Sony has announced a new addition to its Cinema Line in the form of the ILME-FR7, an E-mount interchangeable lens camera with a full-frame image sensor and built-in pan/tilt/zoom (PTZ) functionality.
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ARRI has unveiled Orbiter Projection Optics 25° and 35°, designed for applications across theatres, cinema, broadcast studios and live production, including outdoors.
When many film students start out, the first thing they want to do is pick up the camera. When teachers have step in to remind them of the importance of pre-production, it can feel like putting a halt on their students’ creativity. However, educators say new software is helping to ‘gamify’ production planning.
Operations specialist Steve Kilsby is set to come on board at Videocraft and Digistor as head of technical services.
RED Digital Cinema has officially announced the availability of the V-RAPTOR XLTM 8K VV camera.
Former VFX coordinator Lucy Cooke launched visual planning tool SpaceDraft out of frustration, having seen too many complicated scenes and stunts planned out with scale models – even toy cars and figurines. Her software has now raised $2.7 million in seed funding and is starting to reshape industry communication.
Avid's Edit On Demand cloud solution now offers “over-the-shoulder" workflows via Secure Reliable Transport (SRT) protocol support in the latest edition of Media Composer editing software.
Atomos has announced the integration of NDI technology across the entire Connect product range as an instantly recognizable source by other NDI-enabled applications and devices connected to a standard local area network.