gain the confidence to begin your career in radio. From roles and responsibilities and announcing and presentation, to editing and studio skills we've got it all covered (8 -12 July).</p> <p> TAILORED COURSES AFTRS OPEN can customise workshops and training to suit the specific needs of a company or school. Our Corporate courses include Make A Film - Build A Team a one-day team building workshop for executive, senior management and project management</p> <p> For full course details visit <a href="http://www.open.aftrs.edu.au">www.open.aftrs.edu.au</a> To find out more contact us on open@aftrs.edu.au / 1300 065 281Œ</p> Fri, 17 May 2013 13:51:56 +1000 http://if.com.au/2013/05/17/article/Australian-independent-musical-comedy-SUNSET-SIX-to-play-encore-theatrical-seaso/OYRGFVNCZP.html http://if.com.au/2013/05/17/article/Australian-independent-musical-comedy-SUNSET-SIX-to-play-encore-theatrical-seaso/OYRGFVNCZP.html Inside Film Correspondent <p> Press Release from Cinema Nova</p> <p> Due to the popularity of THE SUNSET SIX event screenings held at the Carlton theatre, Cinema Nova is pleased to announce the Australian comedy will open for an exclusive theatrical season on May 23rd. First-time director Jeremy Stanford said ‘Cinema Nova has really distinguished itself as Melbourne's home of independent cinema by supporting our film. It is the ideal place for our film to call home, and we're thrilled that our season's been extended there.’ The limited screenings this week, which included a Q&A and live in-cinema performance from The Sunset Six band, saw sold out houses, confirming Melbourne’s enthusiasm for local feature films. With this expansion of THE SUNSET SIX’s release Cinema Nova continues its successful run of independently released Australian films including Genevieve Bailey’s I AM ELEVEN, Robert Connolly’s UNDERGROUND: The Julian Assange Story, John Duigan’s CARELESS LOVE, Gillian Armstrong’s LOVE LUST AND LIES, John Doggett Williams’ PURE SOUND and Rohan Spong’s ALL THE WAY THROUGH EVENING. SUNSET SIX is the story of legendary guitarist Riff (Greg Stone – The Bank, Underbelly Razor) who has faded into relative obscurity. With his new band The Sunset Six, Riff has one last chance to make it but unfortunately his band is falling apart at the seams. The film stars a huge line up of home grown musical talent, including Rachael Tidd (June Carter in The Man in Black) and Lulu McClatchy (BBC's Supergirly). Œ</p> Fri, 17 May 2013 13:45:20 +1000 http://if.com.au/2013/05/17/article/Foxtel-launches-video-crowdsourcing-ad-contest/WSOYNZDDGF.html http://if.com.au/2013/05/17/article/Foxtel-launches-video-crowdsourcing-ad-contest/WSOYNZDDGF.html Inside Film Correspondent <p> Press Release from Brand Honee</p> <p> Media giant Foxtel gives creatives a shot at $5,000 cash and exposure through Australia’s first video crowdsourcing platform for ad content, Brand Honee. Film creatives have until midnight, 2 June, 2013 to submit their video entries. Foxtel will award a $5,000 cash prize for the content that best raises awareness for their Green I.T. initiative. According to Robyn Elliott, CIO of Foxtel, “At Foxtel, we are conscious of the impact of IT on the environment and want to help promote sustainable actions to reduce waste and become more energy-efficient. “Brand Honee gives us a new way to raise awareness while also raising the profiles of highly-talented Australian creatives.” The winning entry will be used to promote International Green IT Awareness Week (1-7 June, 2013). Foxtel is the most recent Australian brand teaming up with Brand Honee to award a total of $100,000 in cash prizes to aspiring creatives. According to Laurence Wolf, CEO and Founder of Brand Honee, “We’ve already awarded $40,000 to local filmmakers with these contests. We’re putting creatives in front of name brands that they previously had no access to. “It gives them a shot at the spotlight while creating meaningful, innovative content.” “Brand Honee combines social networking with user-generated advertising to give brands meaningful content they can leverage online,” said Mr Wolf. Professional and aspiring filmmakers go to their site to create original video content for leading brands like Foxtel. Brands wanting to create meaningful and engaging content simply create a brief, offer a cash prize and then sit back and watch the content roll in. Brand Honee aims to launch 20 competitions with a total prize pool of $100,000 by 31 July, 2013. For information about how to enter or sponsor a contest, go to www.brandhon.ee or contact info@brandhon.ee. Œ</p> Fri, 17 May 2013 13:39:05 +1000 http://if.com.au/2013/05/16/article/Avid-editors-shine-at-2013-Cannes-Film-Festival/TBUYOOZMLD.html http://if.com.au/2013/05/16/article/Avid-editors-shine-at-2013-Cannes-Film-Festival/TBUYOOZMLD.html Inside Film Correspondent <p> Press release</p> <p> Avid (NASDAQ: AVID) today celebrates The Great Gatsby, the 2013 Cannes Film Festival opener, which was cut on the industry’s preeminent nonlinear editing solution, Avid Media Composer®. The 2013 Cannes Film Festival, which runs from May 15 – 26th, will open with the latest adaptation of the F. Scott Fitzgerald novel, The Great Gatsby directed by Baz Luhrmann and starring Leonardo DiCaprio. The 3D film was cut by award-winning editors Jason Ballantine ASE and Matt Villa ASE on Media Composer. With careers spanning over 20 years, Ballantine and Villa are long-time Media Composer users and have worked on major projects including, Moulin Rouge, Australia, Wolf Creek, Happy Feet Two and Daybreakers. Ballantine is currently using Media Composer on his next project, Mad Max: Fury Road; and Villa is using it to cut Predestination. “Every film throws a new set of creative and technical challenges for post-production that must be overcome,” said Ballantine. “With so many variations in workflows to navigate, it's incredibly reassuring that there is no decision to be made with the offline cutting system – it’s always Media Composer, that’s a given. The reliability and functionality of the entire Avid product range is second to none.” Media Composer empowers the industry’s top professionals to edit movies with 64-bit performance and provides easy-to-use video editing tools, and streamlined HD, file-based, and stereo 3D workflows. “During the shoot we had an editing station permanently on location and during post we had two fully operational cutting rooms running concurrently and in perfect sync; one in Sydney and one in LA,” explained Matt Villa, co-editor of The Great Gatsby. “We called upon many tools from the Avid family to deal with the 3D material and they never faltered. Productions of this scale can be unrestrained and unpredictable, but Avid never fails in being stable yet flexible enough to get these jobs done.” "Jason and Matt have done outstanding work on The Great Gatsby,” said W. Sean Ford, vice president of worldwide marketing for Avid. “Their achievement is a great example of why we are so committed to providing editors with the technology that lets them push the limits of what is technically possible-- from syncing workflows across many locations, to working with 3D material. The Great Gatsby is a perfect example of what can result when professionals have the tools they need to turn their creative visions into reality.”</p> Thu, 16 May 2013 09:41:25 +1000 http://if.com.au/2013/05/15/article/Global-Television-acquires-31-Sony-HD-cameras/YKBPUYEQNJ.html http://if.com.au/2013/05/15/article/Global-Television-acquires-31-Sony-HD-cameras/YKBPUYEQNJ.html Inside Film Correspondent <p> Press release</p> <p> In its latest Sony equipment purchase Global Television has acquired a further 31 Sony HDC series high definition cameras, taking its Sony HD camera inventory to nearly 250 and cementing Global’s industry-leading HD camera chain offer. Global’s new Sony cameras will be deployed on diverse broadcasts including Big Brother 2013 for the Nine Network and NRL for Nine and Fox Sports. The agreement, which extends Global and Sony Australia’s longstanding partnership, was reached at NAB 2013 and encompasses 10 HDC-2400, three HDC-2500 and 18 HDC-P1 point-of-view (POV) cameras. Marc Segar, Director of Technical Services at Global Television, said: “With Global’s ever-expanding slate of challenging and complex outside broadcast and studio OB productions, we need the latest and most robust HD camera chains. Sony’s HDC series more than meets that brief, allowing us to deliver 24/7 productions such as Big Brother and the fast live-to-air sporting action that is NRL to the exceptional standards our clients and viewers expect.” Garry Rhodin, General Manager of Sony Australia’s Professional Solutions Division, said: “It’s part of the Sony ethos that we continually try to develop our customer partnerships as well as our technology in order to provide the very best in equipment, service and support for the long term. This latest sale of HD camera chains to Global TV is a very good example of that philosophy in action. As a result we look forward to supplying Global with their HD acquisition requirements and more, for some time to come.” Global Television will use its new HDC-2500s for slow-motion capture during NRL games. Five of the HDC-P1 POV cameras will also be deployed on NRL, enhancing Global’s existing camera resources. For Big Brother Global has added 10 HDC-2400 and 13 HDC-P1 POV cameras – which allow high quality night-time images, essential to documenting round-the-clock events in the Big Brother house. They bring the total number of Sony HD cameras used on the program to 35. The expanded camera inventory joins Global’s new second-generation Sony Trimaster EL OLED (organic light emitting diode) displays in the Big Brother control room and technical positions. OLED displays work without a backlight and offer deep black levels and extremely high contrast ratios, even in low ambient light conditions – essential to ensure viewers don’t miss a second of the goings on. Global Television also recently installed a Sony MVS-8000X vision mixer into HD4 – used on NRL and other major outside broadcasts – making the HD supertruck one of Australia’s most powerful OB vehicles.</p> Wed, 15 May 2013 13:50:37 +1000 http://if.com.au/2013/05/10/article/Screen-Australia-and-Sydney-Film-Festival-announce-Think-Big-at-the-Festival/QLKBQUTRLH.html http://if.com.au/2013/05/10/article/Screen-Australia-and-Sydney-Film-Festival-announce-Think-Big-at-the-Festival/QLKBQUTRLH.html Inside Film Correspondent <p> Press Release from Screen Australia</p> <p> Screen Australia, in partnership with the Sydney Film Festival, is pleased to present two masterclasses with acclaimed international documentary filmmakers. The sessions are designed for documentary makers and industry professionals who are interested in improving their understanding of the art and craft of storytelling. They will be moderated by journalist Sandy George.</p> <p> Masterclass #1 Think Big - Independent Collaboration In this masterclass we bring together the work of three seriously talented documentary makers to explore all aspects of their most recently applauded work and investigate the importance of having a highly functional and collaborative relationship between director and producer.</p> <p> Joshua Oppenheimer is the director of The Act of Killing, a film that has stunned audiences across the world since its release last year. Oppenheimer explores politically induced insanity through documenting the mass killings in Indonesia, following the CIA-funded military overthrow of the Indonesian government in 1965. Oppenheimer uses re-creations to capture the reality of torturer and victim with devastating results.</p> <p> Director Andreas Dalsgaard explores the notion of the mega-city in his film The Human Scale. By 2050, 80 per cent of people will live in cities. Dalsgaard shines a light on the work of Gehl Architects and a company that argues the need for sharing and community to combat shortage of resources and the threat of ecological disaster.</p> <p> Signe Byrge Sørensen is the producer of The Act of Killing and The Human Scale along with many other internationally acclaimed productions. The prolific Dane has made documentaries throughout the world under her production company Final Cut for Real.</p> <p> Masterclass #2 Think Big - Telling Family Secrets Oscar®-nominated director Sarah Polley interviews members of her family about her late mother and the story behind her own conception in her intimate, award-winning, confessional documentary Stories We Tell. Polley builds an insightful understanding of family, through the excavation of truth, weaving the inconsistency of memory through her story. The result is a highly original and experimental portrayal of family. Polley will discuss how she managed the contradictions of story and the decisions she made in the pursuit of truth. The masterclass includes a screening of Stories We Tell.</p> <p> DETAILS MASTERCLASS #1 Think Big - INDEPENDENT COLLABORATION Friday 7 June 2013 9.45am arrival for 10am start 10am–12pm Masterclass followed by refreshments Sydney Film Festival Hub at Lower Town Hall 483 George Street (enter on Druitt Street) Cost: $20 Buy tickets to Masterclass #1 Note that The Act of Killing and The Human Scale will be screened at the SFF. Please click on the film names to buy tickets for these screenings.</p> <p> MASTERCLASS #2 Think Big - TELLING FAMILY SECRETS Friday 14 June 2013 9–11am Private screening of Stories We Tell (restricted to masterclass ticket holders only) Cinema 6, Event Cinemas 505–525 George Street 11–11.30am Refreshments at the Hub 11.30am–1.30pm Sarah Polley in conversation with Sandy George Sydney Film Festival Hub at Lower Town Hall 483 George Street (enter on Druitt Street) Cost: $30 (includes screening) Buy tickets to Masterclass #2 Places are strictly limited. Discounted cost for both workshops $45. Buy tickets for both masterclasses. Œ</p> Fri, 10 May 2013 15:21:04 +1000 http://if.com.au/2013/05/10/article/LA-Film-School-to-tour-Australia/KQQBOTJRKZ.html http://if.com.au/2013/05/10/article/LA-Film-School-to-tour-Australia/KQQBOTJRKZ.html Inside Film Correspondent <p> Press Release from David Whealy and Associates</p> <p> Entertainment legal services practice David Whealy and Associates and veteran producer Patrick Condon have organised for 22 students from the prestigious Chapman University Carol Dodge Film School (LA Film School) to visit Sydney and take part in a whole host of industry events between 7-17 June this year. David Whealy explained, “The LA Film School is one of the world’s top schools, ranked by the Hollywood Reporter as the 13th best film school in the world in 2012 (AFTRS was ranked 20th by way of comparison) and the idea for the trip came about after discussions with my good friends Patrick Condon and Harry Ufland, also a teacher at the LA Film School.” Ufland, currently teaching his fifth semester at the LA Film School, was the EP who packaged the iconic Taxi Driver, Raging Bull and Blade Runner movies in addition to being one of Hollywood’s most prolific agents. Whealy continued, “The intention is for the tour to become an unprecedented bi-annual alternating event where the LA students will come to NSW one year and AFTRS and NIDA students will have the hospitality reciprocated in alternate years in Los Angeles to meet LA film students, A-list US writers, directors, producers, actors, LA agents and studio executives. This is an historic and tremendous coup for NSW and Australia as the next generation of Hollywood directors and producers will be viewing NSW locations and the next generation of Australian writers, actors, directors and producers will be meeting the Hollywood A-list as part of a dedicated program. The proposal has been tremendously well received in Hollywood.” As part of the inaugural event David Whealy and Associates in conjunction with Patrick Condon, Jack Thompson and Harry Ufland have organised a wide range of events for the students whilst they are in Australia. These include a day with AFTRS involving a high profile script read through session with A-list actors, and tours of NIDA, SPAA, The Actors Centre, Moneypenny, Animal Logic, Fox Studios Australia and Essential Media’s production set tour in connection with the TV series Rake. Whealy added, “We have also organised a dinner function at Mezzaluna restaurant to be sponsored by AUSFILM with the invitee guest list including the Federal Arts Minister and The NSW Premier so this event will be profiled at the highest levels within the Australian entertainment industry. The ultimate aim for the tour is that the LA Film School students learn as much as they can about the Australian film business and begin a dialogue between the next generation of American filmmakers and the current and rising generation of Australian filmmakers to promote the making of films for both countries utilising the talent, services and locations of each.” For more information on the LA Film School go to: <a href="http://chapman.edu/dodge">http://chapman.edu/dodge</a></p> Fri, 10 May 2013 15:17:36 +1000 http://if.com.au/2013/05/10/article/RAVAGE-named-as-a-finalist-in-2013-Dendy-Awards/MSFYZQXMOI.html http://if.com.au/2013/05/10/article/RAVAGE-named-as-a-finalist-in-2013-Dendy-Awards/MSFYZQXMOI.html Inside Film Correspondent <p> Press Release from RavageFilm</p> <p> Short film, ‘Ravage’, has been named as a finalist of the 2013 Dendy Awards for Australian Short Films and nominated for Best Live Action Short and The Rouben Mamoulian Award for Best Director. Sponsored by Dendy Cinemas for 25 years, these awards have launched and aided the careers of many Australian filmmakers. The finalists in this year’s awards will screen together in one session on 15 June at 4pm at Event Cinemas 4 and 16 June at 11am Event Cinemas 8. Directed by Jaime Lewis, written by Joshua Longhurst and produced by Leonie Rothwell, ‘Ravage’ follows the last days of a complicated clandestine affair between a young school teacher (Ashley Ricardo) and her 17-year old student (Joshua Longhurst). The film is a bold and confronting exploration of power and the abuse of it as well as the complexities between the idea of consent and duty of care. “Beautifully shot and precisely acted, with a sparse score that arises organically from the material, ‘Ravage’ impresses for telling its deeply confronting story without sensationalism or judgment; it is certainly dark but it’s never lurid. It manages to mine intricate and dangerous emotions and motivations in its scant running time, and represents a very assured debut for director Jaime Lewis.” CJ Johnson Movieland and Tony Delroy’s Nightlife ABC Radio The ‘Ravage’ creative team is made up of several new faces to Australian filmmaking. Director Jaime Lewis studied at the Australian Film Television and Radio School in 2009 and has worked on an extensive range of productions in varied roles over the last 4 years. ‘Ravage’ marks her directorial debut. Joshua Longhurst is a young Sydney based actor, who studied at The Australian Theatre for Young People. Having never studied writing formally he applied and was selected as a participant of the young writers 2011 program facilitated by Metro Screen and ArtStart NSW where he developed the screenplay for Ravage. Ravage is his first produced short screenplay. Joshua is currently working on several new short scripts and a feature adaptation of Ravage. This is Producer Leonie Rothwell’s first short film having made the jump from working in senior management positions. She has worked with Azure Productions over the last year on a range of films and assisted in the German Documentary, ‘Rodicas’ (selected in the 2012 International Berlin Film Festival). Leonie now continues her focus on producing film and documentary. ‘Ravage’ has cinematography by Emmy nominated and ACS Gold Award recipient Tom Gleeson, editing by Kenny Ang and sound design by Sasha Zastavnikovic. It features brave performances from Ashley Ricardo (Grace), Heather Mitchell (The Great Gatsby, Crownies, Rake), and Joshua Longhurst, Michael Yore and Rebecca Lee Slade in their screen debut. ‘Ravage’ was developed and produced through Metro Screen and Screen NSW’s 2012 First Breaks initiative which provides an opportunity for emerging filmmakers to create and develop a film all the way to screening. Œ</p> Fri, 10 May 2013 15:14:02 +1000 http://if.com.au/2013/05/10/article/Queensland-Literary-Awards/QTQODKBZUN.html http://if.com.au/2013/05/10/article/Queensland-Literary-Awards/QTQODKBZUN.html Inside Film Correspondent <p> Press Release from Queensland Literary Awards Inc Œ</p> <p> Nominations are now open for the 2013 Queensland Literary Awards. The Awards include the Gadens Feature Film Script Award. The winner receives a $5,000 prize.</p> <p> Awards Guidelines are available at: <a href="http://www.queenslandliteraryawards.com/2013-qla-guidelines.html">http://www.queenslandliteraryawards.com/2013-qla-guidelines.html</a>Œ Information about the Nomination process is available at: <a href="http://www.queenslandliteraryawards.com/nomination-processfee.html">http://www.queenslandliteraryawards.com/nomination-processfee.html</a> Nominations close 24 May 2013. Œ</p> Fri, 10 May 2013 15:00:20 +1000 http://if.com.au/2013/05/10/article/Autodesk-Media--Entertainment-Events-in-Melbourne--Sydney/ADDPXICLTT.html http://if.com.au/2013/05/10/article/Autodesk-Media--Entertainment-Events-in-Melbourne--Sydney/ADDPXICLTT.html Inside Film Correspondent <p> Press Release from Autodesk</p> <p> Join Autodesk for an event that will highlight the tools used in Autodesk's Media & Entertainment software that Award Winners use on a daily basis and that the rest of us can use too.</p> <p> During this session, you'll hear from two of our key customers who will share their experiences in creating award-winning high end effects for film and advertising using Autodesk's creative software. You'll get the latest industry updates and key insights into Smoke for Mac 2013. At the end of the session, there will be Q & A opportunities with our expert panel and a networking hour with drinks provided.</p> <p> Register to join us for this special event offering inspiring strategies from Award Winners that the rest of us can apply on a daily basis. There's no cost to attend, but places will be limited per venue, so make sure you secure your spot now!</p> <p> Melbourne 3rd June 2013 4:30-7:30PM State Library of Victoria 328 Swanston St Melbourne VIC 3000 Sydney 4th June 2013 4:30-7:30PM Hoyts/Entertainment Quarter Bent St Moore Park NSW 2021 Speakers Animal Logic Animal Logic, one of world’s leading design, visual effects and animation houses will talk about their work using Autodesk’s Entertainment Creation Suite. Animal Logic produces award winning design, animation and visual effects for film, television and advertising industries. Since 1991, Animal Logic has worked with leading advertising agencies, TV commercial directors and feature film heavy-weights. Their films includes Babe, The Matrix, Moulin Rouge!, Hero, 300, Happy Feet and more recently the hotly anticipated Baz Luhrmann epic, The Great Gatsby and the BBC’s, Walking with Dinosaurs 3D, both due for release in 2014. Fin Design + Effects Fin Design + Effects is one of Australia's leading post production houses with expertise in 3D Animation, Compositing and Design. Fin Design will talk about their experience with Autodesk's Entertainment Creation Suite and Smoke for Mac. The creative team is an award winning close-knit team of VFX artists and designers and supported by experienced VFX Producers who manage a high quality of service for each and every project. Stig Gruman Vice President, Worldwide Media & Entertainment Sales Stig leads the worldwide M&E Sales team seeking to meet and exceed the needs of customers in Film & Television, Games, Advertising and Publishing & Graphic Design with Autodesk’s industry solution portfolio. Stig joined Autodesk in 1999 and previously held the position of Vice President of the Digital Entertainment Group. In this role, Stig lead the Digital Entertainment management team which significantly streamlined product offerings in the Media & Entertainment Division. Prior to Autodesk, Stig spent six years in senior management roles in general management and finance at medical device leader Smith & Nephew plc. Stig started his career at Ernst & Young in their advisory & assurance practice. David Zwierzchaczewski 3D Specialist Application Engineer, Media and Entertainment ANZ David Zwierzchaczewski has been working in the Film/ TV and games industry for almost 15 years. Trained as a traditional 2D animator David quickly transitioned over to 3D where he moved up through the production ranks to direct several projects. Some of the recent project he has been involved in are Civilisation V, Dark Siders II, Saints Row the Third, L.A. Noire He is now the resident 3D specialist at Autodesk, where he is on the BETA development teams for Maya, 3DS Max, MudBox and Motion Builder. Rob O'Neill VFX and Editing Specialist With over 30 years experience in the industry using flatbeds, linear suites, Avid and the last 17 using Autodesk Flame and Smoke systems, Rob has seen the evolution of Editing and Finishing develop into a fine art. Rob began in television as a film editor later qualifying in graphic design. "Smoke is the ultimate creative tool for me. My skills as an editor and designer are seamlessly combined in Smoke giving me control over a spot like nothing else does." Œ</p> Fri, 10 May 2013 14:53:33 +1000 http://if.com.au/2013/05/10/article/Sonnet-Releases-Enhanced-xMac-mini-Server/IPYGMUEZWR.html http://if.com.au/2013/05/10/article/Sonnet-Releases-Enhanced-xMac-mini-Server/IPYGMUEZWR.html Inside Film Correspondent <p> Press Release from Sonnet Tech</p> <p> Sonnet today introduced a significant upgrade of its popular xMac™ mini Server, a Thunderbolt™-to-PCI Express® (PCIe®) expansion system and 1U rackmount enclosure for a Mac® mini with a Thunderbolt port. The xMac mini Server accommodates one full-length, full-height PCIe card and one half-length, half-height (low-profile) card. The updated xMac mini Server now supports a double-width PCIe card's daughter card and includes BNC connector mounting holes on the enclosure's rear panel. In addition, the length of the xMac mini Server is now just 15.8 inches, making it ideal for deployment in a wider range of popular mobile racks, carts, and rack bags.</p> <p> Some PCIe cards, such as RME's HDSPe MADI FX card, Blackmagic Design's DeckLink 4K Extreme, and the Lynx AES16e-50, include a daughter card that normally occupies the adjacent PCIe card space. The enhanced xMac mini Server is now able to accommodate a daughter card via a special mounting bracket included with the system, thereby saving the additional PCIe card space. Also, with the addition of two holes for mounting BNC connectors on the rear panel of the xMac mini Server, operators now have a convenient place to mount HD/SDI connectors for PCIe cards, such as the RED ROCKET™, without having to use a bracket that blocks the use of a PCIe card slot. To better support customers that require a very quiet work environment, a quiet fan module is available as an option.</p> <p> "The enhanced design of the xMac mini Server came about after we spoke in the past year with working pros already using the systems in their workflows," said Greg LaPorte, vice president of sales and marketing for Sonnet Technologies. "By shortening the chassis, we addressed the need for the product to work in smaller spaces. With an included bracket, users can now install a daughter card securely within the chassis. Added mounting holes for BNC connectors enhance usability for our customers with Red Rocket cards."</p> <p> Sonnet's newest xMac mini Server and the previously announced xMac mini Server 2H transform a Mac mini computer into a full-fledged expandable rackmount server. This enables users to harness the power of PCIe cards such as full-size pro video capture and processing, digital audio interface, DSP accelerator, FireWire®, RAID controller, 10 Gigabit Ethernet, eSATA, and other PCIe cards. Both Sonnet expansion systems mount the Mac mini inside a specially designed 1U rackmount enclosure containing a Thunderbolt-to-PCIe expansion system with two PCIe 2.0 slots that connect to the computer's Thunderbolt port via an included Thunderbolt cable. This allows the Mac mini to use expansion cards normally usable only in the Mac Pro®, making it a smaller, lighter, and quieter stand-in for the discontinued Xserve®.</p> <p> The xMac mini Server and xMac mini Server 2H include a 100W power supply and employ variable-speed fans to cool the cards and computer. An ultra-quiet fan module option for cool-operating cards is now available. The Mac mini's Gigabit Ethernet, USB 3.0, and HDMI® interfaces are extended to panel-mounted connectors on the back of the unit, and a USB 3.0 interface and power switch are mounted on the front. An xMac mini Server's second Thunderbolt port enables the daisy-chain connection of additional Thunderbolt peripherals. These features make the xMac mini Server ideal for use in many fixed and mobile applications, from video ingest and editing stations to pro audio recording rigs, and from metadata controllers to back-office RAID servers.