Originally released earlier this year through the Instagram handle @TheOutThere, the linear drama series is the creation of first time writer-producer Hannah Lehmann, who also stars, and was directed by Mohini Herse.
It follows a 20-something Sydneysider Frances (Lehmann), who’s stuck in a rut. After she bumps her head drunkenly wandering around a graveyard, she begins seeing Thomas (Robert Snars), a ghost from the 1970s, everywhere she goes.
Focused on young content creators and youth audiences, Adolescent Content is an agency, production company and digital platform. It recently distributed The Out There‘s first season through its own Instagram feed – releasing one episode per day – and will financially back and support the development and production of a second season.
The company’s creative director Ramaa Mosley told IF Adolescent was attracted to the show because it was “incubated in a hyper creative way”, calling it an “incredible creative achievement.”
“Hannah is a talented writer with ability far beyond her age. We are so proud of what she accomplished with her team. When I watched the episodes of The Out There I had chills. This is a series that’s impossible to stop watching… Adolescent is dedicated to supporting and representing prodigious youth voices and this series is the perfect embodiment of our mission to help bring diverse voices into the light,” she said.
“The show has had high engagement on our @adolescentcontent Instagram feed. We currently have over 1,000,000 total impressions on the series. We look forward to developing season two with Hannah and supporting this extraordinary filmmaker.”
Lehmann told IF she had admired the work Adolescent had been doing with up-and-coming directors and creatives, and since partnering with the company she feels The Out There has been truly able to reach its target demographic. She also re-released the series through the official @TheOutThere feed as Adolescent Content was airing it.
“The response has been amazing. I’m receiving messages from strangers all over the world who love the show, and who can’t wait for the follow up season. It’s so nice to have people responding.”
She adds that the industry support in Australia when she first released the series earlier this year was overwhelming, noting it has been very encouraging as a first time producer.
However, releasing a series through Instagram, like any new and untested distribution platform, isn’t necessarily easy, said Lehmman.
“You really need to nail the storyline so that it works in such short clips, and figure out a way to maintain viewer interest so they’ll keep coming back. Instagram is so full of content, and not typically a filmmaking platform, so its easy for your work to get lost. Building an audience organically is always a challenge, but its really about persistence and patience. Listen to your audience, respond to them and make them feel like they want to watch more.”
She said that “micro filmmaking is having a moment”, something she is pleased to have been at the forefront of in Australia.
The second season of The Out There will start shooting later this year.