Writer Emily Ballou steps into the role of showrunner for 'One Night', a series that explores the relationship between collective and individual memory.
Wooden Horse company directors Jude Troy and Richard Finlayson speak about process of producing Disney+’s 'The Clearing' and the ABC’s 'Mother and Son', as well as factual projects 'Revealed: The Cape' and 'Stuff the British Stole'.
Ahead of this year's Australian International Movie Convention, National Association of Cinema Operators executive director Cameron Mitchell reflects on how the cinema industry is evolving and rebounding.
Directors Indianna Bell and Josiah Allen were saving up for a house, but after hearing American director Trey Edward Shults speak at Austin Film Festival about making the micro budget 'Krisha', they decided their funds might be better spent making a debut feature that they could use as a calling card.
When IF asked leading rental houses to share their insights into equipment trends, the conversation invariably turned to lenses. Reps also share what new products they’re excited by, and what gear deserves better recognition.
VFX supervisor Andrew Robinson talks to IF about using virtual production to create the environments for John Curran's 'Mercy Road' ahead of its screenings at the Melbourne International Film Festival.
Jack Clark and Jim Weir's 'Birdeater', with its echoes of 'Wake in Fright', joins Australia's recent indie success stories. After snaring Sydney Film Festival's Audience Award, their debut feature - made on a shoestring - sold out all its sessions at the Melbourne International Film Festival, landed distribution with Umbrella and simply generated a significant amount of buzz.
In coming up with the story for his feature directorial debut 'The Rooster', starring Phoenix Raei and Hugo Weaving, Mark Leonard Winter tried to depict the strangeness and difficulty that came with a time of "deep depression".