Sony Electronics will release new firmware updates for the FX6 full-frame camera and the flagship Venice 2 digital cinema camera.
One of Australia’s most experienced location managers Duncan Jones sensed there was a technical gap between locations and VFX. He turned that sense into company Myriad Studios, where he is digitising everything from locations, props and vehicles through to people using LiDAR, photogrammetry and cyber scanning.
ARRI has launched a new control option for its latest cameras, combining colour accuracy and a bright display with customisable controls and a rugged build.
Cooke Optics has partnered with EZtrack to merge images from on-set cameras with computer generated elements in 'near real time'. The idea is that directors can have confidence that a shot has worked long before post-production.
Red Digital Cinema has unveiled the newest addition to its Komodo line of small form-factor 6K global shutter sensor cameras for cinema: Komodo-X.
Canon has introduced the PowerShot V10, a lightweight 4K camera aimed at vloggers and online content creators.
Canon has announced the RF 100-300mm f/2.8L IS USM, which has minimum focusing distance of 1.8m with a 0.16x maximum magnification and constant aperture.
Avid has launched a new partner program, Works with Avid On Demand, that enables customers to expand their workflow capabilities through a range of certified industry-standard tools and apps from third-party vendors.