</p> <p> The xMac mini Server and xMac mini Server 2H, like Sonnet's line of Echo Express PCIe-to-Thunderbolt expansion chassis, require the use of Thunderbolt-compatible PCIe expansion cards. Compatible cards fall into numerous categories including pro audio, Ethernet, Fibre Channel, SAS/SATA RAID controllers, and video capture and editing. A complete list of compatible cards is available on Sonnet's website, with the list continually expanding as more cards are tested and certified.</p> <p> The enhanced xMac mini Server (part number XMAC-MS) is now available at a suggested retail price of $1,295. The xMac mini Server 2H (part number XMAC-MS-2H) is also available now at a suggested retail price of $1,295. The xMac mini Server Quiet Fan Module (part number XMFAN-Q) is available now at a suggested retail price of $79.95. More information on these products and compatible PCIe expansion cards is available at <a href="http://www.sonnettech.com/product/xmacminiserver.html">www.sonnettech.com/product/xmacminiserver.html</a>. More information on Sonnet and its other products is available at <a href="http://www.sonnettech.com">www.sonnettech.com</a>. Œ</p> Fri, 10 May 2013 14:39:39 +1000 http://if.com.au/2013/05/10/article/66th-Cannes-Film-Festival-Updated-Selection-Line-up/CGIXWUKZEV.html http://if.com.au/2013/05/10/article/66th-Cannes-Film-Festival-Updated-Selection-Line-up/CGIXWUKZEV.html Inside Film Correspondent <p> Press Release from Promo Medias</p> <p> FROM 15 MAY 2013, DOWNLOAD FREE EXCLUSIVE CONTENT EVERY DAY ON OUR WEBSITE <a href="http://www.promomedias.com/">http://www.promomedias.com/</a>Œ Review of the announce made at the press conference held on 18th April ONLY LOVERS LEFT ALIVE by Jim JARMUSCH (Competition),</p> <p> LE DERNIER DES INJUSTES by Claude LANZMANN (Out of competition),</p> <p> MY SWEET PEPPER LAND by Hiner SALEEM,</p> <p> TORE TANZT by Katrin GEBBE,</p> <p> WAKOLDA by Lucia PUENZO (Un certain regard).</p> <p> Like every year, Promomedias will attend the Cannes Film Festival to offer you various content ready to broadcast (audio, video, etc). Œ</p> Fri, 10 May 2013 10:01:00 +1000 http://if.com.au/2013/05/10/article/Grass-Valley-Launches-Multi-City-K2-Dyno-Training-Tour-and-Leasing-Program/NAOFPLTTQD.html http://if.com.au/2013/05/10/article/Grass-Valley-Launches-Multi-City-K2-Dyno-Training-Tour-and-Leasing-Program/NAOFPLTTQD.html Inside Film Correspondent <p> Press release from Platform PR</p> <p> In a continual effort to make live production more cost-effective, Grass Valley® is rolling out a K2 Dyno® Replay System leasing program as well as a training tour in several cities across the U.S. and internationally to meet a growing demand by broadcasters and media organizations for a greater pool of trained operators, Super Users, and trainers. The training tour successfully began in Europe, with a first stop in Cologne, Germany held in April. The U.S. leg of the training tour kicks off May 14-16 in San Francisco and will head to Los Angeles and the East Coast before going overseas again.</p> <p> The training tour is intended to establish a pool of K2 Dyno operators that can be connected to a growing number of opportunities in the market, and each stop consists of three days. On day one, Grass Valley teaches one regional replay expert the methodology of the K2 Dyno Replay System. They are paid their customary day rate and are established as a certified K2 Dyno trainer. On day two, the newly-certified trainer educates local replay operators to fully master K2 Dyno during a four-hour tutorial. On the final day, Grass Valley customers are invited to attend a scheduled one-on-one K2 Dyno demonstration, which is facilitated by the trainer.</p> <p> “Our new K2 Dyno training sessions are a highly effective and targeted way to enable experienced replay operators to expand their knowledge beyond their legacy system capabilities, helping to grow the marketplace. For non-experienced replay operators, the sessions deliver the hands-on training they need to eventually become conversant in live production replay,” said Mike Cronk, Senior Vice President Marketing at Grass Valley. “Our first session, held in Germany last month, was met with much success. Participants pointed out many of K2 Dyno’s advanced capabilities, such as its ability to tag a clip with metadata, as important and necessary features to address second screen workflows.” In conjunction with the training tour, Grass Valley is partnering with St. Louis, MO-based CSI Leasing to deliver a leasing option for K2 Dyno. The leasing program facilitates the acquisition of a K2 Dyno S Elite XDCAM Package* for qualified Grass Valley customers, and provides greater access to K2 Dyno’s advanced capabilities and cost-effective integration. Leasing the K2 Dyno will cost less than $3000 US per month (2200 Euro) for a 36-month term, and will not require a down payment or any other upfront costs. The leasing program is available worldwide and can be arranged through Grass Valley local offices or resellers. The K2 Dyno Replay System is a comprehensive set of live production replay tools that are seamlessly integrated for use in file-based production environments such as sports and other live events. With its operational simplicity, IT-friendly implementation, and quick learning curve, K2 Dyno dramatically expands the possibilities for HD and SD live production. For more information about K2 Dyno, please visit the K2 Dyno product page at <a href="http://www.grassvalley.com">www.grassvalley.com</a>.</p> <p> *The K2-Dyno S XDCAM package Includes K2 Summit® 3G four channel HD/SD server and replay with DV, MPEG-2, and AVC-Intra codecs, 12 x 600GB drives in a RAID 10 configuration for storage of 120 hours of AVC-Intra 50 content, and K2 Dyno® S Replay controller with application software. It also includes hardware and software to permit ChannelFlex® operations with MPEG-2 formats such as XDCAM HD. Supports replay configurations up to 6 camera iso-records and 1 replay out or 4 camera iso-records and 2 replay outputs (program and preview or 2 independent programs). Œ</p> Fri, 10 May 2013 09:55:36 +1000 http://if.com.au/2013/05/07/article/Australian-Writers-Guild-launches-new-TV-drama-screenwriting-competition/NBGNHKDKMW.html http://if.com.au/2013/05/07/article/Australian-Writers-Guild-launches-new-TV-drama-screenwriting-competition/NBGNHKDKMW.html Inside Film Correspondent <p> The Australian Writers’ Guild (AWG) is calling for entries to its inaugural writing for television competition Think Inside the Box. Entries close on 3 June 2013. Each week we see more quality and diverse Australian storytelling make its way to our television screens. From Offspring to Puberty Blues, Wentworth to The Straits, Redfern Now to Rake, this new wave of Australian drama series is bold and exciting, and a move away from what we’ve seen in the past. The AWG is presenting an opportunity for writers to be a part of this new era of Australian TV by giving them the chance to have their original work read by internationally renowned 2011 SPAA Producer of the Year, Australian production house Matchbox Pictures. Writers are invited to submit a 2-3-page treatment outlining their original idea for an adult television drama series or mini-series. An industry panel of judges will select a long-list by assessing the treatments for their ability to engage the reader in the writer’s vision, the potential for the project to be produced for television and the originality and excellence of the idea. The shortlisted entrants will be asked to submit the pilot episode of their original show and the winner will be determined from this group. As well as being set up with meetings with the development team at Matchbox Pictures, the shortlisted applicants will be invited to join the AWG’s Pathways Program, an initiative that provides networking opportunities for writers and the chance to showcase their ideas to industry professionals thereby giving those industry professionals access to quality scripts. For entry form and full guidelines go to www.awg.com.au Œ</p> Tue, 07 May 2013 16:51:33 +1000 http://if.com.au/2013/05/06/article/Oblivion-starring-Tom-Cruise-shot-with-Sonys-F65-4K-cameras/UYNJLTWJFV.html http://if.com.au/2013/05/06/article/Oblivion-starring-Tom-Cruise-shot-with-Sonys-F65-4K-cameras/UYNJLTWJFV.html Inside Film Correspondent <p> Press releaseŒ</p> <p> Oblivion, one of the first major motion pictures shot with Sony’s F65 camera has been released worldwide to critical acclaim and taken over $13.47 million at the Australian box office to date. DOP on Oblivion, the Life of Pi academy award-winning Claudio Miranda ASC recently told a packed Sony press conference at NAB that the movie was captured in Sony’s 4K RAW format with a good deal of the movie’s VFX work also in 4K, leading to the very sharp final 2K image seen in the cinema release. Miranda went on to say that after exhaustive testing, both he and director Joseph “Joe” Kosinski chose the F65 when production commenced back in March 2012, as they liked the way the camera looked and that it suited the feel they were going for in the movie. By pushing the camera’s boundaries and limits Miranda felt he captured cleaner, more resolute images and made the most of its very wide colour gamut. The DOP was also impressed with the F65’s workflow stating that with the right preparation for the amount of data shot, the production team easily managed the data pipeline and as a result, they were able to take full advantage of the camera’s much-heralded dynamic range and how well it holds in the highlights. Miranda concluded by saying that he thought Oblivion would give people serious food for thought about Sony’s flagship F65 4K camera in part due to its amazing performance in low light and also because some of the movie’s key scenes, including the sky tower sequences, were all achieved in-camera, with extensive use of on-set front projection. He also made particular reference to shooting in Iceland, a country of amazing natural beauty and how the team best used the F65 to reproduce textures in capturing its stunning landscapes in full 4K resolution. To see the full interview with Claudio Miranda ASC where he talks about shooting Oblivion with Sony F65 4K cameras go to:Œ<a href="http://pro.sony.com/bbsc/video/related-recently_added/video-claudio_miranda/">http://pro.sony.com/bbsc/video/related-recently_added/video-claudio_miranda/</a> To watch the Oblivion discussion panel, with Claudio Miranda, ASC, DIT Alex Carr, and Technicolor’s David Waters at this year’s NAB which was hosted by Jon Fauer, ASC go to:Œ<a href="http://vimeo.com/65295112">http://vimeo.com/65295112</a></p> Mon, 06 May 2013 13:21:13 +1000 http://if.com.au/2013/05/06/article/Nylon-creates-the-sound-of-the-1970s-for-Ausse-film-Drift/HDNGOOGERN.html http://if.com.au/2013/05/06/article/Nylon-creates-the-sound-of-the-1970s-for-Ausse-film-Drift/HDNGOOGERN.html Inside Film Correspondent <p> Press release</p> <p> Award-winning Sydney sound house Nylon Studios is proud to announce its composer Michael Yezerski is behind the music score for Australian feature film Drift, a world wide mind films production, co-directed by Ben Nott and Morgan O’Neill.</p> <p> The film, which stars Sam Worthington, Lesley-Ann Brandt and Xavier Samuel, centres on the story of two brothers growing up in the ‘70s who battle killer waves, a conservative society and ruthless bikers to kick-start the modern surf industry.</p> <p> Yezerski collaborated with Drift producer Michele Bennett and music supervisor Andrew Kotatko to create a dynamic musical score that would faithfully evoke the sounds of the 1970’s and transition seamlessly with the film’s source tracks, which include songs by The Black Keys and The Jezabels. “From the outset, the directors had a very clear musical vision for the film and both are really fluent in music so they knew exactly what they wanted,” said Yezerski. “To hit the right tone, I worked with some of Sydney’s best singers including Nylon’s own Guy Brown (lead singer of Mammals) and Nathaniel Joyce,” he added.</p> <p> In a quest to re-create ‘70s inspired melodies, Yezerski sourced a bunch of vintage equipment, unearthing old guitar pedals and a rare analogue synthesizer. He also enlisted the talent of local musicians including drummer Lucius Borich and guitarist Krishna Jones – both specialists in re-creating the decade’s most authentic rock sounds.</p> <p> “It was great to be a part of such a collaborative project that involved Nylon’s most talented musicians for a film that brought out a community feel for those who worked on it and for audiences who will relate to a critical time in Australia’s surf history,” said Nylon executive producer Karla Henwood.</p> <p> The soundtrack for Drift is now available to download on iTunes:Œ<a href="https://itunes.apple.com/au/album/drift-music-from-motion-picture/id642682413">https://itunes.apple.com/au/album/drift-music-from-motion-picture/id642682413</a> Œ</p> Mon, 06 May 2013 11:51:49 +1000 http://if.com.au/2013/05/03/article/Sydney-Film-School-graduate-films-selected-for-TEDxSydney-programme/DWXCHGDZGK.html http://if.com.au/2013/05/03/article/Sydney-Film-School-graduate-films-selected-for-TEDxSydney-programme/DWXCHGDZGK.html Inside Film Correspondent <p> Press Release from Sydney Film School</p> <p> Sydney Film School is excited to announce that two graduate films have been selected to screen at annual ideas festival TEDxSydney, which will be held at the Sydney Opera House on May 4th. Film school graduates Eleonora Mignoli and Lauren Teiko Bayliss were selected to create a “Tasty Video Bit” (TVB) that will refresh and provoke people between talks. About two dozen creative agencies and some student bodies submitted concepts to TEDxSydney. Curators then narrowed the selection down to fourteen entries that would form part of the 2013 program. Lauren and Eleanor’s TVBs will be played through live feed around the Opera House precinct, satellite events around Australia, on the ABC, and on the internet via YouTube live and Livestream. Lauren and Eleonora join a growing number of Sydney Film School graduates who have been successful professionally and now work in the film and television industries, in Australia and abroad. “It is great that Eleonora and Lauren are part of TEDxSydney. This is a great event and an incredible opportunity for both of them to not only share their work but to be involved in inspiring change in the wider community. I look forward to seeing their TVBs at the Opera House in between the TEDxSydney speeches,” Sydney Film School Director Ben Ferris says. The mandate for the TVBs was to create palette cleansers during what is a day of thought provoking talks and aim to delight, inspire and amuse. The goal was to blow the audience away with creativity, smarts and passion. “The TVBs are the little cones of sorbet that jolt us and change our perspective. We were looking for delightful, brilliant moments to share at TEDxSydney that were original, smart, refreshing and inspiring. What I liked about Eleonora’s and Lauren’s was that they took a simple idea and made it real,” says Marque Owen Head of Video Content at TEDxSydney and a film and television director in his own right, who also acted as Executive Producer on the projects. Lauren Teiko Bayliss’ TVB ‘Tomorrow's Great Thinkers’ provides the TEDx'ers with an insight into the kinds of innovative ideas young people are having about changing their world today. “This reflects the mission of TEDx in sharing inspirational ideas and I am so excited to be involved,” she says. Eleonora Mignoli’s TVB ‘Everything is Made of Colour’ is about solving conflicts and realising that everybody is free to express their nature. “I strongly believe that difference is what makes our world a beautiful place, and I wanted to create a story that transmits my message in an accessible and enjoyable way. It’s so wonderful to participate in such an amazing event,” she says. Twenty-six year-old Eleonora is one of Sydney Film School’s most recent Advanced Diploma graduates, having moved to Australia from Italy. After graduating from Sydney Film School, twenty-nine year-old Lauren immersed herself within the film industry. She has worked as a Field Producer for National Geographic and Shine, been a Production Manager for Channel Seven, Disney Playhouse, Nickelodeon, Sony Music Australia, Universal Music, and was also a Video Tape Assistant on “Tomorrow When The War Began”. After May 4, the Sydney Film School graduate TVBs will also be available on <a href="http://www.sydneyfilmschool.com">www.sydneyfilmschool.com</a> For more about the school visit sydneyfilmschool.com Œ ABOUT SYDNEY FILM SCHOOL Sydney Film School (SFS) is one of the top film schools globally, renowned for its focus on storytelling. Its production house model delivers comprehensive hands on training. Sydney Film School graduates are employed in the screen and media industries throughout the world. Student films are distributed to festivals and film markets worldwide. SFS films gain industry recognition through numerous awards and attract commercial attention through international sales. When students join SFS they become part of a global community for life. More than 140 quality documentaries, dramas and individual thesis films (exploring all manner of cinematic forms) are being produced each year, many of them participating at prestigious local and international festivals. To date 102 films have screened in more than 141 festivals worldwide, winning over 40 first prizes. The Sydney Film School family includes established filmmakers such as Academy Award winner and Industry Patron of Sydney Film School Emile Sherman (The King’s Speech), feature filmmaker and School Director Ben Ferris (Penelope), and alumni emerging filmmakers such as Gracie Otto, Maya Newell, and Brian Lye. Sydney Film School also has a strong global network and is affiliated with international schools including the Ecole Supérieure d’Études Cinématographiques (ESEC) in Paris. FOLLOW SYDNEY FILM SCHOOL <a href="http://sydneyfilmschool.com/">http://sydneyfilmschool.com/</a> <a href="http://sydneyfilmschoolblog.com/">http://sydneyfilmschoolblog.com/</a> <a href="https://www.facebook.com/pages/Sydney-Film-School/260413044049836">https://www.facebook.com/pages/Sydney-Film-School/260413044049836</a> <a href="http://vimeo.com/sydneyfilmschool">http://vimeo.com/sydneyfilmschool</a> ABOUT TEDx In the spirit of ideas worth spreading, TEDx is a program of local, self-organised events that bring people together to share a TED-like experience. At a TEDx event, TEDTalks video and live speakers combine to spark deep discussion and connection in a small group. These local, self-organised events are branded TEDx, where x = independently organised TED event. The TED Conference provides general guidance for the TEDx program, but individual TEDx events are self-organised. ABOUT TEDxSydney TEDxSydney is an independently organised event licensed from TED by longtime TEDster, Remo Giuffré and organised by a network of fellow thinkers and long-time collaborators. TEDxSydney is made possible by the generous contribution of its partners, sponsors & volunteers. ABOUT Marque Owen Marque Owen, former Executive Producer at Telstra and prior to that CEO of the Aurora Television Channel, is an independent television and motion picture director. Marque acted as Executive Producer on all this year's TVB's. More at: au.linkedin.com/in/marqueowen Œ</p> Fri, 03 May 2013 09:34:59 +1000 http://if.com.au/2013/05/03/article/Paul-Barry---next-Media-Watch-Host/HMCEOEXQAV.html http://if.com.au/2013/05/03/article/Paul-Barry---next-Media-Watch-Host/HMCEOEXQAV.html Inside Film Correspondent <p> Press Release from ABC</p> <p> Paul Barry will take over one of the ABC’s most high-profile presenting jobs early in July, when Jonathan Holmes vacates the chair of Media Watch.</p> <p> After five and a half years, Holmes has decided to move on. “I’ve thoroughly enjoyed my time at Media Watch”, he says. “I believe it’s one of the most important jobs the ABC has to offer. Whether it likes it or not, the Australian media needs a critical eye, and Media Watch has an ability to name and shame swiftly and publicly in a way that the regulators cannot. “Stuart Littlemore pioneered the role, and did it for nine seasons, while holding down a full-time job as a barrister. That’s a record that is unlikely to be matched, but I have stayed in the job for longer than any of his successors, and it’s time to pass the baton.” Holmes says he’s not yet sure whether or not he will stay with the ABC. “I’m juggling possibilities”. Paul Barry hosted Media Watch in the year 2000. Controversially, under Managing Director Jonathan Shier, the contract for Media Watch was not renewed at the end of that year. Under new management, the program returned to ABC Television in 2002. In 2010, Barry filled in briefly for Jonathan Holmes when he took long service leave. Paul Barry is one of Australia’s most respected reporters and writers. After eight years reporting for the BBC, he joined the ABC’s Four Corners in 1986. He won a Walkley Award and a Logie Award before leaving in 1993. Since then he has presented current affairs programs for the Seven Network (The Times, Witness), and has worked as an investigative reporter for the Nine Network, The Sydney Morning Herald (where he won a second Walkley Award) and for Sunday Telegraph. Most recently he has been a senior writer for The Power Index, an online site published by Private Media, owners of Crikey. Paul has also written a number of best-selling books, including The Rise and Fall of Alan Bond, The Rise and Rise of Kerry Packer, Rich Kids (the story of One.Tel) and Who Wants to be a Billionaire? (an unauthorised biography of James Packer). “Media Watch is unique in Australian media, now a widely respected institution that reminds journalists of the responsibility that comes with the job”, Managing Director Mark Scott says. “Jonathan’s leadership in bringing social media under the microscope of Media Watch and his success in taking the discussion about the show into the social media space has renewed the program’s relevance.” “Paul Barry has a detailed understanding of the complex operations of the Australian media and is widely respected. He appreciates the values and traditions of the program and in an era of significant change in our industry, I am looking forward to Paul's return to Monday nights on Media Watch.” Paul is currently living in France, completing another book. He will not be returning to Australia until shortly before he takes over at Media Watch in July. Œ</p> Fri, 03 May 2013 09:31:07 +1000 http://if.com.au/2013/05/03/article/Flickerfest-road-trip-2013/EIQARJXVAX.html http://if.com.au/2013/05/03/article/Flickerfest-road-trip-2013/EIQARJXVAX.html Inside Film Correspondent <p> Press release from Flickerfest</p> <p> Flickerfest presented by Renault winds up its mammoth road trip for 2013 in Exmouth and Darwin this weekend, with our final date in Cairns in one weeks time!</p> <p> 43 towns and many 1000’s of kilometres later the grand Flickerfest road trip for 2013 is finally drawing to a close with Exmouth WA and Darwin NT this weekend and Trinity Beach Cairns QLD on Saturday the 11th of May. The festival programmes have been much loved across the country so don’t miss your last opportunity to see our Best Of international and Australian Shorts programmes handpicked from a record of over 2300 entries for this years event. This Friday night 3rd May Darwin’s outdoor Deckchair Cinema will host the Best of Australian Shorts, screening at 7:30pm followed by The Best of International 1 at 9:30pm. Highlights of Best Of Australian Shorts at 730pm include the Darwin premiere of ‘Scar’– part love story part ghost story filmed in the Tiwi Islands by young Tiwi Director Tiffany Parker winner of best Emerging Talent at the 13th annual Imagine Film and Media Arts festival in Toronto, Canada, ‘Yardbird’ winner of Best Australian Film at Flickerfest 2013, a masterful film directed by Michael Spiccia and written by Julius Avery. ‘Lois’ – starring Academy®Award nominated acting legend Jacki Weaver and the quirky and highly crafted animation ‘A Cautionary Tail’ starring the voices of David Wenham, Cate Blanchett and Barry Otto. Also screening before the Best Of Australian Programme is ‘Green Tree Frog’ a delightful animated music clip, winner of Best Primary School Animation at Flickerfest 2013, written and directed by years 5 and 6 at Milner Primary School Darwin in collaboration with two animation artists, Al Oldfield and Michael Roseth. At 930pm Highlights of Best of International 1 will feature the quirky and magical ‘Route 43 Miracle’ from Sweden, charming French/Canadian film Chef De Meute, officially selected at Cannes Film Festival and ‘Curfew’ from the USA, Winner Best Live Action Short at this years Academy®Awards Best of Australian Shorts will also hit the screens for the first time at Exmouth Ningaloo resort this weekend with screenings on both Friday and Saturday nights. On May the 11th Flickerfest returns to Coast Watcher Park Trinity Beach Cairns celebrating the end of our 46 venue national tour in style with a free outdoor screening under the stars. Kicking off at 7pm will be our much loved Flickerkids -programme of shorts for shorties and the big kid in everyone followed by our Best of Australian programme at 8pm. For information on all screenings and and tickets and to keep up to date with all things Flickerfest please go to http://www.flickerfest.com.au or follow us on facebook at <a href="http://www.facebook.com/flickerfest">http://www.facebook.com/flickerfest</a> The Flickerfest tour to Exmouth is supported by Screen West Flickerfest Darwin is supported by Screen Territory Flickerfest Cairns is supported by Trinity Beach Tourism Œ</p> Fri, 03 May 2013 09:23:26 +1000 http://if.com.au/2013/05/03/article/Celebrating-30-Short-Years---2013-St-Kilda-Film-Festival/EJBYAGAUEM.html http://if.com.au/2013/05/03/article/Celebrating-30-Short-Years---2013-St-Kilda-Film-Festival/EJBYAGAUEM.html Inside Film Correspondent <p> Press Release from St Kilda Film Festival</p> <p> The St Kilda Film Festival, Australia’s premier short film event will celebrate thirty years in 2013 with a bumper ten-day program launching on Thursday 23 May 2013.</p> <p> A vital showcase for the Australian film industry, the St Kilda Film Festival’s 30th anniversary celebrations will include special screenings featuring unseen footage and Australia’s Top 100 short films in competition, alongside a rich program of music and international shorts, youth programs, filmmaker development series and industry networking events.</p> <p> Paul Harris, Festival Director said, “From modest beginnings, the St Kilda Film Festival has become a premier event on the Australian film industry calendar and has screened shorts that went on to be Oscar winners and nominees and Palme D’or winners at Cannes. The roll call of talent that has passed through this Festival is outstanding and one that we can’t wait to celebrate in 2013.”</p> <p> “Australian short films deserve the exposure. It is important for short filmmakers to see how their work is received by an audience, which is what they experience when taking part in the St Kilda Film Festival,” he said.</p> <p> The St Kilda Film Festival will kick start its 30th anniversary celebrations when the red carpet is rolled out for the who’s who of Australian short film at the Palais Theatre on Opening Night with a special screening of hand picked films from the 2013 program.</p> <p> Top 100: The country’s longest running film festival will screen the Top 100 short films of the year that all go into the running for their share of the $40,000 prize pool.</p> <p> Screened at the Astor Theatre, during the 15 dynamic sessions audiences are invited to enjoy the accomplished work of industry professionals from a multitude of genres including comedies, drama, documentaries and animation.</p> <p> Highlights from this year’s program include ‘Prick’ directed and produced by Abe Forsythe, Cara Gereghty and Josh Quong Tart. Director Matthew Moore’s debut film ‘Julian’ which he has co-produced with Rob Jago. Director and producer Summer DeRoche, 2012 Winner of Best Documentary at SKFF, is back with new documentary ‘Ruby’. Executive producers Sam Worthington and Claudian Karvan together with Producer Sam Mieikle and Rachael Turk and Director Danielle Boesenberg will see the world premiere of their film ‘Scratch’ as part of this year’s program. ‘Arc’ makes its Australian premiere at the festival produced by the talented Claire Yvonne Evans and Directed by Max Doyle. Starring BAFTA winner Mirian Margoyles ‘Spirit-ED’ will also appear as part of the Top 100. Award winning Australian singer/songwriter Sarah Blasko will star in short ‘Sarah Blasko presents I Awake’ produced by Neil Cray and Directed by Mike Daly. Bayside local and Hollywood superstar Rachel Griffiths stars in ‘Butterflies’ produced by Warwick Burton and Directed by Isabel Peppard. ‘My Mother, Her Daughter’ will also premiere in Australia for the first time, the film is produced by Taylor Litton-Strain and Directed by Erin Good.</p> <p> SoundKILDA:</p> <p> A favourite on the festival calendar, SoundKILDA screens and awards the best music videos, giving filmgoers and music lovers alike to opportunity see them how they should to be seen – loud and large on the big screen. The session showcases 18 of the hottest Australian musicians of the moment and the filmmakers behind them including Unshamed Desire by Missy Higgins, Wild Things By San Cisco, Easy Way Out by Gotye, Ghosts by The Presets, Don’t Wanna Grow Up Anymore By Bob Evans to name a few.