"More time in the edit means more time to distil and maximise everything that has come before." - Australian Screen Editors president Danielle Boesenberg makes the case for greater time in post.
Geoff Lamb was a double winner at Saturday's Ellie Awards, taking home prizes for his work cutting both feature film 'Talk to Me' and Disney+ series 'The Clearing'.
There are editors ready to cut their first TV show, but until they earn their first broadcast credit the door to working on a series stays firmly closed. Meanwhile, there's a shortage of TV editors. Australian Screen Editors president Danielle Boesenberg has decided to change things.
Screen Australia has taken the next steps with its below-the-line training initiatives, unveiling the recipients and host companies for BTL Next Step, the Production Crew Skills Training Fund, and the Transferable Skills and Returning Crew Training Fund, while also announcing $1.7 million of industry development funding across the programs.
Elvis editing duo Matt Villa and Jonathan Redmond are celebrating a double triumph after backing up their Ellie Award for Best Editing in a Feature Drama on Saturday with the AACTA Award for Best Editing in Film on Monday.
The editors behind 'Nitram', 'I Met A Girl', 'The Furnace' and 'June Again' will compete for this year's Ellie Award for Best Editing in Feature Drama.
Andy Canny scooped Best Editing in a Feature Drama for 'The Invisible Man' at the 2020 Ellie Awards on Sunday evening, backing up his recent AACTA win.
Australia’s screen industry craft guilds have decried the Federal Government’s abrupt decision to fold the Department of Communications and the Arts into a new super ministry, omitting the Arts, as an insult to the industry.