ARRI is presenting the results achieved to date by SCENE, a ground-breaking European research project.
A shark film without realistic sharks is destined to sink fast. Blackmagic Design speak to IF about how it met the challenge on Bait 3D.
Making the claim that 'subtle' and 'visual effects' can peacefully coexist in the same sentence in a CG-dominated visual media industry is a tough call.
Some of the best effects of recent times have come about through the collaboration between make-up artists and CGI technicians. Terminator Salvation and Benjamin Button are two recent examples of films who blurred the lines between both art forms.
Hollywood heavyweight Lorenzo di Bonaventura, the producer of G.I. Joe, who also worked on the second Transformers movie and Stardust, spoke to IF FX recently about blowing up cars in Prague.
A new summer Nestle Drumstick TVC was launched recently, called: 'The Summer Parade'. The commercial brings to life a fantasy street parade welcoming the arrival of summer in a typical Australian country town.
The Director of Dying Breed, Jody Dwyer, provides us with an insight into the challenges he faced during the production of this interesting new Australian thriller.