Trackdown GM Elaine Beckett believes it's not only developers who stand to benefit from the Digital Games Tax Offset and increased government investment in games, but also post-production services.
Our ‘Location, location, location’ series canvasses leading location managers from across the country to find out their favourite places to shoot. Kate Fox, who is predominantly based in Hobart, recently wrapped on Stan's 'Prosper' in Sydney. She's also worked on 'Deadloch' and 'Bay of Fires'.
“[Sen's] brilliant. And I like that he’s brilliant without having to wear a shirt that says ‘I’m brilliant’... He just does his thing. And I don’t think he really cares what other people’s opinions are of him or how he goes about it. That’s really admirable.” - Simon Baker.
Jeremy Lindsay Taylor, known for his roles in 'Heartbreak High', 'The Dry', and 'The Claremont Murders' has stepped behind the camera to direct new short 'Dusty'.
Sony released documentary 'John Farnham: Finding the Voice' yesterday on 275 screens, making it the widest Australian theatrical release of the year so far. Director Poppy Stockell talks to IF about how she found Farnham's career followed the monomyth.
Our ‘Location, location, location’ series canvasses leading location managers from across the country to find out their favourite places to shoot. South Australia's Maria Humphreys recently worked on docudrama 'Speedway', which saw Adelaide turned into 1970s Indiana.
With Australia’s notoriously strict defamation laws undergoing a shake up in the past couple of
years and dramatic retellings of recent history becoming increasingly popular, has the state of play
for creatives wanting to base projects on real events and people changed? IF weighs up the views of producers and legal experts to find out.
As AFTRS turns 50, CEO Nell Greenwood reflects on the school’s beginnings and looks towards its future.