The fragmentation of the media landscape could erode popular TV while generating a "lot of rubbish" that might otherwise not see the light of day, according to Seven Network script executive Bevan Lee.
The premiere of Amazon's 'Back to the Rafters' last month and the impending production of Netflix's 'Heartbreak High' offer insight into how international platforms approach local IP with cultural resonance.
“For every diverse show loudly championed there are a dozen more with representation issues that nobody notices.”
“I would put $1 million down on the table at the end of the first hour and give that to anyone who can tell me where the show goes. I know my money is safe."
For Brian Walsh, 2020 shapes as the most competitive year for the broadcast and streaming sector since the inception of television in Australia in 1956.
A mother. Proud, caring and strong. Her family is everything. An ordinary world. A billionaire. He thinks he has everything. Money, power and control. An extraordinary world. Two Families. Two worlds. They will collide. What does she have that he wants?