WIFT NSW stormed the AACTA Awards last night, with a dozen members tumbling out of the back of a van and onto the red carpet – dressed as sausages to protest the male dominance of the country's film and television industry. Below, WIFT member and filmma
'Dark Whispers - Volume 1' is Australia’s first women’s horror anthology. The feature film follows Clara, a young woman who inherits her mother’s Book of Dark Whispers only to discover 10 disturbing tales within its pages. Each chapter reveals a new facet of the twisted human psyche... or the not-so-human... as the case may be. From the horror of grief to a share-house living disaster, existential dread to right-swiping vampires, there’s something for all tastes; as long as those tastes are twisted.
Enzo Tedeschi’s horror anthology 'Deadhouse Dark' features interrelated shorts from Rosie Lourde, Megan Riakos, Denai Gracie, Tedeschi, Rachele Wiggins and Joshua Long.
Sydney filmmaker Naomi Sequeira’s 'Who I Was Before I Forgot' won Best Actress, Best Cinematography, and Best First Time Filmmaker at the 8th SmartFone Flick Fest on Sunday.
All the talk about the need for structural and cultural change in the screen industry must be converted into widespread action, according to Women in Film & Television (WIFT) Australia
Members of the Australian Directors’ Guild have benefitted from the knowledge that comes with being among the country’s most established filmmakers across the past five months as part of the ADG-40 'First-Hand' sessions.
Writer-director Megan Riakos' psychological thriller Crushed is continuing the rising trend of self-funded Australian films where cast and crew forego fees in return for a share of the profits.
Enzo Tedeschi's horror anthology 'Deadhouse Dark' will have its world premiere in the short form competition at Canneseries, the only Australian entry in the event which runs alongside the MIPTV market in Cannes.