After almost four years with Women in Film & Television (WIFT), Megan Riakos, the driving force behind the nationalisation of the organisation in 2018, will depart the board this month to focus on her slate of projects as an independent producer with Hemlock & Cedar Films.
"When you’ve got a child screaming at your
legs not wanting to be let go as you drop them off to a carer, you need to know why you’re leaving them. For me, that is doing my creative work."
A key focus for Women in Film & Television (WIFT) Australia this year will be expanding its current programs, each of which addresses the exit and entry points for all women and non-binary people in the screen industry.
Producer Carolyn Johnson and director Catriona McKenzie are the inaugural recipients of the SAFC's Doing It Differently development initiative for their screen adaptation of Patricia Cornelius’ play, 'Love'.
Off the back of last year's Raising Films Australia survey, which surveyed parents and carers about their experiences working in the screen industry, Create NSW has introduced a series of new initiatives - similar to those recently implemented by the South Australian Film Corporation (SAFC).
All the talk about the need for structural and cultural change in the screen industry must be converted into widespread action, according to Women in Film & Television (WIFT) Australia
The screen industry needs to "meaningfully grapple" with the longstanding, systemic issues that impact upon parents/carers in the sector, according to Professor Deb Verhoeven, one of the researchers behind Raising Films Australia's recent survey report.
"I am no less a mother because I hire carers to look after my children when I am unable to do so myself, and I am no less a film director or writer because I have children."