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Deluxe Australia to close DDP Studios and StageOne Sound

Mad Max: Fury Road.

Deluxe Australia is set to wind down its local post-production services with the closure of DDP Studios and StageOne Sound.

In a statement, the company said it was instead focusing on growing its Australian presence around cloud-based playout, media asset management and media delivery services for film, television and broadcast, as well as it visual effects services.

DDP Studios recent film projects have included Hacksaw Ridge, Lion, The Death and Life of Otto Bloom, Spin Out and Gods of Egypt. It was also involved in Mad Max: Fury Road, The Water Diviner, Paper Planes and The Lego Movie.

In television, it has been involved with The Beautiful Lie, The Katering Show, Jack Irish, Devil’s Playground, Molly and Miss Fisher’s Murder Mysteries.

“The globalisation and enormous changes in the entertainment and broadcast industries are driving demand for services like localisation, IP-based delivery, and world-class visual effects on a global scale. At the same time, we are experiencing reduced demand for post-production services in the domestic market,” said Deluxe Australia’s MD Alaric McAusland in a statement.

“Maintaining Deluxe’s world-class quality in post-production requires a pipeline of projects that today the local Australian industry isn’t able to deliver, and regrettably, we’re discontinuing some of our services. It is of course, very difficult to make changes that impact people who have served the company admirably for so many years. We are encouraging those individuals to apply for openings within growth areas of Deluxe.”

DDP Studios in Melbourne is set to close at the end of this month, while DDP and StageOne Sound in Sydney will wind down over the in the first half of next year as it completes the slate of film and television projects underway at the studio.

Going forward, Deluxe said it would continue to provide on-the-ground support for large international and local productions shooting in Australia with on-set and location-based dailies and colour management (DI) services provided remotely by its global network of creative brands including Company 3 and EFILM.

Deluxe recently invested in the development of a new media facility in Macquarie Park, Sydney, expected to open in October. The studio, which will service markets across the Asia Pacific region, includes the Deluxe MediaCloud Broadcast Delivery Network which provides an IP-based playout, media asset management and delivery platform for local and regional broadcasters.

The company said it has also invested significantly in its Australian animation and VFX brand, Iloura, which will continue to provide visual effects services in Australia along with sister VFX and finishing brand, Method Studios. Deluxe’s Flagstaff Studios and Sound Lounge brands will also continue to deliver creative services in Australia.
 

  1. My first job in the film industry was sweeping the floor of the ‘brand new’ studios at 180 Bank Street in 1979, for Emmy-award winning EP John McRae on “Water Under the Bridge” with Robyn Nevin.

  2. The premises at 180 Bank Street go back a long way, but no-one seems interested in that history any more. The building was home to Bill Armstrong Recording Studios, where many famous bands recorded their first albums, then became AAV Australia, after David Syme merged Bill Armstrong with Video Tape Centre. I was the first employee of Video Tape Centre and finally departed in 2005 when AAV Australia was dissolved. Many happy memories of that building.

  3. Wow. No one is talking about the greed of some supervisors who took work away from deluxe by undercutting on things like pre-dubs. Deluxe invested millions in this business and were willing to do deals to ensure films were able to use their facility and yet to make a few extra dollars producers and supervisors chose cheaper hacked together rooms and then took just the finals to deluxe. Once again the greed of the few ruins it for the rest of us. Congratulations!

  4. Geez! I go back to Armstrong audio when they were on Albert Road (I think) Phil Webster, Roger Savage. My brother Roger Corbett worked there and Mike Reed and I spent many a long night at AAV on Bank St. A big part of the history of production in Melbourne.

  5. If you trace the company back to it’s beginnings, it’s been what, 50 years? Videotape Centre/AAV/DDP/Delux. Changes in technology and ownership have been huge. Very sad for those talented specialized employees who might find it difficult to find work in this fragmented industry.
    It was on a Peter Corbet / Mike Reed job at AAV that I finally gave up after huge hours when I couldn’t see the vision mixer any more.

  6. No one is talking about the 50 years or film and tape archive under that building!!

    They are said to close in 3 weeks. No way will they organise to get all those historic film canisters and tapes into the right hands…

    What happens when it closes? It’s all pushed into a tip??

    This could be a disaster for australian film heritage..

    I would like to hear what happening on this topic.

  7. I can answer you James, I called them. The film archive/library isn’t moving, not everything is closing. Some moving, other parts staying. It’s bloody sad though for the Melbourne industry in general!!

  8. I got the chance for my work experience there at aav. I was wanting to be a cameraman at the time and I got to meet all the guys from LRB, for at least a week I got to live my dream to make films.30 years later I have picked up a camera and now making a start,

  9. Great Memories of 180 Bank AAV with doughnuts and Coffee as a supplier, meeting influential recording engineers like Earn, knowing all the while about the artists and recordings that were produced inside these hallowed walls, that spiritual feel. It will be missed in a similar way to Nine Richmond, our past fading. Being and ex-Muso and history buff….. have lots of media and referrals to live off, Best JW

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