Make-up effects artist Neil Gorton has worked on Dr Who, Torchwood, Saving Private Ryan and now Lesbian Vampire Killers
Animal Logic's VFX supervisor, Andrew Jackson, recently told us how he worked closely with director, Alex Proyas, to create a dramatically convincing underground train crash sequence for Knowing.
We often here about how big budget horror blockbuster movies have to be re-cut, toned down or re-shot because they end up being too graphic for the audience and run the risk of alienating families and children.
Animated octopus's and famous miniature bad guys. Rodney Appleyard take a look at the effects behind the second instalment of Night at the Museum.
For 26 years, Gregg Sargeant has put his life on the line as a stunt man to help directors deliver memorable moments for the movie screen.
Omnilab Media is continuing to invest heavily in production, with its latest thriller, Dead of Night, wrapping up its US-based shoot last month.
The stars of G.I. Joe kickstarted their worldwide publicity tour by cruising into town this week on a luxury speed boat to meet Sydney's film press, who were leisurely basking in the sun near the Harbour Bridge.
Hollywood heavyweight Lorenzo di Bonaventura, the producer of G.I. Joe, who also worked on the second Transformers movie and Stardust, spoke to IF FX recently about blowing up cars in Prague.