Linda Aronson's masterclass on advanced theories and techniques for creating original story design explodes conventional screenwriting theory for feature film & TV. For screenwriters & screen editors looking for practical guidelines to create flashback.
Creatives Justin Olstein and Sally Webster will benefit from an introduction to key Hollywood professionals as the recipients of the In Dreams fellowship for 2021.
With the writers strike in the US now entering its third week, writer and script producer Blake Ayshford reflects on the parallel and different issues facing writers working in Australia, where he argues our system means small rooms, short weeks for plotting and narrow career paths for newer writers are already the norm.
Two projects have been announced as joint winners of the New Perspectives Pitch Lab, with the teams from feature documentary Joy and First Nations-led documentary series Our Country to participate in pitching opportunities at the 2022 Australian International Documentary Conference (AIDC).
Screen Canberra and artsACT have awarded nearly $100,000 to seven local projects as part of the ACT Screen Arts Fund.
Production assistant and journalist Gina Song and writer and script editor Madeleine Ruskin are the recipients of this year's Victorian Screen Development internships.
The Mercury has announced Bryce Kraehenbuehl as the recipient of this year's $45,000 Hanlon Larsen Screen Fellowship, established to enable experimental and surreal filmmakers to develop a distinctive voice and create bold work for the screen.
The NSW North Coast is the latest location for Bus Stop Films' Accessible Film Studies program, with the training to launch at TAFE NSW Coffs Harbour Education Campus this month.