When writer/director Stef Smith approached actor Ana Maria Belo about one of the episodes of 'It's Fine, I'm Fine' potentially being in Auslan, Belo was excited for the opportunity and determined to do it "the right way".
For writer and director Stef Smith, creating short-form project 'It's Fine, I'm Fine' - about to premiere at Canneseries - was an attempt to get out of what she calls the "credit desert".
That is, it was a bid, for both herself and her fellow collaborators, to obtain the kind of credit that could see them escape the sticky "emerging" label.
Screen Australia has flagged it will consider how the Producer Equity Program will operate going forward, with funds already exhausted for this financial year.
When WildBear Entertainment's Veronica Fury and series director and producer Ian Withnall embarked on an observational documentary series that explores the demolition industry, they made a surprising discovery.
More than half of women working across the media industries are dissatisfied or unsure how to advance their careers, and feel that commitment to gender equality is weak.
Ben Lawrence took home the main prize – Best Direction in a Feature Film (Budget $1M+) – at last night’s Australian Directors’ Guild (ADG) Awards for his debut narrative feature 'Hearts and Bones'.
Wooden Horse company directors Jude Troy and Richard Finlayson speak about process of producing Disney+’s 'The Clearing' and the ABC’s 'Mother and Son', as well as factual projects 'Revealed: The Cape' and 'Stuff the British Stole'.
A $NZD35 million ($AUD32 million) film studio on the east coast of New Zealand's north island is a step closer after receiving resource consent from the local municipality.