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ABC and Screen Australia to fund four new web series

ABC and Screen Australia are providing more than $200,000 to fund four six-by-five minute web series under a new initiative – Art Bites. 

States and territories nationally have pledged support for the initiative, including Film Victoria, Screen Queensland, Screen Tasmania, Screen Territory, ScreenWest and the South Australian Film Corporation committing additional support to emerging filmmakers from their respective states.

The web series that will premiere on the new ABC Arts channel on iview. 

In addition, each project selected will have the mentoring support from a digital Arts commissioning editor and an investment development manager appointed by ABC and Screen Australia.

ABC director of television, Richard Finlayson, said he was thrilled to be partnering with Screen Australia and the State agencies on the initiative which has been designed to make arts content more accessible and foster the next generation of Australian filmmakers nationally.”

Screen Australia’s Chief Operating Officer, Fiona Cameron, said Art Bites promised to be an adventure for both filmmakers and viewers, illuminating the arts in Australia from a fresh perspective. 

"We’re also pleased to support opportunities for content that aligns with wider industry trends in documentary short form,” she said.

Since launching in September, the ABC Arts channel on iview has featured hand-picked arts content from Australia and around the world. 

Program plays of arts content on iview have tripled since the launch of the channel.

  1. Very predictable, very considered, and utterly unconvincing.

    Same old ideology and intent, same chest thump rhythm, same old claims. The director of TV said he was thrilled to be partnering with Screen Australia and the State agencies on the initiative which has been [quote] “designed to make arts content more accessible and foster the next generation of Australian filmmakers nationally.”[unquote]

    Who are these people who claim to hold the key to “making the arts more accessible” how do the do this? why do they try? Who are these people old and/or young who need to have the arts made more accessible? Young artists perform Shakespeare today, young people read it and watch it and enjoy it, and it’s almost 600 years old. Who made it accessible to Booth, Irvin, Mrs Pat, Olivier, Judi Dench? How and why must we make Mozart, Wagner, Verdi more accessible, and to whom?

    Film? How could anyone watch David Lean, Jacques Becker, Michael Haneke, even Tarantino, and say that film must be made more accessible?

    Who are this “next generation of film makers” to whom everyone keeps pledging their endeavours? What about the current generation, or the one before that?

    Today we have more trained and officially certificated film makers walking the streets looking for a job (any job)than Hollywood ever had, during its entire golden era, and we don’t even have an industry.

    Big film and entertainment businesses (the ABC is an example of big film and entertainment business in Australia) is interested in making money, and if that means getting into bed with other such companies, so be it, yet both ABC and Film Australia are bound by politics and public money, a venturi and a chicane, which makes it difficult, if not impossible for such organisations to assist anyone who doesn’t fit the template, no matter what generation you may belong to, or how inaccessible you may find the arts.

    NB. [quote]”Since launching in September, the ABC Arts channel on iview has featured hand-picked arts content from Australia and around the world.” [unquote]

    [quote]”Program plays of arts content on iview have tripled since the launch of the channel.[unquote]

    These two comments are meant to be read together and in order, they represent someone’s assurance that this is the right idea. However they may also assure us that there are other companies (from abroad) involved, and/or that both arts programming, and the audience, are starving for content. Unfortunately making it available, is not the same as making it more accessible.

  2. As someone who has intermit understanding of the sector, absolutely. It is time to divest the horizontal and vertical control of screen Australia. To seperate the decisions to commission from this agency and from Melbourne, Sydney and Queensland’s big interests; and, kick-off those apparatchiks sitting on the boards of the states film offices.

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