</p> <p> 30th Anniversary Special Screenings: Old Gold St Kilda - See the delights offered by the Bayside precinct going back to the turn of the last century with this nostalgic collection of rare archival footage. The centrepiece of this journey to the iconic Melbourne suburbs past will be the never-beforeseen documentary about Luna Park, A Century of Lunacy: Memories of Melbourne’s Luna Park. Also screening during Old Gold St Kilda is Junction (1974), filmmaker Peter Lamb’s tale of mourning as the historic St Kilda Junction Hotel was demolished.</p> <p> Easy Come Easy Go –a salute to Aussie pop in the sixties. The screening features pop group The Easybeats in a long lost documentary Easy Come, Easy Go, which was shot over forty years ago but disappeared shortly afterwards. The lost prints were discovered in the US last year and lovingly restored by director Peter Clifton. This will be the premiere Melbourne screening of this archival gem. The session will also feature a unique film documenting the burgeoning Melbourne music scene, as it existed nearly half a century ago called Approximately Panther. The film includes rare footage to provide a fascinating time capsule into a vanished era of once-groovy fashion and trendy discotheques. Also screening as part of Easy Come, Easy Go will be Fun Radio (Dir: Nigel Buesst, 1964) and Sad Dark Eyes (Dir: Peter Lamb, 1967).</p> <p> International Program: In 2013, SKFF is proud to partner with South By South West (SXSW), bringing the best of Texas to St Kilda for an exclusive international short film showcase. Launched in 1994, SXSW is a massive cross-­‐platform cultural event unlike anything else in the world. Each year, fans and industry professionals from across the film, music and technology spectrum converge on Austin, Texas to network, launch new products and celebrate their creative practice. The St Kilda Film Festival will feature four programs from SXSW: Best of Texas, Best of SXSW 1, Best of SXSW 2 and the Best of SXSW Music Video.</p> <p> Filmmaker Development Series: The filmmaker development program will provide an overview on a variety of filmmaking topics, covering everything from the basics of filmmaking to the sharing of wisdom. This year will be bigger and better than ever with 13 forums within the program.</p> <p> Youth Programs: In 2013, the St Kilda Film Festival will hold two free programs, Under the Radar and Armed & Dangerous, aimed at educating and inspiring young filmmakers. These programs aim to support artistic aspirations and provide a landing place for first time filmmakers.</p> <p> DIY MTV – Retro music video super session: Four of Australia's most successful music video exponents will join forces for once-in-a-lifetime event that will see them presenting three of their favourite clips each and then argue the case for their place in the pantheon. Audiences will have the opportunity to hear anecdotes from the halcyon days of Australian punk and learn about the birth of an industry from Ray Argall (Midnight Oil, Split Enz, Hoodoo Gurus, The Models), Paul Goldman (The Birthday Party, Kylie Minogue, Elvis Costello, Silverchair), Chris Lofven (The Groop, Daddy Cool, Spectrum, Kids In The Kitchen, The Birthday Party) and Richard Lowenstein (Hunters and Collectors, INXS, U2).</p> <p> To conclude its 30th year, the Festival will hold the Closing Night Awards at the St Kilda Town Hall on Saturday 1 June where the best of this year’s filmmakers will be awarded over $40,000 in cash and in-kind prizes. The St Kilda Film Festival is produced and presented by The City of Port Phillip and runs from Thursday 23 May – Saturday 1 June 2013 St Kilda’s Palais and Astor Theatre. For further information please visit <a href="http://www.stkildafilmfestival.com.au">www.stkildafilmfestival.com.au</a></p> Fri, 03 May 2013 09:05:22 +1000 http://if.com.au/2013/05/03/article/XENON-helps-independent-cinemas-see-a-clear-vision-of-the-future/WIMCBCLYDX.html http://if.com.au/2013/05/03/article/XENON-helps-independent-cinemas-see-a-clear-vision-of-the-future/WIMCBCLYDX.html Inside Film Correspondent <p> Press release from Progressiva</p> <p> XENON, an Australia provider of high-performance computing solutions, today announces a deal to usher in full digital cinema at Australia’s independent film theatres across the country.</p> <p> XENON Systems has helped the Independent Cinema Association of Australia (ICAA) with a program to replace projection by 35mm traditional film reel with digital at Australia’s 140+ independent movie theatres across the country in what ICAA calls the biggest advancement in cinema since the introduction of the ‘talkies’ in the late 1920s. ICAA also says that the project will help ensure commercial survival for independent cinemas, allow them to innovate in the type of content they exhibit, and in running their business more efficiently and profitably.</p> <p> ICAA’s “Project Digital” is on track for completion by the end of 2013 with three quarters of Australia’s cinemas having moved across to the new digital format already. ICAA worked in collaboration with members and the film industry to draw up specifications for a standardised technology solution that encompassed their requirements as affordably as possible. ICAA selected XENON Systems to supply and build the Library Management System due to the advanced solution and specific approach proposed.</p> <p> As the official supplier of the Library Management Systems (LMS) to independent cinemas participating in ICAA’s “Project Digital”, XENON Systems essentially provides the brain of the infrastructure. The LMS is a fully pre-configured server solution powered by Intel® Xeon® processors to ensure as little customisation or technical intervention as possible is required on behalf of the cinema once the server is installed at the theatre. As a centralised piece of technology integrated with ICAA’s Network Operation Centre (NOC), changes are easily handled via firmware updates.</p> <p> The significant challenge for XENON Systems was to deliver a traditional LMS solution which is based on a rackmount server, a separate storage array and an external 2bay CRU digital cinema enclosure all build it in a single server. XENON Systems evaluated technology options on behalf of ICAA and chose Intel® Xeon® processors which deliver a significant I/O performance to allow all the devices to be built in a single server. The Intel® Xeon® processors also offer Turbo Boost Technology[1] which provides intelligent performance-per-watt to match constantly shifting computing demands and allows for multiple digital cinema servers to be updated with new content simultaneously.</p> <p> “The entertainment industry the world over has undeniably undergone a radical change since the advent of digital. It is well and truly time for the industry to adapt and our primary objective is to ensure that the independent cinemas transition to full digital is supported, successful and financially achievable,” said Adrianne Pecotic, Chief Executive Officer at ICAA. “Independent exhibitors have a very unique proposition and relationship with their patrons, indeed often they are the centrepoint in a community. Considering that 80% of independent cinemas are based in regional Australia, our imperative was to work with a partner who understood this, and could provide an advanced, agnostic technology environment but which allowed flexibility for any customisation required, all at a realistic pricepoint. XENON Systems stood out at meeting all of our requirements, and the team showed a great deal of passion to work with us, and with Cinedigm, to drive this enormous revolution taking place behind the cinema screen.”</p> <p> “As an Australian company of film lovers, and as a technology solutions provider, working with ICAA on its vision to help independent cinema thrive into the future has been extremely gratifying,” said Dragan Dimitrovici, Chief Executive Officer at XENON Systems. “Our own technology development on Intel® Xeon®processors has been pivotal to the success of this project. We’re absolutely committed to working in partnership with ICAA to ensure we support independent cinemas transition to full digital deployment and enjoy the most successful operation of their digital cinema projection systems.”</p> <p> VR Rajkumar, National Channel Sales Manager, Intel ANZ, explained, “This implementation of Intel® Xeon® processors by XENON Systems demonstrates how we continue to invest in, and support, our channel partners to ensure they have the tools and know-how to cater for a broad spectrum of industries and needs. XENON Systems has shown here how it has taken the initiative to grasp ICAA’s requirements and develop a tailored solution to successfully transform its operations. Œ</p> Fri, 03 May 2013 09:00:20 +1000 http://if.com.au/2013/05/03/article/Bellevate-com---a-boutique-crowdfunding-site-for-women/UGPNMVHFMV.html http://if.com.au/2013/05/03/article/Bellevate-com---a-boutique-crowdfunding-site-for-women/UGPNMVHFMV.html Inside Film Correspondent <p> The next generation of Crowdfunding is opening doors for women. Today Bellevate.com launched a site dedicated to helping women use the internet, and their social media currency to start or expand a business.</p> <p> Bellevate uses DreamfundingSM, next generation Crowdfunding - a hot new way for entrepreneurs to raise funds through small individual contributions. It’s a way for businesses to use the Internet and their established social media networks to find the funding to launch new ideas or expand existing operations.</p> <p> But, women are often still getting lost in the shuffle.</p> <p> On most crowdfunding sites, businesses looking for funding are all pooled together. One artist is raising funds to write the next great American novel while two-clicks-away another is hoping to fund a movie. Entrepreneurs can easily get lost amidst a sea of others all clamoring for the same thing – money.</p> <p> The inability to stand out from the masses can be especially harmful for women owned businesses. According to Forbes magazine, Women-owned businesses represent nearly 50% of privately held companies in the U.S., however, three quarters of these businesses are not able to grow their businesses past fitfy thousandd in annual gross revenue.</p> <p> Biz2Credit, an online matchmaker for entrepreneurs and lenders, found that women-owned companies were 15 percent to 20 percent less likely to be approved for small business loans during the last six months of 2012.</p> <p> Bellevate.com is a platform that offers women a solution. Bellevate is dedicated to helping women owned start-up companies, new projects, and existing businesses find funding.</p> <p> Bellevate.com expects to become a location where female entrepreneurs can find encouragement, guidance, and funding.</p> <p> “Our unique approach to Crowdfunding allows each entrepreneur to be in the spotlight,” said Becca Sanders, spokeswoman for Bellevate. Sanders continued, “Bellevate is a new word and we want it to represent a concept that everyone understands. Bellevate is a verb. It’s an action. We want women to have their businesses Bellevated.”</p> <p> The Bellevate site celebrates the courage it takes to say, “I am ready to launch my idea.” Œ</p> Fri, 03 May 2013 08:57:26 +1000 http://if.com.au/2013/04/30/article/Canon-EOS-Mark-III-firmware-upgrade-provides-significant-improvements/IVXZDDAUDS.html http://if.com.au/2013/04/30/article/Canon-EOS-Mark-III-firmware-upgrade-provides-significant-improvements/IVXZDDAUDS.html Inside Film Correspondent <p> Press release</p> <p> Canon Australia today announced that the new firmware upgrade for the EOS 5D Mark III digital SLR camera is now available for download, delivering considerable improvements to still-shooting and Full HD video. The new free-of-charge upgrade will allow users to boost the EOS 5D Mark III’s potential, opening the door to new imaging opportunities. The upgrade, which was first announced in October 2012, enables the use of the HDMI output functionality for more efficient video editing and monitoring workflows by professionals in the fields of cinema and TV production. With HDMI output, users can record HD uncompressed video data (YCbCr 4:2:2, 8 bit) to an external recorder via the camera’s HDMI terminal, supporting minimal image degradation during video data editing for greater onsite efficiency during motion picture and video productions. Additionally, video can also be displayed on an external monitor while being captured, for real-time on-site monitoring for HD video during shoots. To further improve functionality, the upgrade improves the AF system with centre AF point now enabled at f/8 supporting the needs of photographers to achieve more from their camera when using fast super-telephoto lenses with extenders. Drastically increasing the shooting range, version 1.2.1 now makes it possible to use an EF600 f/4 lens and two-times extender to achieve a massive 1200mm focal length with precise AF performance. This will benefit sport and nature photographers who shoot over long distances. This upgrade also increases the range of lens options with full AF capabilities, including the EF400mm f/5.6 and the EF100-400mm f/4.5-5.6L IS with 1.4x extenders, for zoom ranges up to 560mm. “The EOS 5D Mark III, continues to lead the way in DSLR Full HD Movie making and with this new update Canon has responded to the needs of professional image makers by providing them with clean HDMI output, as well as boosted AF performance for telephoto shooting over an expanded range of focal lengths,” said Charles Montesin, Product Manager – Professional Imaging, Canon Australia. “We’re excited to be offering these features in direct response to requests from professionals working in the fields of cinema and TV production, and expect the firmware to enhance the user experience and workflow.” Œ</p> Tue, 30 Apr 2013 14:49:14 +1000 http://if.com.au/2013/04/29/article/Global-TV-Indonesia-logs-video-with-4-Channel-Solution-from-Magna-Systems/HZOZSSLTOG.html http://if.com.au/2013/04/29/article/Global-TV-Indonesia-logs-video-with-4-Channel-Solution-from-Magna-Systems/HZOZSSLTOG.html Inside Film Correspondent <p> Press releaseŒ</p> <p> Global TV, one of Indonesia’s biggest private national TV stations whose 24/7 broadcasts can be picked up by over 110 million viewers in 142 cities each day including Greater Jakarta, Medan, Bandung, Semarang, Surabaya, and Yogyakarta, recently purchased and installed a new Artec XBL-Broadcast Logger video logging system from Magna Systems and Engineering. Magna Systems and Engineering Indonesia Sales Manager Awan Setiawan explained, “Global TV made its debut broadcast in October 2001 and has grown quickly, establishing itself as an innovative broadcaster with loyal youth audience. In addition to its youth and entertainment programming Global TV also broadcasts live news, sports and movies so it is a very busy station. As a result they required a reliable broadcast video logger and intuitive clip maker that would help them better and more efficiently respond to their advertisers’ requirements.” Magna Systems suggested an XBL-Broadcast Logger that Global TV could use for compliance recording, monitoring, streaming media applications and as an online video recorder and the XBL Player for generating video clips that could be easily edited by jog shuttle and converted to MPEG-2. Awan Setiawan continued, “The final system design included a 4-channel XBL-Broadcast Logger video logging system with run log import function, AC Nielsen Data import function and the XBL Player clip maker. The XBL-Broadcast Logger also enables Global TV to utilise the feature rich Microsoft Silverlight for easy GUI and user management and as an added bonus, gives Global TV’s R&D department the opportunity to analyse not only their own live ratings information but that of their competitors too. Global TV were particularly impressed with the reliability and functionality of the system.”</p> Mon, 29 Apr 2013 16:29:11 +1000 http://if.com.au/2013/04/29/article/Media-Super-Lifts-Investment-in-Local-Film-Production/OEDMJBPYQI.html http://if.com.au/2013/04/29/article/Media-Super-Lifts-Investment-in-Local-Film-Production/OEDMJBPYQI.html Inside Film Correspondent <p> Press release</p> <p> Media Super has announced an increase to its investment in local film and TV production from $20 million to $30 million following a review of performance by the Fund’s Investment Committee. Since 2010 the Fund has provided a cashflow loan facility to help finance domestic film and TV productions via a partnership with Fulcrum Media Finance.</p> <p> “This alternative investment has earned members an approximate overall 8% p.a. return since inception and 8.8% in the last financial year. The decision to increase our funding by 50% is a reflection of the ongoing confidence we have in the benefits of this unique financing model”, CEO Graeme Russell said.</p> <p> “Since this cashflow facility was launched, Media Super has invested millions and has helped to finance a range of high quality domestic film and TV productions. It is a profitable and productive investment; it adds depth to the existing pool of finance available to support local productions and complements the funds available from other institutional and private investors.”</p> <p> “This is a non equity arrangement specifically for the film and television industry, backed by the Government through the Producer Offset. The revolving funding arrangement helps to develop one of our core industries with the provision of debt finance during the key production stage. Many of our members and participating employers work in creative industries and a productive investment like this not only generates solid earnings for their industry super fund but also supports the development of one of our key industry sectors.”</p> <p> “Both the Media, Entertainment and Arts Alliance (MEAA) and Screen Producers Association of Australia (SPAA) support the Fund’s involvement in this alternative investment which is unique to Media Super.”</p> <p> Local productions that have previously benefitted from Media Super’s investment include the highly successful television series Miss Fisher’s Murder Mysteries and feature films Wish You Were Here and Not Suitable For Children, while forthcoming productions include Drift starring Sam Worthington, a ‘70s surf drama due for national release in early May.</p> <p> Also in the pipeline are the Australian/UK co-production The Railway Man based on the Eric Lomax autobiography of the same name and starring Colin Firth and Nicole Kidman; The Rover starring Guy Pearce and Robert Pattinson; These Final Hours, a drama from first time feature producer Liz Kearney; and The Gods of Wheat Street, a 6 episode television series currently in production for ABC TV.</p> Mon, 29 Apr 2013 16:20:19 +1000 http://if.com.au/2013/04/29/article/TVB-Hong-Kong-chooses-Chyron-Channel-Box-HD-Graphics-Solution-from-Magna-Systems/WASCBUMFAS.html http://if.com.au/2013/04/29/article/TVB-Hong-Kong-chooses-Chyron-Channel-Box-HD-Graphics-Solution-from-Magna-Systems/WASCBUMFAS.html Inside Film Correspondent <p> Press release</p> <p> TVB, the first free-to-air television broadcaster in Hong Kong, recently purchased and installed multiple Chyron Channel Box HD graphics solutions from Magna Systems and Engineering for the technical and on-air graphics presentation requirements of its TVB Jade, TVB Pearl and J2 television channels. TVB reaches out to overseas Chinese communities, with its productions available in Mainland China, Taiwan, Macau, the United States, United Kingdom, Canada, Australia, Republic of Ireland, New Zealand, Thailand, Vietnam, Malaysia, and Singapore, among others, on channels such as TVB's own TVBS-Europe subscription satellite service. The new HD graphics solution was required to provide moving graphics and audio playout alongside TVB’s custom playout application and existing automation system. TVB also had specific criteria for the HD graphics system that included a fast loading time less than one second between graphics scenes, straightforward software development, Unicode language support, a high level of flexibility and maximum reliability. Frankie Yau, Engineering Manager at Magna Systems and Engineering Hong Kong explained, “We first showed TVB them the graphics capability of the Chyron Channel Box system and then followed up with an intensive Proof of Concept (POC) test and review. TVB are a very thorough organisation and also wanted a POC with an automation control interface playback of various graphics scenes multiple times. With our deep knowledge of automation integration we provided and assisted them with a lab simulation of the automation playout control interface in order to test the system with a schedule of events, and also the reliability and graphics functionality of the system. This process also ensured the graphics scenes were able to be played back consistently over automated control playback.” Powered by a realtime 2D/3D render engine Chyron’s Channel Box HD graphics solution delivers TVB’s three channels with up-to-the-minute headlines, financial data, weather reports, live to air credit squeezes, “L” frame tickers and automated promos. The Channel Box system also supports ODBC data sources, text files, XML and a full VB Scripting engine. Control over the system is extensive with support for Chyron's Intelligent Interface protocol, VDCP, GPI, COM API, or manual control via a custom control panel. 
 Magna Systems has a long and successful relationship with TVB Hong Kong, in part due to the company’s key focus on providing its clients with comprehensive service and support. In the case of the recent Channel Box installation, as a systems integrator, Magna helped the broadcaster launch the first of their channels complete with the new HD graphics in less than five weeks – a feat that included onsite testing and fine tuning during the on air launch period. Frankie Yau concluded, “With their new Chyron Channel Box HD graphics solution all three TVB channels’ scene graphics and data changes fully load and play within one second of the trigger window with predefined time, sequences and effects. The new Channel Box system also supports TVB’s various dynamic database updates and works efficiently with their custom application development. Magna Systems provided TVB with testing, support and training on the Channel Box installation and helped with their in-house software application development and automation integration. We also played an important role helping to liaise and capture all the key system information they would require and provided our usual high level of prompt service and support throughout the entire project.”</p> Mon, 29 Apr 2013 11:59:40 +1000 http://if.com.au/2013/04/22/article/Canon-holds-No--1-share-of-global-interchangeable-lens-digital-camera-market/CTYOHXJNYJ.html http://if.com.au/2013/04/22/article/Canon-holds-No--1-share-of-global-interchangeable-lens-digital-camera-market/CTYOHXJNYJ.html Inside Film Correspondent <p> Press release</p> <p> Canon today announced that the company’s interchangeable-lens digital cameras (digital SLR and compact-system cameras) have consistently maintained the No. 1 share worldwide in terms of volume for the 10-year period from 2003 to 2012.*1 “This is a proud achievement for Canon and a clear indication of the demand worldwide for quality cameras that allow everyone from entry-level users to professionals to do more with their imaging,” says Jason McLean, Director ¬– Canon Consumer Imaging, Canon Australia. “We have the same experience in Australia, where Canon enjoys continuous leadership of the total camera market and accounted for half of all dollars spent on interchangeable lens cameras in 2012 alone.”*2 In addition to the interchangeable lenses, Canon also develops its own key components—the CMOS image sensors and image processors—employed in the company’s interchangeable-lens cameras, incorporating the most advanced of these technologies in its flagship EOS-1D series. By applying these technologies to other models as well, Canon has successfully created a powerful product line-up that effectively responds to the needs of a wide range of users, from professionals to entry-level users, which has enabled the company to maintain the top global share. In 2003, the dawn of digital SLR cameras, Canon introduced its breakthrough EOS 300D, a compact and lightweight user-friendly camera that set the stage for growth in the digital SLR market while, at the same time, captured the top share of the global market. Since that time, Canon, in the company’s ongoing pursuit of high image quality, has launched a number of models targeting advanced-amateur users that offer among the highest levels of performance for their class, including the EOS 5D series, which paved the way for digital SLR video recording. In 2012, Canon celebrated the 25th anniversary of the introduction of the EOS system and marked its 10th consecutive year as the market’s world leader. During the year, Canon launched the compact-system EOS M, aimed at expanding the company’s entry-level user base, along with the EOS 6D, the world’s smallest and lightest*3 digital SLR camera equipped with a 35 mm full-frame CMOS sensor, which contributed to the growth of the advanced-amateur user segment. This year, Canon introduced the EOS 100D, the world’s smallest and lightest*3 digital SLR camera equipped with an APS-C-size sensor, bolstering its product line-up with a model befitting the industry’s top brand while targeting its 11th straight year as the world’s market leader. With a history of producing cameras that dates back to the company’s founding in 1937, Canon will continue refining its diverse imaging technologies based on its core optical technologies, striving to produce exceptional and reliable lenses and cameras that cater to the varying needs of photographers—from first-time users to advanced amateurs and professionals—while contributing to expanding the photographic and video imaging culture. *1 Based on a survey by Canon. *2 Source: GfK Retail Tracking, Interchangeable Lens Cameras, Retail sales value, Jan to Dec 2012 (excludes internet and online channels) *3 As of March 1, 2013, based on a Canon survey.</p> Mon, 22 Apr 2013 16:18:24 +1000 http://if.com.au/2013/04/22/article/Heard-Island-expedition-shot-with-new-Sony-PMW-200-HD-camera/YFDBJRGPEM.html http://if.com.au/2013/04/22/article/Heard-Island-expedition-shot-with-new-Sony-PMW-200-HD-camera/YFDBJRGPEM.html Inside Film Correspondent <p> Press releaseŒ</p> <p> When Queensland-based Marine Biologist and filmmaker Dr. Dean Miller was approached to shoot one of the most remote places on earth with the new Sony PMW-200 HD camera his reaction was a justifiable mix of excitement and trepidation. Miller explained, “Heard Island in the Australian Sub-Antarctic is extremely hard to get to and only very few people have ever seen it let alone stood on it. When you get an invitation to take part in an expedition to visit somewhere as special and untouched as this, you simply say, yes please and what’s involved?” The assignment, one Miller describes as his “hardest to date”, involved a 10,000km open ocean voyage through the notorious Southern Ocean to get to the tiny island and a three-day window to explore, research and shoot when they got there. Miller continued, “I only had three days to get as much usable footage as I could to tell the Heard Island story. In fact the shoot ended up being much harder than we first thought it might be. After sixteen days at sea in ferocious conditions we finally arrived but could not get anywhere near the island. Blizzards held the ship off the coast and we got only the smallest of glimpses of Heard for thirty hours, which meant thirty hours less time I had to shoot. Once the storm cleared we had a nine hour window before the next storm was forecast, so we landed and while also covering over 10km on foot, shot as much as I possibly could. The day after it was back to blizzards, and with just one day remaining things were getting tight. We managed to get back on the island for another four hours and somehow shot enough footage for the rest of the story. Without doubt the greatest moment on the island was when the weather cleared giving us beautiful blue skies and revealing Big Ben, Australia’s highest peak, only active volcano and birthplace of our glaciers. It is something I will never forget and was one of the most stunning scenes I have ever witnessed. Everything I thought I knew about cameras, filming, wildlife and the weather all had to come together for those 13 little hours.” Accompanying Miller on his expedition into the unknown was the latest Sony PMW-200, the much-anticipated upgrade for the PMW-EX1, a camera that Miller had used extensively all over the world. Miller added, “I know the EX1 back to front and was excited beyond belief to test drive the PMW-200. I took one camera and one camera only so it had to work first time every time. My guess was that if the PMW-200 was anything like my old EX1 it would be the perfect tool for the job - super high quality, reliable, versatile, excellent on batteries, compact and tough against the conditions. It was. I knew we were onto a winner as soon as I saw the PMW-200 was small enough to be carried along with my survival equipment, but large and powerful enough to shoot the amazing HD footage that the broadcasters required.” Sony’s PMW-200 supports the 50 Mbps MPEG HD422 codec and MXF recording and with its three 1/2-inch Full HD Exmor CMOS sensors (1920x1280), the PMW-200 is able to achieve high resolution (1000 TVl), high sensitivity (F11@2000 lx), low noise (56 dB), and wide dynamic range. Dr. Miller concluded, “The PMW-200 does it all in my opinion - great lens, great range, fast and slow motion and an awesome time-lapse function with plenty of options. This camera can pull off wildlife shooting with ease because it is so easy to setup and very simple to use. On Heard Island the PMW-200 performed flawlessly. The higher 50 Mbps bit rate is a real bonus and is one of many winning features of the PMW-200. The screen has been improved which is great and it was super easy to navigate menus and buttons, just like the EX1. The camera is also very intuitive and very easy to simply pick up and shoot with, another bonus especially if you don’t like reading manuals. It’s hard to fault the PMW-200 and if you think you got great results with an EX1 then wait until you try this camera as it takes things to a whole new level.”