Are feature film producers who want to be better remunerated during the five years they typically spend developing each project prepared to see Screen Australia slash the number of projects it develops to fund higher fees?
That the Producer Offset be adjusted to 30 per cent for all qualifying productions, regardless of platform, is among the key recommendations to come out of the parliamentary inquiry into the growth and sustainability of the screen industry.
In the wake of recent allegations of sexual harassment across both local and international screen sectors, Women in Film and Television (WIFT) NSW has joined forces with a range of industry bodies to deliver a free forum designed to address the issue and bring about change.
“I agree about not rushing into production until your script is pitch perfect but the agencies must recognise that unless you have Enterprise support (I never have), there is almost no support for producers to do this,” Maslin tells IF.
Screen Producers Australia has named Matchbox Pictures the Production Business of the Year at its annual awards, held last night at the Forum Theatre in Melbourne.
A “resentful, mendicant” model is developing between the screen industry and government, according to Screen Producers Australia CEO Matthew Deaner.
Australian online content creators, both established and emerging, are at the front and centre of the Comedy Channel's new skit series, 'The Slot', produced by Princess Pictures.
The last financial year saw the amount spent on drama production in Australia crack $1 billion for the first time, thanks in part to record levels of foreign project spend and bolstered local feature film production.