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More flak over ABC documentary

The ABC’s rebuff of a campaign led by the producers to allocate an earlier timeslot to Sophia Turkiewicz’s documentary Once My Mother has drawn the ire of filmmaker Martha Ansara.

A founding member of the Australian Documentary Forum (Ozdox) and a recipient of the AFI's Byron Kennedy Award, Ansara has described the decision as being in line with the broadcaster’s move away from innovative single documentaries.

The ABC will screen Turkiewicz’s 72 minute film, which traces her search to discover why her Polish mother abandoned her and the truth behind her wartime escape from a Siberian gulag, on Sunday October 26 at 10.20 pm.

Producer Rod Freedman beseeched ABC head of programming Brendan Dahill to schedule the doco at 9.30 pm or earlier, fearing it would be ignored in the ‘graveyard’ timeslot, and he enlisted the support of industry colleagues.

Dahill replied, “I am happy with the slot that we have chosen for the show and the context and the environment within which we have placed it.”

Last weekend Ansara sent an open email to Dahill asking him to reconsider. “I am a passionate supporter and observer of the ABC, “ she said. “I was saddened but, quite frankly, not surprised to learn of the decision to program the documentary Once My Mother at 10:20 on a Sunday night.

“I am sure that you and others in management positions at the ABC wrestle constantly with the contradictions between the broadcaster's cultural and social obligations and the realities of the ratings imperative, governments, the media environment, competing programming demands, etc. and I know you must do so in the face of already inadequate and ever shrinking finance.

“Nevertheless, Once My Mother has proved itself with audiences and critics alike. It's a rare Australian documentary that can get a cinema release and yet this film has done well enough theatrically to have made it worthwhile — for the cinema owners, at least.

"It has thereby gained sufficient publicity for the ABC to build on, were the film to be screened in a better time slot. While admittedly it would take more publicity resources than you can allocate to it for Once My Mother to rate through the roof, it seems a waste of the purchase to bury a critically acclaimed film which has much greater potential.

“More importantly, however, is the danger — of which the programming of Once My Mother is so emblematic — posed by the ABC's trend away from one-off documentaries. This seems to me to be a danger both for Australian documentary production and for the ABC itself.

“My fear is that as the ABC increasingly relinquishes its responsibilities for innovation, reflection of cultural diversity and specialised programming, and the more the ABC replicates what is provided by the commercial sector rather than distinguishes itself from it, then the more vulnerable it is to the forces which would have the ABC abolished altogether.

“As a documentary filmmaker, we make films to be seen and we need money to make them, even if we ourselves barely make a living. One-off creative documentary-making is gasping for breath out here and we really do need your support.”

Dahill is overseas and was not available for comment today.

  1. The independent sector totally supports Martha’s views. ABC one-off documentary commissioning has all but vanished. The ABC’s professional standing and good relationship with the industry is at risk if it can’t explain why it is so?

  2. If contractually possible, why don’t you ask the CTV stations nationwide to broadcast it in primetime. This would send a message both to the ABC and Minister Turnbull who doesn’t want stories about our communities on the airwaves.

  3. The ABC has a responsibility to the audience, more than to its own structures and restrictions. Programming Once My Mother so very late is tantamount to no support at all for the one-off doco genre. Bad decision….simple fact….bad decision! Bravo to Martha Ansara.

  4. I fully endorse Martha Ansara’s comments. Once my Mother is exactly the kind of film the ABC (and, of course, SBS) should be showing.
    It is more crucial than ever that the national broadcaster, besieged as it is by philistines from all quarters, should stake out its position. Above all, it must stand for quality and not populism. It should have the courage of its convictions and build its audience and reputation by showing the best.

  5. Well said, Martha. At a time when the ABC is under attack it needs to stand out as being different from the commercial alternative, not simply to toe the same bland line. Otherwise there’s no point in fighting to defend it! I didn’t see Once My Mother at the cinema, but Sophia Turkiewicz is a very fine filmmaker, and I’m confident her work deserves better exposure.

  6. Brendan Dahill is a populist with no commitment to one-off documentary filmmaking. Instead the ABC commissions in prime time pedestrian docusoap series with little intellectual value. The new Head of TV has allowed this situation to continue and seems to endorse what is essentially a dumbing down of the ABC. Mark Scott has not intervened. The situation with ABC drama is not much better. There is little vision at the ABC anymore. It is an institution which is becoming hard to defend as a broadcaster of quality and diversity. Sad.

  7. This decision smacks of stubbornness – the film’s audience is perfect for an ABC demographic. It puzzles me. Rod and Sophia have put in the hard yards and proved that there is a huge audience for this film that had everyone at the SFS incredibly moved and with many in tears at the end. There is still time for the ABC. Don’t be obdurate and annoyed at the irate eloquence of Martha Ansara or the determined and sustained passion of producer Rod Freeman or the fuss people are so rightly making but rather enjoy the warm and fuzzy feeling that you will get when you relent and show it at an earlier slot and give it some oxygen with the publicity you are already generating now. Instead of opposing it, get behind the film. After all, this is a film about surviving against all odds. You are just contributing to that very narrative.

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