While Minister for Communications, Cyber Safety and the Arts Paul Fletcher is keeping mum as to whether the government will adjust the screen industry's regulatory framework, in his address to the Screen Forever conference on Tuesday he emphasised government has a role to play in supporting the industry to capture global opportunities.
Marcus Gillezeau, an International Digital Emmy and AACTA Award-winning independent producer, writer and EP, suggests Australia needs a 'whole-of-country' approach to reap the benefits of the streaming age.
Northern Pictures series 'Employable Me', commissioned by the ABC, has been nominated for a Rose d’Or Award for Reality and Factual Entertainment.
There is increasing variation between Netflix, Stan and Amazon Prime Video in terms of the kind, age, and genre mix of Australian-made material they carry.
Some $1.17 billion was spent on drama production in Australia in the last financial year - the second highest year on record and more than 50 per cent up on the previous year - driven by all-time high expenditure on local content and significantly bolstered levels of foreign spend.
"I don't think it's any secret that the distribution and exhibition space for movies that aren't tentpole is getting tougher and tougher all the time. People want to watch things at home. I like to watch things at home. And people's TVs are amazing."
VICE and Screen Australia will once again run the Pitch Australiana competition at the Australian International Documentary Conference (AIDC) next year.