ARRI has launched the ALEXA 35 Live Multicam System in an effort to bring cinematic quality images to live entertainment productions.
ARRI has unveiled a complete large-format system that meets and exceeds modern production requirements, delivering unprecedented creative freedom.
The first production to use ARRI’s ALEXA 65 large format digital camera system has hit theatres: Mission: Impossible – Rogue Nation.
Multi ACS award-winning cinematographer Edward Goldner recently made the decision to upgrade his camera arsenal to include a new ALEXA XT purchased from and supplied by ARRI Australia.
Transvideo and ARRI are collaborating on a specially adapted version of Transvideo’s StarliteHD 5†OLED monitor. The resulting StarliteHD5-ARRI will be able to control the new ARRI ALEXA Mini and also the ARRI AMIRA.
Mahmudul Raz, Media Producer and Post Production Supervisor for the WA Screen Academy, School of Communications and Arts at Edith Cowan University has been investigating digital cine cameras for the university since 2009.
ARRI has announced its new ALEXA Mini, a versatile additional tool in the ARRI ALEXA camera range that combines a compact and lightweight form factor with the same unparalleled image quality that has made the ALEXA system a gold standard for the industry.
HyperFocal, one of Sydney’s top boutique camera rental houses, recently made the decision to increase and upgrade its fleet of ARRI ALEXA cameras due to demand from its customers and the changing world of television production.