Australian rock group Mental as Anything and the world of competitive spreadsheet creation are among the subjects of documentaries to be included in the latest round of Screen Australia funding.
The agency has announced 11 documentaries through the Producer Program and two through the Commissioned Program will share in $3 million of production funding.
They include an as-yet-untitled feature film for theatrical release via Bonsai Films and broadcast on the Seven Network about the rise of Mental As Anything from I’m Wanita director Matthew Walker; Spreadsheet Champions, a feature-length documentary that follows students from around the world as they compete in the Spreadsheet World Championships; and We Are Jeni, documenting Jeni Hayes and her network of 2,500 alternative personalities’ mission to seek justice.
Screen Australia’s head of documentary Richard Huddleston expected the funded projects to appeal to a range of Australian and international audiences.
“I am thrilled that this funding will support a rich array of documentary producers; from emerging and established filmmakers to internationally award-winning artists and our leading investigative journalists,” he said.
This announcement includes the remainder of projects funded in the 2023/24 financial year during which Screen Australia funded $12.4 million across over projects for production, development, and initiatives, including Fresh Cuts with AIDC.
Projects supported through the Producer Program:
Edge of Life: This feature film follows two Melbourne doctors using a synthetic version of the naturally occurring psychedelic, psilocybin, to assist patients in palliative care who are experiencing anxiety at end-of-life – achieving remarkable results but opening doorways to questions they struggle to answer. Edge of Life explores whether the world’s oldest cultures, and those most familiar with these ‘medicines’, have valuable insights on one of the most essential aspects of human life – its end. It is from artist/writer/director Lynette Wallworth and writer Chief Tashka Yawanawa, with Jo-anne McGowan and Jennifer Peedom producing and executive producing, respectively. The film is financed in association with Screen NSW and the Shark Island Foundation, with support from the Adelaide Film Festival Investment Fund and the Australian National University. Local distribution by Kismet and international sales by K2/MGM.
Hard as Puck: This observational feature-length documentary follows a squad of Australian Para Ice Hockey players as they vie for a place on the first-ever Australian team who hope to make it to the World Championships. With everything stacked against them and the sport itself, nothing will stop these athletes from showing up on game day. Hard as Puck is from director Isaac Elliot, producers Chanel Bowen and Noel Smyth, and executive producer Rebecca Bignell. It is Financed in association with Screenwest and Lotterywest.
Make it Look Real: A feature film that gives unique access into how intimate scenes in film and TV are created. Intimacy coordinator Claire Warden guides actors through sex scenes on a film set, negotiating the director’s vision whilst understanding the physical and psychological needs of the performers – with a documentary crew filming her every move. Make it Look Real is from writer/director Kate Blackmore, producers Bethany Bruce and Daniel Joyce, and executive producers Bridget Ikin and Emma Cooper. It is Financed in association with Projector Films, with support from Screen NSW and the Adelaide Film Festival Investment Fund.
Mockbuster: A feature film that follows writer/director Anthony Frith as he navigates the world of notorious US production house, The Asylum, known for producing “mockbusters” – low-budget films created to exploit the publicity of upcoming major releases. In Mockbuster, The Asylum has tasked Anthony to direct a feature-length mockbuster in Australia with only a micro-budget and a six-day shoot – a challenge that will push him and his crew to their limits. Joining Frith in the creative team are writer/producer Sandy Cameron and producers David Elliot-Jones and Naomi Ball. Financed in association with the South Australian Film Corporation, the Adelaide Film Festival Investment Fund, Giant Pictures and VicScreen.
Phenomena: In Phenomena, art, and science collide on a psychedelic odyssey through the patterns of nature that set out to reveal the wonders of the universe — and our relationship with it. A filmmaker is struck by the big questions, and propelled by curiosity into a journey of discovery. Through experiments and awe-inspiring details, he follows the patterns of nature down the rabbit hole, revealing the elements that make us, the forces that shape us, and the mechanisms at the foundation of our experience. Josef Gatti writes, directs and produces, working with Rob Innes and executive producer Jessica Harrop. It is co-produced with Sandbox Films and financed in association with VicScreen.
