[press release from Access PR]
Coinciding with its 25th anniversary, one of Australia’s largest post-production companies Frame Set & Match has re-branded as FSM and restructured using a multi-boutique approach.
Housed under the FSM umbrella brand will be five distinct units – FSM COLOUR, FSM DESIGN, FSM VFX, FSM CUT and FSM FEATURES.
“The re-brand and restructure better reflects what we do – specialisation in a range of areas, backed by the world-class resources, technology and talent of an established post production company,” said FSM managing director Rick Schweikert.
“We have constantly evolved over the years and this move now more clearly defines our services and strengths.”
The re-structure also comes at a time when FSM has invested in people and new technology, including dedicated RED camera workflow, new AVIDs and a new BaseLight non-linear data grading suite.
The move also caps a strong 12-month run of creating high-profile VFX work from Baz Luhrmann’s Australia and Jane Campion’s Bright Star, to the TV hit Packed to the Rafters, to highly effective and award-winning ads, and four Tropfest finalists.
FSM has also built up its design team and recently appointed Emile Rademeyer to the newly created role of FSM DESIGN Creative Director.
“There is an exciting new energy to the entire company and we’re thrilled that after this long in the business we can continue evolving and offer our clients the very best,” said Schweikert.