</p> Mon, 22 Apr 2013 11:52:12 +1000 http://if.com.au/2013/04/19/article/Australian-Premiere-of-Great-Gatsby/NJPJLRLSHP.html http://if.com.au/2013/04/19/article/Australian-Premiere-of-Great-Gatsby/NJPJLRLSHP.html Inside Film Correspondent <p> Press Release from Warner Bros. Pictures</p> <p> Warner Bros. Pictures and Village Roadshow Pictures announced today that filmmakers Baz Luhrmann and Catherine Martin, together with cast-members Leonardo DiCaprio, Tobey Maguire, Carey Mulligan, Joel Edgerton and Elizabeth Debicki, will attend the Australian Premiere at Hoyts, The Entertainment Quarter, on Wednesday 22nd May 2013.</p> <p> Sydney will be the third city to host a Premiere event after New York and the opening of the 66th Cannes Film Festival. From the uniquely imaginative mind of writer/producer/director Baz Luhrmann comes the new big screen adaptation of F. Scott Fitzgerald’s novel “The Great Gatsby”. The filmmaker created his own distinctive visual interpretation of the classic story, bringing the period to life in a way that has never been seen before, in a film starring Leonardo DiCaprio in the title role.</p> <p> “The Great Gatsby” follows would-be writer Nick Carraway as he leaves the Midwest and comes to New York City in the spring of 1922, an era of loosening morals, glittering jazz, bootleg kings, and skyrocketing stocks. Chasing his own American Dream, Nick lands next door to a mysterious, party-giving millionaire, Jay Gatsby, and across the bay from his cousin, Daisy, and her philandering, blue-blooded husband, Tom Buchanan. It is thus that Nick is drawn into the captivating world of the super rich, their illusions, loves and deceits. As Nick bears witness, within and without of the world he inhabits, he pens a tale of impossible love, incorruptible dreams and high-octane tragedy, and holds a mirror to our own modern times and struggles. Academy Award® nominee DiCaprio (“Django Unchained,” “Aviator”) plays Jay Gatsby, with Tobey Maguire starring as Nick Carraway; Oscar® nominee Carey Mulligan (“An Education”) and Joel</p> <p> Edgerton as Daisy and Tom Buchanan; Isla Fisher and Jason Clarke as Myrtle and George Wilson; and newcomer Elizabeth Debicki as Jordan Baker. Indian film legend Amitabh Bachchan will play the role of Meyer Wolfsheim.</p> Fri, 19 Apr 2013 14:05:16 +1000 http://if.com.au/2013/04/19/article/MNC-upgrades-with-Magna-Systems-and-Engineering/FOQQNDFSIP.html http://if.com.au/2013/04/19/article/MNC-upgrades-with-Magna-Systems-and-Engineering/FOQQNDFSIP.html Inside Film Correspondent <p> Press Release from Wellabove</p> <p> Recently when MNC Channels, the in-house playout centre for Indonesia’s biggest satellite pay TV operator Indovision, required an upgrade of their automation, storage and video server capabilities they turned to Magna Systems and Engineering. MNC Channels began operations in 2007 playing out one international and two local channels using Pebble Beach Systems Neptune automation control of SeaChange BMC video servers. As the centre grew the original single in-house channel became four channels with further channel expansion and efficiencies planned to improve the function, robustness and ease-of-use of all channels. With growth and expansion foremost in their minds MNC sought a user friendly multi-channel playout system with flexible and robust redundancy. In addition their requirement called for a video server system that could hold all the content for at least seven days for all 10 channels whilst being fast enough to support 100% NLE sourced clips and efficient daily clip recycling. Magna Systems and Engineering Indonesia Sales Manager Awan Setiawan said, “Magna initially installed the Pebble Beach Systems Neptune automation as well as upgrading the capacity of the existing SeaChange BMC servers. We then upgraded the licenses of channels, server ports and additional redundancy mechanism. Magna also replaced the original BMC video server with an XOR Media’s Universal Media Library (UML), MCL-8200 Media Client, 20 decoders and 72TB storage providing MNC with a throughput of up to 18Gbps to support their ever-increasing demand of clips in and out.” The upgraded MNC system provided the playout centre with a state of the art automation and storage solution integrating a fast video server for playout and multi-format file transfer that enjoys a high level of reliability, flexibility and redundancy. Awan Setiawan continued, “After replacing the older BMC server, MNC asked us to install another new UML system in their existing racks which involved relocating their remaining BMC server and re-installing it as temporary system, whilst maintaining all on-air services. The transition also involved all video and control re-wiring and installing a new NLE system. I’m delighted to say that with our comprehensive understanding of their workflows and by providing our usual 24/7 support we were able to ensure MNC remained on air without issues throughout the entire installation and integration process. All in all MNC is an excellent, forward thinking client whom we are very proud to work with.” For more information on Pebble Beach Systems solutions go to: http://www.magnasys.tv/index.php/pebble-beach-systems For more information on SeaChange solutions go to: <a href="http://www.magnasys.tv/index.php/seachange">http://www.magnasys.tv/index.php/seachange</a> For more information on XOR Media solutions go to: <a href="http://www.magnasys.tv/index.php/xor-media">http://www.magnasys.tv/index.php/xor-media</a></p> Fri, 19 Apr 2013 13:00:31 +1000 http://if.com.au/2013/04/19/article/Fujifilm-debuts-IS-mini-and-hosts-cinematographer-Dean-Cundey-ASC-at-NAB-2013/PEEYSTMGYP.html http://if.com.au/2013/04/19/article/Fujifilm-debuts-IS-mini-and-hosts-cinematographer-Dean-Cundey-ASC-at-NAB-2013/PEEYSTMGYP.html Inside Film Correspondent <p> Press Release from FUJIFILM</p> <p> ŒWith groundbreaking color management and class-leading capability, the new IS-mini color management tool by FUJIFILM North America Corporation will be on display at NAB 2013, taking place April 8 -11 at the Las Vegas Convention Center. Fujifilm will also host accomplished cinematographer Dean Cundey, ASC, at its booth # C7525 on Tuesday, April 9. The IS-mini is a small hardware device that takes incoming HD-SDI digital camera moving picture video and converts the color information via two sets of 1D LUTs and 3D LUTs to outputs of both HS-SDI and HDMI connections – all in record time while still delivering high quality imaging. The IS-mini is an extension of the technologies first introduced through the CCBOXX (Image Processing System IS-100), and is designed to work with the CCBOXX by extending the abilities to have accurately profiled production monitors and remote color adjustment of live digital images during movie and television productions. Together, they form a powerful on-set color management system. By use of a new dedicated software application, the IS-mini can also operate independently of the CCBOXX to create monitor calibrations and apply them to almost any kind of production monitor. Because of the built-in Ethernet connection, multiple IS-mini units can be assembled into a powerful array for multi-monitor/multi-camera image control and very precise color matching. The CCBOXX is an ACES based on-set color management solution with extraordinary precision and flexibility. With the CCBOXX, cameras can be calibrated instantly on-site, while the monitors' calibrations are fully automated, eliminating the need for specialized skills. The CCBOXX is so effective that it has recently been used on two US-based feature length movies and several commercials. At the show, the CCBOXX will be demonstrated with the AJA Ki Pro Mini, a compact, tapeless video device that records high-quality files onto computer-friendly media. The Ki Pro Mini is designed to fast track footage from camera to editorial; and at the show, it will be used to record actual video files with the color correction applied. The Ki Pro Mini can be fully controlled by CCBOXX, and it enables not only automatic recording but also playback and search functions through an iPad™ controller. The Ki Pro Mini is made by AJA Video Systems, a manufacturer of digital video interface, conversion and desktop solutions for the professional broadcast and post-production markets. The IS-mini and CCBOXX are designed to be used by colorists, digital imaging technicians, editors, VFX providers, and directors of photography. In addition to demonstrations of the IS-mini and CCBOXX, Fujifilm will have Dean Cundey, ASC in-person at its booth, for Q&As, autographs and demonstrations on Tuesday, April 9. Cundey grew up in Alhambra, California, and studied architecture and cinema, and was also taught by famous cameraman James Wong Howe at the University of California, Los Angeles. During his prolific career that began during the late 1960s, he has earned an Academy Award nomination and Outstanding Achievement Award nominations from the American Society of Cinematographers, and also won an Emmy. Known for his often striking photography, and for his expert use of a fluid prowling camera, one of the first-ever uses of what became known as a Steadicam, his body of work spans a great variety of genres. Most recently, he has been working on a film tentatively titled, Something Whispered, starring Cuba Gooding, Jr., and directed by Peter Cousens, and executive produced by Michael Goodin, Peter Cousens and Cuba Gooding, Jr. “We are proud to introduce and demonstrate the IS-mini, grounded in Fujifilm’s award-winning technology for motion picture film, as well as its knowledge and experience with color,” said James Hirano, deputy general manager and technical director, FUJIFILM North America Corporation. “Also, having a cinematographer of Dean Cundey’s caliber at our booth is an honor, and will be a genuine treat for our visitors.” Œ</p> Fri, 19 Apr 2013 12:38:13 +1000 http://if.com.au/2013/04/19/article/FUJIFILM-brings-exciting-imaging-innovations-to-NAB-2013/NSZZLYLAPP.html http://if.com.au/2013/04/19/article/FUJIFILM-brings-exciting-imaging-innovations-to-NAB-2013/NSZZLYLAPP.html Inside Film Correspondent <p> Press Release from Fujifilm</p> <p> As a leader in the broadcasting industry, FUJIFILM North America Corporation will present several diverse, innovative products and services – including its market-leading optics, a new online storage service, the award-winning FUJIFILM X-Series digital cameras, and a color management tool for motion picture film – to visitors at the 2013 NAB Show, held April 8-11 in Las Vegas under the banner, Fujifilm. expect INNOVATIONTM. FUJIFILM Optical Devices Division will exhibit in booth C7525 during the show, and FUJIFILM Recording Media U.S.A., Inc. will exhibit in booth SL13010. “Fujifilm has a long-standing commitment to being a leader in the broadcasting industry, and our selection of high quality, finely-tuned products presented at NAB underscores Fujifilm’s promise to deliver outstanding products that exceed the industry’s expectations,” said Go Miyazaki, president and COO, FUJIFILM North America Corporation. “By investing heavily in R&D, Fujifilm has successfully developed core technologies that have led to advancements in professional-grade optics, storage solutions, motion picture film and proprietary sensors that set a new standard in excellence for business partners around the world.” FUJIFILM North America Corporation, Optical Devices Division will feature a variety of new industry-leading, high-quality FUJINON lenses and products at the NAB show. Two high-performance lenses, the Premier PL 85-300 Cabrio lens (model ZK3.5x85) and the XA99x8.4 UltraWide field production lens, will make their NAB debut this year. While the PL 85-300 is similar in size and weight as the PL 19-90mm Cabrio (Model ZK4.7x19), its longer focal length makes it ideal for shooting documentaries, nature and wildlife, and commercials. Designed using the latest optical simulation technology, the PL 85-300 Cabrio not only offers exceptional optical performance in the center of the image but in the corners of the frame as well. The entire range of Premier PL 4K+ cine lenses will be in the booth. The 14.5-45mm T2.0, 18-85mm T2.0, 24-180mm T2.6, and 75-400 mm T2.8-T3.8 will all be on display. The new XA99x UltraWide lens is ideal for producing live sports and entertainment events. An XA99xPF will also be on display with an enhanced version of Precision Focus Assist (PF), marking the first time this model has incorporated PF technology. Precision Focus Assist automatically adjusts focus, ensuring fast and accurate focus of HD images under varying conditions. The XA99x8.4 features a newly developed, patented image stabilization technology for rock-steady performance, which is critical for long-distance HD shots. High-resolution 16-bit encoders are standard, making it suitable for virtual, robotic, and digital signage, among other applications. FUJINON’s exclusive GO-TECHnology improves image resolution and reduces chromatic aberrations at all focal lengths. FUJIFILM Recording Media U.S.A., Inc., a leader in data protection and archiving, will feature its technologically advanced Permivault™ online storage service that gives users the option of both on-premise storage and cost-effective offsite archiving for secure, long-term data protection, replication and disaster recovery. This seamless integration of onsite and offsite storage is unique to Permivault, which was created specifically to meet the complex data management requirements of today’s businesses at a cost that enables companies to keep all their data online, secure, and always accessible. Permivault online storage service provides a secure storage architecture powered by StrongBox® from Crossroads Systems, Inc. StrongBox is the first enterprise-level storage solution that leverages Linear Tape File System (LTFS) technology, featuring the scalability and economy of tape with the speed and accessibility of disk. For NAB 2013, Fujifilm has created specially priced Permivault promotional offers that are designed to meet the needs of businesses looking for reliable data protection and archiving. Companies in search of data storage solutions can take advantage of these limited-time offers through June 3, 2013. FUJIFILM North America Corporation, Electronic Imaging Division is excited to showcase its professional-grade FUJIFILM X-Series digital cameras that are designed to appeal to professional and advanced amateur photographers who appreciate extraordinary image quality and true craftsmanship. Adding to the award-winning X-Series line of products, Fujifilm will show its newest and most advanced additions to the X-Series lineup – the newly-announced FUJIFILM X100S and FUJIFILM X20 premium digital cameras, along with the high performance FUJIFILM X-E1 and FUJIFILM X-Pro1 interchangeable lens system cameras that use a selection of impressive XF lenses. Fujifilm will also show its flagship long zoom FinePix HS50EXR and FinePix SL1000 bridge style cameras that offer amazing telephoto capabilities and a wide range of shooting features in an all-in-one design that is easy to use. FUJIFILM North America Corporation will also introduce the new IS-mini color management tool that takes incoming HD-SDI digital camera moving picture video and converts the color information via two sets of 1D LUTs and 3D LUTs to outputs of both HS-SDI and HDMI connections – all in record time while still delivering high quality imaging. Fujifilm will also be demonstrating the CCBOXX (Image Processing System IS-100), an ACES based on-set color management solution with extraordinary precision and flexibility; and will host celebrated and award-winning cinematographer Dean Cundey, ASC in-person at its booth, for Q&As, autographs and demonstrations on Tuesday, April 9. To learn more about these Fujifilm products and services, please visit: <a href="http://www.FujifilmUSA.com/2013NAB">www.FujifilmUSA.com/2013NAB</a> Œ</p> Fri, 19 Apr 2013 12:13:43 +1000 http://if.com.au/2013/04/19/article/HP-Leads-Workstation-Industry-with-Solutions-Collaboration-with-Fusion-io/GWJPFWAGEM.html http://if.com.au/2013/04/19/article/HP-Leads-Workstation-Industry-with-Solutions-Collaboration-with-Fusion-io/GWJPFWAGEM.html Inside Film Correspondent <p> Industry Leaders Enhance Application Performance in Visual Effects, Digital Content Creation and Computer Assisted Design for Demanding Creative Projects Fusion-io (NYSE: FIO) today announced that it is collaborating with global workstation leader HP to integrate the Fusion ioFX into the award-winning HP Z820, Z620 and Z420 Workstations. The integrated solutions will offer ideal development platforms for professional artists in visual effects, upstream exploration of oil and gas, digital content creation (DCC) and computer-aided design (CAD). In addition, professionals interested in adding the Fusion ioFX to their current HP Workstation can purchase the ioFX as a custom integration component. “I consider HP one of the best engineering companies in the world, so I’m thrilled to see HP and Fusion-io working together to advance workstation computing architectures,” said Steve Wozniak, Fusion-io Chief Scientist. “The Fusion ioFX brings the intelligence of the Fusion-io approach to HP’s incredible workstations, adding even more powerful application performance to the precision engineering HP is known for around the world.”</p> <p> The Fusion ioFX provides unprecedented application acceleration to leading workstation applications such as those from Adobe, Assimilate, and The Foundry. The new solution will integrate the Fusion ioFX into the powerful HP Z Workstations with Intel Xeon processors. The architecture is designed to deliver an industry-leading platform for digital content creation applications by moving beyond the performance limitations and bottlenecks of traditional systems. “HP is the workstation industry leader, and our customers demand to be the first to get cutting edge solutions that deliver performance, reliability and innovation,” said Jeff Wood, vice president of product management, Commercial Solutions Business Unit, HP. “Providing the Fusion ioFX in our high-end HP Z Workstations will offer customers improved performance to tackle their most challenging projects faster.”</p> <p> Tuned for sustained performance in multithreaded applications, the ioFX enables artists to work on 2K, 4K and 5K content interactively, in full resolution, as well as to manipulate stereoscopic content in real time. With powerful throughput to maximize NVIDIA GPU processing, the ioFX will slash application wait times in HP WZ Workstations to accelerate both the hardware and software essential to professional digital content creation. Œ</p> Fri, 19 Apr 2013 12:06:44 +1000 http://if.com.au/2013/04/19/article/Atomos-Opens-New-US-Subsidiary/EBTBADETKM.html http://if.com.au/2013/04/19/article/Atomos-Opens-New-US-Subsidiary/EBTBADETKM.html Inside Film Correspondent <p> Press Release from Atomos</p> <p> Atomos, creator of the award-winning field recorders Ninja-2 and Samurai, and the acclaimed Connect converters, announces the opening of a new US office at NAB 2013, (8-11 April, Las Vegas Convention Center, booth number C8218).</p> <p> "Our phenomenal growth over the past year means we can make this kind of investment to better support our customers in the Americas," said Jeromy Young, CEO and Founder of Atomos. "The new office will provide technical support for the region, as well as some product development". Atomos joins the expanding number of technology companies in Portland's Silicon Forest, an area established in the 1940s by innovative companies such as Tektronix and ESI, and more recently by Intel, as the perfect location for engineering and technical expertise in the US.</p> <p> Atomos has now shipped a staggering 10,000 field recorders worldwide. At NAB 2013 their booth features over 25 different camera models, including 10 DSLRs capable of clean HDMI output. An Atomos Ninja-2 or Samurai is now a must-have item in any filmmaker's kit bag.</p> <p> The new Atomos office is located at the following address: Atomos Inc. 2056 NW Aloclek Drive Suite #303 Hillsboro, OR, 97124 Telephone: 503-388-3236 About Atomos Atomos designs and manufactures smart production tools: affordable, easy-to-use field recorders that offer monitoring and deck playback functionality along with converters that save video professionals time and money, without sacrificing quality.</p> <p> Atomos is based in Australia, with offices in the USA, Japan, China and Germany partnering with a worldwide distribution network. Further product information can be found at www.atomos.com. Connect with Atomos on Facebook or follow us on Twitter (@Atomos_News) Œ</p> Fri, 19 Apr 2013 12:02:21 +1000 http://if.com.au/2013/04/19/article/JMRs-New-SilverStore-Desktop-Storage-and-Workstation-Family-Puts-Studio-Performa/LEHFDBRKNU.html http://if.com.au/2013/04/19/article/JMRs-New-SilverStore-Desktop-Storage-and-Workstation-Family-Puts-Studio-Performa/LEHFDBRKNU.html Inside Film Correspondent <p> Press Release from Cognitive Impact</p> <p> JMR Electronics, Inc. a leading provider of scalable storage solutions, will debut their latest additions to its SilverStore™ Desktop family of products, a complete suite of cloud ready SAS/SATA/SSDRAID solutions, servers and workstations, at the Las Vegas Convention Center in booth #SL10124. Additionally, Jenny Fulle, CEO of The Creative-Cartel, a JMR technology partner, will be demonstrating their new workflow software, 'Joust' on JMR's modular storage platform in the exhibit booth. JMR's launch of their new SilverStor products continues the company's unique 30 year history as both a manufacturer and systems integrator of high performance, massively scalable and extremely reliable storage desktop and rackmount solutions. To this end, JMR's engineering and manufacturing teams work closely with their hardware and software technology partners from product inception to production - eliminating potential integration problems early on and ensuring that the finished product meets all performance, connectivity and reliability milestones. "The latest additions to our cloud-ready SilverStor family provides the digital content creation and video community with fully configurable tools for any production and post production workflow, from HD, to 3D to 4K and beyond," said Josef Rabinovitz, president and CEO of JMR. "Each system in the SilverStor family is purpose built to match performance and capacity with application need. This not only ties investment cost to project needs, but also extends the life cycle of our products significantly - resulting in a larger return-on-investment for the business owner." Rabinovitz continued, "Moreover, our philosophy of working closely with our technology partners from the onset guarantees a seamless and reliable operation out-of-the-box via a direct SAS or PCIe connection to your host. Nothing can be simpler." Concurring with JMR's working partner principle, Fulle added, "JMR has been building our hardware for years and we've come to rely on them as a trusted partner." The new SilverStor storage and workstation additions deliver studio performance on the desktop, and fall into the following four categories: Standard Models SilverStor's 4-Bay and 8-Bay SAS/SATA JBOD/RAID systems offer up to 32TB of storage, with direct connection to your host via an available x8 or x16 PCIe slot. The new 8-bay Dual Ported Thunderbolt RAID boasts 700MB/s plus transfer rate with up to 32TB of storage, expandable to 100TB plus. Expansion Models SilverStor's 8, 10 and 18-Bay Desktop RAID systems all incorporate 6Gb/s SAS/SATA expansion and are ideal for applications needing larger storage capacities and performance. All three Expansion models can be easily daisy-chained to add additional storage of up to hundreds of Terabytes. PCIe Models SilverStor's 3-slot PCIe system is available in an 8, 10 and 18-drive bay model and is the ultimate in storage and PCIe bus expansion flexibility. The 5-slot PCIe desktop expansion model, with no storage expansion, adds additional PCIe peripherals to your system like NICs, HBAs, RAID Controllers, GPUs, PCIe attached SSDs, etc. PCIe peripherals can be installed directly within the SilverStor desktop system, creating additional slots for your host. The new 8-Bay SSD RAID offers 2GB/s plus throughput and expands your desktop or server's PCIe bus by 3 slots - perfect for adding more GPU or networking cards. Desktop/Rackmount Workstation Models SilverStor's latest ATX and Desktop/Rackmount Workstations are enterprise grade and fully customizable computing platforms - powering the most demanding applications ranging from digital cinema 2K, 4K, 5K, stereoscopic 3D, and high frame rates such as 48fps and 60fps to broadcast graphics to even print production workflows. Featuring JMR's innovative storage technology combined with support for both Intel and AMD processor platforms, these systems can be configured to fit and accelerate the way you work. Both Workstations incorporate an 8-drive 6Gb/s SAS/SATA backplane, and can be configured with SATA, SAS SSDs or hybrid hard drives. The ATX Workstation features an eight bay removable storage cartridge assembly, enabling an amazing 8TB of internal storage in a small desktop footprint. Last, multiple PCIe 3.0 expansion slots allow for powerful combinations of GPU and other accelerator cards for lightning quick transcoding and processing. The affordable SilverStor products start at $5K US MSRP. For a complete set of features and technical specifications, contact sales@jmr.com or call 818-993-4801. About JMR Electronics JMR is a leading value provider of scalable storage systems for high performance and capacity driven applications for multiple markets including; video and post-production, military and government, education, VOD, DCC, gaming, security, medical imaging, HPC and Web 2.0. Since 1982, JMR's reliable and innovative RAID systems are proudly made in the U.S.A., manufactured entirely from their Chatsworth, California facilities. JMR's complete line of SilverStor™ and BlueStor™ Cloud-ready rackmount and desktop solutions are built to handle the most demanding project needs from ingest to deliverable. Reliability. Innovation. Performance. This is JMR. For further information please visit www.jmr.com. Œ</p> Fri, 19 Apr 2013 11:32:41 +1000 http://if.com.au/2013/04/19/article/Sony-Goes-Beyond-Definition-at-NAB-2013/BCPKZMRLEY.html http://if.com.au/2013/04/19/article/Sony-Goes-Beyond-Definition-at-NAB-2013/BCPKZMRLEY.html Inside Film Correspondent <p> Press Release from SONY</p> <p> At NAB 2013, Sony is exhibiting an array of innovative technologies, from its full line of HD technologies to new solutions for HD and 4K, and professional production at all levels.</p> <p> Sony’s theme for NAB 2013, “Beyond Definition” illustrates how Sony is driving innovation with the development of diverse and new solutions for high-resolution content creation, far beyond HD, in broadcast as well as a range of markets. “We’re no longer defined by hardware or software, codecs or resolution,” said Nick Buchner, Senior Product Manager for Content Creation at Sony ANZ. “We’re also moving beyond broadcast to many other markets that require the highest-quality video, such as education, corporate applications, defence and houses of worship. And we’ve moved beyond the actual hardware to deliver full-scale solutions for content production, enterprise workflow and media asset management.”</p> <p> The 4K Evolution</p> <p> Workflow Innovations This year at NAB, Sony continues to innovate in 4K production environments and workflows, beginning with workflow innovations to help build a stable environment for both industrial and consumer XAVC-based production. Currently, 31 manufacturers’ products plan on their support for Sony’s XAVC format and workflow – an open format for 4K and HD recording designed for both professional and consumer markets. In addition, Sony will also be featuring a new consumer-oriented XAVC S format, that will support MP4 encoding of both 4K and HD video.