Toronto International Film Festival is proving busy for Arenamedia this year, with Frances O'Connor's 'Emily' to open the event's Platform section.
See-Saw Films' dark comedy 'The End', created and written by Samantha Strauss and directed by Jessica M. Thompson and Jonathan Brough, follows three generations of a family living with separate but intersecting obsessions - how to die with dignity, live with none, and make it all count.
The virtual Cannes Film Market is underway with a raft of titles driven by Australian talent being pitched to buyers either as pre-sales or completed films.
In the 25 years since he graduated from the Australian Film Television and Radio School Robert Connolly has never been more excited about the future of the film industry.
Netflix has acquired worldwide rights to Owen Trevor’s debut feature 'GO!', excluding Australia and New Zealand, where Roadshow Films will release the See Pictures production on more than 240 screens on Thursday.
Zenia Starr made her screen debut in Mark Grentell's 2013 cricket comedy Backyard Ashes but this year has been the first when she has worked virtually non-stop.
Dispelling the notion that Foxtel has cut back on its commitment to Australian drama, the pay TV platform is in the hunt for shows that would not appear anywhere else on Australian screens and for a returning series to fill the gap left by 'A Place to Call Home'.
Frances O’Connor ('The Missing', 'Mr Selfridge') and Harriet Walter ('The Crown', 'Succession') will star in 'The End', a 10-part drama co-commissioned by Foxtel and Sky UK.