Tania Lambert's work on SBS anthology 'Erotic Stories' was recently recognised with an AACTA nomination for best cinematography in television. But it's been a long journey as one of the few women working in a male-dominated industry.
'Totally Killer' offered cinematographer Judd Overton plenty of challenges; the mash between horror and comedy, the need to create two distinctive looks for the film's time periods, 1987 and 2023, and the chance to create 360-degree rotating shots inside a real gravitron.
Concerns about power imbalances and toxic working environments in the film and TV industries long pre-date the emergence of #metoo as a global rallying cry against sexual assault and harassment on set.
The “How’d you get that job?” series examines career pathways. Prince Nediyedath talks to Denise Eriksen about what inspired his "laser-focused" ambition for a career in cinematography.
In the name of celebrating talent, we've decided to gift you a free digital copy of our most recent issue, which includes our Rising Talent list for 2023.
One of Australia's most internationally successful cinematographers, John Seale, talks to IF about his career as he prepares for retirement, having wrapped on his final film, George Miller’s 'Three Thousand Years of Longing'.
Erika Addis will be the next national president of the Australian Cinematographers Society (ACS), the first woman to lead the organisation in its history.
Erika Addis, head of cinematography at Griffith Film School and Australian Cinematographers Society (ACS) Queensland president and national vice-president, chairs the ACS' Women's Advisory Panel. She reflects on why cinematography remains male-dominated.