</p> <p> Shooting Innovations Sony will be showcasing its flagship F65 CineAlta™ camera (Version 3 with upgrade kit), which leads the market in resolution, with its large 8K CMOS sensor. The Version 3 upgrade will allow the camera to support two independent SDI outputs and allow use with the DVF-EL100 0.7-inch OLED viewfinder, providing a better solution for on-set needs. Sony’s recently released PMW-F55 and PMW-F5 CineAlta™ 4K cameras, featuring newly developed Super-35mm 4K CMOS image sensors, as well as a modular design that enables easy attachment of a wide range of peripheral devices, will be on hand for preview. By the end of April 2013, over 2,000 sets of PMW-F55 and PMW-F5 will have been shipped worldwide. Sony’s exhibit will feature a 4K shooting system that will demonstrate real-time 4K shooting and image processing, with necessary facilities such as intercom and return video. The system is suitable for live or recorded broadcasts, using a PMW-F55 fitted with camera system adapter “CA-4000” and baseband processor “BPU-4000”. Current model camera control units HDCU-2000 and HDCU-2500 are able to set-up as the system interface to achieve functions such as remote control, intercom, return video and so on. Mixed operation is also possible with current HDC-2000 series studio cameras, as well as future migration from HD to 4K shooting.</p> <p> Viewing Innovations As 4K moves into the home, and to highlight the ongoing work in development of OLED monitor technologies, Sony will be presenting a technical exhibit of 56-inch (3840x2160) and 30-inch (4096x2160) professional 4K OLED panels, and a new Trimaster EL A series of high-definition OLED monitors with a newly developed panel featuring industry-leading wide viewing angles, reducing the colour shift by half when compared with their predecessor models. To date, over 20,000 Trimaster EL professional OLED monitors have been shipped worldwide. IT-Driven Improvements in Production Workflow</p> <p> Optical Disc Archive Solutions Sony has worked to incorporate IT-driven improvements in production workflow, starting with the expansion of its Optical Disc Archive Systems that accept discs with capacities up to 1.5 terabytes. To further provide an advanced archiving solution, Sony has agreed to partner with Dalet Digital Media Systems based in France. Sony is working towards solutions that integrate the Dalet Media Life MAM software with the Optical Disc Archive product line. Moving forward, Sony and Dalet will jointly propose archiving solutions for a wide range of areas, including News and Sports production, Media Digitisation, and Disaster Recovery. The two companies will also collaborate in Solution Selling, System Integration/Delivery and Contract Services in order to provide customers with total efficiency, benefiting from both application system and service and support. The partnership will start within the US and European markets, and will progressively be introduced to other areas. At NAB 2013, Sony will be presenting a technical exhibition of drive units and extended libraries currently under development to support faster and more extensible systems, including the forthcoming “ODS-D77U/F” drive systems to deliver double the read and write speeds of the current drives, making them ideal for storage of high-bit-rate movies, TV shows, and commercials. The “ODS-L30M,” “ODS-L60E,” and “ODS-L100E” extensible libraries provide sufficient capacity to meet the demanding requirements of broadcast studios and other high-volume data users. They are planned to be launched to the market in autumn 2013.</p> <p> Live IP Transmission System Sony’s exhibit will also feature the NXL-IP55 live IP transmission system. The NXL-IP55 transmits multiple HD video signals, audio signals and control signals both downstream and upstream over a single network cable, enabling bidirectional live transmissions. Known for its high picture quality and low latency, the system is now in use not only in broadcast studios and production companies, but also in medical and educational settings. To further enhance the system’s effectiveness and ease of use, a new software system “IP Live Manager” will be introduced, capable of providing centralised management of multiple NXL-IP55s. It enables users to easily pre-set the paring of NXL-IP55s on the same LAN as well as one-click switching of paring depending on transmission section and multi-point (up to 8 points) monitoring of audio/video signals.</p> <p> Media Cloud Services Sony has launched Media Cloud Services Company, a new subsidiary of Sony Corporation of America, that will give creative professionals a virtual workspace with revolutionary media applications to store, share and manipulate content from any location in the world. The new company’s robust, scalable cloud platform, Ci (pronounced “see”), will provide a “one-cloud” solution to collect, produce and archive high-value, high-definition content, allowing fast and secure collaboration on a global scale. Media Cloud Services will first be available within the US and European markets, with plans to be launched within the year.</p> <p> New HD Products Offer Stronger Industry Support: Live Productions When it comes to live production, Sony HD production products embody the core technology for today’s broadcasting businesses, and Sony remains committed to offering customers a total solutions approach to support the rapid changes in the business environment. Sony will preview new decks and shoulder-mount cameras targeted at key broadcast customers, enhancing the 50p/60p products that are required by the many broadcasters committed to natural, smooth sports and live images.</p> <p> News Production Sony will feature the PMW-400 XDCAM shoulder camcorder that supports 50-Mbps HD422 MPEG and includes broad functionality, making it suitable for a wide range of uses – from TV programme production to studio camera applications. There will be a technical exhibition of a wireless adapter which connects mobile devices and camcorders in LAN environments and helps streamline field workflows. The adapter mounts directly on supporting camcorders and enables 3G, 4G, and LTE transmission of proxy files through a network.</p> <p> Sports Production Sony continues to offer top-of-the-line live production capabilities with its HDC series cameras, standard for major prime-time events. For sports and live productions, Sony will present enhancements of the 1080 50p/60p production system. The HDC-2750 60p studio camera for both triax and optical fibre allows easy use for live broadcast facilities such as a sports stadium. The camera gives producers more flexibility on location, providing features such as ease of switching between fibre and triax environments and more stable transmission over longer distances.</p> <p> Sony’s Anycast Touch solution, directed at customers looking to take their first leap into serious live production, is an all-in-one broadcasting and streaming system operated from an easy-to-use touch panel. Its compact and smart white design provides a powerful but easy to use and extremely portable live production solution. Œ</p> Fri, 19 Apr 2013 11:26:28 +1000 http://if.com.au/2013/04/19/article/New-Creative-Tools-and-Management-Solutions-for-Audio-Video-and-Broadcast-Produc/YRWFDELYIR.html http://if.com.au/2013/04/19/article/New-Creative-Tools-and-Management-Solutions-for-Audio-Video-and-Broadcast-Produc/YRWFDELYIR.html Inside Film Correspondent <p> Press Release from Avid</p> <p> Avid® (NASDAQ: AVID) today introduced new and upgraded solutions for audio production, professional editing, multi-platform content distribution, on-air graphics production, and asset management. Continuing to set the standard for media technology excellence, Avid also shared its strategic vision, termed “Avid Everywhere,” which expresses the company’s commitment to create the most fluid end-to-end, distributed media production environment in the industry. Avid Everywhere recognizes that flexible deployment options, including remote and cloud-based collaboration technology, have become critical to content creators and distributors as they face relentless pressure for operational excellence. Intense cost pressures and content creation complexity are key challenges for media and content professionals in this ever more mobile and social world. Avid Everywhere helps our customers meet these challenges by empowering distributed work teams, multi-platform delivery, and the ability to work in any production environment. “Over the past 25 years, Avid has built a strong heritage of industry leadership; we’re proud of the role we play in empowering our customer community to create the most compelling media in the industry,” said Avid president and CEO Louis Hernandez, Jr. “As a critical element of Avid’s growth strategy, Avid Everywhere inspires our next phase of innovation around our entire product suite. We look forward to sharing more announcements over the next year.” Specific new and upgraded products announced at NAB include: Creative Tools—Avid’s professional creative tools set the industry standard for the highest quality content creation and production solutions to power the complete professional content creation environment. • Avid Media Composer® 7 — The industry’s preeminent nonlinear editing solution is now available starting at AUD$1,099—bringing unprecedented value to post production editors. The new version features accelerated and simplified file-based workflows including optimized HD delivery from high-res source material and automated media operations. The new release also offers Interplay® Sphere for Mac support, extending real-time production everywhere. • Avid Pro Tools® 11 — Avid’s industry-leading digital audio workstation features high-powered audio and video engines, 64-bit architecture, expanded metering, and direct HD video workflows. • Avid Motion Graphics™ 2.5 — Avid’s next-generation platform of on-air graphics production includes a new dual-channel configuration option and stand-alone playout engine to increase deployment flexibility and speed graphic workflows, to create stunning imagery and get work quicker to air. • Avid Fast Track® Solo and Duo — Avid’s two new portable audio interfaces for composing and recording high-quality audio come equipped with Pro Tools Express software for Mac and PC, and connect directly to the iPad, providing high-quality I/O for any iOS app. Media Management Solutions—From the largest media enterprises to independent professionals, Avid provides the most open, flexible, and scalable solutions in the industry. • Avid Interplay Production 3.0 — Avid’s latest version of the industry-standard production asset management solution simplifies and speeds file-based workflows for post production and broadcast customers, and offers Interplay Sphere with full Mac support. • Avid Interplay Pulse — Avid’s enhanced multi-platform content distribution solution delivers content to online, mobile, and social platforms everywhere, in the right form and format for each, while featuring integration with Avid’s connected newsroom solution set and unified web client. • Avid AirSpeed® 5000 2.5 — Avid’s latest-version video server delivers slow motion playback for SD and HD, fast media replay, and continuous record. About Avid Avid creates the digital audio and video technology used to make the most listened to, most watched and most loved media in the world – from the most prestigious and award-winning feature films, music recordings, and television shows, to live concert tours and news broadcasts. Some of Avid’s most influential and pioneering solutions include Media Composer, Pro Tools, Interplay, ISIS®, VENUE, Sibelius® and System 5. For more information about Avid solutions and services, visit www.avid.com, connect with Avid on Facebook, Twitter, YouTube, LinkedIn, SoundCloud; or subscribe to Avid Buzz. Œ</p> Fri, 19 Apr 2013 11:15:52 +1000 http://if.com.au/2013/04/19/article/Avid-Media-Composer-7-Extends-Real-time-Production-Everywhere/PKQRFNIMNK.html http://if.com.au/2013/04/19/article/Avid-Media-Composer-7-Extends-Real-time-Production-Everywhere/PKQRFNIMNK.html Inside Film Correspondent <p> Press Release from Avid</p> <p> Avid® (NASDAQ: AVID) today unveiled Media Composer® 7, featuring accelerated and simplified file-based workflows including optimized HD delivery from high-res source material and automated media operations. In addition, as a key component of the Avid Everywhere vision, the new release offers Interplay® Sphere for Mac support, extending real-time production everywhere. Used to edit more top-tier content than any other nonlinear editing (NLE) solution, Media Composer software is now available starting at AUD $1,099 —bringing unprecedented value to post production editors. “Avid has never wavered in its commitment to the professional editing community. Today’s video professionals are faced with a media landscape of new formats, fewer resources, and tighter budgets,” said Chris Gahagan, Senior Vice President of Products and Services at Avid. “Media Composer 7 tackles these challenges with unparalleled file-based workflows, background processing, and automation. Plus, with its new lower price point, Media Composer is now more accessible than ever to editors who previously had to compromise on quality with other tools.” Accelerating HD delivery from high-res source As more content is created with high-res cameras and delivered as HD, editors typically must perform time consuming transcode and resize operations before true editing can begin. Media Composer 7 eliminates this step by enabling editors to work directly in HD from the high-res source, while maintaining full creative control of image framing. Media Composer 7 offers a wide array of key new features, including: • AMA media management — Media linked via Avid Media Access (AMA) now benefits from the complete suite of industry-leading media management tools formerly reserved for native Avid media. • Dynamic media folders — Accelerates and simplifies AMA media management tasks automatically in the background. • FrameFlex™ tool and LUT support — Enables editors to ingest 2K, 4K, and 5K media with real-time color space conversion and deliver content directly to HD. • Master Audio Fader — Enables editors to control overall program volume and insert plug-ins for compression, equalization, and compliance metering. • Clip Gain — Editors can adjust gain on a specific clip, independent of track-based automation, without engaging separate audio tools. • Symphony Color Correction option — Lets editors add advanced color correction tools previously found only in Avid Symphony. • Interplay Sphere for Mac — Enables creative teams to edit, share, tag, track, and sync media as it flows through the production process anywhere in the world (Media Composer Interplay Edition required). Mark Futa, head of Post Production at The Ant Farm, said, “As we journey further into a tapeless post production world, managing a wide range of dissimilar digital media is a major challenge. What excites me about Media Composer 7 is not only its ability to speed up the ingest of both high-res and HD source media via AMA, but also the introduction of background processing so our editors can keep editing while the application handles non-creative tasks like media transcoding and consolidation.” Media Composer software configuration options At product availability, Avid will offer a choice of two Media Composer software configurations: • Media Composer provides the full Media Composer editing feature set as well as support for ISIS® workgroups. • Media Composer Interplay Edition includes all the features in Media Composer, plus the ability to connect to Avid Interplay. Availability & Pricing Media Composer 7 will be available from Avid resellers worldwide starting in June 2013. Customers can purchase Media Composer 6.5 now and receive a free upgrade to version 7 when available. Pricing below is in Australian dollars and includes GST: • Media Composer 7 (standard) — $1,099.00 • Media Composer 7 Interplay Edition — $1599.00 USD About Avid Avid creates the digital audio and video technology used to make the most listened to, most watched and most loved media in the world – from the most prestigious and award-winning feature films, music recordings, and television shows, to live concert tours and news broadcasts. Some of Avid’s most influential and pioneering solutions include Media Composer®, Pro Tools®, Interplay®, ISIS®, VENUE, Sibelius® and System 5. For more information about Avid solutions and services, visit www.avid.com, connect with Avid on Facebook, Twitter, YouTube, LinkedIn, SoundCloud; or subscribe to Avid Buzz. Œ</p> Fri, 19 Apr 2013 10:43:15 +1000 http://if.com.au/2013/04/19/article/Go-Digital-or-Go-Dark---save-community-theatres-with-crowdfunding-site/QYBRASIESW.html http://if.com.au/2013/04/19/article/Go-Digital-or-Go-Dark---save-community-theatres-with-crowdfunding-site/QYBRASIESW.html Inside Film Correspondent <p> By the end 2013, Hollywood film studios will stop distributing movies on 35-millimeter film and convert entirely to digital. This conversion will save billions for studios, which no longer need to deliver cumbersome film, but leaves small town theaters in the lurch.</p> <p> “The problem,” said SaveOurCommunityTheaters.org spokesperson Scott Wilson, “is that over 3,000 cinemas across the United States are in real danger of closing. They simply don’t have the extra $50,000-$80,000 per theater needed to make the conversion.” Michael Hurley, owner of the Colonial Theater in Belfast, Maine estimates that 20% of all theaters in North America could be lost.</p> <p> SaveOurCommunityTheaters.org believes this loss is unacceptable, said Wilson. “We are harnessing our social media Circlefunding(SM) technology to make sure community theaters are here to stay.”</p> <p> Community theaters are fundamentally important to the health and wellbeing of communities. Often these theaters have been around for generations and are part of the fabric of the town. They provide history, a meeting place, and employment, said Wilson.</p> <p> SaveOurCommunityTheaters.org has fundraising project ideas, web assistance, promotional suggestions and utilizes next generation fundraising technology - Circlefunding - to assist small town theaters.</p> <p> Unlike many other Crowdfunding sites, which promote a variety of projects, SaveOurCommunityTheaters.org focuses entirely on community theaters. Œ</p> Fri, 19 Apr 2013 09:41:05 +1000 http://if.com.au/2013/04/19/article/Heard-Island-expedition-shot-with-new-Sony-PMW-200-HD-camera/XBZLSSUMIU.html http://if.com.au/2013/04/19/article/Heard-Island-expedition-shot-with-new-Sony-PMW-200-HD-camera/XBZLSSUMIU.html Inside Film Correspondent <p> Press Release from SONY</p> <p> When Queensland-based Marine Biologist and filmmaker Dr. Dean Miller was approached to shoot one of the most remote places on earth with the new Sony PMW-200 HD camera his reaction was a justifiable mix of excitement and trepidation. Miller explained, “Heard Island in the Australian Sub-Antarctic is extremely hard to get to and only very few people have ever seen it let alone stood on it. When you get an invitation to take part in an expedition to visit somewhere as special and untouched as this, you simply say, yes please and what’s involved?” The assignment, one Miller describes as his “hardest to date”, involved a 10,000km open ocean voyage through the notorious Southern Ocean to get to the tiny island and a three-day window to explore, research and shoot when they got there. Miller continued, “I only had three days to get as much usable footage as I could to tell the Heard Island story. In fact the shoot ended up being much harder than we first thought it might be. After sixteen days at sea in ferocious conditions we finally arrived but could not get anywhere near the island. Blizzards held the ship off the coast and we got only the smallest of glimpses of Heard for thirty hours, which meant thirty hours less time I had to shoot. Once the storm cleared we had a nine hour window before the next storm was forecast, so we landed and while also covering over 10km on foot, shot as much as I possibly could. The day after it was back to blizzards, and with just one day remaining things were getting tight. We managed to get back on the island for another four hours and somehow shot enough footage for the rest of the story. Without doubt the greatest moment on the island was when the weather cleared giving us beautiful blue skies and revealing Big Ben, Australia’s highest peak, only active volcano and birthplace of our glaciers. It is something I will never forget and was one of the most stunning scenes I have ever witnessed. Everything I thought I knew about cameras, filming, wildlife and the weather all had to come together for those 13 little hours.” Accompanying Miller on his expedition into the unknown was the latest Sony PMW-200, the much-anticipated upgrade for the PMW-EX1, a camera that Miller had used extensively all over the world. Miller added, “I know the EX1 back to front and was excited beyond belief to test drive the PMW-200. I took one camera and one camera only so it had to work first time every time. My guess was that if the PMW-200 was anything like my old EX1 it would be the perfect tool for the job - super high quality, reliable, versatile, excellent on batteries, compact and tough against the conditions. It was. I knew we were onto a winner as soon as I saw the PMW-200 was small enough to be carried along with my survival equipment, but large and powerful enough to shoot the amazing HD footage that the broadcasters required.” Sony’s PMW-200 supports the 50 Mbps MPEG HD422 codec and MXF recording and with its three 1/2-inch Full HD Exmor CMOS sensors (1920x1280), the PMW-200 is able to achieve high resolution (1000 TVl), high sensitivity (F11@2000 lx), low noise (56 dB), and wide dynamic range. Dr. Miller concluded, “The PMW-200 does it all in my opinion - great lens, great range, fast and slow motion and an awesome time-lapse function with plenty of options. This camera can pull off wildlife shooting with ease because it is so easy to setup and very simple to use. On Heard Island the PMW-200 performed flawlessly. The higher 50 Mbps bit rate is a real bonus and is one of many winning features of the PMW-200. The screen has been improved which is great and it was super easy to navigate menus and buttons, just like the EX1. The camera is also very intuitive and very easy to simply pick up and shoot with, another bonus especially if you don’t like reading manuals. It’s hard to fault the PMW-200 and if you think you got great results with an EX1 then wait until you try this camera as it takes things to a whole new level.” Œ</p> Fri, 19 Apr 2013 09:21:14 +1000 http://if.com.au/2013/04/19/article/Political-thriller-DRONE---Point-Click-Kill--Forget-/KPOCUAMOYJ.html http://if.com.au/2013/04/19/article/Political-thriller-DRONE---Point-Click-Kill--Forget-/KPOCUAMOYJ.html Inside Film Correspondent <p> Press Release from Guilty Content</p> <p> DRONE is a soon to be produced feature film that has garnered considerable excitement and momentum, both here and in the U.S, with some major producers and distributors attached. The newly produced ‘proof of concept’ (District 9 model) 2 minute trailer for this political thriller was a great hit at the 2013 SXSW Festival in Austin Texas and also in L.A.</p> <p> DRONE is a story with true international appeal, hitting upon the current global phenomenon of robotic warfare, a hot topic. The concept of drones for both combat and surveillance is highly controversial and grows in the public consciousness with every passing day. The moral ambiguity of war is being tested right now as you read this.</p> <p> SYNOPSIS: DRONE is the story of Dalton, an ‘armchair warrior’, a drone pilot with the U.S. Army. From his computer screens and controls in an operating station in Nevada 7,000 miles from his target in Afghanistan, he holds the power of life and death. Point, click, kill. Forget.</p> <p> DRONE is directed by Edwin McGill, an international award-winning film and commercial director. This is his feature directing debut, with screenplay written by Christopher McGill and Edwin McGill and produced by Jason Byrne. The feature trailer stars Guy Edmonds (Bedlam) and Peter Phelps (Lantana) with cinematography by Marin Johnson.</p> <p> The feature script DRONE is entering the final draft stage. Christopher McGill, the lead writer on the project, brings 40 years of experience and ability. He is highly acclaimed with a number of screenplay awards to his name. Madman Entertainment are attached to the project and financing has begun. DRONE is a co-venture between the U.S. and Australia with plans to shoot in northern India and Nevada in 2014.</p> <p> The proof of concept 2min trailer will be released online soon! Official website <a href="http://www.dronethemovie.com">www.dronethemovie.com</a> Facebook <a href="http://www.facebook.com/dronethefilm">www.facebook.com/dronethefilm</a></p> Fri, 19 Apr 2013 09:07:25 +1000 http://if.com.au/2013/04/17/article/Metro-Screen-commits-115000-across-eleven-new-projects/CAVTECDVST.html http://if.com.au/2013/04/17/article/Metro-Screen-commits-115000-across-eleven-new-projects/CAVTECDVST.html Inside Film Correspondent <p> Press release</p> <p> Eleven outstanding projects have been selected by Metro Screen to receive $115,000 in funding through the Breaks - Story to Screen program this month. The comprehensive Breaks funding program is focused on getting stories from script to screen with a cash production budget, production facilities support and a craft skills development program including the Story Hothouse and the Directors Foundry. Over the past three years, Metro Screen has been funding creative storytelling and emerging practitioners through the First Breaks, Break Out and Breakthrough programs. The Breaks - Story to Screen program will produce eight short films and three web-based programs by early career film and content makers. Cultural diversity is represented through the range of projects including content producers from Indigenous and multicultural backgrounds. “These scripts were selected for their strong ideas and potential to develop into an exciting and diverse production slate for 2013.” David Opitz Projects and Productions Manager, Metro Screen Breaks- Story to Screen is proudly supported by Screen NSW and Screen Australia’s RAW NERVE program. The successful Breaks projects for 2013 are; Il Taglialegna (The Woodcutter) by Thomas McSweeney and Ross Hubbard Horror short film Pink by Lynne Vincent MCCarthy Psychological-drama short film Showboy by Samuel Leighton-Dore Drama short film Latte e Miele (Milk and Honey) by Louisa Mignone and Andrea Demetriades Dramedy short film Bad Daddy by Elizabeth Taddic, writer Adam Szudrich Drama short film Touch by Adrian Chiarella Horror short film Dawney Slack by Elizabeth Wymarra Comedy short film The Fight by Tom Avery Comedy short film Dry Fire by Ngaire Oleary and Alex Williams Drama web series Love Bytes by Tonnette Stanford GLBT dramatic/comedy web series Defendant 5: The Fall of the House of Gunns by Heidi Douglas Documentary web series Œ</p> Wed, 17 Apr 2013 16:36:58 +1000 http://if.com.au/2013/04/17/article/Rachel-Ward-Bryan-Brown-Susie-Porter-Denise-Roberts-to-present-at-ADG-Awards/NURXHKRMRZ.html http://if.com.au/2013/04/17/article/Rachel-Ward-Bryan-Brown-Susie-Porter-Denise-Roberts-to-present-at-ADG-Awards/NURXHKRMRZ.html Inside Film Correspondent <p> Œ</p> <p align="center" class="MsoNoSpacing" style="text-align:center"> Press release</p> <p align="center" class="MsoNoSpacing" style="text-align:center"> Screen industry luminaries Rachel Ward, Bryan Brown, Susie Porter and Denise Roberts have ben announced as presenters at the 2013 ADG Awards.</p> <p align="center" class="MsoNoSpacing" style="text-align:center"> Also attending will be many of Australia’s top directors from film, television, commercials and multi-platform. In what is guaranteed to be a fun night, multi-talented actor, writer, director and producer Adam Zwar will host the Awards, which are being held at Hoyts Cinemas at the Entertainment Quarter on May 3, which a dinner to follow at Trackdown Studios.</p> <p align="center" class="MsoNoSpacing" style="text-align:center"> “We’re thrilled that Rachel, Bryan, Susie and Denise will join us to help celebrate the achievement of Australian screen directors over the past year. Watch out for more exciting announcements to come as lock in more high profile presenters,” said ADG Executive Director Kingston Anderson.</p> <p align="center" class="MsoNoSpacing" style="text-align:center"> “There’s tremendous industry goodwill towards this event as the word spreads about what a great night it is, with the requisite mix of respect and irreverence.”</p> <p align="center" class="MsoNoSpacing" style="text-align:center"> For the first time, tickets will be available to the ceremony only as well as the traditional option of ceremony and dinner.Œ</p> <p align="center" class="MsoNoSpacing" style="text-align:center"> Ticket prices are: General Admission (Ceremony and Dinner) $185</p> <p align="center" class="MsoNoSpacing" style="text-align:center"> ADG Member (Ceremony and Dinner) $135</p> <p align="center" class="MsoNoSpacing" style="text-align:center"> General Admission (Ceremony Only) $35 Tickets can be purchased at: <a href="http://www.moshtix.com.au/event.aspx?id=64094&skin=">http://www.moshtix.com.au/event.aspx?id=64094&skin=</a></p> <p align="center" class="MsoNoSpacing" style="text-align:center"> “The 2013 Awards, which were our 30th anniversary event, saw a huge surge in interest from both ADG members, the general public and the broader industry. As a result, we sold out and couldn’t accommodate the many people who wanted to attend,” said ADG Executive Director, Kingston Anderson.