In season two, time has passed, and news of the miracle has spread, but this time around the plant itself has transformed and the experience and its side effects are far more severe. With the town's secret having leaked, Anne Carter (Jacqueline McKenzie) – the former CEO of a biotech company – arrives in Mullan with her young daughter and her friend’s teenage son, Luke (Ed Oxenbould), for a tree-change. But it’s only her cover story. John Melvin (Toby Schmitz), the troubled new priest is trying hard to rally faith and is desperate for a miracle from God. While beloved former actress, Gwen Reed (Jacki Weaver/Phoebe Tonkin), has cheated death once again, but at what cost? As news of a “second generation” plant emerges, a battle between nature, science and faith erupts.
Forever is a very long time if it's without the one you love. The brand new season of the Stan Original series Bloom premieres April 9.
A first look at Ryan Corr starring alongside Phoebe Tonkin, Bryan Brown & Jacki Weaver in the new Stan Original series 'Bloom'. Premiering New Year’s Day.
'Bloom' is a mystery drama about the scarcity of time and the choices we make. Beyond the impulses of youth and the regrets of age lies a secret. One year after a devastating flood kills five locals in an idyllic country town, a mysterious new plant appears with the power to restore youth. It’s a gift powerful beyond wildest imaginings. A phenomenon so formidable that attempting to harness its potency means re-evaluating everything that’s important. It’s a miracle some will kill to keep secret.
One year after a devastating flood kills five locals in an idyllic country town, a mysterious new plant appears with the power to restore their youth.
Responding to the COVID-19 crisis, Australians in Film (AiF) is giving existing members two months free membership and extending that offer to new members.
Bryan Brown will receive this year's Longford Lyell Award, the highest honour bestowed by the Australian Academy of Cinema and Television Arts (AACTA).
Screenwriter Catherine S. McMullen addresses the challenges of making a living in the genre space in Australia and for females to be recognised in the profession.