Producer Emma Cooper is the new chair of Australians in Film (AiF), taking over from Simonne Overend.
The finalists for the Equity Ensemble Awards for Australian dramas, comedies and miniseries that aired in 2019 have been announced.
Screenwriter Catherine S. McMullen addresses the challenges of making a living in the genre space in Australia and for females to be recognised in the profession.
Playmaker Media co-founders David Taylor and David Maher reflect on the suspension of the local content quotas, the impact of the overseas talent drain and the key to longevity as the Sony-owned production company marks its 10th anniversary.
Responding to the COVID-19 crisis, Australians in Film (AiF) is giving existing members two months free membership and extending that offer to new members.
Forever is a very long time if it's without the one you love. The brand new season of the Stan Original series Bloom premieres April 9.
In season two, time has passed, and news of the miracle has spread, but this time around the plant itself has transformed and the experience and its side effects are far more severe. With the town's secret having leaked, Anne Carter (Jacqueline McKenzie) – the former CEO of a biotech company – arrives in Mullan with her young daughter and her friend’s teenage son, Luke (Ed Oxenbould), for a tree-change. But it’s only her cover story. John Melvin (Toby Schmitz), the troubled new priest is trying hard to rally faith and is desperate for a miracle from God. While beloved former actress, Gwen Reed (Jacki Weaver/Phoebe Tonkin), has cheated death once again, but at what cost? As news of a “second generation” plant emerges, a battle between nature, science and faith erupts.
The editors of 'Ladies in Black', 'Bloom' and 'The Final Quarter' were among the honorees of the Australian Screen Editors' annual Ellie Awards presented on Saturday night at the Eternity Playhouse in Darlinghurst.