ARRI has launched its new line of Impression Filters, designed to give a vintage feel to Signature Prime and Signature Zoom lenses.
ARRI has unveiled Orbiter Projection Optics 25° and 35°, designed for applications across theatres, cinema, broadcast studios and live production, including outdoors.
ARRI has released a software update - LiOS2 - for the Oribter LED luminare, with aims of improving production workflow.
In this wrap: Casting director Alison Telford goes freelance; Sixty40 brings on three new directors; Prime Focus Technologies opens Sydney office, to be headed by Graeme Whineray.
• Molly Haddon joins ARRI ANZ
• David Blackett named group GM Mag
ARRI launches new lightweight Matte Box LMB 4×5 SYDNEY, 29 May 2017 – ARRI invests in its range of high-quality, camera-independent accessories with the...
ARRI CELEBRATES 100 YEARS SYDNEY, 31 January 2017 – As its centenary year gets underway, ARRI looks back at its...
In his most recent role with Tiffen, Smith was Asia-Pacific manager, responsible for significantly growing sales of the company’s film and TV acquisition products across the region.
Designed specifically for Canon’s latest Cinema EOS cameras, ARRI PCA introduces a new cine plate for film set environments, an adjustable broadcast plate for documentary-style filming and a handy top-mounted support plate.