</p> <p align="center" class="MsoNoSpacing" style="text-align:center"> “Everyone who managed to get a ticket had so much fun last year that we’re sure the number of people wanting to come this year will be even greater. By moving to Hoyts we are now able to sell 400 tickets to the ceremony. However, tickets to the dinner will still be much sought after as there are only 200 on offer so I urge anyone interested to get in fast.”</p> <p align="center" class="MsoNoSpacing" style="text-align:center"> The Awards celebrate the outstanding work of Australian screen directors over the past year across 17 categories including film, television, multiplatform, music and advertising.</p> <p align="center" class="MsoNoSpacing" style="text-align:center"> Œ</p> Wed, 17 Apr 2013 14:07:55 +1000 http://if.com.au/2013/04/17/article/The-Solid-State-receives-four-nominations-in-2013-Golden-Trailer-Awards/RPZNVWGGJG.html http://if.com.au/2013/04/17/article/The-Solid-State-receives-four-nominations-in-2013-Golden-Trailer-Awards/RPZNVWGGJG.html Inside Film Correspondent <p> Œ</p> <p style="margin-bottom:11.25pt;mso-line-height-alt:13.5pt"> Press releaseŒ</p> <p style="margin-bottom:11.25pt;mso-line-height-alt:13.5pt"> TheŒSolid State received 4 nominations in LA's prestigious Golden Trailer Awards, recognising the world’s best feature film marketing materials. The Sydney-based creative agency were nominated for their trailer for Love is All You Need, posters for Al Pacino’s ‘Wild Salomé’ and ‘Mabo’ as well as the trailer for The 2013 French Film Festival.</p> <p style="margin-bottom:11.25pt;line-height:13.5pt"> Through an open competition judged by film industry notables – which this year included Ivan Reitman and Jon Favreau - the Golden Trailer Awards recognise the creative agencies that deliver the worlds best film marketing campaigns including trailers, teasers, tvcs and posters.</p> <p style="margin-bottom:11.25pt;line-height:13.5pt"> The Solid State is competing in 4 categories: Best Foreign Romance [Love is All You Need – Madman Entertainment ], Best Documentary Poster [Wild Salomé - Arclight Films], Best Foreign Poster [Mabo – Blackfella Films] and Best Film Festival Trailer [The 2013 French Film Festival]</p> <p style="margin-bottom:11.25pt;line-height:13.5pt"> With an unbroken streak in the competition that now stretches to 18 awards in 6 years Solid State founders Danny Lachevre and Walter Bienz cited the company’s approach across all stages of production as the key factor in this latest success.</p> <p style="margin-bottom:11.25pt;line-height:13.5pt"> "We work closely with film makers and sales agents from a very early stage of development all the way through to when distributors are involved at theatrical release and home entertainment.Œ Working across the entire life cycle of a film keeps us focused on the top level messaging, creating real connections with our campaign materials. " says Lachevre</p> <p style="margin-bottom:11.25pt;line-height:13.5pt"> "Good filmmakers understand they have to think about their marketing right from the outset” said Bienz,Œ “On Al Pacino's Wilde Salomé we worked with Arclight and the producers on several key art approaches for AFM and Cannes before the film was completed.Œ When it came time for theatrical release a number of ideas had already been tested on audiences so we knew exactly what the poster had to do.”</p> <p style="margin-bottom:11.25pt;line-height:13.5pt"> "When I saw the final poster I just thought ‘wow I want to see this movie!” says Wilde Salomé producer Barry Navidi.</p> <p style="margin-bottom:11.25pt;line-height:13.5pt"> “We attended AFM last year and to see the sheer quantity of films competing for attention is staggering.” says Lachevre “Without great materials at presales stage a film can easily get lost in the sea of hundreds of titles and miss out of valuable overseas sales.”</p> <p style="margin-bottom:11.25pt;line-height:13.5pt"> “We worked with The Solid State on Mabo well before production” says Darren Dale [Blackfella Films] “They created a great press kit that began to build an identity for the film from the outset.Œ Later we got them to develop this further through the key art and also through the opening and closing titles. At each stage the creative just became stronger. Having one company across these elements throughout this entire process was invaluable” Since 2007 The Solid State has become one of the world’s most successful full-service film marketing agencies consistently winning awards for all elements of their campaign work. Formed with the goal of offering producers, distributors and sales agents a single vision across the entire spectrum of campaign media, the company’s dedicated passion for film and tv continues to deliver memorable campaign materials for mainstream and independent film clients across the globe.</p> <p style="margin-bottom:11.25pt;line-height:13.5pt"> All nominated work can be viewed at their website:Œ<a href="http://www.thesolidstate.com.au">http://www.thesolidstate.com.au</a></p> <p style="margin-bottom:11.25pt;line-height:13.5pt"> PAST GOLDEN TRAILER AWARDS</p> <p> Babylon Trailer - Gold A Few Best Men Trailer - Silver Two Little Boys Trailer - Silver The Tall Man Trailer - Silver The French Film Festival 2012 Trailer - Silver Wasted on the Young Teaser - Silver Message Sticks Film Festival - Silver The Disappearance of Alice Creed TVC1 - Silver The Disappearance of Alice Creed TVC2 - Silver The Tall Man Poster - Silver Balibo Trailer– Gold Divine Shadows Trailer - Gold 9.99 Poster - Gold Slipstream Poster - Silver Sydney Film Festival Campaign - Silver Nightmare Detective Trailer - Silver Dog Bite Dog Trailer - Silver Black Sheep TVC - Silver</p> Wed, 17 Apr 2013 13:19:45 +1000 http://if.com.au/2013/04/15/article/Vodka-O-scholarship-up-for-grabs-as-part-of-Sydney-Film-Festival/WXVPCZSQLR.html http://if.com.au/2013/04/15/article/Vodka-O-scholarship-up-for-grabs-as-part-of-Sydney-Film-Festival/WXVPCZSQLR.html Inside Film Correspondent <p> Press release</p> <p> Œ</p> <p class="MsoNormal"> To celebrate its status as official spirit sponsor of the 60th Sydney Film Festival, Vodka O is once again spreading the cinematic love by giving up-and-coming filmmakers a rare chance to be on the same bill as some of the world’s most progressive and celebrated filmmakers. This year, there's even more scholarship money at stake too, with the winner set to take home $5,000 in cash to put towards developing their creative career.</p> <p class="MsoNormal"> Œ</p> <p class="MsoNormal"> Budding filmmakers and creative types are being given the opportunity to have their short film, on Vodka O, screened at the 2013 Sydney Film Festival along with being provided a private screening session for ten friends as part of the Vodka O SchOlarship initiative. In addition to the $5,000 schloarship, the winner will receive full creative credit and be invited to network and rub shoulders with industry talent, celebrities and other guests at the Opening Night Gala. </p> <p class="MsoNormal"> Œ</p> <p class="MsoNormal"> “From starting out in a Sydney garage, we Œknow how hard it is to break into an industry you’re so passionate about,” says ASM Liquor CEO Tim Szonyi. </p> <p class="MsoNormal"> Œ</p> <p class="MsoNormal"> “We began building great tasting spirits from the ground up with sheer passion and determination. Sponsoring the Sydney Film Festival and providing the Vodka O SchOlarship allows us to lend a hand to all those like-minded, dedicated individuals who are wanting to kick-start their careers, “ says Szonyi.</p> <p class="MsoNormal"> Œ</p> <p class="MsoNormal"> To enter the Vodka O SchOlarship, entrants must make a 30, 45 or 60 second film that follows the creative brief provided by Vodka O. The winning film will be screened throughout the 12 days of the Sydney Film Festival' films, as well as on SFF TV played at Martin Place between 5 and 16 June. </p> <p class="MsoNormal"> Œ</p> <p class="MsoNormal"> The winner’s film will also receive an airing on Vodka O’s website and be heavily promoted on social media mediums including YouTube and on Vodka O's Facebook page and have the opportunity to be involved in other creative projects with Vodka O throughout the year. </p> <p class="MsoNormal"> Œ</p> <p class="MsoNormal"> "The Vodka O SchOlarship opened many creative doors for last year’s winner Adam Marshal as he got to spend time with the likes of Bruce Davey from Icon Productions on the red carpet at the 2012 opening night launch. We're excited to be giving back to the Australian creatives while also supporting once again one of the longest running film festivals in the world." says Szonyi.</p> <p class="MsoNormal"> Œ</p> <p class="MsoNormal"> To register your interest in the Vodka O SchOlarship and to receive the full creative brief, please visit the Vodka O Facebook page <a href="http://www.facebook.com/vodkao">www.facebook.com/vodkao</a></p> <p class="MsoNormal"> Œ</p> <p class="MsoNormal"> Vodka O is produced by Australian liquor company, ASM Liquor, and has won many international awards including smoothest vodka in the world at the 2010 Vodka Masters in London and also won gold at the 2011 World Spirit Awards.</p> <p class="MsoNormal"> Œ</p> <p class="MsoNormal"> View last years' winning entry atŒ<a href="http://www.youtube.com/watch?v=Pls8bfGzO18&NR=1&feature=endscreen">http://www.youtube.com/watch?v=Pls8bfGzO18&NR=1&feature=endscreen</a></p> <p class="MsoNormal"> Œ</p> <p class="MsoNormal"> Note: all entrants must be over 18 years of age</p> Mon, 15 Apr 2013 10:57:33 +1000 http://if.com.au/2013/04/03/article/Melbourne-Queer-Film-Festival-announces-winners/POIDXDMVMQ.html http://if.com.au/2013/04/03/article/Melbourne-Queer-Film-Festival-announces-winners/POIDXDMVMQ.html Inside Film Correspondent <p> </p> <p class="MsoNormal" style="margin-bottom:19.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Press release Asha Holmes Publicity</p> <p class="MsoNormal" style="margin-bottom:19.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> The 23rdŒMelbourne Queer Film FestivalŒ(MQFF) came to a close on 25 March after 11 days of queer cinematic culture that included screening 169 films. The Festival recorded a whopping 39 sold-out sessions.</p> <p class="MsoNormal" style="margin-bottom:21.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> This year the Festival screened twoŒAustralian premiers ofŒMelbourne-made feature films;ŒMonster PiesŒwritten and directed byŒLee GaleaŒandŒClosing Night film Submerge, written byŒKat HolmesŒand directed byŒSophie O’Connor.ŒFestival directorŒLisa DanielŒnoted that in her 15 years curating the festival only six Melbourne-made films have been featured, to have two in the same festival was an incredible achievement.ŒThis theme continued onto the award winners, with Australian filmmakers picking up five of the six awards on offer this year.</p> <p class="MsoNormal" style="margin-bottom:16.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> 2013 MQFF Award Winners are as follows:</p> <p class="MsoNormal" style="margin-bottom:16.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Audience Choice Award for Best Feature ($2000 sponsored by Warwick Eddington and Tony Hillery) Œ– MONSTER PIES – Directed by Lee Galea.</p> <p class="MsoNormal" style="margin-bottom:16.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Audience Choice Award for Best Documentary ($2000 sponsored by David McCarthy) – CALL ME KUCHU –Œby Katherine Fairfax Wright and Malika Zouhali-Worrall.</p> <p class="MsoNormal" style="margin-bottom:16.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Audience Choice Award for Best Short film Œ($500 sponsored by Twenty21) – DIK – by Christopher Stollery</p> <p class="MsoNormal" style="margin-bottom:16.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Audience Choice Award for Best Australian short film ($500 sponsored by Step Right Up) – DIK – by Christopher Stollery</p> <p class="MsoNormal" style="margin-bottom:16.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Jury award City of Melbourne Award for Best Australian short film ($3000) Œ– DIK – by Christopher Stollery</p> <p class="MsoNormal" style="margin-bottom:16.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Jury award for best film in the Celluloid Casserole (sponsored by Shaun Miller Lawyers $500) – SILVER STILETTO –Œby Luke Mayze</p> <p class="MsoNormal" style="margin-bottom:16.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> For more information visit <a href="http://mqff.com.au/">mqff.com.au</a></p> <p class="MsoNormal"> Œ</p> Wed, 03 Apr 2013 10:40:23 +1100 http://if.com.au/2013/04/03/article/Australian-short-finds-international-festival-success/MJKYLWSXKP.html http://if.com.au/2013/04/03/article/Australian-short-finds-international-festival-success/MJKYLWSXKP.html Inside Film Correspondent <p> </p> <p class="MsoNormal" style="margin-bottom:21.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Twin Australian writer/ directors, Chris and Robert Smellin, have two short films competing in the oldest independent film festival in the world, the 46th Annual WorldFest- Houston International Film Festival, which is taking place from the 12th to the 21st of April. It is a remarkable achievement for the two as each year the festival receives over 4500 entries and screens just over 100 films. The festival gave first honours to Steven Spielberg, Ang Lee, George Lucas, Ridley Scott and the Coen brothers.</p> <p class="MsoNormal" style="margin-bottom:21.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ“We’re sort of like the Coen brothers,” Chris says of his working relationship with Robert. “We direct and write together, we went to film school togetherˆ(Making movies) is something we’ve done from a young age.” Robert elaborates, “Chris is stronger as a writer. I’m stronger as a director - in visualizing the idea”.</p> <p class="MsoNormal" style="margin-bottom:18.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Chris and Robert Smellin hold a Masters in Creative Media (film and TV) from RMIT University and a Bachelor of screen production from Holmesglen.ŒTogether as writer/directors they have completed a number of short films that have screened at over 60 film festivals around the world including WorldFest- Houston International film festival (where they have won three REMI awards), Dungog film festival, Fright Night film festival, Shriekfest film festival, Tallgrass film festival, West Chester International short film festival, Shockerfest and Atlanta, Melbourne and Denver underground film festivals. Furthermore, they have done countless corporate videos and wedding videos for a number of years and have both lectured at RMIT and Holmesglen.</p> <p class="MsoNormal" style="margin-bottom:21.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Screening in WorldFest this year are: ‘She’s having a Baby’, an erotic thriller about a middle aged woman that will go to any lengths to get pregnant, as well as ‘Last Night’, involving a seemingly perfect newly wed couple that are terrorized by two strangers in the middle of the night. ‘Last Night’ marks the twins’ first collaboration with the Howard Fine Acting Studio. The school approached the Smellin brothers after seeing one of their short films. “They had the great idea of producing a number of short films for their students to act inˆworking with a professional crew”, Chris explains.</p> <p class="MsoNormal" style="margin-bottom:21.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Their next project with the school will be a 15-minute zombie flick. The brothers also have an 85-minute feature film in development.</p> <p class="MsoNormal" style="margin-bottom:21.0pt;mso-pagination:none;mso-outline-level: 1;mso-layout-grid-align:none;text-autospace:none"> OfficialŒfacebook page 'She's Having a Baby':</p> <p class="MsoNormal" style="margin-bottom:21.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ<a href="https://www.facebook.com/pages/Shes-Having-a-Baby-short-film/179034068858772?ref=hl">https://www.facebook.com/pages/Shes-Having-a-Baby-short-film/179034068858772?ref=hl</a></p> <p class="MsoNormal" style="margin-bottom:21.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Trailer link:<a href="http://www.youtube.com/watch?v=9NooH7SSLKo" style="color: blue; cursor: pointer; " target="_blank">Œ</a><a href="http://www.youtube.com/watch?v=9NooH7SSLKo" style="color: blue; cursor: pointer; " target="_blank">http://www.youtube.com/watch?v=9NooH7SSLKo</a></p> <p class="MsoNormal" style="margin-bottom:21.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p class="MsoNormal" style="margin-bottom: 21pt; "> Official facebook page 'Last Night':</p> <p class="MsoNormal" style="margin-bottom: 21pt; "> Œ<a href="https://www.facebook.com/LastNightShortFilm">https://www.facebook.com/LastNightShortFilm</a></p> <p class="MsoNormal" style="margin-bottom:21.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p> </p> <p> <a href="http://vimeo.com/58420864">Last Night - Trailer</a> from <a href="http://vimeo.com/user14575074">patrick</a> on <a href="http://vimeo.com">Vimeo</a>.</p> Wed, 03 Apr 2013 09:12:10 +1100 http://if.com.au/2013/04/03/article/Sydney-Film-Festival-reveals-first-films-of-2013/TPABSHIGSW.html http://if.com.au/2013/04/03/article/Sydney-Film-Festival-reveals-first-films-of-2013/TPABSHIGSW.html Inside Film Correspondent <p> Œ</p> <p class="MsoNormal" style="text-align:justify;text-autospace:none"> Press release</p> <p class="MsoNormal" style="text-align:justify;text-autospace:none"> The 60th Sydney Film Festival today announced a selection of films in advance of the full program launch on Wednesday, 8 May. </p> <p class="MsoNormal" style="text-align:justify;text-autospace:none"> Œ</p> <p class="MsoNormal" style="text-align:justify;text-autospace:none"> “We’re excited to give you a sneak peek of 27 of the 160 films in this year’s program, revealing a real cross-section of the range and quality of features and documentaries you can expect from our 60th Sydney Film Festival,” said SFF Festival Director Nashen Moodley. “These are some of the best productions from all over the world that we have in store for you; the films Australia will be hearing about, talking about and arguing about over the next year. You’ll see them here first. Between them, they capture the mood of the times that make us who and what we are today.”</p> <p class="MsoNormal" style="text-align:justify;text-autospace:none"> Œ</p> <p class="MsoNormal" style="text-align:justify;text-autospace:none"> The Sydney Festival returns to its popular Hub venue at the Lower Town Hall, the State Theatre, Event Cinema George Street, Dendy Opera Quays, Art Gallery of NSW and it is pleased to stretch its precinct to sessions at the much loved Hayden Orpheum Picture Palace in Cremorne.</p> <p class="MsoNormal" style="text-align:justify;text-autospace:none"> Œ</p> <p class="MsoNormal" style="text-align:justify;text-autospace:none"> This first announcement comprises 27 titles including 24 Australian premieres, 16 features and 11 documentaries, produced from 16 countries, as well as the World Premiere of Australian performance artist William Yang’s documentary William Yang: My Generation, screening in partnership with ABC TV Arts and Vivid Ideas.</p> <p class="MsoNormal" style="text-align:justify;text-autospace:none"> Œ</p> <p class="MsoNormal" style="text-align:justify;text-autospace:none"> Today’s announcement also includes the Australian premiere of the highly anticipated neo-Gothic thriller Stoker, directed by Park Chan-Wook and starring three Australian actresses: Mia Wasikowska, Nicole Kidman and Jacki Weaver.</p> <p class="MsoNormal" style="text-align:justify"> Œ</p> <p class="MsoNormal" style="text-align:justify"> Award winning films include The Act of Killing, the winner of the Audience Award at the 2013 Berlinale; Prince Avalanche, winner of a Silver Bear for best direction at the 2013 Berlinale; Blancanieves, the winner of Best Film at Spain’s prestigious 2013 Goya Awards; Stories We Tell, one of ‘Canada’s Top Ten’ films at the 2012 Toronto International Film Festival.</p> <p class="MsoNormal" style="text-align:justify;text-autospace:none"> Œ</p> <p class="MsoNormal" style="text-align:justify;text-autospace:none"> Other early highlights include:</p> <p class="MsoListParagraphCxSpFirst" style="text-align:justify;text-indent:-18.0pt; mso-list:l0 level1 lfo1;text-autospace:none"> ·ŒŒŒŒŒŒŒŒ The digital restoration of the groundbreaking 1981 film Wrong Side of the Road, based on the real lives of seminal Australian bands Us Mob and No Fixed Address, presented in partnership with the National Film and Sound Archive of Australia.</p> <p class="MsoListParagraphCxSpMiddle" style="text-indent:-18.0pt;mso-list:l0 level1 lfo1"> ·ŒŒŒŒŒŒŒŒ Wadjda, the first-ever feature film shot completely in Saudi Arabia - a country in which cinemas are not permitted - by Saudi Arabia’s first women filmmaker, Haifaa Al MansourŒ (University of Sydney graduate). Wadjda won the Best Arab Feature Film prize at the 2013 Dubai International Film Festival. </p> <p class="MsoListParagraphCxSpMiddle" style="text-align:justify;text-indent:-18.0pt; mso-list:l0 level1 lfo1"> ·ŒŒŒŒŒŒŒŒ Miss Nikki and the Tiger Girls, the entertaining true story of Burma’s first girl band by Australian director Juliet Lamont (winner of SFF’s FOXTEL Australian Documentary Prize in 2010 with The Snowman).</p> <p class="MsoListParagraphCxSpMiddle" style="text-align:justify;text-indent:-18.0pt; mso-list:l0 level1 lfo1;text-autospace:none"> ·ŒŒŒŒŒŒŒŒ The Australian Premiere of Red Obsession – selected for both the Berlinale and Tribeca Film Festival, and narrated by Russell Crowe – a compelling documentary about high-end Bordeaux wine, screening with a three-course ‘Bordeaux-inspired’ dinner by top Australian celebrity chef Luke Mangan at the glass brasserie, Hilton Sydney.Œ </p> <p class="MsoListParagraphCxSpMiddle" style="text-align:justify;text-indent:-18.0pt; mso-list:l0 level1 lfo1;text-autospace:none"> ·ŒŒŒŒŒŒŒŒ The retrospective screening of Alfred Hitchcock’s Rear Window, which was released in 1954, the same year Sydney Film Festival began.</p> <p class="MsoListParagraphCxSpLast" style="text-align:justify;text-indent:-18.0pt; mso-list:l0 level1 lfo1;text-autospace:none"> ·ŒŒŒŒŒŒŒŒ Tying in with the 60thanniversary screening of Rear Window, the Sydney Film Festival Hub will present the Australian premiere of the video installation Rear Window Loop by award-winning European artist Jeff Desom.Œ Programmed under the theme ‘cinema reconstructed’, the Hub will return in 2013 with a great series of innovative and entertaining performances, projections and expert talks in the popular pop-up bar at Lower Town Hall.</p> Wed, 03 Apr 2013 09:11:37 +1100 http://if.com.au/2013/03/27/article/EdgeDP-chooses-ARRIA-ALEXA-A-EV-cameras-for-commercial-production/UVBQSOEXFJ.html http://if.com.au/2013/03/27/article/EdgeDP-chooses-ARRIA-ALEXA-A-EV-cameras-for-commercial-production/UVBQSOEXFJ.html Inside Film Correspondent <p> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Press release</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Edge Digital Production (EdgeDP) is a purpose-built D-Cinema production facility specialising in content creation, content encoding and content distribution for digital cinema. Recently EdgeDP made the choice to purchase and expand their use of ARRI ALEXA cameras for all of their productions.</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> EdgeDP General Manager Anthos Simon explained, “The content we produce can be for cinema pre-show, cinema lobby screens and alternative displays such as the digital screens in food and beverage areas so the quality has to be very good. On assessing our current camera system it was clear that it was not up to scratch and needed a serious upgrade. I have always been impressed with the ARRI ALEXA and the wonderful exposure latitude it gives you. The pictures have always been very filmic and since our content goes to big cinema screens it was a natural fit.”</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> EdgeDP’s production requirements include exposure at red carpets events, press functions, commercials and promos all of which involve various styles of photography under different lighting scenarios so Simon was keen that their new cameras would be able to cope well in these conditions.</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> He added, “The ALEXA is a camera that offers excellent picture quality, can handle the various lighting conditions very well and has an ease of use that is understood by almost all DPs.ŒWe researched what was best for our applications and tested a few options. We then decided what we needed and spoke to Stefan Sedlmeier from ARRI Australia who was very helpful with his advice and advised us on the exact equipment. The assessment and evaluation process was actually fairly quick - I guess spending the last 24 years in the business helps you collect a lot of knowledge to make a quick decision. ARRI Australia came to set up the camera and conduct training for our staff. We did this several times so we were all confident about each step as you do not want to make too many errors with a new camera system.ŒWe found Stefan and the ARRI Australia team to be very helpful with nothing too much of a bother for them. They were also very quick to respond to our questions.”</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Anthos Simon is a production industry veteran so buying clever technology and its applications are something he has a great deal of experience with. He concluded, “We bought a comprehensive package which included the ALEXA A-EV camera with a follow focus and onboard Gemini ARRIRAW 4:4:4 recorder, matte boxes, Tiffen filters and even a new carbon fibre tripod. We also bought the Alura 18-80 studio zoom lens which is very handy when we are shooting quickly. It was a big investment but a very worthwhile one as we now have a high quality, proven system with an efficient, reliable workflow and great service and support.”</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> Wed, 27 Mar 2013 08:52:54 +1100 http://if.com.au/2013/03/27/article/Seven-Network-chooses-TVUPack-mobile-3G4G-solution-from-Magna/VSYZPZKLSQ.html http://if.com.au/2013/03/27/article/Seven-Network-chooses-TVUPack-mobile-3G4G-solution-from-Magna/VSYZPZKLSQ.html Inside Film Correspondent <p> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Press release</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> ŒWhen the Seven Network wanted a viable alternative that would help them reduce their SNG costs they turned to the TVUPack mobile 3G/4G solution supplied by Magna Systems and Engineering.</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> The TVUPack solution, rapidly growing in popularity with broadcasters around the world due to its versatility and cost effectiveness, was demonstrated to the team from Seven by Magna Systems Product Specialist David Clemesha. After a series of rigorous tests the feedback from the network was that the TVUPack was very much the solution they had been looking for.</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> The Seven Network’s requirements included a reliable front line mobile uplink solution that their news crews could operate easily and effectively without having to use a traditional SNG truck. The TVUPack TM8100 was ideal for this and the fact that it efficiently used 4G networks was also a big plus for the network.</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> David Clemesha said, “The Seven Network were impressed with the TVUPack’s quality, efficient 4G bandwidth usage and the stability of the connection. The pictures were good and the delivery was fast.”</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Seven also included their LA Bureau in the assessment and evaluation process using the TVUPack for live crosses of high profile court cases in both California and Hawaii with great success.</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Back in Australia the Seven Network’s Engineering Manager Dave Watts and Operations Manager Albert Babazogli having been impressed with both the local demos and those in the US, ordered six TVUPack TM8100 backpacks and two TR3100 receivers from Magna Systems.</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Albert Babazogli said, “We paired the LA-based TVUPacks into Australia which meant all eight were linked to receivers for ultimate redundancy. With the training our operations, engineering and master control room teams received from Magna Systems our TVUPacks and receivers were fully operational in no time at all and we immediately put them to work side by side with an SNG link. Throughout the demos, sale and installation Magna and TVUNetworks really helped with excellent support and service making the whole process a very efficient one and as a result of this we went on to purchase an additional two TVUPacks bringing our total to eight in Australia.”