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BO Report: ‘La La Land’ gets post-Globes boost, ‘Red Dog’ slips to 15th

‘La La Land’ (Photo Credit: Dale Robinette)

Universal’s Sing remains on top of the Aussie box office, collecting weekend takings of $2.315 million from 310 screens. The animated film, now in its third week on screens, has a cume of $22.3 million.

Fellow musical La La Land was just a hair behind, earning $2.306 million from 210 screens. The eOne film boasts the better screen average, at $11,088 per location compared to Sing’s $7,641, and is up 36 per cent, a boost most likely thanks to its seven Golden Globe wins last week. The awards season favourite, also recently nominated for 11 BAFTA Awards, sits on a total of $11.2 million after three weeks.

In a close third position was Moana, which fell 30 per cent to take $2.1 million. The Disney film has made $19.5 million since its release on Boxing Day.

Roadshow’s sci-fi Passengers had weekend takings of $2 million, bringing its cume to $11.3 million.

Rogue One: A Star Wars Story, now in its fifth week, took $1.9 million. The Disney title has now tallied a whopping $47.1 million overall in Oz.

Paramount’s action-comedy Monster Trucks debuted in sixth position, earning $1.4 million from 228 screens.

Fox’s Assassin’s Creed, directed by Aussie Justin Kurzel, earned $1.3 million over the weekend, and now sits on $8.2 million.

Each in their third week, Paramount’s Allied earned $1.1 million, while Fox’s Why Him? made $979,882. They’re sitting on $10.2 million and $9.5 million respectively.

Rounding out the top ten was StudioCanal’s Ballerina, which debuted on $910,569 from 223 screens.

Roadshow’s Red Dog: True Blue, still on 305 screens, has slipped out of the top ten, with weekend earnings of $503,014 – a fall of 46 per cent. The Kriv Stenders film has made $6.3 million so far.

  1. How much diversity can there be when the same “collective” forms the Australian Film Industry, at the expense of the audiences and any notion of an industry.

    Maybe a cumulative Total of all Taxpayer funds should be published along all articles.

    $1649 per screen, pfft!

    Projects and personal should be cancelled. the problem, is structural and time for radical changes.

  2. Give a Dog a Bad Name. Red Dog had a good name, and it was a fine starting point for a trilogy, unfortunately a trilogy needs stage two to pick up on stage one and improve its curve, either rounding out, or climaxing with the third installment. Unfortunately the old problem of Australian general confusion when it comes to simple story telling, tripped on its own boot laces.

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