Director Nick Kozakis speaks to IF about the production of debut solo feature 'Godless: The Eastfield Exorcism' ahead of its Australian premiere at next month's Melbourne International Film Festival.
Actress Bridie McKim speaks with IF about continuing the industry conversation in regards to supporting and employing people with disability.
Sight and Sound magazine listed only two Australian features among its 50 best films of 2022. One was Baz Luhrmann’s 'Elvis', and the other a self-financed feature debut, 'The Plains'. Since launching on Mubi, Letterboxd reviews variously describe it as “the exact kind of unflinching, experimental but still accessible film that Screen Australia should be funding” and “maybe the best Australian film of the century”.
Australian employers now have increased legal obligations to protect the mental wellbeing of employees. IF finds out what that means for the screen industry.
In forcing the film and television industry to explore new ways of working, the pandemic may also have inadvertently exposed the superfluousness of the long days synonymous with production. IF explores change in the air.
You only have to say ‘The Kates’ to bring up a brand of comedy that is both individually distinctive
while also a dual entity. With credits such as 'The Katering Show', 'Get Krack!n', and the recent 'Deadloch', Kate McCartney and Kate McLennan speak to IF about their creative connection.
Amid the ongoing US Writers’ Strike, Australian Writers’ Guild executive director Claire Pullen reflects on the landscape for writers locally.
Goalpost Pictures' Rosemary Blight speaks about how Benjamin Millepied's 'Carmen' was brought to Australia and why the company is looking to do more international co-productions.