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‘Blueback’, ‘Shayda’, ‘Run Rabbit Run’, ‘Talk To Me’ heading to Sundance

A quartet of Australian films has made it into the line-up for next year's Sundance Film Festival, with Robert Connolly's 'Blueback', Noora Niasari's 'Shayda', Daina Reid's 'Run Rabbit Run' and Danny Philippou and Michael Philippou's 'Talk To Me' all set to screen.

Film News

Arenamedia embraces cinema, both commercial and bold

Robert Connolly believes he's found the sweet spot at Arenamedia: a slate that balances large-scale, commercial feature films like 'The Dry' and 'Blueback' with features from exciting emerging voices.

Film News TV & Streaming

‘The whole experience was magical’: Bec Bignell on returning home for ‘Blueback’

Robert Connolly's upcoming drama ‘Blueback‘ was much more than an associate producer credit for Bec Bignell, with the production coinciding with a permanent move back to her regional home town of Kojonup.

Videos

‘Blueback’ (Trailer)

In Robert Connolly’s 'Blueback', young Abby befriends a magnificent wild blue groper while diving, beginning her life-long journey to save the world’s coral reefs.

Festivals Film News

Robert Connolly’s ‘Blueback’ selected for Toronto

Robert Connolly's 'Blueback' will make its world premiere in Toronto International Film Festival's Special Presentations strand.

Videos

‘Blueback’ (Teaser)

In Robert Connolly's 'Blueback', young Abby befriends a magnificent wild blue groper while diving, beginning her life-long journey to save the world's coral reefs.

Film News TV & Streaming

‘We would like to see more stories travel’: Grainne Brunsdon on taking content forward at Screen Australia

Screen Australia would like to see more projects that appeal to the "underserved" audience of 14-35-year-olds and have the potential to resonate internationally, head of content Grainne Brunsdon says.

Film News

‘There’s no point investing in a film if it’s not going to have an impact’: Richard Harris to spearhead Minderoo Pictures

"One of the beauties about the conversations we've been having was recognising that they were not just going to put money into individual films in an investment sense and then say goodbye."

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