Wooden Horse company directors Jude Troy and Richard Finlayson speak about process of producing Disney+’s 'The Clearing' and the ABC’s 'Mother and Son', as well as factual projects 'Revealed: The Cape' and 'Stuff the British Stole'.
Directors Indianna Bell and Josiah Allen were saving up for a house, but after hearing American director Trey Edward Shults speak at Austin Film Festival about making the micro budget 'Krisha', they decided their funds might be better spent making a debut feature that they could use as a calling card.
When IF asked leading rental houses to share their insights into equipment trends, the conversation invariably turned to lenses. Reps also share what new products they’re excited by, and what gear deserves better recognition.
Playstation game adaptation 'Gran Turismo' drew respectable crowds at the box office last weekend, but failed to hold a candle to heights of 'Barbie', 'Oppenheimer' or even 'Meg 2: The Trench'.
Jack Clark and Jim Weir's 'Birdeater', with its echoes of 'Wake in Fright', joins Australia's recent indie success stories. After snaring Sydney Film Festival's Audience Award, their debut feature - made on a shoestring - sold out all its sessions at the Melbourne International Film Festival, landed distribution with Umbrella and simply generated a significant amount of buzz.
A quick fire round with Nicole Pastor, who has cut her own path in the industry with roles in ‘Ruby’s Choice’, ‘The Cost’ and the upcoming ‘Freelance’, her first lead role.
Kimble Rendall has been exploring the capabilities of Unreal Engine with Alex Proyas’ Heretic Foundation in Sydney, with a view to making his feature film 'Age of Beasts' using the software while creating assets for a game simultaneously.
Jason Statham shark thriller 'Meg 2: The Trench' may have opened significantly below the 2018 original in North America, but here in Australia, receipts were almost on par. That said, the sequel was no match at all for the continued phenomenon that is 'Barbenheimer'.