Queens of Concrete: Shot over seven years, this coming-of-age feature-length documentary chronicles Hayley, Ava and Charlotte’s journey from childhood to adulthood as they follow their dreams to qualify for the first ever Australian Olympic skateboarding team for the 2020 games. They each wrestle with their own definition of success and find balance between the people they want to be, and the adults they are being turned into. Eliza Cox directs, while also producing alongside Gena Riess, Oscar Ascencio, and CJ Welsh (Disclosure), with Anna Kaplan executive producing. Financed in association with VicScreen, with support from the Melbourne International Film Festival (MIFF) Premiere Fund.
Sentient: This feature-length documentary takes audiences behind locked doors of high-security laboratories and into the world of those who experiment on animals. Sentient is a meditation on the connections between the human race and the animals we use for research and explores the consequences of animal testing – both on the animals, and the moral injury or compassion fatigue suffered by the people who do it. Sentient is from writer/director Tony Jones and producer Ivan O’Mahoney.
Spreadsheet Champions: In this feature-length documentary, students from around the world compete in the greatest competition most people have never heard of – the Spreadsheet World Championships. Spreadsheet Champions follows six students from different countries as they compete in the Microsoft Office Championships’ most difficult and prestigious category, Excel. Kristina Kraskov and Anna Charalambous of Suburban Legends are directing and producing, respectively, with Charlotte Wheaton and Nick Batzias producing. It is financed in association with the Melbourne International Film Festival (MIFF) Premiere Fund and VicScreen. Local distribution by Madman Entertainment.
Untitled Mental as Anything Documentary: A feature film for theatrical release via Bonsai Films and broadcast on the Seven Network about the extraordinary rise of iconic Australian band Mental As Anything through their infectious pop sound and creative journey that has left an indelible mark on Australia’s music and art celebrating suburban Australia. Writer/director Matthew Walker is working with producers Carolina Sorensen and Susanne Morrison. Frank Chidiac and Martin Fabinyi are executive producing. A Beyond Entertainment Production in association with People Productions, the film is financed with support from Screen NSW. International sales by Banijay Rights, with post, digital, and visual effects supported by Screen NSW.
We Are Jeni: This feature-length documentary for SBS tracks the remarkable journey of Jeni Haynes who created a vast network of 2,500 alternate personalities to survive extreme trauma that she endured since infancy. Mariel Thomas and Akhim Dev are directing, with Simon Nasht and Sara Kozac producing. Financed with support from Philanthropy via the Shark Island Foundation.
Yurlu | Country: This feature-length documentary takes viewers into the remote red gorges of the Pilbara in Western Australia and its rich Banjima history with elder Maitland Parker. This stunning landscape is also scarred by Australia’s very own Chernobyl – the largest contaminated site in the Southern Hemisphere where asbestos has made the area inaccessible. Yurlu | Country is Maitland’s last stand to protect his family, culture and to write his final chapter as he fights for his homelands’ rehabilitation. The creative team comprises writer/director/producer Yaara Bou Melhem, writer/executive producer Maitland Parker, producer Lisa Main, and executive producer Chris Kamen. The film is financed in association with the Martidja Banyjima, with support from Screen NSW and the Shark Island Institute. Bonsai Films is distributing locally.
The projects funded through the Commissioned Program are:
Headliners: In this series for the ABC, Elly-May Barnes is supported by rock legend dad Jimmy Barnes on a quest to create two bands of musicians living with a disability – simultaneously exposing the lack of visibility, access, and inclusivity for some of Australia’s talented musicians and performers. The series is from producer Kate Paul and executive producer Penny McWhirter. It has received major production investment from the ABC, with support from Screen NSW. Banijay Rights is managing international sales.
The Secret DNA of Us: From executive producers Josie Mason Campbell and Sophie Meyrick, The Secret DNA of Us presents an eye-opening exploration of Australia through mass DNA testing. The Secret DNA of Us has received major production investment from SBS and is financed with support from Screen NSW.