While riding the 2020 ‘corona-coaster’ the world not only became collective experts in baking sourdough, but also in finding new ways to keep our momentum and connection, writes producer Julie Eckersley.
Start Beyond co-founder and COO Nathan Anderson has spun out the company's entertainment division into independent venture New Canvas.
A new IMAX film about protecting and regenerating wild koala habitats could usher in a new era of visual precision for filmmakers through its use of a 12K camera.
A new report released by the Australian Screen Production Education and Research Association (ASPERA) shows that there is limited on screen diversity within students' capstone projects at film school, and behind the camera, crew roles are gendered.
National Film and Sound Archive (NFSA) CEO Jan Müller has announced his resignation after three and half years, with the executive to return to the Netherlands to be with family.
'Aunty Donna’s Big Ol’ House of Fun', 'Stateless, Love on The Spectrum and The New Legends of Monkey proved the most popular Australian titles on Netflix, both locally and globally, this year.
Australia has received strong representation at the Rose d’Or Awards on Wednesday, with locally-produced programs First Day and Content among the winners at the virtual ceremony.
After nine years in-house at Matchbox Pictures, producer Julie Eckersley reflects on her recent return to solo producing.