Writer Keir Wilkins will have his work featured across Netflix and Stan this year, having contributed to the second season of 'Surviving Summer' and upcoming dark comedy 'Totally Completely Fine'.
For Harry Greenwood, the best screen projects to either act in or watch have darkness backed up against humour, just like in life.
"Volcanoes are such a perfect metaphor for love." Sara Dosa, the director of the Oscar-nominated 'Fire of Love' and AIDC keynote speaker, talks to IF.
Back in 2017, Matchbox Pictures producer Amanda Higgs gave director Corrie Chen her first long-form gig on ABC children’s series...
Outgoing Screen Australia CEO Graeme Mason addresses the agency’s priorities for the year ahead, including capacity building and celebrating the 30th anniversary of the First Nations department, and outlines areas of opportunity.
There are only a few extended families that can lay claim to multiple Oscar nominees, but the Villa and Pashley family is one, with both editor Matt Villa and sound designer Wayne Pashley up for 'Elvis'. In this in-depth interview, the pair describe their experiences working with Baz Luhrmann, each other and their craft.
As the screen industry awaits the outcome of the Federal Government's consultation with the major SVODs, those at centre of the conversation say it is business as usual in terms of commissioning Australian content.
If you can tell a story in the pub, you can write a film script: You just need to know the techniques. So says 'Master and Commander', 'Happy Feet', 'Tanna' and 'Hotel Mumbai' scribe John Collee, who is emphatic that there there is no "dark magic" to screenwriting.