</p> Wed, 27 Mar 2013 08:51:01 +1100 http://if.com.au/2013/03/27/article/Videocraft-shoots-Ironman/XKSAGRHPKN.html http://if.com.au/2013/03/27/article/Videocraft-shoots-Ironman/XKSAGRHPKN.html Inside Film Correspondent <p> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Press releaseŒ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> It takes a particular type of individual to take part in an ironman or ironwoman race and the same can be said for the production company and OB providers responsible for broadcasting the intensely competitive events. Recently Videocraft provided a full production setup for Castle Media, the event specialists responsible for broadcasting the Kellogg’s Nutri-Grain Surf Ironman and Ironwoman Series.</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Videocraft NSW State Manager Andy Liell explained, “We have a long relationship with Castle Media so we know the level of professionalism and reliability they expect. The Kellogg’s Nutri-Grain Surf Ironman Series was no exception. John Palmer, Castle Media’s MD approached us with their requirements and a very tight timeframe so we immediately sat down to work out the best production solution for their requirements.”</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Palmer felt that the Ironman series was better suited to Videocraft’s unique FlyPack mobile production solution than a traditional OB truck set up. The system chosen for the series was Videocraft’s mid-range FlyPack that included six Sony HDC1500 cameras, a Sony MVS6000 switcher, two EVS servers, two CCU positions, a Yamaha M7 console providing full audio facilities and all outboard equipment, radio mics and links.</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Palmer said, “We’ve worked with Videocraft on OBs before so we were confident they would come up with the best solution. They researched previous Ironman events and presented us with a range of options. Their mid-range FlyPack was clearly the way to go. To be honest they didn’t have a lot of time to pull the system together and prep it in Sydney before shipping it over to the first race in Perth so it was all systems go at that point.”</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> The Kellogg’s Nutri-Grain Surf Ironman Series features the country’sŒeliteŒathletes competing in the most gruelling ocean-based competition on the planet. The 2012/13 seriesŒwas fought out over six rounds at iconic Australian beaches including Perth, Newcastle, Portsea, Surfers Paradise, CoolumŒand Noosa Heads with all six races broadcast nationally on Network Ten.</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Palmer continued, “There was no room for error as getting spare equipment in Perth wasn’t an option. The Videocraft team really went the extra mile and all the kit turned up for the first race working perfectly. Each race broadcast also had the added challenge of keeping all the sand and salt water at bay so the logistics were quite tricky too.”</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> The Ironman series ran from December 2012 to February 2013, a very busy period for Videocraft as Liell explained, “In addition to Ironman we were also working on the Australian Tennis Open and The Tour Down Under at the same time. The only way to manage three huge events like these simultaneously is to have an experienced team, proven systems and good, reliable equipment.”</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Videocraft’s additional challenges for the Ironman series included ensuring all of the equipment worked to its maximum capacity with significant redundancy as each race was shot as a live event, irrespective of any delayed broadcast times. Slow motion capture also proved a potential sticking point.</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> John Palmer concluded, “We asked Videocraft for a more cost effective slow-mo solution, something that would be a good alternative to using traditional super slow-mo cameras. In typical Videocraft fashion they came up with a new Sony NEXFS700 camera using a Canon 30-300mm cine lens. This enabled our camera operators to capture slow-mo action content for play on/off packages at more than 200 frames per second. Very clever, very cost effective. All in all it was a great series and all credit to Andy Liell and the entire Videocraft team including Rentals Manager Nick Gleeson and Systems Technician Glen Beaumont without who we simply wouldn’t have achieved such an excellent result.”</p> Wed, 27 Mar 2013 08:49:19 +1100 http://if.com.au/2013/03/25/article/Entertainment-legal-practice-David-Whealy-and-Assoc--launches-in-Sydney/DYUREIWKIX.html http://if.com.au/2013/03/25/article/Entertainment-legal-practice-David-Whealy-and-Assoc--launches-in-Sydney/DYUREIWKIX.html Inside Film Correspondent <p> Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Press releaseŒ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Entertainment legal services practice David Whealy and Associates has launched in Sydney basing its office on the lot in the professional area of Fox Studios Australia.</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> ŒThe practice that provides comprehensive legal services for the entertainment industry in addition to executive producing TV and film projects is headed by industry law expert David Whealy who said, “We are delighted to have launched David Whealy and Associates in Sydney as we offer a unique range of services for the film, TV, music and sports industries.”</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> ŒWhealy has over twenty years experience in the entertainment industry including senior legal positions withŒOmnilabŒMedia,ŒHolding Redlich, Beyond Entertainment, ABC TV and PolyGram Records and the practice as a whole offers legal services which span contract negotiations, film distribution, production agreements, talent contracts, chain of title, IP, trade practices and defamation issues.</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> ŒWhealy added, “Our key areas of expertise includeŒfilm and television development, production, financing, distribution and sales – areas where we add significant value for our clients. We are regularly involved in projects from their very inception through script development, funding, production and distribution. We also regularly help directors, talent, composers, producers, production companies, TV networks, sporting organisations and more with their daily legal requirements.”Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> As an executive producer, David Whealy has forged relationships with all the US major and mini major studios and also boast contacts that include A-list talent, producers, distributors and sales agents worldwide.</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Projects which Whealy hasŒpersonally been the EP on include "The Killer Elite" (2011), "Tomorrow When The WarŒBegan" (2010), Œ"The Loved Ones" (2009), Œ"Bran Nue Dae" (2009), "The Messenger"(2009), “Closed for Winter”Œ(2009),"W" (2008) and "The Bank Job" (2008). Œ</p> <p class="MsoNormal" style="line-height:150%;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"> Whealy concluded, “At David Whealy and Associates we understand how the entertainment industry works, how to get the job done and how best to deal with the many legal issues that often present themselves. We are also very passionately committed to the Australian entertainment industry.”</p> Mon, 25 Mar 2013 15:39:27 +1100 http://if.com.au/2013/03/22/article/Revolutionary-Aerial-Camera-to-Take-Flight-at-Next-Weeks-Rip-Curl-Pro/TJGXJLFJLE.html http://if.com.au/2013/03/22/article/Revolutionary-Aerial-Camera-to-Take-Flight-at-Next-Weeks-Rip-Curl-Pro/TJGXJLFJLE.html Inside Film Correspondent <p> Press Release from Fuel TV</p> <p> History will be made when FOX SPORTS’ revolutionary aerial camera drone, FoxKopter, makes its maiden voyage over water at next week’s ASP World Tour event at Bells Beach.</p> <p> FUEL TV viewers will be taken closer to the surfing action than ever before with Foxkopter providing unprecedented vision at the Rip Curl Pro, presented by Ford, from March 27 to April 7.</p> <p> FUEL TV Channel Manager, Adam Howarth, says, “Never before has a surfing broadcaster been able to provide live vision so close to the heart of the battle.” “The addition of Foxkopter to FUEL TV’s live Rip Curl Pro broadcast will significantly enhance our coverage providing greater depth and quality of the prestigious surf event.”</p> <p> “Foxkopter was first launched at last year’s KFC T20 Big Bash League providing never-before-seen vision. It has since been used to enhance FOX SPORTS’ NRL coverage and it’s fantastic that surfing fans will now experience the extraordinary vision captured by the camera.”</p> <p> “It’s an exciting time for professional surfing,” Mr Howarth concludes. Rip Curl International Events Manager, Brooke Farris, said, “FUEL TV is a great partner of the ASP World Championship Tour. Since the first live broadcast of the 2009 Rip Curl Pro Search in Portugal, we’re always looking to showcase innovation both in and out of the water. The FoxKopter will be a real asset to this year’s event, giving our fans a bird’s eye view of all the action at Bells Beach, Victoria.” The ASP World Tour moves to Bells Beach for the 52nd Rip Curl Pro after a thrilling season opening event last week that saw 11-time world champion Kelly Slater prevail over reigning world champion Joel Parkinson in the final.</p> <p> The scene is set for another fierce competition with defending title holder Mick Fanning, flashy Hawaiian John John Florence and Gold Coast semifinalist Michel Bourez all in sizzling form.</p> <p> FOX SPORTS will begin its EXCLUSIVELY LIVE coverage of the Rip Curl Pro on Wednesday (March 27) at 7.30am EDT with the Morning Show. FoxKopter uses a full 1920 x 1080i HD camera with a stabilised lens, 3D GPS positioning and 360 degree panning. It is the first camera drone of its type to be approved for use above the area of live surfing competition.</p> <p> FUEL TV’s LIVE coverage of the ASP World Tour is available to FOXTEL subscribers.</p> <p> FUEL TV is Australia’s only 24 hour action sports broadcaster, available in two million homes around Australia with six million potential viewers through FOXTEL and OPTUS TV. FUEL TV is also available in 4,000 pubs and clubs.</p> Fri, 22 Mar 2013 16:31:32 +1100 http://if.com.au/2013/03/22/article/April-School-Holiday-Courses-at-AFTRS/GDUWLMFTFU.html http://if.com.au/2013/03/22/article/April-School-Holiday-Courses-at-AFTRS/GDUWLMFTFU.html Inside Film Correspondent <p> Press Release from AFTRS</p> <p> If you're aged 9 - 17 years, visit AFTRS state-of-the-art film facilities in Moore Park, Sydney to make a film, learn digital animation, create a Claymation film or learn heaps of skills in our 3-day version of Film Club. We still have a few spots in our premier course for teens The Real Filmmaking Workshop where you'll get to make a movie in just five days, plus Digital Animation - a fantastic introduction to the craft. Plus for younger kids we have our hugely popular Claymation where you'll use your imagination to develop animated characters, plus AFTRS Film Club where you'll experience the fundamentals of filmmaking. Book fast to avoid missing out! The Real Filmmaking Workshop 15 - 19 April (15 - 17 years) Our premier workshop for young people. This five-day course is a real filmmaking experience. Work with a director, professional actors and AFTRS crew in our state-of-the-art film studio using professional equipment. Not only do you experience writing your own script, you'll also learn how to direct professional actors and technical elements of filmmaking including camera skills, lighting, sound and editing skills - all in one week! Digital Animation 15 - 17 April (12 - 17 years) If you're inspired by animated films such as Avatar and the Pixar library, then this is the course for you! A fantastic introduction to Digital Animation using industry software programs including, Photoshop, After Effects, Flash and the Industry standard animation software Maya 3D. AFTRS Film Club (3 days) - Lights Camera Action! 15 - 17 April (9 - 12 years) Over 3 days you'll experience how to turn an idea into a short movie as well as write, direct and act in the production. Learn about story development, camera skills, sound and lighting and editing using iPads and imovie software. Claymation 22 - 23 April (9 - 12 years) Use your imagination to develop animated characters and stories using Claymation. Through model making, storyboarding and stop-motion techniques (think Wallace & Gromit), you'll have the opportunity to make something awesome! Œ</p> Fri, 22 Mar 2013 16:24:55 +1100 http://if.com.au/2013/03/22/article/Adam-Zwar-to-Host-2013-ADG-Awards-With-New-and-Larger-Venue/BOYQFOMQUD.html http://if.com.au/2013/03/22/article/Adam-Zwar-to-Host-2013-ADG-Awards-With-New-and-Larger-Venue/BOYQFOMQUD.html Inside Film Correspondent <p> Press Release from Australian Directors Guild</p> <p> Multi-talented actor, writer, director and producer Adam Zwar will host the 2013 ADG Awards to be held in Sydney on May 3. The Australian Directors’ Guild also announced this week, due to the demand for tickets to last year’s event, the Awards will this year be held at a new and larger venue - Hoyts Cinemas at the Entertainment Quarter - with a dinner to follow at the nearby Trackdown Studios. For the first time, tickets will be available to the ceremony only as well as the traditional option of ceremony and dinner. Ticket prices are: General Admission (Ceremony and Dinner) $185 ADG Member (Ceremony and Dinner) $135 General Admission (Ceremony Only) $35 Tickets can be purchased at: http://www.moshtix.com.au/event.aspx?id=64094&skin= “The 2013 Awards, which were our 30th anniversary event, saw a huge surge in interest from both ADG members, the general public and the broader industry. As a result, we sold out and couldn’t accommodate the many people who wanted to attend,” said ADG Executive Director, Kingston Anderson. “Everyone who managed to get a ticket had so much fun last year that we’re sure the number of people wanting to come this year will be even greater. By moving to Hoyts we are now able to sell 400 tickets to the ceremony. However, tickets to the dinner will still be much sought after as there are only 200 on offer so I urge anyone interested to get in fast.” The categories in the 2013 ADG Awards are: 1. Feature Film 2. Telemovie 3. Documentary Standalone 4. Documentary Feature 5. Documentary Series 6. TV Drama Series 7. TV Mini Series 8. TV Drama Serial 9. TV Comedy 10. Esben Storm Award for Best Direction in a Children’s TV Program 11. Cross Platform project 12. Original online project 13. TVC 14. Short film 15. Music video 16. Student 17. Finders Award 18. First Assistant Director Award The Australian Directors’ Guild would like to thank the sponsors of the ADG Awards for their generous support: MAJOR SPONSORS ASDACS Deluxe Australia Screen Australia GOLD SPONSORS ABC TV Australian Children’s Television Foundation Australian Film, Television & Radio School Essential Media & Entertainment Goalpost Pictures SBS TV Screenwise Film & TV School for Actors Seven Network Showreelfinder.com BRONZE SPONSORS Ausfilm Fox Studios Australia AWARDS SUPPORTERS Cameron’s Management Œ</p> Fri, 22 Mar 2013 16:12:32 +1100 http://if.com.au/2013/03/22/article/Hayden-Cremorne-announces-Easter-encore-screenings-of-hit-NT-Live-comedy-THE-MAG/PTRYJLKXRM.html http://if.com.au/2013/03/22/article/Hayden-Cremorne-announces-Easter-encore-screenings-of-hit-NT-Live-comedy-THE-MAG/PTRYJLKXRM.html Inside Film Correspondent <p> National Theatre Live continues in 2013 with Arthur Wing Pinero’s uproarious Victorian farce, THE MAGISTRATE, directed by Olivier Award-winner Timothy Sheader andŒstarring Academy Award-nominee and Tony Award-winner John Lithgow (3rd Rock from the Sun, Shrek). In a similar vein to the National Theatre’s smash-hit comedies, She Stoops to Conquer, London Assurance and One Man, Two Guvnors, The Magistrate has had audiences around the world doubled up with laughter. Due to huge popular demand, the Hayden Orpheum, Cremorne announces Easter weekend encore screenings of The Magistrate. To find session times, visit the cinema website: <a href="http://www.orpheum.com.au">http://www.orpheum.com.au</a> ABOUT THE MAGISTRATE FROM NATIONAL THEATRE LIVE A lady tells a white lie about her age and suddenly a whole family is embroiled in a night of misunderstandings, hair-raising discoveries and frantic escapes from the law.</p> <p> John Lithgow plays the respectable Victorian husband, stepfather and magistrate, whose life gets turned on its head in this year’s festive treat from the National Theatre. He is joined by Nancy Carroll, returning to the NT following her Olivier award-winning performance in After the Dance.</p> <p> Expect laughs and revelations in The Magistrate, a comic masterpiece by one of Victorian London’s favourite playwrights Arthur Wing Pinero. The sets and costumes bring illustrations of the era brilliantly to life, as well as new songs, written specially for this production by Richard Stilgoe and Richard Sisson.</p> <p> The Magistrate is the perfect night out, whatever your age. Even if you’re not always entirely honest about itˆ</p> <p> NATIONAL THEATRE LIVE performances are filmed live in high definition and broadcast via satellite to over 700 cinemas around the world, live in Europe and time delayed in the US and Canada, and delayed screenings in countries further afield such as Australia. Countries include the UK, USA, Canada, Australia, New Zealand, South Africa, Mexico, India, Scandinavia and Europe. The performances at the National are nominated in advance to allow cameras greater freedom in the auditorium.</p> <p> NATIONAL THEATRE LIVE is presented in partnership with Aviva. NT Live is distributed across Australia by local film distributor, SHARMILL FILMS: <a href="http://www.sharmillfilms.com.au">www.sharmillfilms.com.au</a> Visit the site to check out the trailer and download high res images! For more information about the forthcoming plays in the season including THE AUDIENCE starring Helen Mirren reprising her Academy Award-winning role as Queen Elizabeth II (from July 5), PEOPLE the new play by Alan Bennett (The Habit of Art) starring Frances de la Tour (from April 20) and THIS HOUSE described as Britain’s answer to The West Wing (from June 8), and participating Australian cinemas visit www.ntlive.info Œ</p> Fri, 22 Mar 2013 16:06:47 +1100 http://if.com.au/2013/03/22/article/Short-Laughing-After-Decade-of-Success/BFSHAJAGWN.html http://if.com.au/2013/03/22/article/Short-Laughing-After-Decade-of-Success/BFSHAJAGWN.html Inside Film Correspondent <p> After ten years the Shorts Festival is laughing, with comedies representing six of the twenty finalists in this year’s Festival, and a short but proud history that has seen the Festival kick start the careers of many Australian filmmakers.</p> <p> The Festival, the idea of acclaimed film producer David Lightfoot, has grown into a respected national short film festival with past winners including The Palace’s Anthony Maras, The Love Song for Iskra Prufrock’s Lucy Gaffy, Jacob’s Dena Curtis and Chicken of God’s Frank Woodley.</p> <p> The 2013 Festival (April 27-May 4) will be a celebration of success with the top 20 finalist’s films screening alongside a further 40 judge’s picks from this year’s entries. The Festival received more than 200 entries this year.</p> <p> To celebrate their tenth anniversary, the Festival program also includes past award winners, films that proved popular with audiences and selected films from the UK’s Rushes Soho Shorts, which has partnered with the Festival since 2003.</p> <p> This year’s top 20 films include comedies, drama, thrillers, documentaries and animations. Three South Australian films made the cut – Michael Cusack’s Sleight of Hand, which won best animation at the Santa Barbara International Film Festival, Daniel Joyce’s Suburban Samurai and James Finlay’s debut film, Boxer.</p> <p> New South Wales filmmakers did well in this year’s Festival with half of the finalists coming out of the State along with 3 from Victoria, 2 from Queensland and 1 each from Western Australia and Tasmania.</p> <p> SHORTS Film Festival Chair, Paul Jorgensen, said this year’s program is the result of some strong debate amongst the judges. “The program reflects the strength and diversity of the Festival over the last 10 years and a few of the finalists could be contenders for the judges’ picks at our 20th festival in 2023.</p> <p> “We’re looking forward to a great week of Australian film and the blend of the finalists’ films alongside some shorts classics will make for an exciting festival and a fitting way to celebrate our 10th anniversary.</p> <p> “The pop up nature of the Festival also continues this year with another new venue, Published Arthouse on Cannon Street in Adelaide’s west end. “The social atmosphere for which the festival has become popular will continue with the opportunity for people to eat, drink and talk about the films with not only each other, but with many of filmmakers themselves.”</p> <p> For filmmakers, the SHORTS Film Festival still boasts one of the largest prize pools in Australia worth over $50,000.The winner receives an all-expenses paid trip to prestigious international film festivals such as Cannes, Berlin, Sundance or Annecy.</p> <p> The Black SHORTS Award will also make a return this year. Sponsored by Beach Energy, this award encourages more indigenous films to be made, with the winner receiving $10,000 toward future projects that will foster indigenous film-making.</p> <p> The full Festival program along with booking information is available on the SHORTS Film Festival website. Prices range from $15 to $40. For more information or to purchase tickets visit <a href="http://www.shortsfilmfestival.com">www.shortsfilmfestival.com</a></p> <p> WHAT: 2013 Shorts Film Festival WHERE: The Published Arthouse, Cannon Street, Adelaide WHEN: April 27 to May 4, 2013 TICKETS: www.shortsfilmfestival.com</p> Fri, 22 Mar 2013 16:00:20 +1100 http://if.com.au/2013/03/22/article/AFTRS-OPEN-Upcoming-Short-Courses/CZODSPCMDR.html http://if.com.au/2013/03/22/article/AFTRS-OPEN-Upcoming-Short-Courses/CZODSPCMDR.html Inside Film Correspondent <p> Press Release from AFTRS</p> <p> Welcome to SHORT COURSE UPDATE your weekly e-bulletin focused on upcoming AFTRS OPEN short courses and opportunities for NSW. Many new courses to share and so little time, so scroll down and find something that suits you and your level of experience. This week, we're highlighting A Four-Day Music Video Workshop, Writing for Sci-Fi, and Underwater Cinematography.</p> <p> Loads of great new TV courses coming up as well including an extended Field and Story Producing course, a weekend intensive on Producing Live TV with some of Australia's most experienced TV Producers and Inside Investigative Journalism for those interested in getting the inside story with some of our most high profile current affairs producers and reporters. And for writers don't miss this weekend's Writing Dialogue Masterclass.</p> <p> Plus the April School Holidays are just over 4 weeks away! We've got some of our most popular courses on offer and if you book before the 19 May you'll get the 10% early bird discount.</p> <p> Stay connected with us on facebook and twitter</p> <p> Following is just a small taste of what's coming up at AFTRS OPEN with a full list of current courses on our website</p> <p> SCHOOL HOLIDAY COURSES School Holiday Courses Visit our state-of-the-art film studios to make a film in The Real Filmmaking Workshop, learn Digital Animation, create a Claymation film or learn heaps of skills in our 3-day version of AFTRS Film Club. (15 - 23 April). WRITING Writing Dialogue Masterclass Join AFI winning screenwriter Anne Brooksbank (Newsfront, Wildside, Water Rats) and Guest David Caesar (Mullet, Underbelly) in exploring the nature of strong and effective dialogue writing. Find out about how each line of dialogue needs to have purpose and to be part of the construction and escalation of the story (23 - 24 Mar).</p> <p> Introduction to Screenwriting Ready to get serious about writing that screenplay? Get all the tools you need in this two day course! You'll be given hands-on methods for building the foundations of Character, Story and Structure used by professional screenwriters, illustrated with key moments from a wide range of films (6 - 7 Apr).</p> <p> Script Editing for TV A course for writers or producers interested in developing their skills in the processes and techniques involved in the job of script editing for television drama across a range of forms and genres (30 Apr - 11 May).</p> <p> Explore Your Galaxy: Writing for Sc-Fi This intensive, hands on workshop will explore the art of creating film and television stories for one of the most popular film genres in the world: Science Fiction. (18 - 19 May).</p> <p> TELEVISION Introduction to TV Studio Skills Interested in learning how a multicam television studio works, and what the different roles and skills required are? This hands-on course offers practical skills and insights into the multi-camera television studio (9 - 10 March).</p> <p> TV Presenting Advanced Skills This four day intensive with the hugely experienced Tracey Spicer provides practical experience, individual coaching and a broad range of practical tips and tools to help further your presenting career (27 April - 1 May).</p> <p> Research Skills for TV Over six Monday evenings you will learn through practical exercises, lectures, screenings and discussions about how to research and write a one-off or series doco, magazine segment or current affairs proposal (29 April - 3 June).</p> <p> Developing and Pitching your TV Idea Do you have an idea for a TV program, but don't know how to get it from idea to reality? This two-day course is designed to help you develop your idea into a marketable product and give it the best chance for success at your next pitch (18 - 19 May).</p> <p> Audio Director - Live Band Utilising our new state-of-the-art multicam HD TV studio and Euphonics 40 channel audio desk, this two-day course will introduce you to the skills and techniques involved in the Audio Mixing of a multicam record of a live band. (18 May - 19 May).</p> <p> Lighting Director - Live Band Utilising our new state-of the-art multicam HD TV studio with Strand Lighting desk (running industry standard Palette software), this two-day course will introduce you to the skills and techniques involved in the Studio lighting of a multicam "live band" record of. You will learn skills relevant to any "live" or "as live" TV music event (18 - 19 May).</p> <p> Producing Live TV Working in live television is one of the most exciting areas of the media. Whether it's News and Current Affairs, Sport, daily "magazine", Special Events or "Shiny Floor" grand finals, you're working with a huge team of people who know that everything they do is going to be seen by millions of people, and that there is no "take two" (25 - 26 May).</p> <p> Inside Investigative Journalism If you are interested in the world of TV Investigative Journalism, don't miss this series of masterclasses with some of the most experienced TV Journalists and producers in Australia. Six Wednesday evenings (29 May - 3 June).</p> <p> TV Field and Story Producing Field and Story Producing is a core skill for those working in Factual and Reality television. This course will upgrade your skills and help you to become a successful storyteller. Its focus is on the process of planning, shooting and post-producing engaging real stories for television (8 June - 11 July).</p> <p> SCREEN BUSINESS & PRODUCING Your Multiplatform and Transmedia Strategy A two-day intensive with Jennifer Wilson (Project Factory) THE in demand expert on all things Multiplatform & Transmedia in Australia and around the world. Ideal for emerging producers and creatives who want an understanding of how to engage with the audience on these alternate screens and what their profit generating potential is (6 - 7 Apr).</p> <p> Music Licensing Workshop Angela Glaister of Sound Sauce will examine and demystify how licensing works and how to work around problems that may be encountered (27 Apr). Client Management and the Successful Corporate video</p> <p> Looking for corporate clients to supplement your film and TV career? Working with corporate clients can be full of hurdles, but with the right information and strategy you can leverage these relationships into a steady stream of vital income for your production company (25 May).</p> <p> DIRECTING Four Day Music Video Workshop Get a head start on your music video career with this hands-on course. You'll cover who's making videos (and why), what makes the Australian scene unique, how to pitch your idea, planning, budgeting (big and shoestring) and crewing (21 - 24 May). Studio Director: Live Band Utilising our new state-of the-art multicam HD TV studio, this two-day course will introduce you to the skills and techniques involved in the direction of multicam coverage of a band. You will learn skills required to direct any "live" or "as live" music event (18 - 19 May).</p> <p> ONLINE Screenwriting for Film: Online AFI winner Anne Brooksbank will take you through the very popular online course that will give you a 'toolbox' for creating and industry-standard feature film script. (27 May - 7 Aug, 10 weeks).