WIFT (Women in Film Television) is inviting applications for a NSW board member after Yolandi Franken announced her departure.
Sydney filmmaker Naomi Sequeira’s 'Who I Was Before I Forgot' won Best Actress, Best Cinematography, and Best First Time Filmmaker at the 8th SmartFone Flick Fest on Sunday.
WIFT (Women in Film Television) NSW has welcomed eight new team members as the state chapter seeks to broaden its influence.
Members of the Australian Directors’ Guild have benefitted from the knowledge that comes with being among the country’s most established filmmakers across the past five months as part of the ADG-40 'First-Hand' sessions.
After almost four years with Women in Film & Television (WIFT), Megan Riakos, the driving force behind the nationalisation of the organisation in 2018, will depart the board this month to focus on her slate of projects as an independent producer with Hemlock & Cedar Films.
Enzo Tedeschi’s horror anthology 'Deadhouse Dark' features interrelated shorts from Rosie Lourde, Megan Riakos, Denai Gracie, Tedeschi, Rachele Wiggins and Joshua Long.
Those releasing indie features have had to become even more flexible and innovative in order to reach audiences and remain viable, writes Megan Riakos.
The impact of COVID-19 is having far reaching effects on the entire world and no one industry is immune to the fallout, however freelancers and casual workers (including independent filmmakers) are the canaries in the coal mine.