It was no-contest between Fox/Chernin Entertainment’s 'Ford v Ferrari' and Sony Pictures' 'Charlie’s Angels' reboot at Australian cinemas last weekend.
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Justin Kurzel’s 'True History of the Kelly Gang' will open in Australian cinemas on January 9, just 17 days before its Australia Day premiere on Stan.
Marcus Gillezeau, an International Digital Emmy and AACTA Award-winning independent producer, writer and EP, suggests Australia needs a 'whole-of-country' approach to reap the benefits of the streaming age.
Writer-director Imogen Thomas’ family drama 'Emu Runner' and Tony D’Aquino’s female-driven survival thriller 'The Furies' opened in limited sessions on a handful of screens last weekend.
Warner Bros cast the usually reliable Ewan McGregor and Rebecca Ferguson as the leads in 'Stephen King’s Doctor Sleep' and pitched the film to fans of Stephen King’s 1977 novel and Stanley Kubrick’s 1980 classic 'The Shining'.
When Abe Forsythe made 'Little Monsters', he intended the film to be screened in cinemas, reaching a far wider audience than his black comedy 'Down Under'. That’s not how it turned out, much to the disappointment of the writer-director.
The latest iterations of 'Maleficent', 'Godzilla', 'Men in Black', 'The Angry Birds' and 'Rambo' flopped or under-performed in cinemas this year and now 'Terminator: Dark Fate' is the latest victim of moviegoers’ sequel fatigue
Australian writers, producers, directors, funding agencies and distributors should ask one key question when evaluating feature film projects: “Does this warrant a theatrical release or is streaming a smarter option?”