Australian Feature Film Summit director Sue Maslin, both a producer and a distributor, argues there is a theatrical future for local features if the industry starts to do business differently.
Director and producer Emma Macey-Storch is the inaugural winner of Screenwave International Film Festival's Ferguson Film Prize, recognised for her documentary 'Geeta'.
The South Australian Film Corporation (SAFC) is the new host organisation for the Screen Diversity and Inclusion Network (SDIN), with applications now open for the role of SDIN Project Officer.
The Australian Screen Industry Group has backed Screen Producers Australia's assessment of the Federal Government's proposed Streaming Services Reporting Scheme as "weak", while also warning of damage to the industry from delayed regulation.
The May edition of IF is out now, in which we go behind the scenes of 'The Drover's Wife The Legend of Molly Johnson', chat to Sean Keenan about 'Barons', and take a deep dive into the issues facing theatrical distribution and exhibition ahead of the Movie Convention and the Australian Feature Film Summit.
Elizabeth Banks will lead a new medical drama from New Zealand writer and director Christine Jeffs, produced by the Auckland-based GFC Films.
Long considered an Australian Christmas classic, Paul Kelly’s 1996 ballad 'How To Make Gravy' will now form the basis for a feature.
The Australian Writers' Guild has revealed the 12 successful applicants for its NSW First Break program, with a panel selecting the participants from more than 200 entries.