</p> <p> CAMERA Shooting HD - Canon & Nikon DSLR's An introductory course for new filmmakers, photography enthusiasts and existing filmmakers who would like to get their hands on these cameras. It will familiarise you with shooting HD on Canon and Nikon DSLRs plus open up the world of the moving image (23 - 24 April).</p> <p> Underwater Cinematography Hands on learning in the classroom, pool and ocean! Industry veteran Jon Shaw will show you how filming in the water is completely different to everything you know about cinematography. Learn about the unique challenges the underwater camera operator faces in terms of planning, lighting, framing, focus, colour temperature, shooting techniques, filters and composition (9 - 12 May).</p> <p> Modern Cinematography This two day course, led by two time AFI Award winner Ellery Ryan (I Love You Too Van Diemen's Land, The Rage in Placid Lake) is designed to investigate the theory and practice of visual storytelling. (25 - 26 May).</p> <p> RADIO Voice Over Learn the vocal skills and techniques required to voice over audio features, commercials, promos and narration. This two-day intensive course taught by Industry expert Gaby Brown (Triple J) features numerous practical exercises in our state-of-the-art Radio studios (13 - 14 April).</p> <p> Radio Studio Basics If you're interested in working in the production side of radio, this course is a great hands-on intensive to get you quickly up-to-speed. Be taught by industry experts in a small class and learn how to use a digital radio panel and studio playout and automation systems (6 - 7 April).</p> <p> Current Affairs & Talk Radio If you've ever dreamed of working in talk radio this course could offer you an entry point into this exciting career. Industry experts will show you what makes a great story and how to deliver it in a compelling and creative way (6 - 7 April).</p> <p> Announcing and Presentation Through a series of lectures and practical exercises, participants will have the opportunity to refine live presentation; announcing and presentation script reading, further develop skills pertaining to selecting and preparing radio content, voice skills and increase awareness of the use of professional on air studio equipment and operation. (11 - 12 May).</p> <p> EDITING & VFX Cinema 4D: An Introduction Designed for those with little or no experience in 3D, but who would like to learn how to become skilled in this growing area of production (23 - 24 Mar). Intro to Photoshop for Video Graphics</p> <p> If you are a TV producer/director, aspiring TV editor or someone thinking about beginning a career in graphics for video, this course is a great first step in understanding how to integrate graphic elements using the essential tool of Photoshop (13 - 14 Apr).</p> <p> WINTER SCHOOL Winter School: Filmmaking In this five day filmmaking intensive, students will get busy in the AFTRS state-of-the-art studio to take a Winter School Week One winning script to screen. Experienced industry filmmakers will guide students with lectures and fast paced practical exercises to conquer the major areas of Directing, Cinematography, and Post Production. (8 -12 July)</p> <p> Winter School: Short Film Screenwriting Students will learn from working Industry professionals and plenty of inspiring guest speakers to take their stories from initial idea through treatment and draft stage, to a finished, polished script ready to be pitched on the final day. (1 - 5 July).</p> <p> Winter School: Introduction to Radio In this five-day intensive you'll learn essential Radio skills from experienced radio industry professionals and gain the confidence to begin your career in radio. From roles and responsibilities and announcing and presentation, to editing and studio skills we've got it all covered. (8 -12 July)</p> <p> Winter School: Introduction to TV and Radio Presenting This course combines our regular "Introduction to TV presenting" and "Announcing and Presenting" courses plus a day of our "Voice Over" course into one intensive week. (24 - 28 June).</p> <p> TAILORED COURSES AFTRS OPEN can customise workshops and training to suit the specific needs of a company or school. Our Corporate courses include Make A Film - Build A Team a one-day team building workshop for executive, senior management and project management</p> <p> For full course details visit www.open.aftrs.edu.au To find out more contact us on open@aftrs.edu.au / 1300 065 281</p> Fri, 22 Mar 2013 15:47:10 +1100 http://if.com.au/2013/03/22/article/The-Elegant-Gentlemans-Guide-to-Knife-Fighting-Starts-in-April-on-ABC-1/JDVMCMWYXS.html http://if.com.au/2013/03/22/article/The-Elegant-Gentlemans-Guide-to-Knife-Fighting-Starts-in-April-on-ABC-1/JDVMCMWYXS.html Inside Film Correspondent <p> Press Release from ABC</p> <p> Welcome to THE ELEGANT GENTLEMAN’S GUIDE TO KNIFE FIGHTING, a surreal stroll into the creative minds of some of Australia’s most exciting and newest comedy writers and directors.</p> <p> THE ELEGANT GENTLEMAN’S GUIDE TO KNIFE FIGHTING aspires to take sketch comedy in a different direction. With longer-form scenes, less traditional material, and a surprising cast, it will be at times random, often ridiculous and occasionally surreal.</p> <p> Produced by the award-winning Jungleboys and the creators of Review with Myles Barlow and A Moody Christmas, THE ELEGANT GENTLEMAN’S GUIDE TO KNIFE FIGHTING creates a brand new uncharted space for sketch comedy in Australia.</p> <p> Based on the experimental online comedy site of the same name, the series has attracted a formidable lineup of the country’s finest comedic and dramatic actors.</p> <p> Patrick Brammall (A Moody Christmas, East West 101), Phil Lloyd (Review with Myles Barlow, A Moody Christmas), Damon Herriman (Breaking Bad, Justified), Georgina Haig (Fringe, Underbelly), Darren Gilshenan (A Moody Christmas,Top of the Lake), Robin McLeavy (Hell on Wheels, Abraham Lincoln: Vampire Hunter), Craig Anderson (Next Stop Hollywood, Laid), Janis McGavin (The Urban Monkey, Laid) and Dave Eastgate (A Moody Christmas, Problems) lead an amazing lineup of onscreen talent.</p> <p> Behind the camera is an equally distinguished lineup of creative talent. Among the directors: one of Variety Magazine’s Ten Director’s to Watch, Wayne Blair (The Sapphires, Redfern Now); Trent O’Donnell (Review with Myles Barlow, A Moody Christmas), Craig Melville (John Safran’s Race Relations and John Sarfan Vs God), the Van Vuuren Brothers (Bondi Hipsters, The Fully Sick Rapper), Abe Forsythe (Laid, Mr & Mrs Murder), award-winning documentary director Stephen Oliver (Chateau Chunder: A Wine Revolution, Skippy: Australia’s First Superstar) Alex Morrow (rage, Triple J TV), Alethea Jones (Tropfest and IF award winner) and first-time TV directors Scott Pickett and Leigh Richards.</p> <p> The series is produced by Chloe Rickard and Nicola Woolfrey for Jungleboys, Executive Produced by Jason Burrows (Jungleboys) and Sophia Zachariou (ABC TV), Head of ABC TV Entertainment: Jennifer Collins.</p> <p> 6 X 30 mins Œ</p> Fri, 22 Mar 2013 15:37:11 +1100 http://if.com.au/2013/03/22/article/Torn-Devotion-new-feature-film-new-website-new-social-campaign/NAZNTXNWZT.html http://if.com.au/2013/03/22/article/Torn-Devotion-new-feature-film-new-website-new-social-campaign/NAZNTXNWZT.html Inside Film Correspondent <p> Press Release from Participate Film Academy</p> <p> Love, lies, corruption, conspiracies, imprisonment and murder – just some of the themes of Torn Devotion, the new feature film from students of Participate Film Academy who have also produced a website and social media campaign to promote their upcoming premiere!</p> <p> Counting down to the red carpet event on 10 April 2013 at Hoyts Entertainment Quarter, the Feature Film Class of 2012 created a dedicated website and secret videos which gives extra dimensions to the story of kindergarten teacher Zoe Turner, who begins to recover unpleasant memories of her pastˆ The film is a drama with elements of revenge and a love triangle, underlined by corruption and involved shooting in 23 locations around and outside Sydney including a prison, a yacht, a cemetery, and a courtroom!</p> <p> Producer Nilesh Patel is now looking forward to a full house for the launch in April and wants to entice audiences with some intriguing glimpses into the characters and the plot through a film trailer and a series of short, secret videos which gives individual insight in the four main characters. “After months of filming, we then decided to do some more, creating cameos of people involved with the characters – on and off screen – and editing them into mini-videos. Finding these secret videos is a journey through various social media channels created for the movie so you can have fun exploring for personal accounts, often quite skewed, of some of the key events and relationships in the film, which add to the characters’ back stories and give insight into their motivations and actions!” says Nilesh.</p> <p> <a href="http://www.torndevotion.com">www.torndevotion.com</a> features • movie trailer • plot synopsis • details of main characters • bios of main cast • clues to which social media channel can help you unlock secret videos • ticket sales!!</p> <p> Participate’s Feature Film Diploma is an accredited course with a nationally recognised qualification covering every aspect of feature filmmaking. It is the only film course in the world where students graduate with a full-length feature production and an internationally recognised credit. Œ</p> Fri, 22 Mar 2013 15:31:59 +1100 http://if.com.au/2013/03/22/article/2013-Indian-Film-Festival-of-Melbourne-Announces-Program-Celebrating-100-Years-o/BGCXLGGJAR.html http://if.com.au/2013/03/22/article/2013-Indian-Film-Festival-of-Melbourne-Announces-Program-Celebrating-100-Years-o/BGCXLGGJAR.html Inside Film Correspondent <p> Press Release from Miranda Brown Publicity</p> <p> The Indian Film Festival of Melbourne (IFFM) is taking place from May 3 – 15 in the centenary year of Indian cinema. This year’s festival celebrates the rich history of Indian cinema, pays tribute to one of its masters, and presents its biggest ever program of films across five Melbourne screens including new screen partner, ACMI. The festival is delighted to announce a number of India’s biggest stars as special guests. The stellar list includes Pamela Chopra, wife of Yash Chopra; Festival ambassador and Indian superstar, Vidya Balan; the Indian god of dance, actor and film maker Prabhudeva; legendary choreographer and filmmaker Farah Khan; the remarkable Simi Garewal, dubbed the Oprah of India; film directors Kabir Khan and Onir; and Avtar Panesar, Vice president of Yash Raj Films. Australian filmmaker Penny Vozniak is bringing her documentary, Despite The Gods. Masterclasses with festival guests are a not to be missed opportunity for local filmmakers to learn from these remarkable film industry figures. IFFM opens on May 3 with a screening of the silent film Raja Harishchandra 100 years to the day since its first screening marked the birth of Indian cinema, “We are really delighted to open the festival with a screening of this treasured film”, said festival director Mitu Bhowmick Lange. The centenary celebrations continue with ‘100 Years of Indian Film’ a program of 15 classic films at new screen partner, ACMI opened by Farha Khan on March 4 and including Satyajit Ray’s Pather Panchali, Sholay, which spawned the “curry western” genre, Achut Kanya, made in 1936 and based on India’s caste system, the comedy drama 3 Idiots and Palme D’or nominee, Garam Hawa. This year IFFM pays a special tribute to legendary filmmaker and festival patron Mr Yash Chopra in recognition of the unique contribution he has made to Indian and world cinema. It is an honour to have Mrs Pamela Chopra, visiting Melbourne to accept a lifetime achievement award for her late husband. The award acknowledges his contribution to film and his special relationship with Victoria. The festival will pay rich tribute to the legendary filmmaker, including screening his final film Jab Tak Hai Jaan. Mrs Chopra will officially opening the newly renovated cinema at La Trobe University, now renamed Yash Chopra Cinema. Turning its focus to contemporary India, IFFM presents three dynamic program streams of new films from India and the subcontinent. “We set out to take viewers on a journey from the beginning of Indian filmmaking through some of the century’s highlights and arriving at a selection of the finest new films made in the last 12 months,” said Bhowmick-Lange. ‘Hurrah Bollywood !’ features the best mainstream Hindi cinema from the last 12 months including Barfi starring Ranbir Kapoor, Priyanka Chopra, Talaash and Kabir Khan’s Ek Tha Tiger; ‘Beyond Bollywood’ features arthouse and cinema in regional Indian languages. Not to be missed highlights include Kurmavatara (Kannada) / Anhey Ghorey Da Daan (Punjabi), Delhi In A Day, Kai Po Che and I.D., the feature debut of Collective Phase One, a six-strong collective of filmmakers and producers and part of India’s new wave. A program specially curated for the Festival by acclaimed New Wave filmmaker Onir, features films from the sub continent including Sri Lanka, Bangladesh, Pakistan and Nepal. Closing the festival is the Australian premiere screening of The Reluctant Fundamentalist, directed by Mira Nair which was selected to open the Venice Film Festival. IFFM offers a window into the future of filmmaking with screenings of winners and finalists in the Western Union short film competition open to filmmakers from India, Australia and New Zealand. The colour and rhythm of Bollywood is expressed most clearly in its dancing. Audiences can take a break from the cinema and join in the Bollywood Dance Competition at Federation Square on May 4, judged by legendary choreographer and filmmaker, Farah Khan and chief guest, the Indian god of dance, Prabhudeva. Œ</p> Fri, 22 Mar 2013 15:25:33 +1100 http://if.com.au/2013/03/22/article/Explore-Asia-With-Odyssey-Travel/BPLALYOEQD.html http://if.com.au/2013/03/22/article/Explore-Asia-With-Odyssey-Travel/BPLALYOEQD.html Inside Film Correspondent <p> Easter is once again upon us and we are pleased to bring you exciting new developments from the Odyssey Travel Asia desk. From April next month we will be launching amazing new programs to various destinations across Asia. Here are some of our latest programs which will surely delight you. “A Taste of China” with program leader, Chef Cheong Liew OA, one of the best-known chefs in South Australia on a tour around China to indulge and learn about the variety of regional Chinese cuisines.</p> <p> Be quick to register for our specialised tours as places are limited. Do not miss this chance to experience Odyssey Travel and we look forward to hearing from you.</p> <p> Educational Travel Specialists since 1983 Established in 1983, The Australian & New Zealand College for Seniors Ltd, trading as Odyssey Travel is a not-for-profit organisation, with over 30 member universities and educational institutions.</p> <p> Odyssey Travel offers the most comprehensive educational tours, providing worldwide experiences for travellers and students who are keen to blend a love of travel with a thirst for knowledge. Odyssey Travel is committed to charitable activities supporting the environment and cultural development of communities. Part of our operational surplus is donated to universities scholarships and research grants.</p> <p> ŒA Taste of China: 29 October - 13 November, 2013</p> <p> Join Odyssey on our inaugural cuisine tour of China with celebrated chef, Cheong Liew. US Food and Wine magazine named Cheong as “one of the 10 hottest chefs alive” and he has been inducted into the 'Hall of Fame in the World Food Media Awards'. Cheong Liew was also awarded an OAM in 1999. Our culinary journey takes us to the award-winning internationally acclaimed Yu's Family Kitchen in Chengdu. There we can sample an exquisite banquet, learn about the secret ingredients in Sichuan cuisine and the art of cooking with herbs and spices. Read more>> Hong Kong Art Basel & Shanghai's Art and Architecture : 21May - 30May, 2013 Join Simon Chan for a tour to Hong Kong from 21 May to 24 May, including a half day Hong Kong Island tour to Victoria Peak for panoramic views across Victoria Harbour and travel to Stanley Market and Aberdeen Fishing Village, entrance to the Hong Kong Art Fair VIP meeting with a talk by leading journalist, Art Critic John McDonald. Our Shanghai's Art and Architecture program explores the traditional art and architecture of China's most populous and cosmopolitan city, Shanghai. China has changed seemingly overnight, and Shanghai's contemporary artists express and capture the impact of this rapid transformation. A second departure is scheduled for October 2013. Œ</p> <p> Odyssey to Taiwan: 11 - 22 September, 2013</p> <p> Amazing curltural festivals, temples, shrines, breathtaking natural wonders, bustling night markets, magnificent cuisine and hospitable people. These are just a few reasons why Taiwan is fast becoming the new must-see travel destination. Our Ed-Venture includes Taipei with its impressive Taipei 101 Tower and the National Palace Museum housing the world’s largest collection of Chinese art. We visit an aboriginal village and enjoy a performance of their traditional dancing illustrating their mythical origins and age-old traditional activities. We spend a morning at Yehliu Geo-Park on the island’s north coast, strolling around its famous rock formations, then on to the villages of Chiufen, once centres for gold mining in Taiwan.</p> Fri, 22 Mar 2013 11:49:26 +1100 http://if.com.au/2013/03/22/article/Greens-Call-for-Review-of-Australian-Content-Levels/MDANXYCYAF.html http://if.com.au/2013/03/22/article/Greens-Call-for-Review-of-Australian-Content-Levels/MDANXYCYAF.html Inside Film Correspondent <p> Press Release from SPAA</p> <p> As part of the agreement between the Greens and the government on media reform, the Greens tabled a commitment to a review of the impact of recent legislation on Australian content levels and sub-quotas.</p> <p> Senator Ludlam provided the following to the parliament in the debate on the Broadcasting Legislation Amendment (Convergence Review and Other Measures) Bill 2013 and the Television Licence Fees Amendment Bill 2013:</p> <p> Review of Australian Content Levels The Government acknowledges the Greens’ concern to monitor and review the levels of Australian content on television, including multi-channels. The Australian Communications and Media Authority monitors compliance with Australian content rules on an annual basis.</p> <p> The Government will undertake a formal review into the impact of this legislation on sub quotas and Australian content on commercial main and multi-channels no later than 12 months from the passage of the Bills and table this report in Parliament.</p> <p> SPAA acknowledges the efforts of the Greens on behalf of the independent screen production industry during the recent rushed debates on the package of Communications reform bills. The Greens politicians and advisors have engaged with us in consideration of complex issues, raised questions in committee hearings, and debated the issues in both the public and parliamentary spheres.</p> <p> “A review of the impact this Bill will have on the terms of trade for sub-quota Australian content is sensible,” the Executive Director of SPAA Mathew Deaner says.Œ“Particularly in view of the recent release by ACMA of the levels of expenditure by commercial free-to-air networks in 2010/11 which revealed an alarming fall in children’s drama and documentary, down 24 and 25 per cent respectively.“ Œ</p> Fri, 22 Mar 2013 11:42:51 +1100 http://if.com.au/2013/03/22/article/Wine-Time-RED-OBSESSION-to-be-released-in-Australian-Cinemas/YVZTGXIFPG.html http://if.com.au/2013/03/22/article/Wine-Time-RED-OBSESSION-to-be-released-in-Australian-Cinemas/YVZTGXIFPG.html Inside Film Correspondent <p> Press Release from Roadshow Films</p> <p> Roadshow Films is pleased to confirm it will release the home made documentary RED OBSESSION in Australian cinemas on August 8, 2013. Directed by Warwick Ross and David Roach, Red Obsession had its world premiere at the Berlin International Film Festival in February and will appear at the Tribeca Film Festival in New York next month.</p> <p> Narrated by Russell Crowe, the films follows a modern-day silk road through the prism of Bordeaux’s ethereal wines and observers the extraordinary financial risk people are prepared to take in pursuit of their passion.</p> <p> For centuries Bordeaux has commanded an almost mythical status in the world of wine as a symbol of wealth, power and influence. While its great estates have beguiled kings, emperors and dictators alike, its prosperity has always been tied to the shifting fortunes of global economies. As great nations rise and fall, so does the fate of Bordeaux. Now, something unprecedented is happening, and that something is China. Traditional customers like the United States and the United Kingdom are bowing out, unable to compete, as the Dragon economy’s new wealthy push prices to stratospheric levels.</p> <p> While China could bring untold wealth to Bordeaux, the terms of engagement are different from any other customer in the past. This massive emerging market is seductive and voracious but also unpredictable, and with Bordeaux’s fine wines now elevated to luxury goods status, they have fallen victim to the world’s most rampant and notorious counterfeit trade.</p> <p> The film confronts the modern dilemmas facing the Bordeaux vigneron at a time of great global uncertainty. Will the China market be the bubble that never bursts or the biggest threat yet to Bordeaux's centuries old reputation?</p> <p> Set against the stunning landscapes of Bordeaux and China, Red Obsession is the story of two disparate and powerful cultures finding common ground over their love of a delicate wine.</p> Fri, 22 Mar 2013 11:34:29 +1100 http://if.com.au/2013/03/22/article/Flickerfest-road-trip-continues-to-Canberra-Adelaide-Alice-Springs-and-more/EEBFDWPKNG.html http://if.com.au/2013/03/22/article/Flickerfest-road-trip-continues-to-Canberra-Adelaide-Alice-Springs-and-more/EEBFDWPKNG.html Inside Film Correspondent <p> Œ</p> <p class="MsoNormal"> Press release</p> <p class="MsoNormal"> Flickerfest continues its successful national touring fest, covering thousands of kilometres to bring the best short films to audiences all across the far flung reaches of the continent! So far we have toured to 33 venues with 13 venues still to go across Australia between now and May. This week Flickerfest returns to Canberra, Adelaide, Alice Springs, Narrogin WA , Rosnay Canowindra NSW and McLaren Vale SA and visit Karratha WA for the first time. Don’t miss our much loved collection of award winning International and Australian short film highlights handpicked from a record 2300 entries at a town near you! Highlights of Best of Australia shorts include Yardbird winner of Best Australian Film at Flickerfest 2013, a masterful film directed by Michael Spiccia; Lois starring Academy®Award nominated acting legend Jacki Weaver and the quirky and highly crafted animation A Cautionary Tail starring the voices of David Wenham, Cate Blanchett and Barry Otto. Best of International programme 1 features the quirky and magical Route 43 Miracle from Sweden and charming French/Canadian film Chef De Meute, officially selected at Cannes Film Festival and Curfew from the USA, newly crowned winner of Best Live Action Short at this years Academy®Awards. Our Short Laughs programme features the funniest films from at home and overseas, including Status Update from Australia, Spanish comedy Life Vest Under Your Seat and the funny and topical social media film Friend Request Pending starring the Queen of stage and screen Judi Dench. CANBERRA: 21 March 2013 - 22 March 2013 Dendy Cinema Best Of International 1: Thur 21st March, 7pm -plus opening night drinks Best Of Australian Shorts: Fri 22nd March, 7pm Info/Bookings: 02 6221 8900 <a href="http://www.dendy.com.au">www.dendy.com.au</a> ALICE SPRINGS: 21 March2013 - 23 March 2013 Olive Pink Botanic Garden Short Laughs Comedy: Thur 21st March, 7.15pm Best Of Australian Shorts: Fri 22nd March, 7,15pm Best Of International 1: Sat 23rd March, 7.15pm (doors open: 6pm) $20 session (pre-sale $15 session,/ $30 season pass) Info/bookings: 08 8952 2154 <a href="http://www.opbg.com.au">www.opbg.com.au</a> ADELAIDE: 23 March 2013 - 23 March 2013 Mercury Cinema Best Of Australian Shorts: Sat 23rd Mar 6pm -plus local film 'Two Sides' (festival drinks between) Best Of International 1: Sat 23rd Mar 8.45pm Info/Bookings: 08 8410 1934 <a href="http://www.mercurycinema.org.au">www.mercurycinema.org.au</a> NARROGIN: 22 March 2013 - 23 March 2013 Narrogin Senior Citizens Centre Best Of Australian Shorts: Fri 22nd Mar, 7.30pm Best Of International 1: Sat 23rd Mar, 8pm $12/10 ARtS Narrogin members Info: 08 9881 3490 <a href="http://www.facebook.com/ARtSNarrogin">www.facebook.com/ARtSNarrogin</a> MCLAREN VALE: 22 March 2013 - 23 March 2013 Black Cockatoo Arthouse Best Of Australian Shorts: Fri 22nd Mar Best Of International 1: Sat 23rd Mar Info/Bookings: 08 8323 9294 <a href="http://www.blackcockatooarthouse.blogspot.com">www.blackcockatooarthouse.blogspot.com</a> CANOWINDRA: 23 March 2013 - 23 March 2013 Rosnay Vineyards Best Of Australian Shorts: Sat 23rd March 8pm-9pm 1st half (9-9.30pm Intermission) 9.30pm-10.30pm 2nd half Info/bookings: 02 6344 3215 <a href="http://www.rosnay.com.au">www.rosnay.com.au</a> 6.30pm to 8pm Dinner & Drinks KARRATHA: 23 March 2013 - 23 March 2013 Walkington Amphitheatre Best Of Australian Shorts: Sat 23rd Mar, 7pm Short Laughs Comedy: Sat 23rd Mar, 9pm Info: 08 91868653 <a href="http://www.roebourne.wa.gov.au/events">www.roebourne.wa.gov.au/events</a> Œ Coming up in April & May, don't miss your last chance to catch Flickerfest in the following locations: Gerringong, Alrlie Beach (Whitsundays), Darwin, Exmouth, & Trinity Beach (Cairns). Stay tuned as our road show continues until mid-May all across Australia! Don’t miss this unique opportunity to see these outstanding shorts on the big screen in your town. Dates & info for all venues are available at: <a href="http://www.flickerfest.com.au">www.flickerfest.com.au</a> Follow us on tour: facebook.com/flickerfest & twitter.com/flickerfest</p> Fri, 22 Mar 2013 11:06:02 +1100 http://if.com.au/2013/03/22/article/Birds-of-Tokyo-video-shot-exclusively-on-Sony-F65-cameras/RKHHBSURHX.html http://if.com.au/2013/03/22/article/Birds-of-Tokyo-video-shot-exclusively-on-Sony-F65-cameras/RKHHBSURHX.html Inside Film Correspondent <p> Press releaseŒ</p> <p> Callan Green, one of Sydney’s busiest DOPs, recently finished shooting Lanterns a music video for Birds of Tokyo, one of Australia’s hottest bands, exclusively on the Sony flagship F65 4K camera. Green who collaborated with Director Josh Logue specifically chose the F65 due to its picture quality and ease of workflow saying, “Josh and I wanted to shoot Lanterns anamorphically. As a Sony F65 owner operator I could make this happen cost effectively and still keep the look we wanted.” Green and Logue scouted locations around Sydney settling on the Arts School in Darlinghurst for the main shooting day and several different locations across the city over the next three days for the video’s narrative. Green continued, “We wanted to shoot in as much natural light as possible so the F65 was perfect as it handles all lighting scenarios so well, especially high and low key situations. Shooting anamorphic with the F65 is a dream as there is just so much resolution to play with, also the sensitivity of the sensor negates any stop loss due to the slower speeds of the older anamorphics. To help get the look we wanted I shot with a set of 1980’s Russian Lomo lenses. This combination of old glass and new camera technology contributed to our images being a little bit unusual and luring.” Sony’s F65 has rapidly been growing in popularity since its launch with recent upgrades to the camera and developments to the workflow making shooting and post production simpler, easier and more efficient. Callan Green added, “The F65 allowed us to shoot Lanterns wherever and whenever we wanted as it’s so good in every lighting situation that you could encounter. By using the internal ND filters we could shoot organically without using any additional bulky matte boxes. The 4K images really are incredible but that wasn’t the end of the story. The workflow is the icing on the cake. Whilst people are often reluctant to learn new things it really is worth the time to learn the Sony F65’s workflow if you haven’t already. Firstly it’s intuitive and doesn’t take long at all. For Lanterns I used a MacBook Pro and free downloadable copy of DaVinci Resolve Lite 9 to do all the transcoding, de-anamorphasising and cropping, which rendered out QuickTime Lite files at around 15-20 frames per second. Having shot many TVCs, promos and short films with the F65 I can honestly say it is an astonishingly good camera to work with.” To see the Birds of Tokyo Lanterns music video go to:Œ<a href="http://www.youtube.com/watch?v=mbJ3vacGOhw ">http://www.youtube.com/watch?v=mbJ3vacGOhw </a> Callan Green DOP:Œ<a href="http://www.callangreen.com ">http://www.callangreen.com </a> Œ</p> Fri, 22 Mar 2013 08:48:29 +1100