In many respects, the screen sector today is virtually unrecognisable from three and a half years ago, and not just because the coronavirus pandemic has devastated sections of the industry.
The Natalie Miller Fellowship (NMF) organisers have appealed for more Indigenous female screen practitioners to apply for the fellowship that provides an annual $20,000 grant for leadership advancement.
"We have to find a better way to support people and change the practices of how people enter the industry.”
For Robert Connolly, 2019 is the year when filmmakers will need to rise to the challenge of the massive success of TV drama by offering unique experiences.
Have we turned into a vanity publishing industry with little connection between creative ideas and audiences? If there is a future for Australian feature films, what would it look like?
As the executive producer and distributor of 'Jill Bilcock: Dancing the Invisible', Sue Maslin knew the feature documentary would appeal to filmmakers and cinephiles.