Animated octopus's and famous miniature bad guys. Rodney Appleyard take a look at the effects behind the second instalment of Night at the Museum.
We often here about how big budget horror blockbuster movies have to be re-cut, toned down or re-shot because they end up being too graphic for the audience and run the risk of alienating families and children.
Aussie visual effects and animation company Iloura was behind 500 VFX shots for Paul Feig’s Ghostbusters reboot.
Fragment has been busy attracting a following around the world after being chosen for Official Selection in a number of respected film festivals.
Matt Everitt, Genevieve Camilleri, Matt Sloan, and Brian Cox have earned a nod for their work on 'Love and Monsters', while the UK-based Andrew Jackson is nominated as part of the VFX team on 'Tenet'.
Australian effects house Fuel VFX has added a BAFTA nomination for its work on Prometheus following its recent nod from the Visual Effects Society.
Getting the shark to perform acrobatic, energetic motions was crucial for the VFX team
Bupa's Better Health campaign paints a distressing picture of premature aging brought on by unhealthy living.